Archive for the ‘Judas Priest’ Category

Judas Priest Saxon & Uriah Heep First Direct Arena Leeds  13 March 2024

jud0A bit of an adventure in Leeds. I will explain more below.

First, one of my main reasons for making the trip to Leeds was to see Uriah Heep. We arrived at Leeds station, Jackie, Elaine and I at 6:20 PM. We walked straight up to the arena across the Headway which took me back to 1978 when I slept on the Headway (one of the main streets in Leeds) in a queue for Bob Dylan tickets at London’s Earls Court (Leeds was the nearest box office: no online ticket purchases in those days, you had to queue at box offices all over the country). We arrived at the Arena just as Uriah Heep took to the stage. Unfortunately the steward (who was very helpful) took us up and down the lift until we discovered that we were seated on the floor area. Somehow I had bought front row tickets which were not wheelchair accessible. Nonetheless we chose to stay downstairs and watch the bands from the floor. Sadly, however by the time we had located the seats Uriah Heep had just finished. I did manage to get a fleeting glimpse of Heep and heard them finish their set with “Gypsy” and encore with “Easy Livin’”. Oh well such is life.

sax1Next up on this multi-band line–up was Saxon. Now Saxon and I go back a long way. The Saxon website aids me in explaining this: “Now in their fourth decade of making music, continuing the tradition that they helped create, Saxon are still a tour de force in heavy metal music. The Band are comprised of members Peter “Biff” Byford (vocals), Brian Tatler and Doug Scarratt (guitars), Nibbs Carter (bass) & Nigel Glockler (drums). Saxon were the leaders of the new wave of British heavy metal (NWOBHM), they had eight UK Top 40 albums in the 1980s including four UK Top 10 albums and two Top 5 albums.

judas3They had numerous singles in the UK Singles Chart and chart success all over Europe and Japan, as well as success in the United States. During the 1980s, Saxon established themselves among Europe’s most successful metal acts. The band tour regularly and have sold more than 13 million albums worldwide. The band was formed in Barnsley in 1977 by Peter “Biff” Byford on vocals, Paul Quinn and Graham Oliver on guitars, Steve “Dobby” Dawson on bass, Pete Gill on drums and were originally named “Son of a Bitch”. In 1979, the band changed their name to Saxon and signed to French record label Carrere who then released their eponymous debut album.”

judas4It was when they were called “Son of a Bitch” that I first saw the band. They used to play Sunderland Boilermakers club on a Saturday afternoon just before the football match. I would regularly go and see them (but never went to the match). I also recall seeing them at West Cornforth “Doggy” club (don’t ask me why West Cornforth was known locally as “Doggy”: the answer is lost in my memory somewhere). Anyway “Son of a Bitch” were a class act. I then saw them transform into Saxon and gain fame as part of the New Wave of British Heavy Metal.

judas2“‘Wheels of Steel’, released in 1980, charted at #5 in the UK and stayed in those charts for six months. It resulted in two hit songs: the title track and the crowd favourite “747 (Strangers in the Night)”. As a result, Saxon began a series of long UK tours. On 16 August, they earned a positive reception at the first Monsters of Rock festival, commemorated by the following year’s “And the Bands Played On”. Their set was recorded, but not officially released until 2000. In April of that year, Saxon made the first of many appearances on Top of the Pops, performing the hit “Wheels of Steel”.”

judas1Anyway, they were absolutely great and warranted their position as second on the bill. I recognised many of the songs including “Dallas 1 PM” (about the assassination of JFK), “747 (strangers in the night)” and “wheels of steel”. Biff may have white hair these days but he still has a very powerful voice and looks fantastic. Towards the end of the set he brought onto the stage the original (now retired) guitarist. As I recall in the early days, he would have his guitar strapped to his belt and spin it around. It looked pretty impressed back in the day.

