Posts Tagged ‘new wave’

Patti Smith Veeps live stream from Electric Lady Studios 10 September 2021 2 AM BST!!

patti lady tixThis was (I think) my third live streaming event by Patti Smith. This was a little bit special as it was billed as a one-off live streaming event (no re-watching afterwards) from the famous Electric Lady Studios. There was one problem. It was at 2 AM BST (British Standard Time). Now my days of being awake, or getting up, at 2 AM are well past. I am just too old for this lark! It was different when I was younger and I was lying in a station bench in King’s Cross, Edinburgh Waverley or Victoria, but these days this was a real test of strength and willpower. Anyway, a little against my better judgement, I bought my ticket from Veeps. On the night before the event I drank my usual evening tipple, one can of draught Guinness, and went to sleep around 10 PM. At 1:45 AM my carer for the evening, Chris, woke me up, perched the computer above me in bed and switched it on ready for the show to start.

patti lady 3The event was billed as: “Patti Smith returns to Veeps for a very special collaboration with Electric Lady Studios and Spotify: streaming from the legendary recording facility on September 9th. A message from Patti “We are very proud to be part of this very special series at our favourite recording studio. It was a unique challenge and offered us an exciting and innovative platform”.”

This was particularly interesting and tempting because of the venue. Electric Lady Studios is a famous recording studio in Greenwich Village, New York City. It was commissioned by Jimi Hendrix in 1968. Hendrix spent only ten weeks recording in Electric Lady before his death in 1970, but it was later used by many famous artists from the 1970s onwards, including Led Zeppelin, Stevie Wonder, and David Bowie.

Patti has recently recorded a short album at Electric Lady Studios, and this event was a live performance of that album.

So, there I was, now fully awake and alert, waiting for Patti Smith to appear. It is always interesting at these live streaming events reading the chat box to see who else is watching alongside me (metaphorically). So, I notice messages such as “hello Patti from Tokyo”, “hi from London”, “hi there from Berlin”, “waiting for you Patti, from New York”, and so on… You get the idea.

patti lady 1Soon Patti did appear and we were treated to a great performance of the songs from the album. The aforementioned album contains a selection of old Patti Smith’s songs and some covers including a wonderful version of Dylan’s “One Too Many Mornings”. The lady was on top form and was backed by her usual musicians including long-time collaborator Lenny Kaye. Great! Now, a few people in the chat box were questioning whether the performance was really live or pre-recorded. To be honest, the way the songs blended from one to the next did feel like a pre-recorded performance and Patti had little to say on the evening. However, to me it didn’t matter; it was still another opportunity to see the great lady performing at her best. The set was short, matching the length of the album. Some people in the chat seemed disappointed at this. Me, I was quite satisfied, and in some ways, a little relieved that I could return to my sleep; dreams of Patti Smith live swirling around in my head. I awoke the next morning, a little tired, but actually none the worse for my experience.

patti lady 2Setlist: April Fool; Ghost Dance; Blame it on the Sun; Broken Flag; Birdland; One Too Many Mornings; Peaceable Kingdom

Patti Smith Birthday live stream 30 December 2020

patti4An invitation from Patti Smith dropped into my mailbox:

“The winter solstice filled me with new energy, I hope for you as well. I am writing to thank you for your support, and spending time with Tony, my daughter Jesse Paris and I on Black Friday. We hope to feel your presence again on my birthday, Wednesday, December 30th. There will be the full band beneath a full moon.”

How could I resist? Celebrating Patti’s 74th birthday with herself and her band in the comfort of my own room. Excellent! There was one small drawback, however. This time the concert was at 9 PM Eastern Standard Time (USA) which was 2 AM UK Greenwich Mean Time. Still a man has to do what a man has to do; so I pressed the button and bought a ticket.

