Archive for the ‘The Who’ Category

Roger Daltrey Newcastle City Hall 13 July 2022

ROGER0This tour was entitled Who Was I? It was announced as: “A special evening of Who classics, rarities, solo hits and fan Q&A. One of the UK’s greatest singers and legendary frontman of The Who is striking out across the UK this November, a return to performing that cannot come soon enough for The Who legend.

“The truth is singers need to sing,” says Roger, “Use it or lose it”. “Throughout my life I have sung with so many great musicians, from the heavy rock of The Who and Wilko Jonson, to the Irish lilt of The ROGER4Chieftains. On this tour I want to take the audience on a musical journey through my career as a singer, with a show of songs and sounds that explores and surprises. I look forward to having closer contact with my audience than festivals and arenas allow. Leaving time to chat. The show, which will comprise a unique mix of music and conversation, is built around Roger’s musical journey and encompasses nearly every style imaginable – including blues, rock, country, soul and metal. [Not sure I agree with you about the metal music, Roger].

ROGER7During the evening he will dig into his incredible back catalogue pulling from his nine solo albums, his album with Wilko Johnson, and even reinterpreting a few Who classics and rarities. This is a show for real music fans and will give a unique insight into how all these great songs came about; what the influences were and where the sounds originated. As with everything Roger does, it will be totally real and authentic and lots of it – a plethora of songs with some questions answered and rock n roll stories along the way – nothing phoned in!”

The tour was eventually postponed because of Covid, but I held onto my ticket and went along to the rescheduled date.

ROGER1I wasn’t sure what time Roger Daltrey started so I arrived early this time. The support act for Roger was American singer-songwriter Leslie Mendelson. For once, I was in time to watch the entire set of a support act and I was pleased that I did. Leslie’s music brought back memories of many different female singer-songwriters. “All Music writes that Leslie evokes “1970s songwriter influences in the vein of Carole King and Carly Simon,” while The Aquarian calls her “the closest thing one can get to a truly honest musical experience.” (From Leslie’s website).

ROGER8Roger’s band for the UK tour was: Simon Townshend on guitar and vocals (Simon is of course well-known as a member of The Who’s wider touring band, Pete’s brother and a long-term member of Roger’s band); Doug Boyle on guitar; Geraint Watkins on keyboards; John Hogg on bass; Jody Linscott, who was simply outstanding on percussion; Billy Nicholls providing backing vocals; Steve Weston on harmonica; Ben Townshend (Simon’s son) on drums; and Katie Jacoby on electric violin. So, although this was Roger’s gig, the links to Pete Townshend and The Who were very clear! Excellent. Simon has, for me, become almost a Pete “stand-in” which is probably grossly unfair to his talents and his motives for being out there with Roger playing. Having said that it does seem that when Pete doesn’t want to tour, Roger will go out on his own and Simon will join him for the ride.

Surprisingly, the City Hall was not quite full for this concert. To be fair I did arrive early and watched the support act at which time many people were still in the bar. By the time Roger took to the stage the hall was much more full. Lots of Who T-shirts in evidence. Great!

ROGER2Now there was a time when I felt Roger’s voice was going and I feared we might be getting close to the end for The Who. But somehow, almost miraculously, he has rebuilt the strength and power in his voice and at 78 years old he is doing amazingly both vocally and physically. The man is a legend, as is, of course his partner in crime in The Who, Pete Townshend. And as the man says above “Use It or Lose It” which seems to be true, and also seems to work! Good man Roger!

