I recognise the importance of Fairport Convention in the history of rock and pop music, and particularly folk-rock; however I have never been a massive fan of the band. I’ve seen them a few times in concert over the years, probably half a dozen or so in total. I used to play Meet on the Ledge a lot when I was younger; it featured on the lp You Can All Join In, which was a popular low price sampler album of the early 70s. Everyone at school had the album and Meet on the Ledge was a favourite track. I also had a Polydor 3 lp box set, which I think was called Pop Party, and had a couple of very early Fairport tracks on it, including If I Had a Ribbon Bow, which I thought was great fun.
I also love Where Does The Time Go. Some of their other material is just a little too traditional folk for me. Having said that I’ve been to see them a few times recently and always enjoy their shows. I first saw Fairport in the early 70s at a gig at Sunderland Locarno (or it could have Sunderland Top Rank; or possibly at both…..). I remember thinking that they were suprisingly loud for a folk-rock band. I then saw them as support act for Zeppelin at Knebworth. I also saw a few Fairport related acts during the 70s: Sandy Denny solo, Richard and Linda Thompson and Dave Swarbrick solo. The ticket here is for a Fairport Acoustic gig which David and I saw at Alnwick Playhouse five years or so ago. We both enjoyed the gig, which was in quite initimate surroundings. The programme shown here is from a gig in the early 90s, which I don’t recollect attending to be honest. I think I may have bought this programme at a car boot fair some years ago! The last couple of times I have seen Fairport Convention has been at The Sage, Gateshead; I blogged on those gigs when I attended then. My admiration for, and interest in, the band continues to grow over the years. Long may they continue.
Posts Tagged ‘rock n roll’
7 Dec
Fairport Convention over the years
6 Dec
The Flamin’ Groovies 1972 Newcastle City Hall and 1976 Redcar Coatham Bowl
The Flamin’ Groovies 1972 Newcastle City Hall and 1976 Redcar Coatham Bowl
Support in 1972 came from Mr Moses Schoolband and Man; Support in 1976 came from the Damned
I first saw The Flamin’ Groovies at a concert at Newcasle City Hall in 1972. I keep all my ticket stubs, but don’t have one for this. I must have paid at the door, and not been given a ticket, which sometimes happened in those days. I know that tickets did exist for this gig, as I saw one for sale on eBay a few weeks ago; I bid on it, but sadly I was outbid at the last moment. I went along to the gig on my own, but ran into some friends from town, and joined them in seats near the front. The gig was general admission, with no seat numbers on the tickets, something which never seems to happen now. It was not well attended and there were plenty of empty seats. I went along partly out on curiosity; I had read some good reports of the Flamin’ Groovies from recent festival appearances, and also to see Man, who were one of the supporting acts. First up was a strange band called Mr Moses School Band. As I recall Mr Moses was the singer and he was totally outrageous, crazy and over the top.
He finished the set by throwing the mike stand into the crowd, just missing us; again something that you never see these days (definitely not covered by Health and Safety risk assessments). Man were next up. I saw them lots of times in the 70s, at festivals and at the City Hall. They were always amazing; great musicianship, particularly from Micky Jones who played long meandering west coast influenced guitar solos on his Gibson SG which were outstanding and never boring. Spunk Rock was my favourite at the time. The Flamin’ Groovies were quite wierd. If you can imagine mixing 50s rock n roll with garage and blending it with the Rolling Stones you wouldn’t be far off. They started with Jumping Jack Flash, and did a few Stones covers. The singer must have been watching lots of film of Jagger, who he obviously modelled himself on, almost to the point of parody. Their well know album at the time was Teenage Head; I remember them playing the title track and another song which was well known at the time, which was called Slow Death.
Roll forward four years to 1976, and a group of us went to Redcar’s Coatham Bowl to see the Groovies. Once again, there was a strong support in the form of The Damed who were a new, young punk group and very much a band of the moment, while The Flamin’ Groovies were now being hailed as one of the forerunners of punk, a label which I found difficult to understand, given my memories of the City Hall gig. By now they had teamed up with Dave Edmunds and had just released Shake Some Action. I have blogged separately on The Damned, and briefly mentioned their performance that night. Suffice it to say here that they were amazing; young, fresh, fast, crazy, and angry and they just blew the crowd away that night. The Groovies were ok, but it must have been difficult for them to follow the Damned’s high energy performance. They were a very different band from the one I saw in 1972. There were no Jagger impersonations this time, or any old 50s rock n roll songs. The show focussed very much on their own material and on their latest album.
