Posts Tagged ‘live stream’

The Zombies live stream event on Veeps from Abbey Road studios 18 September 2021

VEEP ZOMBIES 1The concert had a few different segments, Including quite a few songs I knew well and others that I was hearing from the first time. The setting was the famous Abbey Road studios. It was great to see the band performing live in those legendary settings in front of a small audience which, I suspect, consisted of invited guests, relatives and friends. I am, of course, a great fan of both Rod Argent and Colin Blunstone and have seen them many times in various incarnations of their bands including the Zombies, Colin solo, Argent, Rod solo and Rod Argent and Colin Blunstone as a duo. Rod Argent is a fantastic organist and keyboard player and Colin Blunstone has a very distinctive voice: strong, yet soft at the same time.

In the current incarnation of the Zombies, Rod and Colin are joined by (I believe) Steve Rodford – drums, Tom Toomey – guitar and Søren Koch – this guitar. Steve Rodford is the son of the late, sadly missed, bass player Jim Romford who was a founding member of Argent and also a long-term member of The Kinks and of course, the Zombies.

veeps zombies 2The opening song, which I didn’t know was great, an excellent piece of British RnB, blues influenced music. British bands of the early sixties have such an honest approach to blues and rock and roll. Rod Argent’s electric piano was particularly good. The band then went on to play several songs that are great, but unfamiliar to me. They were a mixture of old and new. One song in particular was interesting. Although I didn’t recognise the song, they announced that Tom Petty had covered it and so they went on to play “their own cover of a Tom Petty cover of a Zombies song”. Colin Blunstone also performed the haunting hit song of his “so you don’t mind”; written by Denny Laine. This was followed by a few songs featuring a string quartet which added an additional dimensional and texture to the music.

This was followed by a short selection of songs from the Odyssey and Oracle album. Now I love this album so hearing four songs from it was just great. The final song of the four was, as you would expect, the wonderful US hit “Time of the Season”, which still amazes me to this day. The use of breathy vocals and clapping around the main song is unique and gets me every time.

veeps zombies 3The next segment contained new songs which featured excellent playing by Rod Argent and strong vocals from Colin Blunstone. We were then on the home strait and into Argent’s “Hold Your Head up”, which still gives me great memories of dancing on the tables when seeing Argent back in the early 1970s at Sunderland Top Rank. Finally, the best was, as it should be, kept to the last and we were treated to “She’s Not There” which still sounds fresh since I first heard it in the 1960s.

Many thanks to my old friend and colleague Ciaran, from Limerick, who also watched the event and allowed me to use some of his words in my review above. Ciaran summed up the last couple of songs well: “I know ‘Hold your Head Up’ of course, but the live version was terrific – I much preferred it to the record: the organ solos were great here. The band was in great form on this one, and again on ‘She’s Not There’ which worked really well too, more great instrumental breaks.”

The set closed with an encore; a moving duet of Colin and Rod which rounded off the evening well. I’m quite getting to like live streaming events. Of course, they are not the same as “the real thing”, but they have a unique attraction of their own. My next live streaming event is to watch Paul McCartney being veeps zombies4interviewed about his Lyrics book at the Southbank Centre, London. Now, in the past before my accident, I would have been tempted to travel to London for this event. This is now no longer very practical for me, so live streaming allows me to “be there” virtually, which is the next best thing. The other great thing about some live streaming events is that I can watch them the next day, or again, if I wish.

To summarise, a great performance by a classic 1960s band with two legendary and very accomplished musicians. The 1960s produced some unique, excellent music which lives on to this day.

Setlist: Moving On; I Want You Back Again; Edge of the Rainbow; I Love You; Say You Don’t Mind; Different Game; You Could Be My Love; I Want to Fly; Tell Her No; Care of Cell 44; This Will Be Our Year; I Want Her She Wants Me; Time of the Season; Merry Go Round; Run Away (For All My Life); Hold Your Head Up; She’s Not There. Encore: The Way I Feel Inside

Patti Smith Veeps live stream from Electric Lady Studios 10 September 2021 2 AM BST!!

