Archive for the ‘Dave Berry’ Category

60s Gold Tour Sage Gateshead 17 November 2021

60s tixSome time ago I promised myself I would never again go to a 60s show. Too cheesy. Too embarrassing. Too many people dancing around in an unbecoming manner! However this one tempted me for several reasons. Firstly it featured my hero PJ Proby. Secondly I always fancied seeing Marmalade. I have a vague memory of seeing them at Sunderland Top Rank in the early 70s when they were out of the charts and the place was empty. But it is very vague and I can’t be certain I was actually there! And yes I realise there is no original member in the band from their heyday when they had their big hits such as “Reflections of My Life” and “Lovin’ Things” but Sandy Newman has been a member of Marmalade since the mid-70s and featured on their last big hit “Falling Apart at the Seams”. And thirdly the show featured another hero of mine, Steve Ellis. Now Steve Ellis has sadly had to pull out of the tour due to ill-health. I hope he’s soon better. Still the line-up remained strong.

60s progWhen I was a kid, around 11 or 12 years old I would go to the Saturday morning disco at Sunderland Top Rank. It was 1967 or 1968 and my heroes were Steve Marriott, Steve Ellis and Barry Ryan. I had a pair of black checky hipster trousers and a black plastic belt which was very wide and had two metal prongs as a fastener. You bought the belts at Woolworths as I recall. The hipster trousers were made of very rough material and were quite itchy to the skin. I also wore a Paisley shirt with button-down collar made by “Rave” which was the make of the day and you bought them at Binns. Of course, I also wore a vintage kipper tie. I felt I was a young mod and would parade around the walkway which circled the ballroom eating my iced drink, called a Slush. I would even dance sometimes! I often think those were some of my happiest days. One of the records I loved was “Lovin’ Things” by Marmalade. I used to gaze at young girls my own age but didn’t dare talk to any!

And so I went along to the 60s show with mixed feelings. Would I enjoy it? Or was it going to be a cheesy letdown? And I also had in my mind the question “when is a band no longer a band?” After all, some of the bands (I should call them groups, as we did in the 60s) featured only one, or in some cases no, original members.

Introduction: 7.30pm. The compere for the evening was DJ Ally Pally, whom I have seen before fulfilling a similar role in another 60s Gold concert at Newcastle Tyne Theatre a few years ago. His job was to introduce each of the acts, and he did so well. I was accompanied by carer Jackie and my sister-in-lawjerrys p 1 Elaine who was, for the evening, my guest rather than a carer. She was sitting separately from us as we bought her ticket later. However, she was able to come over and join us later on. 

Gerry’s Pacemakers: 7.33pm. First up was Gerry’s Pacemakers. This consisted of the late Gerry Marsden’s backing band, including his musical director for the last 25 years, and a new singer. They sang a number of Gerry’s hits including “How Do You Do”, “Don’t Let the Sun Catch You Crying” (one of my favourite songs of all time), “Ferry Cross the Mersey” and “You’ll Never Walk Alone”. Good versions of great songs and a nice introduction to the evening.

Dave Berry: 7.45pm. Next, a white glove appeared from behind the curtain and the legend that is Dave Berry shuffled onto the stage, his hands shielding his face. He was, of course, famous for those strange spooky hand mannerisms dave ber 1which continued throughout his set. He sang a few of his hits including “Memphis Tennessee”, “Mama” and my favourite “The Crying Game” with its wonderful Wah Wah guitar. The guitarist did a reasonable version of the original guitar sounds and solos, which were performed by either Jimmy Page or Big Jim Sullivan (great session man who went on to become Tom Jones guitarist on his TV show). The truth of who played on the single seems to be lost in the depths of time. Whoever it was they did a wonderful job. Dave Berry is 80 years old and looks, and sounds, just fine. Excellent.

Mamas & Papas UK: 7.57pm. The Mamas and Papas UK are simply a cover band who did fair versions of the band’s greatest hits including “Creeque Alley”, “Monday Monday” and “California Dreaming”. Greatmamas 1 songs which still sound good today. Strangely the band also included the singer from Gerry’s Pacemakers! Then came my hero!

PJ Proby: 8.10pm. Now this is THE MAN. The uncompromising, unflinching, outspoken, politically incorrect, but great, legend that is the 83-year-old PJ Proby. Still in strong voice and looking very healthypj 1 and stylish with longish white hair and full beard, he belted out his hits including “Somewhere”, “Hold Me” and “Maria”. PJ sat down for some of the performance but also managed some dancing with his saxophone player! The man is a hero of mine and continues to astound with his vocal histrionics and his melodramatic, but wonderful, rendition of classic ballads from musicals. Proby, and all the other acts before him, were backed by Gerry’s Pacemakers. Then things moved up a gear.

