Archive for the ‘Pink Floyd’ Category

Nick Mason’s Saucerful of Secrets Newcastle City Hall 3 May 2022

NICK TIXNick Mason, drummer of Pink Floyd fame, has assembled a band of fine musicians to go out on the road and play a wonderful set of early Pink Floyd classic songs, many from the Syd Barrett era. As soon I heard of this development, I was intrigued and could not resist going to say then when a north-east gig was announced some time ago. The concert had been rearranged, due to Covid, so I was keenly waiting for this event to actually take place.

NICK 2Nick Mason’s Saucerful of Secrets are an English rock band formed in 2018 to perform the early music of Pink Floyd. The band comprises Pink Floyd drummer and co-founder Nick Mason, bassist Guy Pratt, guitarists Gary Kemp and Lee Harris, and keyboardist Dom Beken. As many fans had discovered Pink Floyd with their bestselling 1973 album The Dark Side of the Moon, Mason wanted to bring their earlier material to a wider audience.”(From Wikipedia). Bassist Guy Pratt was a member of a later incarnation of Pink Floyd and Gary Karen was, of course, a founder member of 1980s band Spandau Ballet.

The stage was set out with Nick Mason in the centre (very much the star of the show and the evening), surrounded by his band of musicians. Behind, and around them, was a very appropriate backdrop of psychedelic liquid lens images; setting the scene for an evening of early psychedelic rock. Fantastic. We arrived just in time to experience an amazing version of “One Of These Days”, the opening track of Meddle, and the very same song which I saw Pink Floyd play in the City Hall in early 1972. This was followed by going back in time to the classic Syd Barrett NICK 1song “Arnold Layne”. The band did a great job of recreating the music, ethos and atmosphere of these early classics. Gary Kemp in particular, is to be applauded for his tremendous guitar work and vocals. Indeed, each member of the band is clearly an accomplished musician and together they stunned the crowd with a concert which was authentic to the original Pink Floyd musical textures. The rest of the first set comprised a mixture of songs from early Floyd albums including less well-known tracks such as “Obscured by Clouds” and the wonderful “Remember a Day”. The first half of the show concluded with an uplifting, mesmerising version of “Set the Controls for the Heart of the sun”, complete with drum rhythms and gongs. Another song which I remember Floyd performing at that 1972 concert which now seems eons away in the distant past. The instrumentals were particularly well performed. A short interval followed during which I had time to partake in a pint of Hobgoblin (no Guinness, sadly).

NICK 4The second half opened by taking us right back to the start with classic guitar-based tunes “Interstellar Overdrive” and “Astronomy Domine”, two of my favourite early Pink Floyd tracks. We were then treated to a few less known, at least by me, songs and the second set ended with Barrett’s “Lucifer Sam” and Meddle’s standout track, Pink Floyd favourite, “Echoes”. A very appropriate closer for an excellent selection of songs.

But the crowd wouldn’t let the band leave without the song many of us were waiting to hear. For the first time I was treated to a live version of “See Emily Play”. So many memories bounced around in my head; mainly of loving the tune so much in the early 1970s when it was played constantly at Sunderland Locarno (with everyone running onto the dancefloor, except me, to do crazy handwaving hippy dances). Then more faultless instrumental psychedelic meanderings with “a Saucerful of Secrets” and the final closer Syd Barrett’s quirky, childlike tune “Bike”. David, Elaine and I all agreed it was a great concert.

NICK 5I treated myself to a signed drum skin and a T-shirt (sadly no programme). Many thanks to David for his expert photography and to Elaine and Chris for placing me safely into my bed at the end of a great evening. Thank you Nick for putting together a band worthy of the songs, their leader and the band name. Classic. Happy days.

Setlist: One of These Days; Arnold Layne; Fearless; Obscured by Clouds; Candy and a Currant Bun; Vegetable Man; If; Atom Heart Mother; If (reprise); Remember a Day; Set the Controls for the Heart of the Sun.


Interstellar Overdrive; Astronomy Domine; The Nile Song; Burning Bridges; Childhood’s End; Lucifer Sam; Echoes.