jud5Setlist: The Prophecy; Hell, Fire and Damnation; Motorcycle Man; Sacrifice; There’s Something in Roswell; And the Bands Played On; Madame Guillotine; Power and the Glory; Fire and Steel; Dallas 1 PM; 747 (Strangers in the Night); Wheels of Steel; Denim and Leather; Princess of the Night.

jud6After a short interval Judas Priest took to the stage with a massive backdrop and excellent light show. The headline act always has the best setup and show. Rob Halford retains his tremendous high operatic histrionic vocals, bald head and nowadays accompanied by a long white beard. He was wearing a long silver cold which soon became a leather jacket.

jud7Like Saxon, I go back a long way with Judas Priest. I used to see them play regularly at Sunderland Locarno ballroom. I seem to recall seeing them in the very early days with another singer, before Rob Halford joined the band (or did I dream that?). Then I saw them many times at Newcastle Mayfair and Newcastle City Hall. I recall Rob whipping the audience at one concert: someone caught hold of the whip and almost pulled him into the crowd. They were always extreme loud metal, as they are today. Fantastic. They remain the epitome of heavy metal.

jud8From the arena website: “There are few heavy metal bands that have managed to scale the heights that Judas Priest have during their nearly 50-year career. Their presence and influence remains at an all­-time high as evidenced by 2018’s ‘Firepower’ being the highest ­charting album of their career, a 2010 Grammy Award win for ‘Best Metal Performance’, plus being a 2006 VH1 Rock Honors recipient and a 2017 Rock and Roll Hall of Fame nomination.

jud9Judas Priest originally formed in 1969 in Birmingham, England (an area that many feel birthed heavy metal). Rob Halford, Glenn Tipton, K.K. Downing and Ian Hill would be the nucleus of musicians (along with several different drummers over the years) that would go on to change the face of heavy metal. After a ‘feeling out’ period of a couple of albums, 1974’s ‘Rocka Rolla’ and 1976’s ‘Sad Wings of Destiny’ this line­-up truly hit their stride. The result was a quartet of albums that separated Priest from the rest of the hard rock pack ­- 1977’s ‘Sin After Sin’, 1978’s ‘Stained Class’ and ‘Hell Bent for Leather’, and 1979’s ‘Unleashed in the East’, which spawned such metal anthems as ‘Sinner’, ‘Diamonds and Rust’, ‘Hell Bent for Leather’, and ‘The Green Manalishi (With the Two-Pronged Crown)’. Also, Priest were one of the first metal bands to exclusively wear leather and studs – a look that began during this era and would eventually be embraced by metal heads throughout the world. “

jud10Setlist: War Pigs (intro, by Black Sabbath); Invincible Shield Tour Anthem; Panic Attackl; You’ve Got Another Thing Comin’;    Breaking the Law; Rapid Fire; Lightning Strike; Love Bites; Saints in Hell; Trial by Fire; Turbo Lover;    Invincible Shield; Victim of Changes; Metal Gods; The Green Manalishi; Painkiller.

Encore: The Hellion; Electric Eye; Hell Bent for Leather; Living After Midnight.

jud12We had to leave early to catch our train. A quick walk down through the streets of Leeds took us to the station. When we arrived the passenger assistance guy was waiting at the station for us. “Your train is cancelled” he explained. We did not believe him at first, but soon we realised it was true. Apparently and sadly, a train had hit a deer somewhere near Northallerton and the line was blocked. Anyway the passenger assistance people guaranteed that they would get us home somehow. I explained that I needed to get back to take my night time medication. The guy then took us straight to the taxi rank at the front of the station and helped us into a wheelchair cab. Jackie, Elaine and I were then up the road through Wetherby and onward on the A1 towards Sunderland. 90 minutes later, at 1 AM I was back in my bed. The end of a fantastic very memorable adventurous evening.