patti lady tixThis was (I think) my third live streaming event by Patti Smith. This was a little bit special as it was billed as a one-off live streaming event (no re-watching afterwards) from the famous Electric Lady Studios. There was one problem. It was at 2 AM BST (British Standard Time). Now my days of being awake, or getting up, at 2 AM are well past. I am just too old for this lark! It was different when I was younger and I was lying in a station bench in King’s Cross, Edinburgh Waverley or Victoria, but these days this was a real test of strength and willpower. Anyway, a little against my better judgement, I bought my ticket from Veeps. On the night before the event I drank my usual evening tipple, one can of draught Guinness, and went to sleep around 10 PM. At 1:45 AM my carer for the evening, Chris, woke me up, perched the computer above me in bed and switched it on ready for the show to start.

patti lady 3The event was billed as: “Patti Smith returns to Veeps for a very special collaboration with Electric Lady Studios and Spotify: streaming from the legendary recording facility on September 9th. A message from Patti “We are very proud to be part of this very special series at our favourite recording studio. It was a unique challenge and offered us an exciting and innovative platform”.”

This was particularly interesting and tempting because of the venue. Electric Lady Studios is a famous recording studio in Greenwich Village, New York City. It was commissioned by Jimi Hendrix in 1968. Hendrix spent only ten weeks recording in Electric Lady before his death in 1970, but it was later used by many famous artists from the 1970s onwards, including Led Zeppelin, Stevie Wonder, and David Bowie.

Patti has recently recorded a short album at Electric Lady Studios, and this event was a live performance of that album.

So, there I was, now fully awake and alert, waiting for Patti Smith to appear. It is always interesting at these live streaming events reading the chat box to see who else is watching alongside me (metaphorically). So, I notice messages such as “hello Patti from Tokyo”, “hi from London”, “hi there from Berlin”, “waiting for you Patti, from New York”, and so on… You get the idea.

patti lady 1Soon Patti did appear and we were treated to a great performance of the songs from the album. The aforementioned album contains a selection of old Patti Smith’s songs and some covers including a wonderful version of Dylan’s “One Too Many Mornings”. The lady was on top form and was backed by her usual musicians including long-time collaborator Lenny Kaye. Great! Now, a few people in the chat box were questioning whether the performance was really live or pre-recorded. To be honest, the way the songs blended from one to the next did feel like a pre-recorded performance and Patti had little to say on the evening. However, to me it didn’t matter; it was still another opportunity to see the great lady performing at her best. The set was short, matching the length of the album. Some people in the chat seemed disappointed at this. Me, I was quite satisfied, and in some ways, a little relieved that I could return to my sleep; dreams of Patti Smith live swirling around in my head. I awoke the next morning, a little tired, but actually none the worse for my experience.

patti lady 2Setlist: April Fool; Ghost Dance; Blame it on the Sun; Broken Flag; Birdland; One Too Many Mornings; Peaceable Kingdom

Bob Dylan Shadow Kingdom stream event 18 July 2021

DYLAN 0So this was another streaming event, this time by our old friend and troubadour Bob Dylan. I expected the event to be live, but it was clearly pre-recorded. However, this was not a disappointment and did not detract from the enjoyment of the concert, rather the pre-recorded setting of the event enabled a greater depth and atmosphere than would have been possible had it been a live performance. The streaming started late on Sunday night UK time and although I was really looking forward to it, I have to admit to wimping out and watching it the next morning.

Now I have seen Bob Dylan many times over the years, and in recent times his performances have sometimes been patchy. Don’t get me wrong, I have enjoyed each time I saw him in concert, but on occasion his voice was not so strong and I know many other people left disappointed. But this time was something very different.

DYLAN 3Picture the scene. A smoky bar somewhere in Marseille, Dylan surrounded by his musicians including guitars and double bass and performing in front of a small audience. Everyone in the audience was smoking very heavily (and it looked like genuine smoke, but I suspect it wasn’t, and I also suspect that they weren’t really sitting directly in front of Dylan). However the effect was great and looked genuine. Dylan was dressed well, sometimes there was a change of suit or jacket; sometimes he would be playing guitar or mouth harp, sometimes simply standing singing. Sometimes he would be centre stage, and for other songs he would be to the left. The credits told us that the bar was in Marseille, but this was actually fictitious. I’m sure that it was all recorded within studios in America; but nonetheless, as I have said earlier, the effect was authentic and absolutely excellent.

