Archive for the ‘Robert Plant’ Category

Robert Plant and Saving Grace Middlesbrough Town Hall 25 April 2022

SAVING GRACE TIXMy head is still reeling with the music and sounds from last night. And the concert raised so many questions for me. Why is the rock legend, rock god, who is Robert Plant playing small venues such as Middlesbrough Town Hall and not singing any Led Zeppelin songs? After all he could reform Led Zeppelin, as many promoters and ex-bandmate Jimmy Page would apparently like him to do, and earn megabucks. Yet he chooses not to. And why do so many people turn out to see Robert Plant sing with a relatively unknown female vocalist, Suzi Dian (who has an exquisite voice by the way), and perform a set of mostly obscure songs which the majority of the audience would not be familiar with? Yet why did I come away from the concert feeling so fulfilled, elated and exhilarated?

It is some years since I have been to Middlesbrough Town Hall. The last time I was there was to see Morrissey with my daughter, Laura. I wondered how I would get in to the venue in a wheelchair. I need not have worried. No longer is there a requirement to walk up a large flight of stairs to take you into the venue. They have built a new accessible entrance around the corner which took me to a lift and upstairs into the, very familiar, main hall; a lovely old panelled building in which I have seen many acts over the years including Siouxsie and the Banshees, AC/DC, Van Morrison, Procol Harem, the Hollies and too many more to list (or remember). Lisa my carer and I were led to our seats close to the stage. I was seated at the end of the role, a little squashed, but with an excellent view of the stage. First up was singer-songwriter Scott Matthews who opened the proceedings with a set of fine tunes which warmed up the crowd well. Following a short interval, during which I chatted to an old friend and colleague and had a lovely cool pint of Guinness, Saving Grace took to the stage.

saveing graceSaving Grace is very much a band. Of course people had turned out to see the main man, Robert Plant. But Robert is simply a singer in the band along with Suzi. The rest of Saving Grace comprises two guitarists and a percussionist; all excellent musicians in their own right and also providing some backing vocals. Lisa mentioned that the main hall may have been a church in earlier days (I must check this out). It certainly has stained glass windows on one side and a large church – like organ behind the stage. Tonight it certainly became “a church” in which we all enjoyed a spiritual and soulful journey led by a man who has explored spiritual themes throughout his career; “Stairway to Heaven” being one obvious example. The set comprised songs which Robert, unashamedly, has chosen because they have influenced him and touched him over the years. So there were the traditional such as “The Cuckoo” and “Satan Your Kingdom Must Come Down”, old blues songs and classic progressive/psychedelic tracks including “It’s a Beautiful Day Today” by Moby Grape and (one of my all-time favourite songs) “Season of the Witch” by Robert’s old friend Donovan. The stage setup was quite basic with a simple curtain backdrop naming the band and unobtrusive lighting. But the music was exquisite, challenging, soulful and beautiful. Robert shared the vocals with Suzi and, in many cases, took us through the story of the song and what it meant to him. He even forgot which song he was introducing at one point and Suzi came over and whispered in his ear; tactfully correcting his mistake. There were references to performing at Redcar Jazz Club in 1966 with Long John Baldry. Many of the audience clapped, showing their age! “Season of the Witch “, led by Suzi, transformed into “For What It’s Worth” by Buffalo Springfield at one point; another reference point to Robert’s roots. The final song was an old Richard and Linda Thompson track, again taking us back to the late 60s/early 70s. The lights went up to signify the end of the show. But the crowd weren’t ready to leave just yet. Everyone stood up and cheered until the band returned.

SAVING GRACE 2Oh, and I must not forget that they sang a couple of songs by new American band Low. Robert spoke highly of them; another thing to check out. I learned lots of things last night. The final song was performed a cappella with the band all coming together at the front, arms entwined, singing the beautiful “And We Bid You Good Night”. Robert playfully said “see you soon at Kirklevington country club”. For some moments I believed this to be serious. But then I don’t think the wonderful venue that was referred to as “the Kirk”, and was 10 miles or so south of Middlesbrough, exists any more. Of course, Robert played there with his band the Honeydrippers many years ago. We wandered out into the cool dark Middlesbrough night, everyone chatting and looking at each other, each of us knowing we had just had the privilege of experiencing something very special and unique. The 45 minute taxi ride flew over and I was soon safely back home.