The Reading Festival 22nd – 24th August 1975

The Reading Festival 22nd – 24th August 1975
reading75flyerThe Reading Festival hit its peak of success in the mid ’70s, and the 1975 festival sold out in advance. Although the previous years’ festivals that I had attended all seemed pretty full, you were still able to roll up and pay at the entrance. In 1975 the success of the festival and the draw of bands like Yes and Wishbone Ash ensured the site was completely packed, with hardly any room to be found in the campsites and car parks.
Friday line-up: Stella, Judas Priest, Wally, Kokomo, UFO, Dr Feelgood, Hawkwind. Judas Priest were an up and coming heavy rock band and were gigging constantly, as were UFO. Kokomo were a jazz/rock/funk outfit who were very successful during the ’70s. But the big success of Friday (and arguably the entire weekend) was Dr Feelgood, who were a massive hit with the festival crowd; Wilko and Lee being on red hot form. I was with a couple of guys who had recently become big Feelgood fans; “Back In The Night” had just been released and they were constantly singing it in my ear. “All around visible signs of the Doctor’s now-massive popularity – such as the many home-made banners (“Feelgood”, “Wilko” et al), the rapturous reception, the sea-of-weaving arms” (NME, 1975). “When Dr Feelgood stamped off they had within an hour, transformed this alfresco association into a tiny, sweaty, steaming R&B club. Charisma is too weak a word to describe what the Feelgoods had going for them that night.” (Brian Harrigan, Melody Maker, August 30, 1975). Hawkwind were ok, but it was cold, and they found it difficult to follow the Feelgood’s storming set.
readingprog75Saturday line-up: Zzebra, SNAFU, Alberto Y Lost Trios Paranoias, Kursaal Flyers, Thin Lizzy, Alan Stivell, Heavy Metal Kids (billed simply as “Kids” in the programme), Ozark Mountain Daredevils, Supertramp, Yes.
My memories are of Thin Lizzy delivering an excellent set as always; they were gradually building up their own following and would soon break through to become massive; The Heavy Metal Kids being as OTT as ever; and Yes, who were amazing. I must also mention the Kursaal Flyers, who are sadly often forgotten in the history of pub rock; they would hit the charts in the following year with the great pop single: “Little Does She Know” (“I know that she knows that I know she’s two timing me”). Supertramp were on the verge of mega-success; they had hit the charts with “Dreamer” and had a considerable following. I was, and remain, a big Yes fan and their performance at Reading came at a point where the band were at the peak of their success. I recall it being very cold, with epic versions of “Close to the Edge” and “And You and I”, and a great version of “Roundabout” as an encore (very late and off to our tents). A bootleg exists of Yes’ set that night: Sound Chaser; Close To The Edge; And You And I; Awaken; The Gates Of Delirium; I’ve Seen All Good People; Ancient; Long Distance Run Around; Ritual; Roundabout.
reading75Sunday line-up: Joan Armatrading, Babe Ruth, String Driven Thing, Climax Blues Band, Caravan, Soft Machine, Mahavishnu Orchestra, Robin Trower, Wishbone Ash. My memory of Sunday is of Wishbone Ash. Like Yes they were enjoying massive success at the time, and also like Yes they played a set of pure class, with the twin guitars of Andy Powell and Laurie Wisefield soaring through the cool, late Sunday evening.
Our DJs for the weekend were once again John Peel and Jerry Floyd. The weather was cold, with some rain, and the beer can fights were constant throughout the weekend. The festival had always been an organised, carefully planned event, but was becoming even more commercial. The nature of the festival, and its line-up, would transform further in the years which followed; with the emergence of punk and the re-emergence of heavy metal through the NWOBHM (New Wave Of British Heavy Metal). Any elements of the jazz festivals of the 60s had also disappeared.
Thanks to BaldBoris for allowing his image of the festival to be used through the WikiMedia Commons licence agreement.