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So it was that, last Wednesday, both Alexa and my nightshift carer Jackie were given precise instructions to wake me up at 1:45 AM so that I was ready for the start of Patti’s concert. The plan worked precisely and I was awake, remarkably refreshed, ready for the show. This time Patti was accompanied by her band including long time member Lenny Kaye, who had also celebrated his 74th birthday only a few days earlier. A small tot of whiskey surprisingly helped keep me awake and was an ideal accompaniment for the early morning (or late evening, depending on your perspective) concert.

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The set was a collection of Patti Smith favourites from throughout her career. She started with “Grateful” dedicated to Jerry Garcia, followed by “Kimberly”. Then we were transported right back to the start with a wonderful “Free Money”, building up to its majestic climax, Patti’s voice sounding as strong and unique as ever. “My Blakean Year” was followed by a short poetry reading. Then it was back to familiar Patti Smith territory, with a number of favourites including “Dancing Barefoot” which she dedicated to her late husband Fred “Sonic” Smith; both of their children performing with her.

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The set climaxed with a great rendition of her collaboration with Bruce Springsteen, “Because the Night”, which she also dedicated to Fred “Sonic” Smith. Hughes in Billboard (2018) declared “Because the Night” “a layered tribute for Fred and Patti’s love, as well as the family and art that came from it.” (Billboard, Hughes, 2018) Then it was time to sing “Happy Birthday” to the great lady herself, complete with birthday cake. I noticed that she blew out the candles with a fan; I guess really blowing them out is not acceptable in the Covid world; it is strange how things have changed in so many little ways. Finally, a lovely hours entertainment closed with “People Have the Power” and a reference to the new political regime in the USA. 3 AM and it was time to go back to sleep. Happy Birthday Patti.

Setlist: Grateful; Kimberly; Free Money; My Blakean Year; Poem; Ghost Dance; Dancing Barefoot; We Three; Beneath the Southern Cross; Because the Night; Happy Birthday to You; People Have the Power

Live Birthday Performance with her band: Patti Smith, Lenny Kaye, Tony Shanahan, Jay Dee Daugherty, Jesse Paris Smith and Jackson Smith

Patti Smith A Black Friday Performance Veeps livestream 27 November 2020

patti ticketSo I finally entered the live streaming era. I couldn’t resist, of course, “seeing” Patti Smith “in concert” in a Veeps live streaming event on Black Friday. I must admit to being quite intrigued and excited about how my hero Patti would join me in my living room through my laptop. What would it be like? Could it in any way match a real live event?

Well all was to be revealed at 8 PM on 27th November. Having resisted the rush for online bargains on Black Friday, I made up for it by treating myself to joining Patti, her daughter Jessie Paris Smith and long-term sidekick Tony Shanahan for a concert in my living room. Patti appeared, on time (no long waiting for the artist to appear in this medium) in what looked like her Bowery upstairs room set out as a studio, with her patti tix 2daughter Jessie Paris on keyboards and Tony Shanahan or electric piano.

Patti started with a reading from her book “Year of the Monkey”, followed by a series of songs, most of which I recognised, on which she accompanied herself with an acoustic guitar and the keyboards of her fellow musicians. These included “My Blakean Year”(based around her thoughts and feelings of the poet William Blake), another poem “The Woes of the Young Scientists”, a beautiful cover of “After the Gold Rush” (for Neil Young’s 75th birthday the week before),”Elegie” for Jimi Hendrix, whose birthday it would have been that day (“Happy Birthday Jimi”, said Patti sweetly) and the lovely “This Is the Girl”, Patti illustrating the song with some lovely small hand/arm movements. The set closed with songs from more familiar territory including “Dancing Barefoot”, “People Have the Power” and, finally “Pissing in a River”. Patti was on fine form throughout, looking as lovely and natural as ever. A great performance by all three musicians.patti 1

Well, what are my final conclusions of a live streaming event? Did Patti really join me in my living room? Well, of course not, but there was a strange intimacy to the performance. Did it match up to a real-life event? No, nothing can match the atmosphere of a live rock performance, but it was okay as a substitute during these strange times. Would I go to another such event? Yes, perhaps, depending upon the artist and the context. Did I enjoy it? Come on, yes of course I enjoyed it. After all, it is Patti Smith!