Returning to my questions which I can now partly answer. Why is Robert playing intimate venues with a set of semi-obscure songs? The answer lies in the man that is Robert Plant. He sings because he wants to and he has to; singing lies deep within his soul. And he chooses to share with us some of the songs which are important to him, hoping in doing so that we will enjoy the concert experience and learn a little more about the man and his music. And why do we all turn out to see Robert Plant? Because somewhere over the years his music has touched each and everyone of us in a different place, and a different time. For me it lies in important memories of seeing Led Zeppelin in 1971 at Newcastle City Hall and Sunderland Locarno; in Earls Court in 1975; Knebworth in 1979; more recently at the O2 Arena and solo many other times. There is a magical quality about Robert Plant. Long may he invite us to share evenings of his songs and memories.

Many thanks to Ned my taxidriver, Lisa for accompanying me to the concert, and Chris for helping me back into bed. And thanks once more to Robert Plant for sharing some of his songs, his memories and his soul with me; one more time.

Setlist (something like this, with several missed out!):

Angel Dance; The Cuckoo; I Don’t Wanna Hear It; Satan Your Kingdom Must Come Down; Everybody’s Song; It’s a Beautiful Day Today; Monkey;  As I Roved Out; Too Far From You; Chevrolet; Season of the Witch, For What Its Worth; House of Cards.

Encore: Down To the Sea; And We Bid You Goodnight


Robert Plant Newcastle Academy 18th Nov 2014

Robert Plant Newcastle Academy 18th Nov 2014
robertplantadYou just know that Robert Plant is enjoying himself.
The Newcastle Academy was completely packed last night; packed to the walls, so you couldn’t move at all; probably the fullest I’ve ever seen it. I was right down at the front crammed close to the stage, and there were lots of Zeppelin veterans around, everyone talking about their memories of that legendary band. One guy was relating stories of Zeppelin gigs at the Mayfair and an early City Hall show in 1970. Two other guys were talking about Earls Court and Knebworth. The respect for Plant remains solid, immovable, deep and immense. But a Plant performance these days isn’t simply a Zeppelin tribute act; far from it, The Sensational Space Shifters are a band, and each of the members are great musicians in their own right. The set is a mix of tracks from the new album, blues, folk (“there is lots of folk music tonight”) and Zeppelin classics reworked (a little, but not too much). Shape Shifter music is an eclectic mix: the world music side is clear and exemplified by Gambian Juldeh Camara’s contribution to the performance on the “riti” (a single-string fiddle) and Robert and the others playing those large tambourine-like instruments (are they called a “daf”?), but it isn’t as simple as combining african instruments and rhythms with rock. robertplanttixThere is also rockabilly, particularly from crazy rock-out guitarist Justin Adams, psych, and the blues runs through everything, and screams from Liam “Skin” Tyson’s guitar. Oh, and of course, those familiar Zeppelin rock riffs come thundering through every now and then, as if we needed to be reminded where this guy’s roots lie. Plant looks great, his lion’s mane of hair intact and swaying, his voice as soulful, powerful and gentle as ever. You can feel that he is enjoying life and the music; he smiles and chats and jokes with the crowd, who give the band a roaring reception. The Sensational Shape Shifters give Plant the freedom, opportunity and space to safely bend the blues, rock, world music, mix it with excerpts from his back catalogue, and throw in all of the other musical influences which obviously run through his head, within a safe environment. The crowd know what to expect, and love it. We even get a snippet of House of the Rising Sun which prompts a massive singalong from the Geordie crowd. Amazing. Possibly the best time I’ve seen Plant in recent years.
Setlist was something like this: Friends; Spoonful; Turn It Up; Going to California; Embrace Another Fall; Rainbow; What Is and What Should Never Be; No Place to Go; Babe, I’m Gonna Leave You; Little Maggie; Fixin’ to Die; House of the Rising Sun; I Just Want to Make Love to You / Whole Lotta Love. Encore: Rock and Roll