Roger did answer a few questions which had been written out for him by audience members, but the evening was mainly devoted to music. The question-and-answer session basically consisted of Roger picking a few questions from a pile which he held in his back pocket answering some, and throwing some away that he chose not to answer! I can’t remember any spectacular revelations I am afraid.
ROGER6The set consisted of a mixture of Roger solo songs, some taken from the films he has starred in such as Mcvicar (a career criminal who was in Durham jail for a period) and quite a few from his collaboration with Wilco Johnson. Highlights for me are the classic Who songs “Tattoo” (“Welcome to my life, tattoo I’m a man now, thanks to you”), “Who Are You”,” Baba O’Riley” and the great Leo Sayer song “Giving It All Away”. Roger covered a lot of early Leo Sayer songs and was one of the people who helped him make it big. Leo Sayer is now seen as a bit of a joke in some circles but if you look back at his first album Silverbird it is really great with some classic tracks such as “The Dancer”. Listen to it if you get a chance. Very underrated as a songwriter and artist. Roger closes with “Young Man Blues” which takes me back to saying the whole in the 1970s: “Well A Young Man Ain’t Got Nothing in the World Today…… He Got Sweet F**k All!” Pure class. The guy still has it!

ROGER3Setlist: Let My Love Open the Door (Pete Townshend song); Freedom Ride (Taj Mahal song); Squeeze Box (The Who); Waiting for a Friend; Another Tricky Day (The Who); Who Are You (The Who); Giving It All Away (Leo Sayer song); The Kids Are Alright (The Who); Tattoo (The Who); After the Fire; Days of Light; The Way It Is (Simon Townshend song); Going Back Home (Wilko Johnson & Roger Daltrey song); Some Kind of Hero (Wilko Johnson & Roger Daltrey song); As Long as I Have You; I Keep It To Myself (Wilko Johnson & Roger Daltrey song); Baba O’Riley (The Who); Without Your Love; Young Man Blues (Mose Allison song covered by the Who)

The Who Wembley Stadium July 6, 2019

who tix 2019 2I have taken some time to write this account of my trip to see The Who at Wembley Stadium. There are a couple of reasons for this. Firstly, I wanted to describe something of the logistics of my trip, and secondly this was not a normal Who concert and it has taken me some time to decide my genuine opinion of the event. So here is the full story starting with the logistics of buying tickets.

Before my accident, buying tickets was very different, and much easier. I would go to my computer; a few clicks and I had my tickets! Ticket buying is very different now that I need a wheelchair space. I have to locate the accessible phone line and phone that number, only to be put into a queue, listening to music until I finally get through to an operator. I am then allocated my spot in the stadium and a free ticket for my carer. Sometimes I could be in the queue for over one hour, hoping to get tickets. This is admittedly much easier than queueing for tickets which I did many times in the 1970s. I once queued 28 hours outside Newcastle City Hall to buy tickets for the Rolling Stones!

Tickets for major rock bands have always been relatively expensive. In recent days they have reached exorbitant rates. The Stones can charge up to £1000 for prime seats and Who tickets are much more reasonable at £200 a pop. However this was still expensive for The Who and they received some bad press as a result.

One fan wrote: “The Who charging circa £230 for front block at Wembley is disgusting. All they’re doing is ripping off their loyal fans that have probably seen them many a time. Plus to make the pitch all seating when they know everyone will stand is obscene. Just comes to pure greed.” Another aggrieved fan raged: “The Who are asking £79 plus postage for the worst seats in Wembley, and £212 for the best. Talk about taking the p***.”

The logistics of travelling to a major gig have changed since being in a wheelchair. I need to plan ahead carefully. I book an accessible taxi to the train station, accessible seats on the train and two hotel rooms (one disabled room for me, one twin room for my carers). I take two carers with me, for different shifts during the night. Booking the train involves phoning the accessible travel line and then another number to book train tickets. I need to arrive at the station early and look for the friendly guys with a ramp who assist me on to the train.

whp pixSome nifty manoeuvres around a tight corner take me to my seat accompanied by my entourage of carers. A small bottle of red, a bacon sandwich and I am set up for the journey direct from Sunderland to King’s Cross station, courtesy of Grand Central trains. Then onward to the tubes and we are on our way to Wembley. Now what I never realised, until I was in a wheelchair myself, is that not every tube station is wheelchair accessible so you have to choose a route that enables you to change tubes at a station which is accessible. Luckily the line from King’s Cross to Wembley Park is completely accessible, so all sorted. Then we check into our Premier Inn, which is only a few minutes walk from Wembley Stadium me in my accessible room, and my carers situated only a room or two a way.