Encore: See Emily Play; A Saucerful of Secrets; Bike

David Gilmour Royal Albert Hall London 3rd October 2015

David Gilmour Royal Albert Hall 3rd October 2015
image“Flicker, flicker, flicker blam. Pow, pow.
Stairway scare, Dan Dare, who’s there?
Lime and limpid green, the sounds around
The icy waters under
Lime and limpid green, the sounds around
The icy waters underground.”
(Astronomy Domine, Barrett & Wright, 1967)
It’s a lovely bright Sunday morning and I’m sitting on a Grand Central train which is weaving its way back home up North. I am also reflecting on last night’s concert by David Gilmour at the Royal Albert Hall. Nine years have past since Gilmour’s last album “On an Island”, and since I last saw him in concert at the same venue. Well we are all almost a decade older, maybe a little wiser, and much has changed. Some things, however, do remain comfortably and reassuringly constant, one of those being the unique crying, sustained tone and crisp guitar voice of David Gilmour. Gilmour has released a new album “Rattle that Lock” which has been well received and has also done well in terms of sales, reaching No 1 in the UK and many other countries. He has also now (just) completed a short European tour to promote the album, including five nights at the Albert Hall, and a warm-up show in Brighton. Last night was the final night of the tour; he will visit the USA in 2016.
imageThe concert was in two parts, with a healthy selection of new and old tracks sprinkled throughout. After going through the ticket collection process courtesy of legendary promoter Harvey Goldsmith (no tickets were sent out in advance, and I had to show my credit card and photo-ID in order to collect my ticket), I made my way up to my cheap (well sort of, all things are relative) vantage point in the gallery (bad decision on my part by the way, I am too old to stand all night and I am very stiff this morning). The show started with “5 AM”, an instrumental and the opening track on the new album. Gilmour stood alone, lit by a single spot, the crisp, clear sound of his Fender guitar cutting through the night; filling the hall. In that moment we all knew why we had come. It took that single note, in that unique style, to cut through the years and take us back to halcyon days. His soaring tone blends blues, psych, sci-fi and surf guitar styles; I could hear the influences: Hank Marvin, Jimi Hendrix, B B King. This was followed by the title track of the new album. The fourth song, which was of course welcomed by a massive cheer, was “Wish You Were Here”. The sound was clear, loud but not too much so, and the 1975 classic never sounded better, nor more appropriate. These songs have become a tribute to a legendary band, to Syd Barrett whose vision made it possible, and now sadly to Gilmour’s friend and fellow Floyd comrade Rick Wright, who played with him at those Albert Hall concerts nine years. Other highlights for me in the first half of the concert were the “Dark Side of the Moon” favourites “Money” and “Us and Them”. The last song before the interval was “High Hopes”, the closing track from “The Division Bell”.
imageThe second part of the concert took us back to the very start. “Astronomy Domine” is the first track on “Piper at the Gates of Dawn”, Pink Floyd’s first album, recorded before Gilmour joined the band. Today it is played as a fitting tribute to Syd and Rick (who co-wrote the song) and to days of innocent English psych, of early space-rock. The hall was bathed in colour, the giant (and familiar and Floyd-like) circular screen behind the band displaying a full-on ’60s psychedelic liquid light show. The strange chord sequence built to its screaming discordant climax. Fantastic; and for me, it was worth the ticket price for that song alone, as it was something that I thought I would never see performed live. This was followed by what has become my favourite Pink Floyd song, “Shine on you Crazy Diamond”. Searing, souring guitar, that familiar riff, a song of Syd and bitter-sweet sadness, and great visuals. The rest of the set was a mix of new and Floyd songs, including “Fat Old Sun” from “Atom Heart Mother”, “Sorrow” from “A Momentary Lapse of Reason” and closing song “Run Like Hell” from “The Wall”. I am not too familiar with “Sorrow”, to be honest, but last night it stood out for me, with some particularly fine, cavernous, deep, and heavy guitar work by Gilmour, which thundered and reverberated around us.
imageFor an encore a clang of coins greeted us, tills jangled and we were, to our great delight, taken back to “Dark Side of the Moon” and “Money”. During the extended closing song “Comfortably Numb” the light show moved up a notch, and the hall became a criss-crossed matrix of green, misty, then bright, stark red, laser light. Gilmour stood in front of us, his lone figure picked out by two spots, as if he were standing above the clouds of laser light, his guitar solo meandering and taking us to the end of a tremendous show.
Well. It was a show you truly couldn’t fault. The selection of songs, the sound, the band, Gilmour’s guitar, the vocals, the lights; simply perfect perfection. Only two things would better it for me. First (and this is probably never going to happen), I would just die to see him play “See Emily Play” as a tribute to Barrett. Oh, and finally, a seat. I am never going to scrimp on the ticket price again, and stand in that gallery. I am sure I will be stiff for days. Not good for an old guy. I remember my dad having terrible back problems (think they called it lumbago back then) and I fear that I may be inheriting it.
Walking out of the venue I heard a father telling his grown up son (who was probably in his 30s) of the 1975 Knebworth Floyd concert and of the (model) plane crashing into the stage at the end of “On the Run”. Happy happy days. I really do feel like I am getting old.
Set 1: 5 AM (new), Rattle that Lock (new), Faces of Stone (new), Wish You Were Here (Pink Floyd), A Boat Lies Waiting (new), The Blue (On an Island), Money (Pink Floyd), Us and Them (Pink Floyd), In Any Tongue (new), High Hopes (Pink Floyd)
Set 2: Astronomy Domine (Pink Floyd), Shine on you Crazy Diamond Parts I-V (Pink Floyd), Fat Old Sun (Pink Floyd), On an Island, The Girl in the Yellow Dress (new), Today (new), Sorrow (Pink Floyd), Run Like Hell (Pink Floyd)
Encore: Time (Pink Floyd), Breathe (Reprise) (Pink Floyd), Comfortably Numb (Pink Floyd)
Tour band: David Gilmour (guitars, vocals), Phil Manzanera (guitars), Guy Pratt (bass guitar), Jon Carin (keyboards, guitars), Kevin McAlea (keyboards), Steve DiStanislao (drums, percussion), João Mello (saxophones), Bryan Chambers, Louise Clare Marshall (backing vocals)