The Flamin’ Groovies now command almost legendary status; I’m pleased that I was lucky enough to see them on these two occasions.
Many thanks to Ken for sending me the two images of his ticket and signed flyer from the 1972 City Hall concert.
5 Dec
Billy Fury, Marty Wilde and others 1974
Billy Fury, Marty Wilde and others. Sunderland Empire.
The 1974 Rock n Roll show, featuring The New Tornadoes; Heinz; Tommy Bruce; Marty Wilde; then the interval (according to the programme) then Carl Simmons; Billy Fury.
This was an early 70s package tour featuring some UK rock n roll greats. I went along with my mates Will and Norm, and we bought cheap 30p seats right up in the gallery of Sunderland Empire. We were on our way after this gig to see, on the same night, The (mighty) Groundhogs at Newcastle Mayfair (I’ll blog on The Groundhogs in concert on another day) so we had to leave early, to ensure that we got through to Newcastle on time to see Tony McPhee and the guys. First up on this bill was The New Tornadoes, who performed Telstar and the other hits. I’m not sure if there were any original members in the band that night; I suspect that “The New” suggests not, although original Tornado Heinz was on the bill, and may have joined them for their short set. Next up was Heinz, still sporting his trademark peroxide white hair, and singing his hits such as Just Like Eddie.
Next up was Tommy Bruce. To be honest I had to google Tommy to remind me of him. I found that his cover version of “Ain’t Misbehavin'” made number 3 in the UK Singles Chart in 1960. Next up Marty Wilde. My stronger memory of this gig is of Marty signing “Teenage in Love” and “Sea of Love”. It is interesting to think that we saw Marty as a veteran in 1974, and yet he is still performing today, almost 40 years later. The programme tells me that there was then an interval, and this is where my memory gets sketchy. I know that we left early to go through to the Mayfair and see The Groundhogs, but can’t recall at which point we left. I think we saw Carl Simmons, and possibly some of Billy Fury, but can’t be certain; which is a shame as I am now a big fan of Billy Fury, and yet I don’t know if I actually saw him in concert! I need to quiz Will and Norm to see if their memory of the evening is any better than mine. Carl Simmons was in the mould of Jerry Lee Lewis and played live a lot at the time, and was well know for his action-packed stage show. I think I may have seen him at another concert at the time, perhaps supporting a visiting American star. By 1974, it was some years since Billy Fury had been in the charts, although he was still releasing singles at the time. This was a fun gig, and The Groundhogs were also good that night. Looking back I wish I had stayed and watched Billy Fury, as I never got the chance to see him again, and didn’t realise at the time just how great he was; but then, as they say, hindsight is a wonderful thing.
4 Dec
The Fall Newcastle Tyne Theatre 1980
The Fall Newcastle Tyne Theatre 1980
Support from Cabaret Voltaire, Clicks and Flesh
I have only seen The Fall once. There I have admitted it. I fully realise that they are seen as a super cool band, Peel faves and one of the only remaining originals of the Manchester punk / post-punk days, but for some reason I have never got round to seeing them again; the one time that I did see them being over 30 years ago. I keep meaning to catch up with them, and I have an outstanding promise to David and Laura to take them to Fall gig, but each time they have been in the area something else has come up, and I guess they just haven’t been high enough on my list of priorities. Still, I am sure that it is something that I will put right some day soon, and that I will get along to see them again one day.
Anyway, back to this gig. It was a pretty full evening, with support from Cabaret Voltaire, Gary Chaplin’s (ex Penetration) Clicks and local band Flesh. The venue was the Tyne Theatre which had only recently reopened; this was the first time I attended a gig there, although I do remember my Dad taking me to see King Kong T the venue in the 60s when I was a kid, and the theatre was known as the Stoll cinema. I went with Marie and we found The Fall different, challenging, and interesting. It was around the time of At The Witch Trails and I remember them playing Totally Wired, which was the only song of theirs which I knew at the time.
As I say, this is another band who I must add to my list of Bands To See Again While I Can!
3 Dec
Marianne Faithfull Kendal Arts Centre 2007
Marianne Faithfull Kendal Arts Centre 2007
The first time I saw Marianne Faithfull was just over five years ago (long overdue) at a show at Kendal Arts Centre. Marianne’s performance in Kendal was the first night of a three-week Women’s Arts International Festival, which also featured performances by iconic female artists such as Patti Smith, Peggy Seeger, and Sandie Shaw. David and I drove across to this gig. It was not only the first time we had both seen Marianne in concert, it was also our first visit to the venue, which is housed in a lovely old building in the centre of town.