Dylan performed a selection of some of his older songs from the 1960s and 1970s, some better known than others. I must admit, to my shame, that there were several that I did not recognise. This, however, did not spoil my enjoyment of the performance. The show was billed as Dylan “revisiting” some of his old classic songs. And revisit them he did indeed.

DYLAN 2This was Bob Dylan, in my view, reborn. No more strange vocalising, no more “up singing”; this was Dylan with a strong, deep, emotional voice that in many ways returned to the form he was on in the late 1970s when I first saw him. This was Dylan performing, no more standing still, he would make small mannerisms with his hands; pointing and moving to emphasise the lyrics. When he sang classics (particularly the ones I recognised) such as “Forever Young” and “I’ll be your Baby Tonight” his voice was deep, twisting and turning and emotional. This took me back to the Dylan I saw in Blackbushe Aerodrome in 1978. Tremendous. I had tears in my eyes. The old Bob has returned, singing to us from his heart and his soul in a way that he has not achieved, in my view, for many years. You have to see it to understand. He really was that good, in my view.

DYLAN 1Dylan, at 80, remains a unique and indescribable presence in modern music. Long may the troubadour continue to sing to us and let’s hope the never-ending tour will soon resume so that we can witness the legend perform for us again. 

Set List: When I Paint My Masterpiece; Most Likely You Go Your Way And I’ll Go Mine; Queen Jane; Approximately; I’ll Be Your Baby Tonight; Just like Tom Thumb’s Blues; Tombstone Blues; To Be Alone With You; What Was It You Wanted; Forever Young; Pledging My Time; The Wicked Messenger; Watching the River Flow; It’s All over Now, Baby Blue.

David Bowie: A Celebration; Orchestrated by Mike Garson. 10 January 2021

bowie 1Yet another streaming event. Well it is all that is available the moment. This one was a bit different. We were promised a 3 hour extravaganza celebrating David Bowie’s birthday and featuring artists from around the world all performing together through the power of modern technology. The whole event was orchestrated and planned by Mike Garson, David Bowie‘s piano player from around 1973 and then throughout his career. The artists ranged from those who names I recognised: Duran Duran, Macy Gray, Boy George, Rick Wakeman, Ian Hunter, Ian Astbury, Joe Elliot, Adam Lambert and Peter Frampton and many others who were less familiar to me (probably because they are more recent and up-to-date than my old guy musical tastes and knowledge). We were also promised a band consisting of musicians who accompanied David Bowie throughout his career: Earl Slick, Carlos Alomar, Tony Visconti, Tony Levin and many others.

The event was originally set to be screened at 2 AM UK time on 9 January (it was being streamed from Los Angeles). So I set my alarm for 1:45 AM and woke up ready, excited and intrigued, for the ongoing proceedings. Unfortunately, after a short delay of a few minutes Mike Garson appeared only to tell us that thebowie mike g event was postponed by one day, due to difficulties relating to Covid. “We’ve been working around the clock for months putting together an amazing show for you. Due to the difficulties in the world and the situation with COVID in Los Angeles, we’ve had to move the show 24 hours to tomorrow at the same time. Hang in there with us – just for one day.” So back to sleep I went.

Now the deal was that you had a 24-hour slot in which to view the three-hour event, so this time I decided not to rise at the early hour of 2 AM. Rather, I settled for watching the event later in the day on Sunday 10 January.

The event itself exceeded all of my expectations. It really made the most of modern technology, seamlessly drawing together artists from all over the world; some live, some I suspect recorded, all on different screens yet all playing together. Fantastic. Mike Garson took us through the whole event, introducing each artist and the song and played piano on all, but one (I will explain this later) of the songs.

bowie duranThe concert started with Duran Duran playing “Five Years”, the opening track of Ziggy Stardust and one of my favourite Bowie songs. I suspect this choice of opener paid tribute to the fact that Bowie sadly passed away almost five years to the day, a few days after his birthday. Now I have lost touch with Duran Duran. It is many years since I have seen them and I used to be a fan in the 80s, back in the day. I was pleasantly surprised how well they delivered, no nailed, this classic track; Simon Le Bon almost spitting out the vocals. A great opener. But there was more to follow. An electric version of “Moonage Daydream”, followed by Billy Corgan of the Smashing Pumpkins meandering around the screen in his own TV, lost in a “Space Oddity”. An excellent version of “The Man Who Sold the World”. Gary Barlow punching above his weight throughout “Fame “. And so it went on. Bowie classic after classic, mixed with some less familiar tunes, Mike Garson constantly present on a grand piano. Macy Gray popped up on a screen to the left singing one of my Bowie favourites “Changes”, doing it full justice. A tribute to Mick Ronson and his wonderful version of “Slaughter on 10th Avenue” performed by Kevin Armstrong, bringing back memories of seeing Ronson perform it on his solo tour, in Newcastle City Hall many years ago. bowie joBowie fan, and Def Leopard front man, Joe Elliott sang “Ziggy Stardust” paying tribute to a hero of his youth, as he often does. Ricky Gervais popped up for a moment to introduce “Little Fat Man” harking back to Bowie’s performance of that song on his TV show Extras.