Live 8 Hyde Park London 2nd July 2005

Live 8 Hyde Park London 2nd July 2005
live8tixI was so excited about this event for three reasons: firstly because I’d been in Wembley Stadium for Live Aid, secondly to see The Who, and thirdly and most of all to see Pink Floyd again. We (me, Marie, David and Laura) all went, staying the weekend in London. I’d managed to get tickets for the Gold Circle which took us right down the front, next to the stage, so we had an excellent view of the entire day’s proceedings.
Bob Geldof opened the proceedings, followed by Paul McCartney with U2 performing “Sgt. Pepper’s Lonely Hearts Club Band” (It was 20 years ago today! Wonderful). Then U2 performed “Beautiful Day” (with a verse of the Beatles’ “Blackbird”), “Vertigo”, “One” (including a segment from “Unchained Melody”). Coldplay were next up and played “In My Place” with a section from “Rockin’ All Over the World” (cheeky; Quo should have been on stage performing this, but weren’t invited although they of course opened Live Aid), “Bitter Sweet Symphony” (joined by Richard Ashcroft), and “Fix You”. David Walliams and Matt Lucas then came on stage in the role of their Little Britain characters Lou and Andy and introduced Elton John who played “The Bitch Is Back”, “Saturday Night’s Alright For Fighting”, and “Children of the Revolution” (with guest Pete Doherty). Bill Gates was then next up on stage to introduce Dido who sang “White Flag” and “Thank You” and “7 Seconds”with Youssou N’Dour.
Stereophonics were followed by REM who were introduced by Ricky Gervais. R.E.M. performed “Imitation of Life”, “Everybody Hurts”, and “Man on the Moon”. Then Kofi Annan introduced Ms. Dynamite who was followed by Keane and Travis. Bob Geldof joined Travis to sing “I Don’t Like Mondays”. Brad Pitt was next on stage to introduce Annie Lennox, then came UB40, Snoop Dogg and Razorlight.
Bob Geldof then introduced 24-year-old Birhan Woldu, the starving Ethiopian child whose image was so powerful in the video shown at Live Aid. Madonna took to the stage, embraced Birhan and held hands with her as she sang “Like a Prayer”.
Live8progMadonna was followed by Snow Patrol, The Killers, Joss Stone, Scissor Sisters, and Velvet Revolver (good but a bit out of place at this event). Then Lenny Henry presented Sting who sang the same songs as he performed at Live Aid: “Message in a Bottle”, “Driven To Tears”, and “Every Breath You Take”. Next Dawn French introduced Mariah Carey who was amazing, and David Beckham presented “his friend” Robbie Williams who got the crowd really going with “We Will Rock You”, “Let Me Entertain You”, “Feel”, and “Angels”. Peter Kay sauntered onto the stage and couldn’t resist singing “Is This the Way to Amarillo”.
Now we were moving to the legends; the bands that I had really come to see. The Who played “Who Are You”, “Won’t Get Fooled Again”. They were followed by an event which I never thought I would see, the reunion of Pink Floyd and a breath-taking performance of “Speak to Me”/”Breathe”, “Money”, “Wish You Were Here” (real lump in the thrat moment and closed with “Comfortably Numb”. It was left to Paul McCartney to close the show with “Get Back”, “Drive My Car” (with George Michael), “Helter Skelter”, and “The Long and Winding Road”. He finished with “Hey Jude’ to which everyone sang along, and which seemed to go on for ever. We left Hyde Park as the crowd continued to sing “Na Na Na NaNa Na Na….”). The show was originally scheduled to close at 9.30pm, but seriously overran and went on until just after midnight.
liveaidlanyardThe Floyd reunion was, of course, the real highlight for me. Gilmour announced the reunion less than a month before the gig, on 12 June 2005: “ Like most people I want to do everything I can to persuade the G8 leaders to make huge commitments to the relief of poverty and increased aid to the third world. It’s crazy that America gives such a paltry percentage of its GNP to the starving nations. Any squabbles Roger and the band have had in the past are so petty in this context, and if re-forming for this concert will help focus attention then it’s got to be worthwhile.” Waters said on stage: “It’s actually quite emotional standing up here with these three guys after all these years. Standing to be counted with the rest of you. Anyway, we’re doing this for everyone who’s not here, but particularly, of course, for Syd.” The screens showed video from their past shows, and a film of the pig from the Animals flying over Battersea Power Station. This was simply mind-blowing stuff; for me it was a very emotional experience. I found Wish You Were Here particularly powerful; you felt they were singing the song for Syd; which of course they were. Syd sadly passed away the following year. With Wright’s subsequent passing in 2008, this was to be the final concert to feature all four playing together.
A great, momentous day.