We have a short rest, a bite to eat and then we make our way to the stadium. Being mean, or on meagre income (choose whichever you wish) we are situated towards the back of the stadium in the cheap seats looking right down onto the stage. Nonetheless we have a reasonably good view of the proceedings. We catch the end of Eddie Vedder’s set, having missed the Kaiser Chiefs. At the point at which we enter, Eddie is in full throttle, the crowd loving it.

Now I have seen the Who many times, having watched in disbelief a crazed Pete Townshend smashing his guitar in 1973, the return of the band after the passing of drummer Keith Moon, and more recently after the loss of bassist John Entwistle. Today two original members of the band remain: guitarist Pete Townshend, and vocalist Roger Daltrey. However, the soul of the 1960s mod band continues. This was a special concert; the Who were to perform with a full orchestra. They opened with songs from their 1969 rock opera Tommy, followed by “Who Are You” and some new tracks. The orchestra left the stage and the band moved into familiar territory, playing early hits “Substitute”, “The Seeker”, an acoustic version of “Won’t Get Fooled Again”. The orchestra returned to support the band in a segment from Quadrophenia. They finished with “Baba O’Reilly” and no encore. A different show, but still enjoyable. We took a short walk to our hotel.who prog 2019

Reflecting back on the concert after some time, I remember the distance between ourselves and the band, and the fact that the stadium was far from full. What I could see was The Who surrounded by an orchestra in a massive, cavernous stadium. There was little atmosphere. The sound was good and comparatively clear given the nature of the venue and the band performed well. I’ve seen The Who with an orchestra before, performing Quadrophenia at the Royal Albert Hall and it worked quite well. However, this time it didn’t quite gel and I long to hear the old rock band that is so familiar to me. As a concert this was good but not great; however for me, these days any chance to see The Who live is worth taking.

A few drinks at the hotel bar, a restful evening and up in the morning to take a somewhat torturous trip around the tube network (one of the lines was closed). We were back home for mid-afternoon, none the worse for our adventure.

As I write this, I’ve just heard that The Who have cancelled their 2021 concert tour as a result of Covid. I was to see them at Newcastle Arena in a months time. We live in strange times. Let’s hope it isn’t too long before I can experience The Who in concert again. And many thanks to my great carers Alison and Joanne who supported me during my adventure.


With Orchestra: Overture; 1921; Amazing Journey; Sparks; Pinball Wizard; We’re Not Gonna Take It; Who Are You; Eminence Front; Imagine a Man; Hero Ground Zero; Join Together.

Band Only: Substitute; The Seeker; Won’t Get Fooled Again (acoustic; Roger & Pete only); Behind Blue Eyes.

With Orchestra: Ball and Chain; The Real Me; I’m One; The Punk and the Godfather (with Eddie Vedder)   ; 5:15; Drowned; The Rock; Love, Reign O’er Me; Baba O’Riley