Actor Gary Oldman performed a highly emotional version of “I Can’t Read”, soon followed by a great rocking version of “Suffragette City” performed by none other than Peter Frampton. Ian Astbury of the Cult performed “Lazarus” and then Mike Garson handed over his piano stool to Rick Wakeman who appeared in a virtual box delivering the introduction and wonderful background to “Life on Mars” as he did on the original version so many years ago; the song being performed by new voice Youngblood. Boy George delivered a highly theatrical performance of a trio of classics: “Lady Grilling Soul”, “Time”, “Aladdin Sane”. Then my hero Ian Hunter appeared to the left of the screen and performed his tribute to Bowie “Dandy”, followed by “All the Young Dudes” (of course). Current Queen front man and star in his ownbowie ian h right, Adam Lambert, performed an appropriately dramatic version of “Star man”. I can’t claim to recognise the name Bernard Fowler, but I did recognise the man as a long time singer for the Rolling Stones. He performed a number of songs during the show, and closed the event with a powerful rendition of “Heroes”. A fitting end to an incredible event. One which finally realised the potential of streaming and modern technology. An excellent tribute to a genius who I feel so privileged to have seen in performance several times. David if you were watching somewhere out there I’m sure you would have approved. Mike Garson is to be applauded for doing a wonderful job in putting together an excellent event. After the show the team behind A Bowie Celebration tweeted: “Thank you David. And our thanks to you all for coming together in a world where that has been so difficult. This couldn’t have been done without you, the amazing Bowie alumni family, our special guests and wonderful behind the scenes team at @rollinglivepro.” I even bought a signed copy of Mike Garson’s book! I will post an image of it here when it arrives.

bowie stones singerThe reviews in the press were almost all extremely positive. “In almost impossible circumstances, Garson pulled off a herculean task, doing Bowie proud, at a distance.”(Mark Beaumont in The Independent). “All that was missing was the star himself and the global audience, who were surely out there, singing in their homes.” (Dave Simpson in The Guardian).

Setlist: Five Years (Duran Duran); Moonage Daydream (Lena Hall and Lzzy Hale); Space Oddity (Billy Corgan); The Man Who Sold the World (Perry Farrell and Etty Lau Farrell); Bring Me the Disco King (Anna Calvi); Fame (Gary Barlow); Young Americans (Corey Glover); Can You Hear Me (Gail Ann Dorsey); Sweet Thing / Candidate / Sweet Thing (Bernard Fowler) ; Let’s Dance (Charlie Sexton); Lady Stardust (Judith Hill); Changes (Macy Gray);  Slaughter on Tenth Avenue (Kevin Armstrong); Conversation Piece (Catherine Russell); Rebel Rebelbowie rick w (Charlie Sexton); Win / Ziggy Stardust (Joe Elliott); Quicksand (Taylor Momsen); DJ / Blue Jean (Charlie Sexton); Where Are We Now? (Michael C. Hall); Rock ‘n’ Roll Suicide (Dave Navarro, Taylor Hawkins, Chris Chaney); Little Fat Man (Corey Taylor; introduced by Ricky Gervais); Hang On to Yourself (Corey Taylor, Dave Navarro, Taylor Hawkins, Chris Chaney); I Can’t Read (Gary Oldman); The Jean Genie (Jesse Malin); Strangers When We Meet (Gail Ann Dorsey); Suffragette City (Peter Frampton); Fantastic Voyage (Trent Reznor and Atticus Ross); Fashion     (Trent Reznor, Atticus Ross, Mariqueen Maandig); Lazarus (Ian Astbury); Life on Mars? (YUNGBLUD and Rick Wakeman); Lady Grinning Soul / Time / Aladdin Sane (Boy George and Charlie Sexton);  Dandy /All the Young Dudes (Ian Hunter); Starman (Adam Lambert); Under Pressure (Judith Hill and Andra Day); Heroes (Bernard Fowler); Ashes to Ashes (Instrumental over credits).