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Setlist: Year of the Monkey (reading); Grateful; My Blakean Year; The Woes of the Young Scientists (Poem); After the Gold Rush (Neil Young cover); This Is the Girl; Elegie; Dancing Barefoot; Beneath the Southern Cross; Peaceable Kingdom / People Have the Power; Pissing in a River

The Pretenders Newcastle City Hall 30 September 2017

“I’m special, so special,” (Brass in Pocket, The Pretenders, 1979)

pretenders tixChrissie Hynde is as sassy, soulful, passionate and uncompromising as ever. No longer a young rocker who grew out of punk, new wave, working in Malcolm McLaren and Vivienne Westwood’s shop in the Kings Road, who almost married Sid Vicious, and did marry her hero Ray Davies, Hynde still strikes a commanding pose and comes armed with a set of rocky, jangling songs which are as relevant and as much fun as they ever were.

Laura, Jackie my carer and I went along to the City Hall looking forward to hearing a string of hits, some great rock ‘n’ roll, and seeing the living icon that is Chrissie Hynde. The girls sitting beside us were a little worse for wear, singing along with every song and every now and then threatening to fall on top of, and flatten, Laura. All the ingredients for a fun night out, on the town (or should I say “the toon”).

And a fun night it was. The Pretenders treated us to a set of new songs, old hits, Chrissie Hynde solo tunes and more. After a couple of songs I didn’t recognise the old classics started to emerge: “Message of Love”, the exquisite “Talk of the Town” and then we were back to the start and “Kid” with images of the young Chrissie being soaked in beer thrown over her by members of the crowd at the Mayfair in the late 70s flashing through my mind.

The band may be different with only Hynde and drummer Martin Chambers remaining from the original Pretenders but the sound and the songs remain the same. The new members bring new life and continue the soulful, edgy, rock ‘n’ roll that is The Pretenders.

pretenders prog“Don’t Get Me Wrong” was followed by “I’ll Stand by You” and then after a few more songs my mind was flashing back again to the first time I saw the band in the Mayfair with the Kinks classic “Stop Your Sobbing”. “Back on the Chain Gang” took us towards the end.

But we knew it wasn’t really going to be the end. The encore included the classic ballad “I Go to Sleep” and finished with (of course, what else but) “Brass in Pocket” taking me back to a Friday night in Newcastle Polytechnic Students Union, the week the song was number one in the charts, standing on the tables with Marie, while the place erupted around us. It was so many years ago and yet in many ways it seems only like yesterday.

The girls next to us finally fell on the floor. We went out into the cold night and got in to our respective taxis, Laura back to her house in Newcastle and Jackie and I back to Sunderland. Happy days.

Setlist: Alone; Gotta Wait; Message of Love; Talk of the Town; Down the Wrong Way; Let’s Get Lost;   Kid; Private Life; Don’t Get Me Wrong; I’ll Stand by You; Night in My Veins; Don’t Cut Your Hair;  Boots of Chinese Plastic; Hymn to Her; Break Up the Concrete; Stop Your Sobbing; Adding the Blue;  Back on the Chain Gang; Mystery Achievement. Encore: I Go to Sleep; Middle of the Road; Thumbelina; Brass in Pocket

 

 

