Posts Tagged ‘heavy rock’

Black Star Riders Newcastle City Hall 24 February 2023

blacktixSometime in 1971. Sunderland Locarno upstairs bar. I see a tall black guy in the corner of the bar and wonder who he is. I go up and have a quick chat. An hour or so later the band take the stage and the same tall black guy is fronting them. They are called Thin Lizzy and are pretty good too! The black guy is, of course, Phil Lynott. I am 14, Phil is 21.

whiskey1973 and I’m watching Top of the Pops. Thin Lizzy appear, playing “Whiskey in the Jar” which is in the chart at the time. I go out and buy the single.

1975 – late 1970s. The Lizzy, with a new line – up featuring twin lead guitars, one of whom has really cool, long, blonde hair and is an American called Scott Gorham become absolutely massive. I see them many times at Newcastle City Hall and headlining the Reading Festival. They are an absolutely first class live band. “The Boys Are Back in Town” becomes an anthem for us all.

Phil_Lynott_Statue_at_Bruxelles_Dublin 2023Early 1980s. Middlesbrough Town Hall. Quite empty. Phil Lynott’s Grand Slam are appearing. Phil doesn’t look well. His face is bloated. The performance is not very inspiring.

4 January 1986. Phil Lynott passes away. He is 36. The cause is heart failure and drugs. Such a waste.

10 years or so later. I visit Dublin once a month for several years through work. I proudly have my picture taken next to a statue of Phil. Somewhere along the way I lose the photograph. However, I include here an image of the start you courtesy of Wikimedia Commons.

black6Early 2000s. Thin Lizzy are headlining Newcastle City Hall again. This new version of the band comprises Scott Gorham, drummer Brian Downey and front man Ricky Warwick, who sounds quite a lot like Phil Lynott. They are surprisingly good and do justice to the Lizzy legacy.

black52012 and Thin Lizzy become Black Star Riders after writing new material and the departure of Brian Downey. Somewhere along the way Scott retires and the band continues. The new material sounds true to the Lizzy style and they continue flying the Lizzy flag high. They have become the natural progression in the next part of the Thin Lizzy saga.

2023 and Black Star Riders are headlining Newcastle City Hall. It is their tenth anniversary tour and Scott has re-joined his bandmates for this tour. Support acts are Michael Monroe (formerly from Hanoi Rocks) and Phil Campbell and the Bastard Sons (Phil Campbell was guitarist in Motorhead).

black7We arrived late and Michael Monroe was already on stage climbing up onto the balcony. By the time I said to my carer Jackie “Quick. Take a photo” Michael was hanging down from the balcony and dropping back onto the stage. He was just as I imagined, a manic blonde showman. I never got to see Hanoi Rocks but I can imagine them as a crazy glam punk power rock band. The closing song is Credence Clearwater Revivals’ “Up around the Bend”. I tell my daughter Ashleigh who was a big Hanoi Rocks fan. That’s a Hanoi Rocks song she tells me so I figure they must have recorded it! It gets a great reception from the crowd who probably also think of it as a Hanoi Rocks song rather than a classic by Credence Clearwater Revival. John Fogarty is one of my heroes and one of the best gigs I ever went to was seeing him at Manchester Apollo. But that’s a story from a past blog entry! I buy Ashleigh a signed Michael Monroe CD and she is over the moon with it!

black4After a short wait, at 9:30 PM spot-on time, the Phil Campbell backdrop disappears and is replaced by a very impressive Black Star Riders drop. I suppose I’m amazed how much of a following the band has amassed in its own right. This is not the remnants of Thin Lizzy or a Thin Lizzy tribute band. This is a fully fledged rock band of its own right, led by the very impressive Ricky Warwick who continue the Thin Lizzy legacy in their own way, producing new songs which hark back to Lizzy and yet have a significance of their own. Magical. Phil must be up there proud of how his legacy continues to thrive and move onward and forward.

black3A few songs in and they perform a wild heavy version of the Osmond’s “Crazy Horses”. Well, I always knew it was a heavy rock song! After a few more songs they are joined by Scott Gorham who looks older, and yet cooler and still playing great guitar. His long mane of blonde hair has somehow been transferred to the young guitarist in Black Star Riders. There really is some sort of magic in the air! At one point in the set, they are joined by Phil Campbell and later on Michael Monroe comes on for one song also.