Judas Priest Newcastle Arena 2005

Judas Priest Newcastle Arena 2005
The Angel Of Retribution tour
priest2005tix After a (too long) gap of over 20 years since I last saw Judas Priest in concert, I decided it was about time to see them again. In between that time Rob Halford has left and rejoined the band, so this 2005 outing was a sort of reunion tour. I went along with a group of mates, all of whom were seriously into Priest, and David came along for the ride. The Arena was by no means full, but the crowd size was respectable; Newcastle was always a metal stronghold and many people still had a soft spot for this band. The stage set was quite spectacular, and the show started with Rob Halford being hoisted down onto the stage to join the rest of the band. The show featured lots of Halford costume changes, and (of course) towards the end of the set Rob rode on stage wearing a huge leather coat, riding his Harley Davidson. This was pure heavy metal (and very tongue in cheek) theatre, and although the sound and atmosphere at the arena can never touch that of the City Hall, the spectacle and scale of the show certainly made up for it. preist2005prog Special guest for the tour were The Scorpions, another band who I hadn’t seen for a long time. My favourite Scorpions song has always been Loving You Sunday Morning, which they played that night. Judas Priest setlist: Electric Eye; Metal Gods; Riding on the Wind; The Ripper; A Touch of Evil; Judas Rising; Revolution; Hot Rockin’; Breaking the Law; I’m a Rocker; Diamonds & Rust; Deal With the Devil; Beyond the Realms of Death; Turbo Lover; Hellrider; Victim of Changes; The Green Manalishi; Painkiller; Hell Bent for Leather; Living After Midnight; You’ve Got Another Thing Comin’. It was great to hear old favourites like The Ripper and Victim of Changes again, and the Priest remained as impressive as ever live. David isn’t into heavy metal at all, and found it all a little too over the top.

Judas Priest Newcastle City Hall 1983

Judas Priest Newcastle City Hall 1983
priest83tix Judas Priest returned to Newcastle City Hall in December 1983, two years after their last appearance at the venue. Support this time came from Quiet Riot, an American heavy metal band, who had just released a great cover of Slade’s “Cum On Feel the Noize.” Priest were by now mega successful in the USA. Earlier in the year they had played for over 300,000 heavy rock fans at the “US Festival”, alongside Mötley Crüe, Ozzy Osbourne, The Scorpions and Van Halen. Vince Neil of Mötley Crüe said of the event: “It was the day new wave died and rock n’ roll took over” [from Wiki]. The event set the single-day concert attendance record for the US. preisr83prog
Setlist from the 1983 tour: Electric Eye; Riding on the Wind; Grinder; Metal Gods; Bloodstone; Breaking the Law; Sinner; Desert Plains; The Ripper; Freewheel Burning; Screaming for Vengeance; You’ve Got Another Thing Comin’; Victim of Changes; Living After Midnight; The Green Manalishi; Hell Bent for Leather.
This was once again a great performance by Judas Priest, and was in fact the last time that I saw them in concert for over 20 years. As their success in the USA grew, their visits to the UK were less frequent. They did play at the City Hall a couple of more times in the late 80s and early 90s, but I foolishly missed those gigs. I’ll write on the next time I saw Priest, which was in 2005, tomorrow.

Judas Priest Newcastle City Hall 1981

Judas Priest Newcastle City Hall 1981
priest81tix The Priest continued to spread metal mayhem across the globe, but also remained true to the home crowd, and returned for another full UK tour in 1981. The “World Wide Blitz” Tour, which was in support of their Point of Entry album, called at Newcastle City Hall on 18th November 1981, and I went along with a group of mates to marvel at our leather-clad heroes. By now tracks from British Steel were part of the set, so we were treated to classics such as Breaking the Law, and Living After Midnight, as well as old favourites Sinner, Beyond the Realms of Death and their excellent, and very dark, cover of Green Manalishi. This was classic Priest at their very best; they were now a massively successful heavy rock act, and were building up a big following in the USA and Japan.
priestprog81 From this tour on, Priest’s visits to the UK would become less frequent, as they started to concentrate on touring the US and other parts of the world. But for now, these guys were our metal heroes, and never failed to blow us away in concert. I can picture Rob now, commanding the stage, screaming out the vocals, flanked by KK Downing and Glen Tipton with their guitars flashing and swinging about. Great stuff! A typical setlist from the 1981 tour: Solar Angels; Heading out to the Highway; Diamonds & Rust; Hell Bent for Leather; Breaking the Law; Sinner; Beyond the Realms of Death; Grinder; Desert Plains; Hot Rockin’; You Don’t Have to Be Old to Be Wise; Victim of Changes; The Green Manalishi (With the Two Pronged Crown). Encores: Living After Midnight; Tyrant. Support in 1981 came from Accept, a German heavy metal band who played an important role in the development of speed metal.