The gig was held in a small theatre, and we had great seats close to the front. Marianne was amazing. Her voice is now quite rough and gravelly but she sings with such passion. I remember her singing great versions of No Regrets (the Tom Rush song made famous by The Walker Brothers), Borken English, As Tears Go By and the great Something Better from the Stones Rock n Roll Circus. A setlist from around that time is given here: No Regrets; Guilt; Without Blame; Spike Driver Blues; No Child Of Mine; Marathon Kiss; All The Best; Ruler Of My Heart; Time Square; Something Better; Crazy Love; Vagabond Ways; Why D’ya Do It; Broken English; As Tears Go By; Don’t Forget Me
2 Dec
Frankie Goes To Hollywood Newcastle City Hall 1985
Frankie Goes To Hollywood Newcastle City Hall 1985
I only saw Frankie Goes to Hollywood once, when their 1985 UK tour called at Newcastle City Hall. Frankie were everywhere in 1984 and 1985. I remember going to a concert at Wembley Stadium (think it may have been Elton John, or Wham) and almost everyone there (except my mate and me) were wearing a “Frankie Says” t-shirt (probably an exaggeration, but you know what I mean). They were that big. This was in the days of postal application for tickets, and tickets for this gig sold out straight away. However, we were lucky enough to get four seats and I went along with Marie, her sister and her niece, who were all massive Frankie fans.
The concert was quite theatrical and spectacular and was based around Frankie’s first album Welcome to the Pleasuredrome, with the hit singles Relax, Two Tribes, and Power of Love being great favourites. Power of Love had just been released at the time. The band were at the height at the time, and the buzz around and them, and the great singles, made this a powerful and fun gig. They were to tour once more, in mainland Europe, a couple of years later and then the band imploded and split. A setlist for the London gig in 1985 shows the songs played as: War; Love has got a gun; The only star in Heaven; Black night white light; The power of love; Pleasuredome; The world is my oyster; Get it on; Relax; Krisco kisses; Two tribes; Born to run; Ferry across the Mersey; Relax; Bang. I am sure the set at the Newcastle gig will have been the same. The covers of Ferry across the Mersey and Born to Run both appeared on the Pleasuredrome lp. Get it on is a cover of the T Rex song and appeared on the Pleasuredrome single.
1 Dec
Chris Farlowe in concert
Chris Farlowe in concert
Chris Farlowe is one great singer. I would put him alongside the greats (for me): P J Proby, Steve Ellis, Steve Marriott, Joe Cocker, Frankie Miller, Paul Rodgers, Rod Stewart, Robert Plant. I first saw him when he was being a rock star as vocalist on Atomic Rooster. He was only in the band for a short period during 1972 and possibly 1973, and I was lucky enough to see them at Sunderland Locarno. It seemed a strange match, but worked well. The next time I saw him was at the City Hall with my mate Will. This gig was billed as Chris Farlowe and Friends and was poorly attended, Chris wasn’t really seen as being “cool” at the time. However, he was amazing, and we came away as converts. A live lp exists from that period and shows his setlist as being: We’re Gonna Make It; Rhyme And Time; Peace Of Mind; After Midnight; Only Women Bleed; Mandy; Hot Property; Handbags & Gladrags; You Haven’t Done Nothin’; It Ain’t No Use.
There are quite a few titles that I don’t recognise there, but I definitely remember him singing Mandy, Only Women Bleed and Handbags & Gladrags. It interesting that Out of Time is not listed. His band for the live album is listed as backing vocals – Joanne Williams, Madeline Bell; Bass – Pat Donaldson; Drums – Gerry Conway; Guitar – Albert Lee; Horns – Chris Mercer, Ron Carthy; and Keyboards – Jean Roussel. I do recall the great Albert Lee being on guitar at that gig, but can’t be certain about the rest of the band. I wonder if Madeline Bell was there; I have always been a great fan of Madeline, and I wasn’t sure if I have ever seen her. Maybe I saw her that night.
Anyway it was great gig, and that night I realised just how good Chris was that night. Since then I’ve seen Chris a few times, including a couple of gigs at Newcastle Tyne Theatre some years ago. At one of those gigs, Marie and I chatted to Chris in the bar, and he signed my ticket. Chris is often backed by The Norman Beaker Band who are an excellent blues band. Favourites of mine are Handbags and Gladrags, Out of Time, and he does great versions of The Stones Paint It Black and The Small Faces All or Nothing. Long may he rock.