Marmalade: 8.23pm.  This version of Marmalade is fronted by Sandy Newman who has taken on the lead role that was formally Dean Ford’s. Sandy has been in the band since the mid-marm 170s and featured on their last big hit record “Falling Apart at the Seams”. I first saw Sandy at the Grangemouth pop festival in 1972. He was second on the bill, after Billy Connolly, and fronting the Chris McLure Section. The stage cleared for Marmalade who are a truly professional act and moved the whole show up a notch. Great versions of classic songs followed: “Wait for Me Marianne”, “Lovin’ Things” (in my mind I was 12 again and back in the Top Rank Suite in my hipsters), “Rainbow”, “Reflections of My Life” and their cover of the Beatles song, which got them a big hit and up to number one in the charts “Ob La Di, Ob La Da”. An excellent close to the first half of the show, and a long time wish of mine fulfilled; to see Marmalade!

Interval: 8.45pm. Time for a nice cool gin and tonic. Elaine came across and had a chat, taking up an empty seat beside Jackie and me. We all agreed the show so far was just great!

Vanity Fare: 9.05pm. Vanity Fare opened the second half of the show with the hits “Hitchin’ a Ride”, vanity 1“Early in the Morning” (their biggest hit) and “I Live for the Sun”. This is an example of a band which doesn’t include any original members; however it does include some long-standing members who have been with the band for many years). They reopened the proceedings well and were good fun.

Herman’s Hermits: 9.20pm. Herman’s Hermits contain the original drummer, hermans 1Barry Whitwam, who has been in the band since its inception. The band members have gradually retired over the years and Peter Noone left in the early 70s. Now the musicians who surround Barry have been with him for many years and did great versions of wonderful pop classics including “No Milk Today”, “Sunshine Girl” and “There’s a Kind of Hush”. Barry Whitwam came to the front and explained how the band had sold 80 million records and told the tale of how they once had the great privilege of meeting Elvis Presley. I have seen this version of the Hermits before and they always put on a great performance. You can’t go wrong with hits like that.

The Tremeloes: 9.42pm. And now a big surprise. This version of the Tremeloes was to be fronted by none other than bass player and singer Chip Hawkes. However we were told by Ally Pally that Chip had been taken unwell at the start of the tour and had to drop out. I hope you are soon better, Chip. He was chesney 1replaced by none other than his son, the “One and Only” Chesney Hawkes. Fantastic! Chesney is a consummate performer and took the show up a level again. He led the band, which also features his brother on drums and Chip’s 15-year-old grandson on guitar plus a couple of other members (one of whom was from Vanity Fare!) through all those classics good time hits: “Even the Bad Times Are Good”, “Here Comes My Baby”, and “My Little Lady”. In the case of the latter song, Chesney explained how his dad met his mum on the Golden Shot TV show in the 60s (his mum was one of the lovely girl presenters on the show) and that he wrote the song about her; they have been married for 54 years! The “Tremeloes” continued with more hits closing with an a cappella version of the smash “Silence Is Golden”. Just wonderful. Was this really the Tremeloes? Or Chesney Hawkes and family singing the Tremeloes? Who cares. It was just great. We all agreed it had been a wonderful night.

 Concert finish: 10.20pm. Our taxi driver was waiting for us and we were soon on our way home, still excited about the appearance of Chesney Hawkes (who was now our hero) and we told the taxi driver all about it. A great night reliving some wonderful memories with some classic pop songs from the 60s. When is a band no longer a band? Who cares?!