The Who Wembley Arena 13th Feb 2016

The Who Wembley Arena 13th Feb 2016
imageLast night The Who returned to their home turf to play a one-off gig at Wembley Arena. Roger Daltrey has been suffering from viral meningitis, which resulted in the postponement of the last leg of their American Tour, and this gig was slotted in by way of a warm-up before the band returns to the USA to play the rearranged dates. I’m pleased to report that Roger looks and sounds well, although he did tell us that he wasn’t 100% and that his “legs weren’t fully there”. Well it didn’t show. This was another classic Who performance, easily on par with, if not surpassing, their Hyde Park show last Summer. A sold-out crowd of locals and die-hard Who fans from across Europe gave the band the rousing London welcome they deserve. The Who Hits 50! Tour is a celebration of the amazing legacy of a legendary band who have given us so much over the years. This was my 21st (I think) Who live experience, and the third time I’ve seen them on the current tour, having caught the first leg of the tour at Newcastle Arena in late 2014 and the Hyde Park gig last summer. The set is largely the same, although it has become slightly shorter with openers “I Can’t Explain” and “Substitute” being dropped, as has their early attempt at a mini opera “A Quick One (While He’s Away)”. Last night we were treated to the inclusion of the instrumental “The Rock” as part of a trio of songs from “Quadrophenia”.
imageThe evening started with a slide show which took us through the history of the band, and featured many great images of the late Keith Moon and John Entwistle. This tour is a celebration of their legacy and contribution, as well as a run through of some of the Who’s greatest songs. The band walked on stage and launched straight into “Who Are You?” and away we went on another amazing journey through so many classic tunes; a history of this extraordinary band, and also of our own lives and memories. The giant screen behind the stage displayed powerful full-face images of Roger, Pete, Keith and John, along with clips of the Who in the ’60s and the ’70s and clips from Quadrophenia. The sound was crisp; I was sitting halfway back on the terrace to the left of the stage, and every note was very clear. The first part of the set featured early classics: “The Seeker”, “Picture of Lily”, “The Kids are Alright”, “My Generation” and my personal favourite “I Can See for Miles”. Then we moved swiftly to the ’70s and the haunting “Behind Blue Eyes” followed by “Bargain” from “Who’s Next”, “Join Together”, and “You Better You Bet”. The aforementioned segment from “Quadrophenia” followed. “Eminence Front” is not my favourite track, so I took the opportunity to have a walk around the arena, finding a spot downstairs on the floor towards the back. I spent the rest of evening there, enjoying the band and observing the crowd singing along, dancing and generally going crazy. imageThe songs from “Tommy” followed, culminating in a powerful crowd singalong to “Listening to You” which always gets me. I knew we were on the home stretch. Roger’s voice was holding out fine, and Pete was full of power and angst, twirling and twirling his arm, and squeezing great solos out of his Fender Stratocaster. The familiar minimalist synthesiser intro signalled “Baba O’Reilly” which then lead into closing song “Won’t Get Fooled Again”; as raw and relevant as ever. Pure class. Pete introduced the band, and they left the stage at around 10.30pm. I took the 2 minute walk across the road to the Wembley Hilton. Pete said at the end “Hope to see you again.” Yes indeed, hope so.
Setlist: Who Are You; The Seeker; The Kids Are Alright; I Can See for Miles; My Generation; Pictures of Lily; Behind Blue Eyes; Bargain; Join Together; You Better You Bet; I’m One; The Rock; Love Reign O’er Me; Eminence Front; Amazing Journey/Sparks; Pinball Wizard; See Me Feel Me/Listening to You; Baba O’Reilly; Won’t Get Fooled Again
I’m typing this on a very slow train (engineering works on a Sunday) which is gradually taking me back home ‘up north’. Next stop is York. I’m feeling quite tired and stiff this morning; must be starting to feel my age.

“Tommy” with special Guest Roger Daltrey Whitley Bay Film Festival 1st August 2015