Glastonbury Festival 27th – 29th June 2014

Glastonbury Festival 27th – 29th June 2014
glastoprogThis year’s Glastonbury festival had a mixed and varied line-up which resulted in quite a bit of discussion around the Pyramid stage headliners who were Arcade Fire (were they big enough to headline?), Metallica (should a metal band headline Glasto?) and Kasabian (were they ready?) after negotiations with Prince fell apart, and Fleetwood Mac were unable to confirm because John McVie wasn’t well. In the event the largest crowd of the weekend was for a little country girl from Tennessee, Dolly Parton, who got everyone singing along during the Sunday afternoon legends slot.
We arrived at Glastonbury late on Wednesday afternoon, managing to find a spot for our tent, on a wonderful hot sunny Summer evening. Thursday was spent exploring the site and also sheltering from the first of many downpours. The weather was quite mixed this year with rain on Thursday, Friday and Saturday. Sunday was completely dry and hot. Friday’s rain was the worst with torrential downpours, thunder and lightning, causing the music to be halted for a short period. The rain resulted in the inevitable Glastonbury mud, which wasn’t as bad as it might have been; when the rain passed the sun quickly came out and some very hot spells quickly dried up the ground. Because of the weather, and also because we are getting older, we didn’t venture far from the Pyramid stage this year.
The festival officially opened on Friday; we made a point of watching Lilly Allen (who was good fun) and Arcade Fire and also listened to Elbow (lots of singalong), De La Soul and Rodrigo Y Gabriella. I can’t pretend to know much of Arcade Fire’s music, but found their set quite enjoyable.
Glastonbury-Festival-2014On Saturday we caught Lana Del Rey (excellent and much darker and rockier than I had expected), Jack White (very 60s and Zep/Cream-like), Robert Plant and Metallica. Robert Plant’s set came after a massive downpour but I had promised I would make sure I saw him so I made my way right down to the front of the stage (very muddy) for his set. This is the first time I have seen Plant’s latest band the Sensational Space Shifters and must say I was impressed by them. The set was a mix of Zep classics and some new songs and Plant was on fine form, singing well, and reminiscing about playing the Bath festival in 1969. The Zeppelin songs have been reworked a little, but Plant’s vocal delivery remains pretty true to the original. A great set and the highlight of the weekend for me. Robert Plant Setlist: Babe, I’m Gonna Leave You; Tin Pan Valley; Black Dog; Rainbow; Going to California; The Enchanter; Little Maggie; What Is and What Should Never Be; Fixin’ to Die; Whole Lotta Love / Who Do You Love. Encore: Rock and Roll.
Metallica’s set was preceded by a quite weird and funny video which started with a clip from a Clint Eastwood western and then moved to a fox hunting scene, ending in Metallica dressed as bears and shooting the huntsmen. Rolling Stone magazine explained: “Before Metallica took the stage, they poked fun at the Britons who protested their appearance over frontman James Hetfield’s support of hunting with a video titled Glastallica directed by Glastonbury documentarian Julian Temple. The band kicked things off by running their usual intro clip of The Good, the Bad and the Ugly, but switched things to focus on a fox hunt. As the video shows wealthy statesmen readying themselves for a big hunt, a voice calls out, “What does the fox say?” and chaos begins, with rifle-wielding bears, played by the band itself, exacting their revenge on the hunters.”
Metallica have been waiting a long time to play Glastonbury, and it was clear they were delighted to be playing. Their set was truly excellent, pulling out all the stops for a crowd who were largely unfamiliar with their music and mostly not metal fans. It worked, with a good mix of rock and ballads (“Nothing Else Matters” in particular resulting in large cheers and lots of singing) and the Glastonbury crowd gave them a great reception, largely vindicating the controversial booking.
Metallica setlist: Glastallica (Bear Hunting Parody video); Creeping Death; For Whom the Bell Tolls; Wherever I May Roam; Sad but True; Fade to Black; Cyanide; The Unforgiven; The Memory Remains; One; Master of Puppets; Nothing Else Matters; Enter Sandman. Encore: Whiskey in the Jar; Seek and Destroy.
The highlight of the Sunday, and of the entire weekend was Dolly Parton. The Pyramid stage was completely rammed for her appearance which hit the perfect note. Dolly handled the massive crowd (estimated at 90,000 – 100,000 of the 180,000 at the festival) as she would a crowd at one of her own arena concerts, introducing each song with a little story about its background and herself. The crowd loved it. Glastonbury works best with artists who have a large back catalogue of songs that everyone knows (e.g. Stevie Wonder, The Stones) and it certainly worked for Dolly Parton.
Dolly Parton setlist: Baby I’m Burnin’ / Girl on Fire; Why’d You Come in Here Lookin’ Like That; Jolene; Blue Smoke; Coat of Many Colors; Rocky Top; Mud Song (song written especially for Glastonbury); Banks of the Ohio; Old Flames Can’t Hold a Candle to You / But You Know I Love You / Real Love / Think About Love; Here You Come Again; Two Doors Down; Islands in the Stream; 9 to 5; Lay Your Hands on Me (with guest Richie Sambora); I Will Always Love You.
We left shortly after Dolly Parton’s set to avoid the traffic leaving the site, having overall enjoyed the festival. Final views: a good Glastonbury, but my no means classic, weather mixed but not terrible, line-up lacked any really massive acts but strong and varied, the demographic seems to be shifting; I noticed far fewer older people and at several points felt I was probably one of the oldest people there (a feeling which I haven’t experienced there before).