Judas Priest Newcastle City Hall 1979 and 1980 British Steel!

Judas Priest Newcastle City Hall 1979 and 1980 British Steel!
priest79Judas Priest continued to tour throughout 1979 to 1980, moving from the Hellbent on Leather tour to the British Steel tour. Support acts were local band White Heat in 1979, and the mighty Iron Maiden in 1980. I also have a memory of attending a show at Newcastle Mayfair around this period; I think Priest may have played two nights at the City Hall and one at the Mayfair ballroom during the British Steel tour. British Steel was the sixth lp release by Judas Priest, and moved their music from dark, operatic metal, to shorter, more accessible and commercial rock songs. priest80 The album reached No 4 in the UK lp charts, their highest chart entry to date, and two singles from it reached the UK singles chart. These were Living After Midnight and the great Breaking the Law. The video for Breaking the Law is still shown on TV, and is a wonderful example of an early, very tongue in cheek, heavy metal promo. Their gigs continued to be crazy metal events, and Priest were a great favourite with the Newcastle metal crowds. The set around this time also included excellent covers of Fleetwood Mac’s Green Manalishi (1979) and Spooky Tooth’s Better By You, Better Than Me (in 1978). priest80progcover A typical setlist from 1980: Hell Bent for Leather; The Ripper; Running Wild; Living After Midnight; Sinner; Beyond the Realms of Death; You Don’t Have to Be Old to Be Wise; Grinder; Victim of Changes; Steeler; Genocide; Tyrant; The Green Manalishi. The programme for the 1980 Judas Priest tour is a true heavy metal work of art in itself. The cover shows a zipped leather suited guy wearing (of course) a studded belt complete with Judas Priest buckle. popup But the real treat lies inside. The centre fold of the programme contains a pop up of the band in all their onstage metal glory.
My copy has become a tad creased over the years, but I’ve done my best to photograph and present it here. Rob is on his motorbike in his usual leather gear, and the guitarists all have their axes held aloft. You couldn’t beat it!

Judas Priest Newcastle City Hall October 1978

Judas Priest Newcastle City Hall October 1978
priestoct78 In many ways Judas Priest as the ultimate heavy metal band. When they returned to the City Hall in October 1978, their image had developed from the standard heavy rock band with flowery shirts and flares, and they we starting to become heavy metal gods. Rob Halford in particular was starting to wear more studded leather gear, with undertones of S&M, and he was using his incredible vocal range to greater effect on songs like The Ripper in which he would scream the vocals in his high pitched operatic style. I don’t remember at which point, or on which tour, Rob started to ride a motorbike on stage, but it wasn’t that long after this. priestkillingmachine A couple of years later Priest released British Steel, an album which in many ways defines the heavy metal genre. More than any other band I saw in concert, Priest developed from what I would class a solid rock band like many others in the mid 70s, to a top rate metal band, pushing at the boundaries and setting a standard that many others would attempt to match over the years, and to this day. This change was very evident in their live performances, which saw them graduate from clubs, through ballrooms to concert halls (and soon onward to arenas). Along the way I witnessed them deliver an excellent, and well received, performance at the Reading festival in 1975. Support for the late 1978 tour came from the multi talented Lea Hart who has been a producer, singer, songwriter, and (currently) manager (of Maiden’s Paul Di’Anno). Hart had been in Slowbone, and went on to join Fastway in the 80s.