The Whitley Bay Film Festival presents “Tommy with special guest Roger Daltrey”
tommytixSo Tommy, or rather Roger, came to Whitley Bay, the past home of many pinball arcades. And he watched the great 1975 movie with us. The Whitley Bay Film festival kicked off it’s sixth year of movie, culture, music and arts events with a very special 40th anniversary screening of Ken Russell’s and The Who’s classic film, Tommy.  Roger Daltrey was in attendance for a conversation with music historian Chris Phipps and a question and answer session with the audience. The evening was introduced by festival patron Ian La Frenais.
whitleybayfilmfestivalTommy is a dark, crazy, OTT ride through 1970s culture. It features a star cast of acting and musical royalty including Oliver Reed, Jack Nicholson, Elton John and The Who themselves to name but a few.  The music is, of course, based on a reworking of the Who’s classic 1969 rock opera. I went along with Norm, and the two enjoyed the joys of the film all over again. We both saw the film when it was first released, but neither of us had seen it since then. I was surprise how current it seemed; its larger than life characters and images, iconography, pastiche reminding me to some extent of recent movies such as Moulin Rouge.
Leading up to the main film event, the festival team held a month long pinball tournament, which ran throughout July, and culminated in the final held in the foyer, immediately prior to the film screening. Our pinball champion was Matt Morrison of Whitley Bay, who was presented with his award by Roger Daltrey. After the movie we were all treated to a question and answer session with Roger, sat next to a lovingly restored pinball machine, and who admitted: “I’m the worst pinball player in the world.” Roger was introduced festival patron, comedy writer Ian La Frenais, originally from Whitley Bay and whose work with writing partner Dick Clement includes The Likely Lads and Auf Wiedersehen, Pet. Ian told us: “I had my first snog in this building”. Roger told several stories of the making of the film including how he was the target of a fire hose which left him “black and blue”, thrown in a cold bath and laid on an ironing board while Cousin Kevin tortured him. He also admitted “Ann Margaret was supposed to be my mother, but that was a tough acting job on my part.” A unique night and an opportunity to see a hero up close.
“That deaf, dumb and blind kid, Sure plays a mean pinball!” (Townshend, 1969).

The Who Hyde Park London 26th June 2015

The Who Hyde Park London 26th June 2015
thewhoThe Who. Hyde Park. London. 50 years. David, Shauna and I scrored some cheap tickets outside. It don’t get much better. We enter the park and catch the end of PUl Weller’s set. 65,000 people sing along to opener Can’t Explain and we are all off on our own Amazing Journey. The hits just keep coming: The Seeker, I Can See for Miles, The Kids are Alright, Pictures of Lily (for special guest Weller, Roger tells us). What happened to Substitute? Never mind; we can’t always get we we want. Pete is on top form, windmill arm twirling and swirling. Roger’s voice is strong; the songs still sound fresh even after all this time, particularly with the Hyde park choir helping them along. Roger and Pete seem genuinely pleased to be back home playing in London, just a few miles from where it all started. “We are the Mods” sing the old guys behind us. £22 for a bottle of Pino Grigio; are they having a laugh? Class visuals take us through Tommy and Quadrophenia, with lots of shots of Keith and the Ox. Won’t Get Fooled Again closes it, after which Pete and Roger spend quite a few minutes thanking everyone. thewhohydepark2015We wait around but there is no encore (what happened to Magic Bus?). Musn’t be greedy. My 20th Who show, and if this really was the last time that I’ll see this great band, it was a pretty excellent show on which to finish my Who journey.
Setlist:I Can’t Explain; The Seeker; Who Are You; The Kids Are Alright; Pictures of Lily; I Can See for Miles; My Generation; Behind Blue Eyes; Bargain; Join Together; You Better You Bet; I’m One; Love, Reign O’er Me; Eminence Front; Amazing Journey; Sparks; Pinball Wizard; See Me, Feel Me; Baba O’Riley; Won’t Get Fooled Again