Roger Waters plays Dark Side of the Moon Hyde Park 1st July 2006

Roger Waters plays Dark Side of the Moon Hyde Park 1st July 2006
waterstix2006Hype Park Calling Festival 2006
Main Stage: Roger Waters (featuring special guest Nick Mason); Texas; Starsailor; Breaks Co-op; Chris Difford
Stage 2: The Lightning Seeds; Robert Cray; Suzanne Vega; Blackbud; Rocco DeLuca and the Burden
I booked a cheap hotel room online for David and I to stay in for this event. The room was not far from Marble Arch. We arrived at Kings Cross and tool the tube over to the hotel. When we arrived the guy on reception apologised and explained that there had been some mix-ups with bookings and that he was going to have to move us to another hotel nearby. He offered to drive us there, and took us through a maze of streets, where we arrived at a run-down seedy looking hotel. He took us to our room which was upstairs and left. As we looked around the room we realised how we had got the booking so cheap….the bathroom had no door and the beds were worn and scruffy. Still, we decided it was only going to be for one night, so we shrugged our shoulders and walked over to Hyde Park; we still weren’t far from the Marble Arch entrance to the event.
Hyde Park Calling was a new festival. Roger Waters headlined the Saturday night and the Who were doing the honours on the Sunday night. The supporting line-up was strong. I remember we watched and enjoyed Texas, and some of the Lightning Seeds.
watersdarksidetixThe main event was Roger Waters who was playing Dark Side of the Moon in its entirety, along with Floyd buddy Nick Mason on drums. The show featured an elaborate stage design by Mark Fisher (who was behind the design of Pink Floyd’s The Wall shows), and included giant puppets, large video screen displays and a 360° quadraphonic sound system. Roger’s performance was divided into two sets: the first featured Pink Floyd material and songs from Roger’s solo career, and the second The Dark Side of the Moon in its entirety, plus encores. The songs were performed true to the recording, and the sound was crisp and clear from where we stood about half way back in the park. What better way to spend a summer evening than listening to the Floyd’s classic album. A guy in front of us was incredibly drunk, and insisted on singing all of the words to the songs right into our faces. Sometimes he would stop singing, hug us and tell us how great Pink Floyd were.
After the show we meandered back through the streets to our seedy hotel room. We were up early next morning and back on the train home.
Setlist. Set 1: In the Flesh; Mother; Shine On You Crazy Diamond (Parts I-V); Have a Cigar; Wish You Were Here; Set the Controls for the Heart of the Sun; Southampton Dock; The Fletcher Memorial Home; Perfect Sense (Parts 1 and 2); Leaving Beirut; Sheep
Set 2 The Dark Side of the Moon, with Nick Mason: Speak to Me; Breathe; On the Run; Time; Breathe (Reprise); The Great Gig in the Sky; Money; Us and Them; Any Colour You Like; Brain Damage; Eclipse
Encore: The Happiest Days of Our Lives; Another Brick in the Wall Part 2; Vera; Bring the Boys Back Home; Comfortably Numb
Roger Waters band: Roger Waters (vocals, bass guitar and acoustic guitar), P.P. Arnold (backing vocals), Graham Broad (drums and percussion), Jon Carin (keyboards), Andy Fairweather-Low (guitar), Carol Kenyon (backing vocals and lead vocals on “The Great Gig in the Sky”), Dave Kilminster (guitar), Katie Kissoon (backing vocals), Ian Ritchie (saxophone), Harry Waters (Hammond organ, synthesiser, and Roger Waters’ son), and Snowy White (guitar).