Robert Plant Strange Sensation Sage Gateshead 30th October 2005

Robert Plant Strange Sensation Sage Gateshead 30th October 2005plant2005 My next encounter with Robert Plant in concert was at the Sage Gateshead in 2005. The band was Strange Sensation and they were promoting Mighty ReArranger, which was Plant’s 8th solo album. The setlist consisted of songs from the new album, plus some oldies and was as follows: Tin Pan Valley; Shine It All Around; Black Dog; Freedom Fries; 7 and 7 Is; Win My Train Fare Home (If I Ever Get Lucky); Going to California; Another Tribe; Thank You; Hey Joe; Four Sticks; Gallows Pole. Encore: The Enchanter; Boogie Chillen’; Whole Lotta Love. Another good show, with the Eastern and psych influences showing through even more strongly; to the extent that the reworkings of Zep classics had moved even further from the originals. I saw Plant once more, at the Sage again in 2010, and blogged about that show at the time. I have yet to see his latest band, something which I intend to put right this year if I can. This concludes my reflections on Mr Plant; I have one Jimmy Page concert to write about, and will do so tomorrow.

Robert Plant Strange Sensation 21st October Newcastle City Hall 2002

Robert Plant Strange Sensation 21st October Newcastle City Hall 2002
planttix02A couple of years after his Priory and Brion outing came to Whitley Bay, Plant was back at Newcastle City Hall with his new band Strange Sensation. The band this time consisted of Plant (vocals), Justin Adams (guitars, gimbri, darbuka), John Baggott (keyboards), Clive Deamer (drums, percussion), Charlie Jones (bass) and ‘Skin” (guitar). Robert had just released his 7th album “Dreamland”, which featured him and Strange Sensation performing covers of blues and rock songs, several of which had been played during the Priory of Brion tour. The album was well received by fans and critics alike and was nominated for two Grammys in 2002 for The Best Rock Album and The Best Male Rock Performance. The programme sums up Plant’s influences: “Plant’s attraction to and affection for the music of Morocco, the Atlas region and beyond, as well as his lifelong leaning towards the psychedelic indo-rock of West Coast USA led to his new collision of styles and colours. The music draws together talent from a broad spectrum of renowned and respected UK musicians, now working together with Plant as the band ‘Strange Sensation.'” Reviews of the time were extremely positive: Hugh Davies wrote (in the Daily Telegraph) of his performance at Glastonbury 2002: “Of the 60 bands performing over the weekend, plant emerged as the most charismatic act”, and Steve Jelbert (the Independent) reviewed a concert at London Astoria: “Best of all is the sincerity of the performance….these are songs he obviously loves and he’s not selling them but sharing them….a refreshing display from a man with nothing to prove.” RobertPlantDreamlandThe set at Newcastle was an excellent mix of reworked Zeppelin classics, covers of 60s psych, rock and blues and a smattering of Plant’s recent solo tracks. By the point, almost 20 years into his solo career, Plant was clearly enjoying himself; he had come to terms with his Zeppelin legacy, and wasn’t afraid of reworking those songs that mean so much to us all; he could play some of the songs which influenced him when he was starting out, and he had a respectable catalogue of recent solo material to draw from. Another great concert. Support came from the ever-crazy, and irrepressible, God of Hell Fire, Arthur Brown; another hero of mine whose performance and amazingly strong voice never fails to impress. Setlist: Hey Joe; Four Sticks; Down to the Sea; Morning Dew; Going to California; Hey Hey What Can I Do; Girl from the North County; In the Mood; Celebration Day; Funny In My Mind (I Believe I’m Fixin’ To Die); A House is not a Motel; Tall Cool One; Babe I’m Gonna Leave You. Encore 1: Darkness Darkness; Whole lotta love. Encore 2 : Song To The Siren