30 Nov
Peter Frampton (Frampton Comes Alive!) Manchester 1976
Peter Frampton (Frampton Comes Alive!) Manchester Belle Vue 1976
Support from Gary Wright
This was a great gig and one I remember to this day. I first saw Peter Frampton when he was touring with his band Frampton’s Camel as support for his old mates Humble Pie in 1972 or 1973. I remember that he played a great version of the Stone’s Jumping Jack Flash, and there was a song called Its a Plain Shame which was from his first solo album, and which was a great favourite of mine at the time. He then all but disappeared from view for a few years, and suddenly reappeared with massive success and his Frampton Comes Alive album. I bought the album, played it again and again, and when he arrived in the UK for a short tour in 1976 a group of us bought tickets to see him in Manchester. The gig was help in Manchester Belle Vue Kings Hall, which was a big hall in the centre of Manchester’s Belle Vue centre
which was housed in an amusement park, and a zoo. This was before the days of arenas, and Kings Hall was at the time one of the largest indoor venues in the North of England. We had great seats close to the front. Support came from Gary Wright, ex Spooky Tooth, who wowed us with some great keyboard work and songs such as Dream Weaver. I think he also played Better By You, Better Than Me from his time with Spooky Tooth. Frampton was amazing. He played the entire Comes Alive! album and the place went nuts for him. I know that he has been touring the album again, and he brought it to the UK last year. The nearest gig to me was again in Manchester, and sadly I didn’t make it. Looking back that was a mistake. Setlist: Something’s Happening; Doobie Wah; Lines On My Face; Show Me the Way; It’s a Plain Shame; Wind of Change; Just the Time of Year; Penny For Your Thoughts; All I Wanna Be (Is by Your Side); Baby I Love Your Way; I Wanna Go To The Sun; Nowhere’s Too Far (For My Baby); (I’ll Give You) Money; Do You Feel Like We Do; Shine On; White Sugar; Jumpin’ Jack Flash; Day’s Dawning.
27 Nov
Focus Newcastle Mayfair 1976
Focus Newcastle Mayfair 1976
Jan Akkerman left on the eve of Focus’ 1976 UK tour. His last minute replacement was Belgian jazz-fusion guitarist Philip Catherine. Marie and I had been planning to go along to see them at Newcastle Mayfair, and to be honest, we hesitated and thought twice before attending. I just couldn’t imagine how Focus could continue without Jan Akkerman; he was such an important part of the band. However, several bands have continued successfully after the departure of a key member; Genesis, Deep Purple come to mind for example. So we did go along to the gig, to see what the new version of Focus were like. A respectable crowd turned out that night, but the place was by no means full. The concert was great, and the new guitarist was a fine replacement. However, Focus were soon to disband. However before they did they recorded one further album, “Focus con Proby” along with singer P J Proby. This was an unlikely pairing, and the album did not sell well. Focus were to lie dormant for many years until Thijs reformed the band in more recent times. Today they tour the UK pretty regularly; I’ve blogged on them a couple of times in the last couple of years. I really must try and find a copy of Focus con Proby on ebay; I’d love to hear what it sounds like.
I got quite into goth music in the late 80s, and read a lot about Fields of the Nephilim. I was intrigued by their “dust and death” image; these guys looked pretty cool in their dusty leathers and large brim cowboy hats, straight out of a spaghetti western. Their music was a strange mix of doomy heavy rock, with soft growled vocals. Live they were a strange experience; very moody and challenging, but ultimately this was a gig I still remember to this day. This was the “Precious to the Lost” tour.
The stage was filled with some sort of combination of dry ice, smoke or dust and the band were dressed in long ragged, cowboy clothes, covered in flour to give their trademark dusty look. The lighting was dark and doomy and the songs slow, rhythmic with strong bass lines and powerful vocals. I picked up a copy of their fan mag “Helter Skelter” at the gig. The picture on the cover will give you an idea of the band’s image. Their website also explains where they are coming from: “Fields of the Nephilim is the creation of vocalist and front man Carl McCoy, a seeker of the greater truth”. Their lyrics draw from the occult and related mythologies. This band still continues to this day, playing gigs every now and then and commands quite a legendary status. A setlist from a gig around that time shows the band playing the following songs: Preacher Man; Love Under Will; Endemoniada; Psychonaut; Trees Come Down; Celebrate; The Watchman; For Her Light; At the Gates of Silent Memory; Chord of Souls. Encore: Last Exit for the Lost; Moonchild; Phobia. I would guess that they will have played some of these songs at the gig I attended.