Pink Floyd reunion Live 8 Hyde Park 2nd July 2005

Live8ProgOn 2nd July 2005 the impossible happened and the 1970s members of Pink Floyd reunited to perform at the London Live 8 concert in Hyde Park. I thought my chances of Roger Waters rejoining David Gilmour, Nick Mason and Richard Wright were very slim, and I was delighted to be able to be see them together once more. This was the band’s first performance together in over 24 years, since The Wall concerts in 1981. Marie, David, Laura and I all went to Live 8, and greatly enjoyed the day, which I will blog about on another occasion. Today I’ll limit by writings to Pink Floyd’s appearance. Gilmour announced the reunion less than a month before the gig, on 12 June 2005: “ Like most people I want to do everything I can to persuade the G8 leaders to make huge commitments to the relief of poverty and increased aid to the third world. It’s crazy that America gives such a paltry percentage of its GNP to the starving nations. Any squabbles Roger and the band have had in the past are so petty in this context, and if re-forming for this concert will help focus attention then it’s got to be worthwhile.” Pink Floyd appeared later in the day, sandwiched between great sets by The Who and Paul McCartney; who closed the show. Floyd’s set consisted of Speak to Me; Breathe; Money; Wish You Were Here; and Comfortably Numb; a good choice of songs for their short appearance. Waters said on stage: “It’s actually quite emotional standing up here with these three guys after all these years. Standing to be counted with the rest of you. Anyway, we’re doing this for everyone who’s not here, but particularly, of course, for Syd.” The band who played with Pink Floyd in Hyde Park were Tim Renwick (guitar); Jon Carin (keyboards); saxophonist Dick Parry Money (played on the original recording); and backing singer Carol Kenyon. The screens showed video from their past shows, and a film of the pig from the Animals flying over Battersea Power Station. This was simply mind-blowing stuff; for me it was the highlight of the day, and a very emotional experience. We were close to the front (I’d managed to score tickets in the enclosed area near the stage) and had a great view of the band. I found Wish You Were Here particularly powerful; you felt they were singing the song for Syd; which of course they were. Syd sadly passed away the following year. With Wright’s subsequent passing in 2008, this was to be the final concert to feature all four playing together.