Judas Priest mid 70s – 1978

Judas Priest mid 70s – 1978
priestfeb78 Judas Priest toured a lot in the early days of their career, and played several times as Sunderland Locarno and Newcastle Mayfair. I saw some of those gigs and remember them as a pretty solid rock band. I think I saw them supporting Budgie once. This was the classic line-up of Rob Halford – vocals; K. K. Downing – guitar; Glenn Tipton – guitar; Ian Hill – bass guitar; the drummer changed a few times. Over the years you could see how these guys were developing as performers and song writers. Metal classics like The Ripper, Victim of Changes, and Sinner started to appear in the set. Rob Halford got crazier each time I saw them, and K K Downing and Glen Tipton started to perfect their guitar duels. I must mention Glen Tipton and his previous band, the Flying Hat Band. I saw that group on two occasions at Sunderland Locarno and they were simply stunning; one of the best live acts I ever saw. Tipton’s guitar playing was unbelievable; I remember standing at the front watching their entire set and being just blown away. priest78 By the time I saw Priest at Newcastle City Hall in February 1978, they were the quintessential pure metal band they we have all grown to love. Lots of leather and Rob was so over the top, whipping the audience, throwing bottles of beer into the crowd. I remember one night the crowd caught hold of his whip and pulled him off stage by it. I saw quite a few times over the next few years, mostly at the City Hall, and also at the Mayfair. I’ll spend a few days reflecting on the Priest. I found a track listing from a live recording of the Feb 1978 City Hall show which shows the set as: Exciter; White Heat, Red Hot; The Ripper; Savage; Sinner; Beyond The Realms Of Death; Victim Of Changes; Better By You, Better Than Me; Diamonds And Rust; Starbreaker; Tyrant

Judas Priest Newcastle Metro Arena 20 July 2011

Judas Priest Newcastle Metro Arena 20 July 2011
I went along with a group of mates (Will, Will’s on Jack, Ter and Ritchie) to see Judas Priest last week. Priest are part of our collective youth; a band that we all went to see lots of times throughout the 70s and early 80s. This tour, the Epitaph tour, has been billed as their last world tour, so we all figured that we should catch them this time. Ter, Will and I saw the Priest a few years ago at the arena, and were looking forward to this one. Support came from Rival Sons(?) and Queensryche, who are one of Ter’s favourites, so we made sure that we arrived on time for them. Queenrsyche lived up to Ter’s memories, but it was the main band that we had all come to see. Priest came on stage around 8.45 and launched into a set whch covered, as promised, something from every album in their 40 year career. So we got favourites such as Victims of Change and their great covers of Diamonds and Rust and The Green Manalishi. Singer Rob Halford left the singing entirely to the crowd for Breaking the Law. Quite a few good songs were missing; why no Ripper? In some ways, Priest have become almost a parody of themselves, with lots of chains and metal on display and Rob Halford taking a number of costume changes, each one being completely over the top. And the music is super crafted metal, with great guitar from Glen Tipton and a new guy (K K Downing retired just prior to the tour) and incredibly strong vocals and screams from Rob. Rob still rides his Harley onto the stage, and we all still lapped up the old rockers. Great stuff from a great band; it’s sad that this may have been the last time we will experience the Priest. We all went home fully satisfied; they don’t make bands like this any more.
Setlist: Rapid Fire; Metal Gods; Heading Out to the Highway; Judas Rising; Starbreaker; Victim of Changes; Never Satisfied; Diamonds & Rust; Dawn of Creation; Prophecy; Night Crawler; Turbo Lover; Beyond the Realms of Death; The Sentinel; Blood Red Skies; The Green Manalishi; Breaking the Law; Painkiller
Encore: The Hellion; Electric Eye; Hell Bent for Leather; You’ve Got Another Thing Comin’; Living After Midnight

I hate printed tickets


programme