Elvis Costello Sunderland Empire 3rd of March 2020

Wind back 40 odd years. Marie and I are in the upstairs bar in Newcastle Polytechnic Students Union. With us is Gary Chaplin of Penetration, Captain Sensible of the Damned and a young guy named Elvis Costello The occasion is, I think (my memory is hazy these days), the first Stiff Tour.ELVIS TIX The Captain is holding court, telling tales of the Damned on the road and how his favourite band is ABBA. He demolishes a packet of crisps in one go including the plastic pack itself! Elvis is quiet, drinking his pint. I’m not sure why the Captain was there, as he wasn’t appearing that night; I guess he must just have come along for the ride. This was the second time I had seen Elvis Costello live and I must admit I was very impressed, particularly by his second single “Alison”. I had seen him a few weeks earlier at Middlesbrough Town Hall, again on the Stiff tour. I think it must have been around November 5th and Guy Fawkes night, as I recall we were waiting outside the venue and some young kids had their “guy” against the wall and asked Elvis “Penny for the Guy?” as he passed them on his way into the Town Hall. I think he threw them a few coppers. “That Elvis Costello” I told my mates. At the time I wondered how a young guy dared call himself “Elvis”. I was soon to find out. He was soon to be in the charts with “Watching the Detectives”. A few years later, in 1980, I saw him in my home town of Sunderland, at the Mayfair. I’ve seen him a few times before and after that over the years, but I must admit I still prefer those early, rocking, concert performances by an angry young Elvis who spat out the lyrics.
Wind forward 40 years and Elvis is back in Sunderland, this time at the Empire Theatre; the venue where I saw my very first concert and where I have enjoyed many gigs over the years including those by Rory Gallagher in Taste, the Nice, T Rex, Slade, Chuck Berry, Kate Bush and many others. The support act was Ian Prowse and pretty good he was too, warming up the crowd well before our hero took to the stage.ELVIS 2
I wasn’t quite sure what to expect. Which Elvis would we get? The angry rocker, the middle-of-the-road crooner, or perhaps a mix? Well what we did get was a show that surpassed anything I could have expected. Elvis was backed by a great band; the Imposters, who included some old faces (Steve Nieve and Pete Thomas from the Attractions) and two excellent girl singers. For the next two hours plus we get a full selection of our favourites from throughout his career: some I am hearing for the first time but the majority I know very well. Elvis wears a silver lame jacket and is very much the rock star. The sound is loud, a little murky at first, but soon becomes clear. Elvis stands at the front, pointing his Fender Jaguar guitar at us and he spits out the lyrics as he always used to. He reminds us of that gig in Sunderland forty years ago, referring to the venue as Tiffany’s, rather than the Mayfair (but he wasn’t wrong, Tiffany’s was the sister club, next door to the Mayfair and a little more middle-of-the-road). Funnily enough I met with my friend Marianne a couple of weeks ago and she served behind the bar in Tiffany’s at the time and told me that Elvis was drinking in the club after the gig. He can’t resist dropping some names of his collaborators such as Bert Bacharach and Carole King (but who can blame him). The hits keep flowing: “(I Don’t Want to Go to) Chelsea”, “Watching the Detectives”, “A Good Year for the Roses” which has grown on me over the years, “I Can’t Stand up for Falling down”; then we are back to the very start and “Alison” and he finishes with “Pump It up”. He returns (this time the lame jacket is gold and very fetching) ELVIS 1 and sings a beautiful version of “Shipbuilding”, followed by “Oliver’s Army” with everyone standing up and singing along and finishing with an excellent version of “(What’s so Funny about) Please, Love and Understanding”. Excellent. A marathon of professionalism and much, much better than I had expected. A great night. I also ran into some old friends Ian, Pete, Mike, Maureen and John. Happy days can be here again. 🙂

Setlist: Strict Time; Clubland; Green Shirt; Accidents Will Happen; Watch Your Step; Tokyo Storm Warning; Little Triggers; (I Don’t Want to Go to) Chelsea; Unwanted Number; Watching the Detectives; Man Out of Time; A Good Year for the Roses; A Face in the Crowd; I Can’t Stand Up for Falling Down; Burnt Sugar Is So Bitter; High Fidelity; From a Whisper to a Scream; Alison; Everyday I Write the Book; Pump It Up. Encore: Shipbuilding; Oliver’s Army; (What’s So Funny ‘Bout) Peace, Love and Understanding