Ultimate Rhythm and Blues show Sage Gateshead 4th March 2014

Ultimate Rhythm and Blues show Sage Gateshead 4th March 2014
The Zombies, The Yardbirds, The Animals, Maggie Bell, Dave Berry
r&B A great concert with a host of acts from the 60s. Much more enjoyable than I expected. Two things stick in my mind from last night, and will be the themes of my blog entry today. The first is the subject of authenticity and the question “when is a band not a band?” (if you see what I mean 🙂 ), and the second is just how powerful a performer Maggie Bell is.
First up were The Animals and Friends which features original Animals drummer John Steel, keyboards player Mickey Gallagher (who replaced Alan Price in 1965), Danny Handley on guitar and Pete Barton on bass and lead vocals. Now you have to admire Pete Barton, he is an amazing front man, and has a growling, powerful voice which actually matches and rivals the original vocals of Eric Burdon. He also has the unenviable position of not only taking the position of the powerhouse Burdon, but also making announcements like “We’re going back to the Club A’Gogo” and introducing songs from 1964 (when he was actually 2 years old at the time). Amazingly, he pulls it all off and leads the band in authentic (there’s that word) renditions of all those great songs: We Got To Get Out Of This Place, Don’t Let Me Be Misunderstood, and of course House of the Rising Sun. So although on the one hand, this version of the Animals features only one original member, on the other hand, the spirit and passion remains true to the roots of the ’60s band, and the performance comes over as authentic, true to the rich legacy and is delivered with passion and humility. A great start to the evening.
maggie The Animals were joined first by Dave Berry, who has replaced Spencer Davis on the tour, as Spencer is not well at the moment. I wondered at first whether Dave would fit well with this bill. In my mind I link him with the ’60s revival package pop tour, rather than a R&B package. But, as Dave reminded us, his roots lie in the Sheffield (and UK) R&B scene in the early ’60s, and he geared his short set towards this. He sang a few R&B classics and finished with an excellent version of “The Crying Game”. His performance was professional and slick, and he came over as a pretty cool guy.
Now when I was a young teenage kid, I stood a few feet in front of Maggie Bell and Les Harvey at Sunderland Locarno at a Stone the Crows gig. My mate and I were totally blown away by her voice and her performance that night. The lady simply oozed the blues, and sang with a passion and authenticity which came from deep in her soul. Now I haven’t seen her since the ’70s and wasn’t expecting what I saw last night. Maggie was simply sensational in every way. Much better than I could have hoped. Her voice remains strong, her performance electrifying, and she looks great. She sang a few blues classics including I’d Rather Go Blind, and finished with a an amazing duet with Pete Barton (by now I was starting to really admire that guy) of P J Proby’s “Hold Me”. I’d forgotten that Maggie hit the charts with a version of this on which she dueted with B A Roberston. Stunning.
maggietixAfter a short interval, next up was the latest line-up of the Yardbirds. Again the subject of authenticity comes to mind. This line-up features original drummer Jim McCarty and, back in the band after 50 years (!), original guitarist Top Topham who was in the band in the very early years and was replaced by Eric Clapton. The rest of the line-up are all relatively new: Ben King on lead guitar, Andy Mitchell on vocals and mouth harp, and David Smale on bass. Original rhythm guitarist Chris Dreja has recently left the band because of ill health. Like The Animals, this line-up remains true to the roots of the music and delivered pretty flawless versions of all those classics; “For Your Love”, “Heart Full of Soul”, “Over Under Sideways Down” “Shapes of Things” and an amazing version of “Dazed and Confused” (I’d forgotten that this was a Yardbirds song which Page took with him into Zeppelin).
The evening closed with a performance by the Zombies, who remain pretty authentic in that they feature two of the main originals in Colin Blunstone (vocals) and Rod Argent (keyboards, or was in “organ” in those days? 🙂 ). The Zombies took us through all the hits, including Argent’s Hold Your Head Up, Blunstones’ Say You Don’t Mind, and the classis Time Of the Season. The closed the evening with She’s Not There. Great stuff.
From the promotional material: “Relive the musical revolution of 1964 as the chart-topping stars of the 1960s, including The Zombies, The Animals, The Yardbirds, Dave Berry and Maggie Bell perform some of their greatest hits. This amazing line-up have collectively, over 50 years, delivered 37 hit records and held chart-topping positions for more than 300 weeks.”

Solid Silver 60s show The Sage Gateshead 1 March 2011

Solid Silver 60s show The Sage Gateshead 1 March 2011
Hi,this is Will, Peters occasional concert going mate writing this time. Peter couldn’t make this concert ‘The Solid Silver 60’s show’, so I took along my 21 year old son Jack (not exactly a fan of 60’s music excepting The Beatles and Hendrix) who wanted to experience the Sage for the first time.
Vanity Fare were on first and were ok, doing the odd tune I slightly remembered like ‘Hitchin’ A Ride’.They stayed on to support all the solo acts who appeared. Things started to liven up with the appearance of Wayne Fontana who had the audiences in stitches with his banter and stories.He was kitted out in a white stetson and suit and was in fine voice effortlessly belting out his hits such as ‘Pamela Pamela’.Next up was Chris Farlowe. Jack and I both agreed he was the best vocalist in the show, our favourites being ‘Handbags and Gladrags’ and ‘Out of Time’. He made us laugh about the time in the early 60’s how he and his backing band travelled from London up to Newcastle to play a one off gig. They were paid £20 and after they had deducted the petrol and the oil (they were using more oil than petrol) money out, they counted out their wages, which amounted to £1.10p each! Dave Berry was really good, recounting his Northern experiences and performing a version of the ‘Crying Game’ as though it was fresh and new. We didn’t really rate Terry Silvester (Hollies) or the Merseybeats in the same league as the previous acts, but all in all an entertaining night!

ticket


programme


Will got the programme signed by Chris Farlowe and Wayne Fontana. (Good man Will; Thanks). Here is Chris' autograph