Live 8 Hyde Park London 2nd July 2005

Live 8 Hyde Park London 2nd July 2005
live8tixI was so excited about this event for three reasons: firstly because I’d been in Wembley Stadium for Live Aid, secondly to see The Who, and thirdly and most of all to see Pink Floyd again. We (me, Marie, David and Laura) all went, staying the weekend in London. I’d managed to get tickets for the Gold Circle which took us right down the front, next to the stage, so we had an excellent view of the entire day’s proceedings.
Bob Geldof opened the proceedings, followed by Paul McCartney with U2 performing “Sgt. Pepper’s Lonely Hearts Club Band” (It was 20 years ago today! Wonderful). Then U2 performed “Beautiful Day” (with a verse of the Beatles’ “Blackbird”), “Vertigo”, “One” (including a segment from “Unchained Melody”). Coldplay were next up and played “In My Place” with a section from “Rockin’ All Over the World” (cheeky; Quo should have been on stage performing this, but weren’t invited although they of course opened Live Aid), “Bitter Sweet Symphony” (joined by Richard Ashcroft), and “Fix You”. David Walliams and Matt Lucas then came on stage in the role of their Little Britain characters Lou and Andy and introduced Elton John who played “The Bitch Is Back”, “Saturday Night’s Alright For Fighting”, and “Children of the Revolution” (with guest Pete Doherty). Bill Gates was then next up on stage to introduce Dido who sang “White Flag” and “Thank You” and “7 Seconds”with Youssou N’Dour.
Stereophonics were followed by REM who were introduced by Ricky Gervais. R.E.M. performed “Imitation of Life”, “Everybody Hurts”, and “Man on the Moon”. Then Kofi Annan introduced Ms. Dynamite who was followed by Keane and Travis. Bob Geldof joined Travis to sing “I Don’t Like Mondays”. Brad Pitt was next on stage to introduce Annie Lennox, then came UB40, Snoop Dogg and Razorlight.
Bob Geldof then introduced 24-year-old Birhan Woldu, the starving Ethiopian child whose image was so powerful in the video shown at Live Aid. Madonna took to the stage, embraced Birhan and held hands with her as she sang “Like a Prayer”.
Live8progMadonna was followed by Snow Patrol, The Killers, Joss Stone, Scissor Sisters, and Velvet Revolver (good but a bit out of place at this event). Then Lenny Henry presented Sting who sang the same songs as he performed at Live Aid: “Message in a Bottle”, “Driven To Tears”, and “Every Breath You Take”. Next Dawn French introduced Mariah Carey who was amazing, and David Beckham presented “his friend” Robbie Williams who got the crowd really going with “We Will Rock You”, “Let Me Entertain You”, “Feel”, and “Angels”. Peter Kay sauntered onto the stage and couldn’t resist singing “Is This the Way to Amarillo”.
Now we were moving to the legends; the bands that I had really come to see. The Who played “Who Are You”, “Won’t Get Fooled Again”. They were followed by an event which I never thought I would see, the reunion of Pink Floyd and a breath-taking performance of “Speak to Me”/”Breathe”, “Money”, “Wish You Were Here” (real lump in the thrat moment and closed with “Comfortably Numb”. It was left to Paul McCartney to close the show with “Get Back”, “Drive My Car” (with George Michael), “Helter Skelter”, and “The Long and Winding Road”. He finished with “Hey Jude’ to which everyone sang along, and which seemed to go on for ever. We left Hyde Park as the crowd continued to sing “Na Na Na NaNa Na Na….”). The show was originally scheduled to close at 9.30pm, but seriously overran and went on until just after midnight.
liveaidlanyardThe Floyd reunion was, of course, the real highlight for me. Gilmour announced the reunion less than a month before the gig, on 12 June 2005: “ Like most people I want to do everything I can to persuade the G8 leaders to make huge commitments to the relief of poverty and increased aid to the third world. It’s crazy that America gives such a paltry percentage of its GNP to the starving nations. Any squabbles Roger and the band have had in the past are so petty in this context, and if re-forming for this concert will help focus attention then it’s got to be worthwhile.” Waters said on stage: “It’s actually quite emotional standing up here with these three guys after all these years. Standing to be counted with the rest of you. Anyway, we’re doing this for everyone who’s not here, but particularly, of course, for Syd.” The screens showed video from their past shows, and a film of the pig from the Animals flying over Battersea Power Station. This was simply mind-blowing stuff; for me it was a very emotional experience. I found Wish You Were Here particularly powerful; you felt they were singing the song for Syd; which of course they were. Syd sadly passed away the following year. With Wright’s subsequent passing in 2008, this was to be the final concert to feature all four playing together.
A great, momentous day.