They Might Be Giants Newcastle Riverside 28 Jan 2016

They Might Be Giants Newcastle Riverside 28 Jan 2016
they might be giants tixThe Ingenious Hidalgo Don Quixote of La Mancha (frequently shortened to Don Quixote), is a book written by Spanish author Cervantes in the seventeenth century, and often considered to be the first modern novel. The main character, Don Quixote, is an insane man who thinks that windmills are evil giants, often tilting his lance at them. At one point Don Quixote’s trusted servant Sanch Panza asks the Don why he is preparing to attack several windmills with his lance. Don Quixote replies “Why, because they might be giants.” This inspired the name of a 1971 film, They Might Be Giants, and then of the quirky new wave alternative pop/rock band who Laura and I recently saw.
Now They Might Be Giants are pretty difficult to categorise. Their songs are all very different; however they also all share a few common factors: they have great hooks, they are catchy pop tunes, and they are super FUN. A Riverside packed with hipsters in the know was treated to they-might-be-giantsan evening full of their top ditties, causing mucho bopping, dancing and singingalonging. The biggest bop was, of course, reserved for the wondrous Birdhouse in Your Soul (to my shame the only song I really knew). Super crazy cool; man.
Setlist: Walk On Water; Can’t Keep Johnny Down; They Might Be Giants; Music Jail; Why Does the Sun Shine?; Answer; The Statue Got Me High; Meet James Ensor; The Famous Polka; Doctor Worm; Alphabet of Nations; Rhythm Section Want Ad; Your Racist Friend; Bills, Bills, Bills (Destiny’s Child’s cover); Turn Around; I Was Dancing in the Lesbian Bar (Jonathan Richman cover); Cloisonné; Older; Let Me Tell You About My Operation; Birdhouse in Your Soul; Trouble Awful Devil Evil; Man, It’s So Loud In Here; Fingertips; Memo to Human Resources; Don’t Let’s Start; Damn Good Times
Encores: Particle Man; Robot Parade (Adult Version); James K. Polk; Twisting; Istanbul (Not Constantinople)

Maximo Park Newcastle City Hall 19 Nov 2015

Maximo Park Newcastle City Hall 19 Nov 2015
FullSizeRender(6)This concert was a big deal for Maximo Park. Their Facebook page proudly declared “everyone has played Newcastle City Hall: Bob Dylan, the Beatles; and now we are playing there”. The concert had sold out quickly: a hometown show with the added attraction that the band were showcasing their excellent debut album “A Certain Trigger” in full was bound to be a big draw. Laura was really excited about going but sadly came down with flu on the night of the concert, so along I went to the City Hall on my own.
Maximo Park exploded onto the stage to a big loud and friendly roar from the home crowd. The set was one of two halves, opening with 11 tracks drawing from across their career, starting with “Girls who play guitar”. This was followed by a performance of all 13 tracks from “A Certain Trigger”. Ten years on the songs from the first album sound as fresh and modern as ever. The crowd loved it, and you could see how much the band enjoyed the night, and how keen they had been to grace the City Hall stage.  A great performance from a local band who maintain a loyal and strong following.
Setlist: Girls Who Play Guitars; The National Health; A19; The Kids Are Sick Again; This Is What Becomes of the Broken Hearted; Hips and Lips; A Year of Doubt; Midnight on the Hill; Leave This Island; Our Velocity; Books from Boxes; [A Certain Trigger set:]; Signal and Sign; Apply Some Pressure; Graffiti; Postcard of a Painting; Going Missing; I Want You to Stay; Limassol; The Coast Is Always Changing; The Night I Lost My Head; Once, a Glimpse; Now I’m All Over the Shop; Acrobat; Kiss You Better