The Priory of Brion (Robert Plant) Whitley Bay Dome 8th April 2000

The Priory of Brion (Robert Plant) Whitley Bay Dome 8th April 2000 plantpriory
Whitley Bay is a seaside resort just outside Newcastle, and the Dome was a disused building in an old amusement funpark; so named because of its domed roof. The Dome played host to a number of concerts around this time. When we heard that Plant was playing there with his band The Priory of Brion, as part of a “secret” club tour, we scrambled to make sure that we got tickets. The place was rammed and Plant and his band were just amazing. It was great to see him so close up in such an intimate setting. The concert consisted of Robert singing some of his favourite old tunes including ’60s classics like Morning Dew, If I Were A Carpenter, and Gloria. The highlights for me were Darkness, Darkness (the classic song from Jesse Colin Young in his days with the Youngbloods) and Donovan’s Season Of The Witch; both of which are among my favourites songs anyway. An amazing night. Perhaps the best time I have seen Plant as a solo artist. The tickets says “Whitley Bay Dome…proudly presents music at its very best..” and it ain’t far wrong. Setlist: Morning Dew, A House is Not A Hotel, If I Were A Carpenter, Darkness, Darkness, Bluebird, Early In The Morning, Think, We’re Gonna Groove, Baby Please Don’t Go, No Regrets, Gloria, Bummer In The Summer, Season of the Witch, Trouble in Mind

Robert Plant Newcastle City Hall 12th December 1990

Robert Plant Newcastle City Hall 12th December 1990
plantprogI next saw Robert Plant at Newcastle City Hall in December 1990. This tour was to promote his fifth solo album Manic Nirvana. By now Plant was back into a full-on heavy rock groove, and this album gained mixed reviews at the time; with some critics loving it because it seemed to take him back to his Zep rock roots, and others dissing it for the same reason. The tour programme followed a similar theme, with lots of pictures of Plant the rock god, and Plant the bluesman, and heavy trippy use of psychedelic eastern-influenced graphics and fonts. The programme contains the lyrics to the songs from the new album and an extract (not sure where it is taken from) which talks about bluesman Tommy Johnson, who sold his soul to the devil at the crossroads.
“He said the reason he knowed so much, said he sold hisself to the Devil..I asked him how. He said, ‘If you want to learn how to play anything you want to play and learn how to make songs yourself you take your guitar and you go to where a road crosses that way, where a crossroads is. Get there, be sure to get there just a little ‘fore twelve a clock that night so you’ll know you’ll be there. planttix90You have your guitar and be playing a piece sitting there by yourself. You have to go by yourself and be sitting there playing a piece. A big black man will walk up there and take your guitar, and he’ll tune it. And then he’ll play a piece and hand it back to you. That’s the way I learned how to play anything I want.”
Plant’s live performances continued to be impressive occasions and this show at the City Hall was no exception. Along with tracks from his solo albums, Robert also played Nobody’s Fault but Mine, Ramble On, Immigrant Song, and Living Loving Maid from Zeppelin days. Great stuff!
Setlist: Watching You; Nobody’s Fault but Mine; Billy’s Revenge; Tie Dye on the Highway; Anniversary; In the Mood; Liars Dance; Ramble On; Mirror in the Bathroom (The Beat cover 🙂 ); Nirvana; Immigrant Song; Hurting Kind (I’ve Got My Eyes on You); Ship of Fools; Living Loving Maid; Tall Cool One

Robert Plant (& Jimmy Page) Knebworth 30th June 1990

Robert Plant (& Jimmy Page) Knebworth 30th June 1990
genesisknebwoeth1990I next saw Robert Plant as part of a multi-act bill at a massive show at Knebworth Park in 1990. This was the Silver Clef Award Winners Concert and had an amazing line-up including Pink Floyd, Paul McCartney, Cliff Richard & The Shadows, Tears for Fears, Eric Clapton, Dire Straits, Elton John, Genesis and Status Quo. Pretty strong bill! I won a pair of free tickets in a competition (with KitKat 🙂 ) and Marie and I went down for the weekend. This was a great concert, which deserves a blog post of its own. I’ll save that for another day, and limit my reflections today to Plant’s part of the event. Plant was by now regularly featuring Zeppelin classics as part of his set, alongside his excellent solo material. He played mid-afternoon and was one of the highlights of the day for me, not least because of the venue, which was brought back memories of the last time I had been in that field; for one of the historic Zeppelin gigs, and the surprise appearance of Jimmy Page for the last two songs of Plant’s set. pageplantprog“Eleven years after Led Zeppelin’s historic two-night stand at Knebworth in England, Robert Plant returned to the concert grounds for a massive festival that featured sets by Pink Floyd, Paul McCartney, Genesis, Elton John and Eric Clapton. For his final two songs surprise guest Jimmy Page came out to join Plant on “Wearing and Tearing” and “Rock and Roll.” It was very well received, and a sign of things to come” (Rolling Stone magazine). Setlist: Hurting Kind (I’ve Got My Eyes on You); Immigrant Song (Led Zeppelin); Tie Dye on the Highway; Liars Dance; Going to California (Led Zeppelin); Nirvana; Tall Cool One; Misty Mountain Hop (Led Zeppelin); Wearing and Tearing (Led Zeppelin; with Jimmy Page); Rock and Roll (Led Zeppelin; with Jimmy Page)
Thanks to John for the image of his signed Page and Plant programme which comes from the 1995 US tour.