Pink Floyd Knebworth 30th June 1990

Pink Floyd Knebworth 30th June 1990
genesisknebwoeth1990 The next time I saw Pink Floyd was as part of a multi-act bill at a massive show at Knebworth in 1990. This was the Silver Clef Award Winners Concert and had an amazing line-up including Paul McCartney, Cliff Richard & The Shadows, Tears for Fears, Eric Clapton, Dire Straits, Elton John, Genesis, Ray Cooper, Robert Plant (with guest Jimmy Page), and Status Quo. Pretty strong bill! I won a pair of free tickets in a competition; I think is was with KitKat, and Marie and I went down for the weekend. This was a great concert, which deserves a blog post of its own. I’ll save that for another day, and limit my reflections today to Floyd’s part of the day. Because of the number of acts appearing, everyone played a short set. Floyd appeared last, after Paul McCartney (although he was officially the “headliner”). Their set was limited to 7 songs: Shine On You Crazy Diamond 1 – 5; The Great Gig in the Sky; Wish You Were Here; Sorrow (the only track they performed from their most recent album A Momentary Lapse of Reason); Money & Comfortably Numb; with Run Like Hell as an encore. We’d had a little wind and rain during the day, and by the time Floyd took to the stage is was raining again, and they weren’t able to use their circular screen because of the wind. This was the Waters-less line-up of Pink Floyd which featured Gilmour, Mason and Wright and for the Knewborth show the following additional musicians: Guy Pratt (bass); Jon Carin (keyboards); Tim Renwick (guitar); Gary Wallis (percussion); Candy Dulfer (saxophone); and Durga McBroom, Sam Brown (who had recently been in the charts with Stop!), Vicki Brown (Sam’s mum and Joe’s first wife; ex Vernon girl, who sadly passed away a year after this gig) & Clare Torry (who sang the original vocal on Great Gig in the Sky on DSOTM) all on backing vocals. A fitting end to a great concert; it was good to see Pink Floyd again, and I particularly enjoyed Shine On You Crazy Diamond. We left during the encore; it took ages to find our car as there were no markings or lights in the car park.

Pink Floyd Wembley Empire Pool 17th March 1977

Pink Floyd Wembley Empire Pool 17th March 1977
floydwembleyThe next time I saw Pink Floyd was during the “In the Flesh” tour, also known as “Animals” tour, in support of their new album “Animals”. The UK leg of the tour took in 5 nights at Wembley Empire Pool, and 4 nights at Stafford Bingley Hall. I went to the 3rd night at Wembley. I went down by train, leaving Newcastle around 3pm, straight on the tube across to Wembley, arriving at the Empire Pool around 7pm. The show followed the format that had become the norm for Floyd in the 70s; two parts, the first set featuring the new album “Animals”, and the second showcasing their last release “Wish You Were Here”. The encore was “Us and Them” from DSOTM the night I attended; some nights it would be “Money”, and one lucky audience in the States got the last ever performance of “Careful with that axe Eugene”. floydanimalsThe tour featured large inflatable puppets, including the famous inflatable pig which flew over us and around the Empire Pool during “Pigs on the Wing”. I enjoyed the gig but found the band somewhat distant, and distant in a literal sense from my seat way up in the tiers.  I’d seen the Sex  Pistols live a few months before, and was starting to get interested in punk, and as part of that I was losing faith in bands like the Floyd. After the show I got the tube straight back to Kings Cross and caught the midnight mail train north, which got me back home around 7am. This was the last time I saw Pink Floyd for some 13 years; I missed the Wall shows at Earls Court, which in hindsight was a mistake that I now regret.
First set: Sheep; Pigs on the Wing 1; Dogs; Pigs on the Wing 2; Pigs (Three Different Ones)
Second set: Shine On You Crazy Diamond 1 – 5; Welcome to the Machine; Have a Cigar; Wish You Were Here; Shine On You Crazy Diamond 6 – 9. Encore: Us and Them

