Chrissie Hynde is clearly, like many of us, a Bob Dylan fan. I had not realised it but she had the privilege of singing Dylan’s classic “Leopardskin Pillbox Hat” alongside the great man himself in Wembley Stadium, London on his 1984 tour which I caught at St James’s Park, Newcastle. She has recently, in May 2021, released an album Standing in the Doorway: Chrissie Hynde Sings Bob Dylan. This live concert took place on the evening of 26 December, Boxing Day, in the beautiful surroundings of the Royal Opera House, London and was live streamed via VEEPS, the very same streaming platform that hosted (and on which I watched) Bob Dylan’s Shadow Kingdom show last July.
Chrissie’s band for the evening consisted of Pretenders guitarist James Walbourne, with Carwyn Ellis on keyboards and Danny Williams on upright bass. Chrissie sat on a stool in the middle of the band, playing acoustic guitar. The band sat quite closely, almost intimately, together centre stage surrounded by beautiful Christmas lights, chandeliers and a Christmas tree. Lovely!
This was not your standard Bob Dylan tribute set. Chrissie didn’t play safe by performing a set of his best-known songs. Indeed, there were several songs which I did not recognise at all. Those that I did recognise included “Blind Willie McTell”, “Love Minus Zero/No Limit” and “Every Grain of Sand”. Each song was performed acoustically with great guitar work from James 
Walbourne and equally well performed keyboards and double bass. Chrissie was on fine form. Her voice sounded as strong as ever and she was clearly enjoying every second of the experience. Dressed casually in a T-shirt “Don’t Pet Me – I’m Performing”! and the usual jeans and knee-high leather boots, she looked every part the lady rockstar that she always has done, since I first saw her in Newcastle Mayfair at the start of The Pretenders life. At one point Hynde admonished a lady in the audience “Switch Off That Phone”; only to have to apologise at the end of the song, when she realised the phone flash she thought she had seen was in fact the Exit sign flashing across her eyes! You couldn’t make it up!
Having completed the Dylan set, Chrissie moved on to a couple of songs which she announced as being composed by another great writer Ray Davies (a former beau) rather than announce them as Pretenders songs: “I Go to Sleep” and (my favourite) “Stop Your Sobbing”, which took me right back to those early days when she was first starting out as a musician and artist. These were the highlights of the show for me.
The band then moved on to a few songs that Chrissie had written with guitarist James Walbourne. These songs appeared on the Pretenders most recent album Hate for Sale
, and were intertwined with a great version of the Hoagy Carmichael classic “I Get Along Without You Very Well” for which she put down her guitar, picked up the microphone and stood stage front. The single encore was a song, which was new to me, by French singer-songwriter Charles Trenet: “Que Rèste-T-Il De Nos Amours?”, reading the lyrics from a piece of paper, which she often needed to consult! It seemed a strange choice, but also quite fitting and marked the end of a lovely evening spent (virtually) with the musical legend, that is Chrissie Hynde.
Setlist: In the Summertime; You’re a Big Girl Now; Standing in the Doorway; Sweetheart Like You; Blind Willie McTell; Love Minus Zero/No Limit; Don’t Fall Apart on Me Tonight; Tomorrow Is a Long Time; Every Grain of Sand; I Go to Sleep; Stop Your Sobbing; Maybe Love Is in NYC; You Can’t Hurt a Fool; Crying in Public; I Get Along Without You Very Well; (You Don’t Know) How Glad I Am
Encore: Que Rèste-T-Il De Nos Amours?
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