The Residents are an enigma.
I have been aware of the band, their philosophy, and their music for almost 50 years. I remember hearing about the Residents from friends in the late 70s. Now I had never heard of The Residents at that point in time, so I had to go and find out about them. What I found was a unique, crazy art collective who wore bobble head eye masks and never revealed their identity. Their music was also unique and every album very different. At that point my interest was raised and I promised myself if I ever got the chance to see The Residents then I would do so.
The Residents hail from the USA and never reveal their individual or collective identities. They always wear masks on every appearance, album cover or indeed on their website. So, there is an air of mystery and intrigue about this band. I delved further into this strange collective and found their music interesting, sometimes hard to come to terms with, but ultimately enjoyable. Now every album, and there have been many of them, is different. I have listened to some of their music but I am not familiar with all of it and can’t claim to be a true “fan”.
From their website: “Alternately seen as a rock band, an arts collective, and a spirit, THE RESIDENTS have been regarded as icons in the world of experimental music for almost fifty years. In addition to their ground-breaking work in the areas of trance, world fusion, electronica, punk, industrial and lounge music, the group has also been credited with being among the originators of performance art and music video, with their videos included in the permanent collection of the Museum of Modern Art. Their lengthy career has also taken them into the world of film and television music, having scored numerous films and TV series as well as several projects for MTV. In addition, the group is also thriving in the world of digital media having released ten DVDs, and two internet series. “Wow! Eclectic, super productive and genre crossing or what!
So, I was determined, throughout the last 50 or so years, to keep my promise to myself and go and see this band if they ever came to the North-East. Now, to my knowledge, The Residents have never appeared in the North-East of England before. They have played in the UK on a number of occasions, Often at prestigious venues such as the Royal Festival Hall, London and Hammersmith Odeon, London; but have never ventured close by. I guess I have been lazy, and never travelled to see them in the past. More fool me! So, when I saw that they were coming to the Boiler Shop in Newcastle, I just had to go.
Bad timing of the night. I read on the Boiler Shop website that there was a support act so I figured the main act would be on stage around 8:30 PM to 9 PM. So, I asked my taxi driver to arrive at 8 PM to get me there just in time (I thought) to see The Residents. Big mistake. When we arrived at the venue and made our way up onto the wheelchair platform, our USA friends were already on stage. My carer for the evening (and thanks for the photos) Jackie, kindly went and purchased a fine pint of Guinness for me and asked at the bar what time they had taken to the stage. Apparently, they started at 8:15 PM so we had missed around 15 minutes. Anyway, their performance was fantastic in the true sense of the word. They had a great light show and behind them was a screen displaying images which, I assume, related to the songs and the bands mythology. I bought a T-shirt with their signature bubble eye mask displayed on the front, a couple of badges and a book which is an A-Z Encyclopaedia of The Residents (it will take some reading!).
The singer would do a crazy little dance moving his (?) arms up and down and bobbing up and down at the same time. Difficult to describe. They all had masks over their faces and instead of eyes appeared spooky lights. The crowd was a mixture of ages and different types drawn from their fan base: hippies, punks and those who were probably there out of interest and curiosity like myself. The place was reasonably full but by no means packed. I can’t begin to describe their music. Every song is very different with sometimes shocking and spooky lyrics. “Curiouser and curiouser!” cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English).”(Alice’s Adventures in Wonderland, Lewis Carroll, 1865).I distinctly remember some of the songs: “Die! Die! Die!”, ” Kill Him!” and “Constantinople”.Definitely leading us further and further down that rabbit hole.
I was drawn into it. The crazy, spooky, music. Indescribable. New wave? Trance? Psychedelia? Labels don’t work for The Residents. A challenging, strange, difficult to describe yet ultimately enjoyable evening. 50 years too late, but worth the wait.
Setlist (something like, based on other performances): Jambalaya (On the Bayou); Hello Skinny; Cut to the Quick; Laughing Song; Bach Is Dead; Boxes of Armageddon; Would We Be Alive?; Cold as a Corpse; Smelly Tongues; Moisture; Constantinople; The Monkey Man; Semolina; Kill Him!; Blue Rosebuds; The Theme From Buckaroo Blues; The Stampede; Lizard Lady; Cold as a Corpse; Hungry Hound; Die! Die! Die!.
Encore: Diskomo; Nobody Laughs When They Leave.
As legends go, they don’t get much more legendary than 
The Playhouse website announced the arrival of Cale thus: “Legendary musician John Cale is to play a special, intimate show at Playhouse Whitley Bay as part of this year’s Mouth of the Tyne Festival. One of the founder members of The Velvet Underground alongside Lou Reed, he was instrumental in the band’s early years and enjoyed acclaim stateside under the management of Andy Warhol. Cale brings over 6 decades of avant-garde music with him, having released over 30 albums, with his solo record ‘Paris 1919’ perhaps his best-known work. Cllr Sarah Day, Cabinet Member for Culture, Sport and Leisure said, “It’s a real coup to secure a show from one of rock’s most enduring performers. With a music style that’s hard to pinpoint, artists like this are real one-offs and I can’t wait to see him take to the stage at our Playhouse theatre this summer.””
Cale has just released a new album which is advertised: “MERCY, Cale’s first full album in a decade, moves through true dark-night-of-the-soul electronic torment toward vulnerable love songs and hopeful considerations for the future with the help of some of music’s most curious young minds. Cale has always searched for new ways to explore old ideas of alienation, hurt, and joy; MERCY is the latest transfixing find of this unsatisfied mind.” (
Vintagerock's Weblog. 