The Tubes Brudenell Social Club Leeds 11th August 2015

The Tubes Brudenell Social Club Leeds 11th August 2015
tubesRecently I’ve become very bad at keeping my blog up to date. I lost the momentum that I had when I was writing an entry a day. So apologies for the lateness of this entry.
Norm, Mick and I took a trip to Leeds a couple of weeks ago, our purpose being to reconnect with those crazy Tubes guys. For me, it had been many years since I had sampled the mad delights of our heroes; the last time I saw the Tubes was at Newcastle City Hall in the early 1980s. My two companions went to a Tubes gig 10 or so years ago, when they played Newcastle Academy.
The Tubes are a strange mix of classic rock, great musicianship, punk, vaudeville, shock-rock, camp and musical theatre. Their shows worked best as big productions, and I still have great memories of their first UK tour back in 1977, and their OTT Knebworth appearance a year or so later. The venue for this show was the excellent Brudenell Social Club. I wondered how their show would translate to a smaller stage and an intimate club setting.
We arrived in Brudenell in plenty of time to sample a local hostelry just along the road from the Social Club. As we entered the bar, who should we spot but Tubes drummer Prairie Prince. Norm wandered over for a chat, and Prince kindly signed his ticket from the City Hall 1977 concert. Mick and I joined them. Mick, being a drummer himself, holds Prairie Prince in the highest regard, declaring him his favourite drummer.
tubesToday’s Tubes feature four members from the original band: Prince on drums, our hero and manic front man Fee Waybill on vocals, the excellent Roger Steen on guitar, and Rick Anderson on bass. The Brudenell was packed full of fans from all over the North; Norm ran into some mates from work.
The show started with a short instrumental piece. Soon our hero Fee made his usual dramatic entrance in a big raincoat and hat. I wasn’t sure if he was Frank Sinatra or a Chicago gangster. Actually, no he was Gene Pitney, and soon gave us an excellent rendition of “Town without Pity”. The set was classic Tubes, drawn from throughout their early albums. The show was as theatrical as ever. Of course they didn’t have the stage sets like back in the day, but Fee made up for it in terms of costume changes, facial expression and attitude. He soon became a convict in full striped uniform, and at one point sang through the bars of a small prison cell box which covered his head. Of course, it wouldn’t be a Tubes show without Fee in full outrageous bondage gear for “Mondo Bondage”. Not for the squeamish or the easily shocked. The show came to it’s crazy full-on mad climax with Fay being reborn as Quay Lewd and we all screamed along to “White Punks on Dope”. Classic stuff. We stayed back and got the band’s autographs. Norm took some pics, I will add one later…travelling at the moment. Happy days here again.
Setlist:Getoverture; This Town; Town Without Pity; Power Tools; Rat Race; Crime Medley; Mr. Hate; Amnesia; No Way Out; Life Is Pain; Mondo Bondage; Up From the Deep; What Do You Want From Life; Sushi Girl; Don’t Want to Wait Anymore; Drum Solo (Prairie Prince); Boy Crazy; White Punks On Dope
Encore: She’s A Beauty; I Saw Her Standing There; Talk to Ya Later; Third Stone From The Sun