The Who Newcastle Metro Radio Arena 25th May 2007

The Who Newcastle, Metro Radio Arena, 25th May 2007whotix2007
Support: Shack
The Who were on a roll and continued to tour throughout 2007, playing across Europe, the USA and headlining Glastonbury. Their set was similar to that which they had played during 2006, containing classic tracks and much of their, then current, “Endless Wire” album.
Setlist: I Can’t Explain; The Seeker; Relay; Who Are You; Behind Blue Eyes; Fragments; Real Good Looking Boy; Sound Round; Pick Up The Peace; Endless Wire; We Got A Hit; They Made My Dream Come True; Mirror Door; Baba O’Riley; Eminence Front; A Man In A Purple Dress; The Real Me; You Better You Bet; My Generation; Cry If You Want; Won’t Get Fooled Again.
Encore: Pinball Wizard; Amazing Journey; Sparks; See Me Feel Me; Tea And Theatre
whoprog2007That concludes my reminiscences of seeing The Who in concert. I have been to a few more Who gigs since 2007, but I have already blogged about those.
The Who are, without question, one of my favourite bands; alongside the Stones and the Groundhogs. There are few rock bands who can match their breadth and range of classic material, going from the great pop and mod singles of the mid 1960s, through the epic “Tommy” rock opera, the anthemic “Won’t Get Fooled Again” and to “Quadrophenia” (“A Way of Life” 🙂 ). My own particular favourites are “I Can See For Miles”, “The Seeker” and “Won’t Get Fooled Again”. I am also a big fan of “Tommy” and have grown to love “Quadrophenia” over the years, having now seen The Who perform it on four occasions. On a good night The Who are simply the best rock band in the world, and they have given me some of my best (and loudest 🙂 ) concert memories; including amazing gigs at Newcastle Odeon (1971 & 1973), Charlton (1974 & 1976) and Edinburgh Odeon (1979). And they still continue to deliver; the recent gig I saw at Newcastle Arena, which was part of their 50th anniversary tour, was excellent. I reckon I’ve seen The Who play 19 times to date; hope I get to see them at least once more.

The Who Wireless Festival Harewood House Leeds 25th June 2006

The Who Wireless Festival Harewood House Leeds 25th June 2006
whoprog2006Support from The Flaming Lips; The Zutons; Eels; Super Furry Animals; Robyn Hitchcock; The Answer; Casbah Club
Went with David to see The Who at the O2 Wireless festival at Harewood House, just outside Leeds. The ticket was a barcode on my phone, so no stub to post here 😦 The supporting line-up was strong with great performances from The Answer (an Irish rock’n’blues band in the mould of Free and ’70s rock), Eels, Robyn Hitchcock (retro psych genius) and Casbah Club (super modster band featuring Simon Townshend) performing on the main stage and in a marquee. The best performance, other than the Who, came from The Flaming Lips, with a spectacular theatrical show which featured front man Wayne surfing across the crowd in a giant hamster ball 🙂
The Who’s performance featured several new songs which would appear on their 11th album “Endless Wire”, the usual Tommy segment, old faves and some unexpected classics including “The Seeker” and “Relay”. Great stuff.
Setlist: Who Are You; I Can’t Explain; The Seeker; Anyway Anyhow Anywhere; Sound Round; Pick Up The Peace; Endless Wire; We Got A Hit; They Made My Dream Come True; Mirror Door; Baba O’Riley; Drowned; Relay; The Kids Are Alright; Behind Blue Eyes; Mike Post Theme; Cry If You Want; Pinball Wizard; Amazing Journey; See Me Feel Me
Encore: Substitute; Won’t Get Fooled Again