Pink Floyd at the Knebworth Festival. Knebworth Park, 5th July 1975

Pink Floyd at the Knebworth Festival. Knebworth Park, 5th July 1975
Line-up: Pink Floyd; Steve Miller Band; Captain Beefheart; Roy Harper and Trigger; Linda Lewis; Graham Chapman (Monty Python); DJ’s John Peel & Pete Drummond.800px-Knebworth_House_-_Flickr_-_foshieThis was my second visit to Knebworth, after seeing the Allman Brothers headline at the first festival in 1974. A group of mates had organised a coach to take us down there; it left on the Friday night (after closing time of course) from outside the Londonderry pub and got us to the site in the early hours of Saturday morning. The line-up for the day was pretty strong, but we were all there to see the Floyd play Dark Side of the Moon. Attendance was much higher than the previous year, there seemed to be a lot of people there. Ticket price was a bargain at £2.75 (one day I really must try to do a comparison with today’s prices). Linda Lewis opened the day and was her usual chirpy self; a great start to the festivities. Jesus was dancing down the front. Monty Python’s Graham Chapman kept popping up to entertain us between bands, although some of his humour was lost in the vast space between stage and crowd. Peel was DJ for the day (as was the norm for festivals in those days) along with Pete Drummond. floydknebprogNext up was Roy Harper, a favourite of mine whose set was in two parts; the first featuring Roy playing acoustically with a small orchestra conducted by David Bedford. He then strapped on his electric guitar and was joined by his band Trigger which featured Chris Spedding on guitar (ex Jack Bruce band, and soon to be solo star with “Mororbikin'” 🙂 ), Dave Cochrane on bass and Bill Bruford on drums (ex Yes and King Crimson). Roy had a chat with us all, as he always did, and played some great songs including the classic “Another Day”. The late great and magnificent Captain Beefheart booglarised us, confusing some of the audience who just thought he was weird (which of course he was, but he was also excellent). Steve Miller was next. We’d all heard the classic song “The Joker” of course, but looking at published setlists of his performance that day, it seems that he didn’t play it (which I find hard to believe, bet we were disappointed); to be honest I don’t recall much about his set. There was then a long wait before Floyd came on. Soon two spitfires were flying overhead to herald Floyd’s arrival on stage. The show was similar to that which I had seen at Newcastle Odeon a year previously; they had their large circular screen, and the first half of their set featured new songs which would ultimately appear on Wish You Were Here and Animals. The second half was Dark Side of the Moon, with Echoes as the encore. floydknebtixJust before the start of Dark Side of the Moon a plane flew down over the crowd (travelling down a wire from the lighting tower) and crashed into the stage. And then came the familiar opening voice “I’ve been mad for f***ing years, absolutely years…..” and the haunting laughter….and we were off, witnessing the last performance of DSOTM by the Floyd with Roger Waters. It would be another 30 years until I saw this line-up play some of it again at Live 8 in Hyde Park; but that’s a story for a few days time. The sound wasn’t great from where we were sitting, but it was amazing to see them perform their classic album in a field on a cool summer’s evening. Echoes was the perfect closer for the day. Then it was out of the field through the crowds and campsites (and chants of “Wally”) and back on bus, and up the A1. Actually I think we were missing one guy, and had to wait a little before the driver decided he would leave without him. We then saw the guy hitching at the side of the road and picked him up. We were back in the early hours of Sunday morning, tired but with the sound of Echoes still running through our heads.
My friends John and Susan were also on the coach. Susan’s memories of the day: I don’t remember very much about the acts apart from Pink Floyd and I think that was because I was so thankful that it meant the festival was almost over! I remember the day as sitting on a blanket in a damp field amongst thousands of people (and a few small dogs), with mist and drizzle falling pretty much all day, being absolutely starving and having to use the most horrendous bathroom facilities I had ever encountered. I remember being terrified that we would miss the bus home, and I have never been so thankful as I was to see the Toll Bar on that Sunday morning!
Setlist: Raving and Drooling (Sheep); You’ve got to be Crazy (Dogs); Shine On You Crazy Diamond (Parts 1 to 5); Have a Cigar (with Roy Harper); Shine On You Crazy Diamond (Parts 6 to 9); Speak to Me; Breathe; On the Run; Time; Breathe (Reprise); The Great Gig in the Sky; Money; Us and Them; Any Colour You Like; Brain Damage; Eclipse. Encore: Echoes. The image of Knebworth House is reproduced here through the permissions of the Creative Commons Attribution 2.0 Generic license.