Robert Plant Newcastle City Hall 24th March 1988

Robert Plant Newcastle City Hall 24th March 1988
planttix88Robert Plant was back on tour in the UK in 1988, calling at Newcastle City Hall again. This time he had a new band, with Doug Boyle on guitar, Chris Blackwell on drums, Phil Johnstone on keyboards and Charlie Jones on bass.
Plant released his fourth album, Now and Zen in February 1988. The album was a return to a blues rock style reminiscent of Zeppelin and even featured Jimmy Page playing guitar on two of the tracks. The single “Tall Cool one” was also released around the same time. The UK tour was named the Non Stop Go tour, and for the first time a few Zeppelin classics were featured as part of the set. For the UK shows Plant played “In the evening”, “Trampled under foot” and “Misty mountain hop”; plantnonstopgofurther Zep songs were added as the tour progressed and made its way across to the USA. The Newcastle gig was a great show, I particularly enjoyed it because it was the first time I had seen the old songs performed for some ten years. Support came from the excellent It Bites who were on top form and played the classic “Calling All The Heroes”.
Setlist (something like): Helen of Troy; Little by little; Billy’s revenge; In the evening; In the mood; Heaven Knows; Big log; Dimples; Trampled under foot; Tall cool one; Misty mountain hop; Other arms; Break on through (the Doors classic featured as an encore on several nights of the tour).
Thanks to John for the picture of his poster from the Non Stop Go tour.

Robert Plant Newcastle City Hall 28th November 1983

Robert Plant Newcastle City Hall 28th November 1983
plant83It was the early 1980s. Zeppelin were no more, and Robert Plant began to establish himself as a solo artist. He released two excellent albums: Pictures at Eleven (1982) and The Principle of Moments (1983), both of which had shades of Zeppelin and yet also enabled Plant to forge his own identity. In the Autumn of 1983 he embarked on a full UK tour, calling at Newcastle City Hall in November. Demand was high to see Plant on his first major outing since Zeppelin days, and a second night was added at several venues, including Newcastle. He was also having his first real solo single chart success with the excellent “Big Log”. The line-up of Robert Plant’s band for the 1983 tour was Robbie Blunt (guitar), Jezz Woodroffe (keyboards), Bob Mayo (keyboards), Paul Martinez (bass) and Ritchie Hayward (drums; Phil Collins played on the US leg of the tour). The concert consisted of tracks from Robert’s first two albums. We were all hoping that he would throw in a few Zeppelin classics, but that wasn’t to be. plantprogThis was made clear in the souvenir programme: “Tonight there will be no Slverhead, Black Sabbath, Foreigner, no Little Feat, Adverts [referring to the bands which each of the members had previously played in] or Led Zeppelin. Only music from the last two years and maybe…a medley of our hit [referring to Big Log]”. Never mind; Plant’s solo songs were strong, and his band was excellent, including amazing guitar work by Robbie Blunt, who had been in the very under-rated bands Bronco and Silverhead. The set started with “In The Mood” which had just been released as a single.
Setlist (something like): In the Mood; Pledge Pin; Messin’ With the Mekon; Worse Than Detroit; Thru’ With the Two Step; Other Arms; Horizontal Departure; Moonlight in Samosa; Wreckless Love; Slow Dancer; Like I’ve Never Been Gone; Burning Down One Side; Big Log; Stranger Here… Than Over There; Treat Her Right
“My love is in league with the freeway, Its passion will ride, as the cities fly by, And the tail-lights dissolve, in the coming of night, And the questions in thousands take flight.” (Big Log, Robert Plant, 1983). I loved “Big Log” at the time and still do; it was a very different song, quite distinct in terms of the chart of the time and from Zeppelin music; but I could never figure out what it was about 🙂
At the Hammersmith Odeon show Plant was joined onstage by none other than Jimmy Page for the encore ‘Treat Her Right’.