The Who The Royal Albert Hall London 29th March 2004

The Who The Royal Albert Hall London 29th March 2004
whotix2004Support from The Coral
This was the first major UK performance buy the “Who 2”. It was preceded by three warm-up gigs at the London Forum. The line-up was Roger Daltrey and Pete Townshend accompanied by Rabbit Bundrick on keyboards, Pino Palladino on bass, Zak Starkey (Ringo’s son) on drums and Simon Townshend (Pete’s younger brother) on guitars and backing vocals.
whoprog2004The concert, which was part of a run of shows in support of the Teenage Cancer Trust for which Roger was Chair at the time, was originally announced as a performance of “Tommy”, but for some reason that never came to be, and what was actually performed was a set of Who classics. Support came from Liverpool psych mod band The Coral, who were excellent. I went to the concert with David. This was the first time I’d been to the Albert Hall, and we stayed in a hotel close to the venue. We had quite good seats, close to the stage, on Pete’s (right hand) side. Roger had a terrible cold and as a result he was singing in an ultra raspy voice. You could see that it was hurting him when he sang. Pete wore black wrap around visor sunglasses for the first couple of songs, which made him look pretty moody. They premiered two new songs “Real Good Looking Boy” and “Old Red Wine”. It was great to see The Who in full flight again.

The Who in 2006. Many thanks to Paul Fenton for allowing this picture to be reproduced through WikiMedia Commons

The Who in 2006. Many thanks to Paul Fenton for allowing this picture to be reproduced through WikiMedia Commons

It is unfair to attempt to draw comparisons between the current Who 2 and the 1970s Who. Of course, it is a different band, and it is impossible to recreate past performances. I am grateful that I can still go to a Who concert, and see Roger and Pete play those classic songs.
We got up very early to catch a train at 6am so I could get back up north and go to work.
Setlist: Who Are You; I Can’t Explain; Substitute; Anyway Anyhow Anywhere; Baba O’Riley; Behind Blue Eyes; 5.15; Sea And Sand; Love Reign O’er Me; Eminence Front; You Better You Bet; Real Good Looking Boy; The Kids Are Alright; My Generation; Old Red Wine; Won’t Get Fooled Again
Encore: Pinball Wizard; Amazing Journey; Sparks; See Me Feel Me.
The next time I saw the Who was at Live 8 in Hyde Park. They played a short two song set of “Who Are You” and “Won’t Get Fooled Again”, sandwiched between Robbie Williams and the reunited Pink Floyd and were introduced by Peter Kay 🙂 I need to blog about Live 8 on another day.
Tomorrow I’ll move to a Who performance in 2006 at the O2 Wireless Festival, Harewood House, Leeds, 2006.

The Who Newcastle Arena 6th Nov 2000

The Who Newcastle Arena 6th Nov 2000
who2000tixSupport from Joe Strummer & the Mescaleros
The Who’s tour in 2000 was in support of the live album “The Blues to the Bush” (as mentioned on the cover of the tour programme) and was their first full-fledged tour as a five-piece band since 1982. Roger, Pete and John were joined by Rabbit on keyboards and Zak Starkey on drums. This was the Who’s first visit to Newcastle since 1981. The set was a run through Who favourites, including a few, such as “The Kids Are Alright” and “Mary Ann With the Shaky Hands”, which hadn’t been performed live for many years. On some of the other nights of the tour they performed “The Seeker” and “A Quick One While He’s Away”. Support came from The Clash’s Joe Strummer with his band The Mescaleros.
who2000progIt was great to see the Who again, and to hear all the classics. A great concert which reminded me just how great the Who were.
Setlist: I Can’t Explain; Substitute; Anyway, Anyhow, Anywhere; Relay; My Wife; Baba O’Riley; I Don’t Even Know Myself; Bargain; Drowned; Behind Blue Eyes; Pinball Wizard; The Real Me; You Better You Bet; Who Are You; 5:15; Won’t Get Fooled Again
Encore: Let’s See Action; The Kids Are Alright; Mary Ann With the Shaky Hands; My Generation
John Entwistle passed away in hotel room 658 at the Hard Rock Hotel and Casino in Las Vegas on 27 June 2002, the result of a heart attack induced by cocaine. Townshend and Daltrey said in tribute : “The Ox has left the building — we’ve lost another great friend. Thanks for your support and love. Pete and Roger.”
The next time I saw the, now in effect a two piece, Who was in 2004 at a Teenage Cancer Trust concert at the Albert Hall. I’ll reflect on this concert tomorrow.