SARAH BRIGHTMAN: A CHRISTMAS SYMPHONY Live stream concert 20 Dec 2020

SARAH TIX

So here I am “going” to my second live streaming concert! This could become a habit until I can venture out into the real gig world again (please bring on that day soon). Now I have always had a fancy for seeing Sarah Brightman. She is a sort of guilty pleasure who I almost went to see in London couple of times, but “bottled out”, with some regret now. The concert was advertised as below. Plus you could buy a package which included the concert, a programme and a ticket (yet to be delivered from the USA). How could I resist? After all, this is almost like a real concert; I get a programme and a ticket for my collection (and to display on here when they arrive). What’s not to like? I am IN!

SARAH 2

SARAH BRIGHTMAN lights up the holidays with her first-ever livestream concert event SARAH BRIGHTMAN: A CHRISTMAS SYMPHONY!
Join SARAH as she transforms the historical Christ Church Spitalfields in London and welcomes viewers worldwide into her intimate winter wonderland on December 20th
Together with orchestra, chorister from Trinity College, SARAH has invited special guests Aled Jones, choir Gregorian to join her, and will be reuniting with Andrew Lloyd Webber for a memorable performance of a holiday classic! Curl up with your family and a hot toddy or two, and enjoy what promises to be an unforgettable Christmas spectacle at home with SARAH BRIGHTMAN!

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One thing about streamed events. You have to be careful to remember that they are happening! I almost forgot. I was busy answering emails (as I do most of my time!) Then suddenly I realised that I should be watching Sarah Brightman. We switched over quickly and joined the concert a few minutes late. However this was not a problem, because at the end I could switch to a recording and watch the few minutes I missed.

The setting was a lovely old church in London with Sarah surrounded by wonderful, appropriate Christmas lighting and an orchestra. She started with “Ave Maria”, followed by “Silent Night”; lovely if perhaps a little too traditional for me. She was then joined by Aled Jones to sing “Walking in the Air” which was also quite exquisite. This was followed by “Pie Jesu” with a chorister named Leo and then an ABBA song “Happy New Year” which I am not familiar with; followed by another unfamiliar song “Colder Than Winter”.

SARAH 1

Sarah was then joined by long-term friend Andrew Lloyd Webber for a performance of an old Andrew Lloyd Webber/Tim Rice song “Christmas Dream”. Great! The next song sounded familiar; after some thought and some googling I realised it was “Hymn” by none other than Barclay James Harvest; a song I have seen them perform many times before; shame on me for not remembering it. Lovely. Sarah’s voice is exquisite, angelic and very fitting to the mood, Christmas and the surroundings. This was followed by another old Christmas favourite from the late great Greg Lake: “I Believe in Father Christmas”. Sarah then left us while the orchestra played a piece, and she made one of many costume changes into another lovely dress.

We were close to the end at this point and Sarah continued with “Amazing Grace”, “Happy Christmas (War Is Over)” by John Lennon and Yoko Ono. The closer was none other than Roy Wood’s “I Wish It Could Be Christmas Every Day”. All in all a lovely Christmas concert. But, as I observed last time I attended a streaming event, it can never be the same as a live concert experience. I must admit I was quite impressed by Sarah Brightman and I still remain tempted to go and see her should she return to the UK for a concert in the future. Will I attend another streaming event? I have none planned at the moment, but if anything interesting turns up I may well do so.

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Set list: Ave Maria: Silent night: Walking in the air (The Snowman) Aled Jones plus chorister Leo: Pie Jesu plus chorister Leo:  Arrival (ABBA): Colder than Winter (Vince Gill); Christmas Dream with Andrew Lloyd Webber; A Coventry Carol with Gregorian; Hymn (Barclay James Harvest); I Believe in Father Christmas (Greg Lake); Orchestral Musical interlude; Amazing Grace; Happy Christmas (War is over) (Lennon and Ono); I Wish it could be Christmas every day (Roy Wood)