Patti Smith Group play Horses Manchester Apollo 8th June 2015

Patti Smith & Band play Horses Manchester Apollo 8th June 2015
PattiSmithHorsesI hate the M62. There are always roadworks, traffic jams or accidents. Well this day was no different. Laura and I left home at 3.30pm; plenty of time (I thought) to drive the 130 miles or so to Manchester to see Patti Smith later that evening. I should have known better. The overhead motorway signs and the radio traffic alerts soon revealed what was in store for us. There had been an accident on the M62; and the westbound carriageway was closed between junctions 24 and 21. I checked, yup, just as I had feared; this would affect us. I started to plan alternative routes; but the traffic alerts warned me that they were all snarled up too. So off down the M62 it was. As we reached junction 24 we joined the queue; which filled every lane. It was around 5.30pm. By 7pm we had reached the junction and we were diverted off the motorway, still nose to tail in a queue of cars which was hardly moving. I decided to leave the queue and try to make my own way to Manchester. We headed into the centre of Huddersfield, then followed signs to Oldham and over Saddleworth moor into Manchester. We arrived in the city around 8pm, just as Patti was due on stage. By 8.10pm we were parked up and in the Apollo. As we took our seats Patti and the band walked onto the stage. “Jesus died for somebody’s sins but not mine ….” “G L O R I A” Woh we were off ….pattiIn an instant the stress of the journey disappeared. The Patti Smith Group was on stage and rocking. I was transported back to the ’70s; and the days when I first heard “Horses”. “Free Money” and “Gloria” were always my favourites; but last Monday every track sounded classic. Patti was on fire, and had some great cheeky Patti banter with the crowd. She recalled playing Manchester in 1978 (I saw you at Reading and Newcastle City Hall that tour Patti), walking into a guitar shop (“it looked like the one Bob Dylan walked into in Don’t Look Now” said Patti) and buying a Rickenbacker (which she told us she still has).
Patti took a break after “Horses” while the band played a Velvet Underground medley (“the greatest band from New York City”). She returned to sing the end of “White Light, White Heat” and then “Dancing Barefoot”. A guy shouted for “Piss Factory”: “I can’t do that now ….OK I’ll try a little”. The anthemic “Because the Night” had the entire hall singing. “People have the Power” closed the show, as it always seems to now; can’t say that it is my favourite Patti song, but it is growing on me.
For the encore we were back to the ’70s again for a crazy, wailing, totally manic, possessed version of the Who’s “My Generation” which ended with Patti trashing her Fender Strat; breaking each string one by one. As she snapped the last string; which was the thick brass sixth string, she flung the guitar to the floor. Patti and the band left the stage to the sound of the feedback ringing out through the hall. Stunning. Hail the new wave.
Setlist: Gloria; Redondo Beach; Birdland; Free Money; Kimberly; Break It Up; Land (including reprise of Gloria); Elegie; Privilege (Set Me Free); Velvet Underground medley (Rock n Roll – I’m Waiting For The Man – White Light, White Heat); Patti returns towards the end of the medley; Dancing Barefoot; Piss Factory; Because the Night; People Have the Power
Encore: My Generation

Nick Cave Sage Gateshead 29th April 2015

Nick Cave Sage Gateshead 29th April 2015
nickcaveNick Cave is a dark moody man. His performances are unique experiences in which devotees lose themselves in an intense communion with the man himself. Part preacher, part demon, part artist; part cowboy; part balladeer; the rich diversity of a Cave performance can only be understood by those who have experienced it. Laura is a fan, and I am becoming one. There is so much to take in, so difficult to categorise. The solution is to give up trying to figure out whether the music is rock, country, soul, punk or pop. Does it matter? The influences are many; I can see and hear Elvis, Iggy, Johnny Cash, Screaming Lord Sutch, P J Proby, the Pistols, Tom Waits. He commands the stage, beckoning audience members to come close, touch him. He sings directly to them, so close to some that his face is almost touching theirs. Captivating, spell-binding, crazy, frightening, the guy has no fear, there are few boundaries. Another astounding performance complete with a series of extended encores.
Setlist: Water’s Edge; The Weeping Song; Red Right Hand; Brompton Oratory; Higgs Boson Blues; Mermaids; The Ship Song; Babe, You Turn Me On; From Her to Eternity; I Let Love In; Love Letter; Into My Arms; Up Jumped the Devil; Black Hair; The Mercy Seat; Jubilee Street
Encore 1: We No Who U R; Wide Lovely Eyes; Breathless; God is in the House; And No More Shall We Part; Jack the Ripper; the Lyre of Orpheus
Encore 2: Push the Sky Away.