Pink Floyd Newcastle Odeon 8th November 1974

Pink Floyd Newcastle 1974
floyd74Pink Floyd issued The Dark Side of the Moon in March 1973, over a year after I’d seen them perform early versions of the songs at a concert at Newcastle City Hall. Dark Side of the Moon was a massive and immediate success, topping the US LP chart and reaching No 2 in the UK chart. It remained in the chart for 741 weeks from 1973 to 1988. Pink Floyd did a short winter tour of the UK in late 1974, stopping off for two nights at Newcastle Odeon. I attended the first of the two nights. The concert comprised two sets, the first set consisting of new material, and the second being a performance of their latest album (Dark Side of the Moon). They would retain a similar format for their next tour. Floyd said little to the audience; they wandered quietly on stage and performed the music, illuminated by an impressive light show, and a large circular screen, which showed a series of videos recorded to accompany each song.floydprog The first set consisted of three songs; a lengthy version of Shine on You Crazy Diamond (which was to appear on “Wish You Were Here” the following year and sounded amazing on first hearing) and early versions of Sheep and Dogs (which were to develop and would later appear on “Animals” in 1977). The concert was excellent; technically perfect though the band appeared distant. The programme (pictured here) took the form of a great little “The Pink Floyd” comic: “A Super All-Action Official Music Programme for Boys and Girls!” and featured stories about each band member who became “Rog of the Rovers”, “Captain Mason R.N.”, “Rich Right £”, and “Dave Derring” (Wizzo stuff 🙂 ).
First Set: Shine On You Crazy Diamond; Raving and Drooling (early version of “Sheep”); You’ve Got to Be Crazy (early version of “Dogs”).
Second Set: Speak to Me; Breathe; On the Run; Time; The Great Gig in the Sky; Money; Us and Them; Any Colour You Like; Brain Damage; Eclipse. Encore: Echoes.
Pink Floyd: David Gilmour; Roger Waters; Richard Wright; Nick Mason.
Additional tour musicians: Dick Parry (saxophone); The Blackberries (Venetta Fields & Carlena Williams; backing vocals).
“You reached for the secret too soon, you cried for the moon.
Shine on you crazy diamond” (Pink Floyd, 1974).

Pink Floyd Newcastle City Hall 27 January 1972

Pink Floyd Newcastle City Hall 27 January 1972
floyd72I first saw Pink Floyd at Newcastle City Hall in 1972. The date of the concert was changed as I recall; I went through the week before, not knowing the gig had been postponed by week or so, and had to come home again. I returned on the correct night, without a ticket for the sold out gig, and managed to buy one outside for face value. The first thing I noticed were four large PA speakers set out in the corners of the hall. I’d read in the music papers of their quadrophonic sound system, so I knew that I was about to experience something quite different to any other concert I’d been to before. The show was in two sets; I sat and waited. As a 15 year old I was totally immersed in the music and the event; no sneaking down to the bar for me in those days. Pink Floyd introduced their new composition “Eclipse (A Piece For Assorted Lunatics)” and played it in full during the first half of the concert. “Eclipse” was to develop into “The Dark Side Of The Moon” in the coming months, and the titles of the tracks changed during that period. A few of the tracks were apparently played as instrumentals in some of the earlier concerts. I definitely remember them (Roger I think) introducing it as “Eclipse” and I also recall the voice “I’ve been mad for f**ing years…” swirling around the hall; and the clock, the heartbeat and that laugh reverberating around and around us, switching between the four speakers. None of us knew what to expect of course; I nearly jumped out of my seat when I heard the laugh come at me from a speaker behind me at the back of the hall, and at very high volume. Just incredible. Even then, hearing the piece for the first time, you just knew it was unique.
After a short internal the Floyd returned to play a set of classics; starting with “One of These Days” from “Meddle” (a favourite of mine at the time) which was their most recent album at that time. Roger’s bass vibrated through the hall; to be followed by lots of screaming in “Careful With That Axe, Eugene”. Another thing that sticks in mind was the elevated lighting rig, which stood at the back of the stage behind the band, and was unlike anything I had seen before. Towards the end of the show the rig swirled up to the ceiling drowning the hall in myriad coloured lights. Very effective and actually quite spooky. I would imagine by today’s standards it would seem pretty basic, but at the time is was state of the art stuff, and all added to the mysterious of the Floyd in concert. The second closed with the beautiful “Echoes” and the haunting “Set The Controls For The Heart Of The Sun” with its heartbeat drum beat, and closing with Roger beating a fire-lit gong.
I was totally blown away by the performance, and bored everyone at school for weeks, telling them how great Pink Floyd (and they were great indeed 🙂 ). A memory I will keep with me forever (at least I hope so…and if my memory does go, one of the purposes of this blog is to remind me).
Set 1: Speak To Me; Breathe; The Travel Sequence; Time; Home Again; The Mortality Sequence (aka “Religion”); Money; The Violent Sequence; Scat; Lunatic; Eclipse
Set 2: One Of These Days; Careful With That Axe, Eugene; Echoes; Set The Controls For The Heart Of The Sun
Pink Floyd members in 1972: Roger Waters, David Gilmour, Nick Mason, Richard Wright
“I’ve been mad for f***ing years, absolutely years, been over the edge for yonks, been working me buns off for bands…I’ve always been mad, I know I’ve been mad, like the most of us…very hard to explain why you’re mad, even if you’re not mad…” (Speak to Me, Mason, 1972)