black2A few more songs into the set and we are treated to Lizzy’s “Don’t Believe a Word”. Class; it all takes me back to the 1970s. Towards the end they play “Jailbreak”. One more song and then it is 11 PM and time to go home, content in the knowledge that the legacy of Thin Lizzy remains safe in the hands and voice of Ricky Warwick and the rest of Black Star Riders. You have done a great job Scott, continuing to fly the Lizzy flag and somehow, miraculously, managing to hand it safely over to the Black Star Riders. I wonder what that young 21-year-old Phil I chatted to over 50 years ago would make of it all? Happy days

Setlist: Pay Dirt; Another State of Grace; Better Than Saturday Night; When the Night Comes In; Riding Out the Storm; Wrong Side Of Paradise; Crazy Horses; All Hell Breaks Loose; Bloodshot; Soldierstown; Don’t Believe a Word (with Phil Campbell); Blindsided; The Killer Instinct; Before the War; Testify or Say Goodbye; Tonight the Moonlight Let Me Down (with Michael Monroe); Kingdom of the Lost; Bound for Glory; Jailbreak; Finest Hour.

The Sweet The Boiler Shop Newcastle 24 November 2022

sweet tixAnother night of memories and revisiting a band I followed many years ago. The Sweet are a much maligned and misunderstood band. Behind the hits and all the glam rock glitter, hid a classic heavy rock band. Guitarist Andy Scott had been in a string of bands in the 60s and would always bring a heavier side to The Sweet particularly on their album such as the epic Sweet Fanny Adams, which I recently purchased again just to listen to some of their classic heavier tracks. If you listen to their hits such as “Blockbuster”, “Ballroom Blitz” and “Action” there was always a driving riff, emanating from both Andy Scott’s guitar and Steve Priest’s bass.

SWEET FANNY ADAMSI first saw The Sweet live back in 1973 or 1974 when they were at the height of their fame and success, at Newcastle City Hall along with a good friend, Dave, who I have lost touch with and a hall full of screaming teenage girls. It really was a “Teenage Rampage” and lots and lots of fun! A few years later, after the hits had started to fade away, I saw them with my friend Norm and a few others on a very cold, wet evening at Sunderland Locarno. The venue was far from full but the show was excellent, very loud and quite heavy. Next time I saw them I was with my late wife Marie in a very empty City Hall. This was around 1981, and singer Brian Connolly had left the band to pursue I think a solo career. The Sweet continued as a three-piece band with Steve Priest taking on vocal duties and fronting the band. They still sang all of the hits but it wasn’t quite the same.

sweet lpRoll-on 10 years or so and I saw Brian Connolly’s Sweet performing at Sunderland Polytechnic Students Union Wearmouth Hall at a packed Saturday night dance. This was Brian’s version of the band with a completely new set of musicians. Nevertheless, and of course, all the hits were performed well and the crowd went crazy. Then move forward another 20 years or so I saw Andy Scott’s Sweet performing as part of a 70s package tour alongside Slade (minus Noddy and fronted by guitarist Dave Hill alongside original drummer Don Powell).

sweet 5The Boiler Shop is exactly what the name suggests, an old warehouse which in the past was an industrial workplace, situated behind Newcastle train station. My carer Jackie and I had a great view of the proceedings, sitting on a wheelchair platform overlooking the crowd with a direct view of the stage. Well by now, Andy Scott has achieved his dream and transformed The Sweet into a heavy rock band with new musicians around him all of whom look like they could have come from a true Hard Rock heavy metal band. Andy is the only surviving member of The Sweet. Brian Connolly sadly passed away in his early 50s, from alcoholism. Drummer Mick Tucker sadly passed away recently as did bassist and he of the bright ginger hair and crazy voice Steve Priest, who fronted his own version of the band situated in the USA.

sweet 3 So, Andy remains out on his own, to fly The Sweet flag high, having rejuvenated the band as out and out rockers, no longer closet heavy metal contenders. I buy a T-shirt and a couple of signed posters, one for me and one for my friend John in the USA. Soon the band take the stage and they are loud, heavy and I mean very LOUD. Great! They crash into “Action” and then follow this with a couple of heavier tunes. And that is the format for the evening: a hit followed by one or two heavier album or new tracks followed by another hit and so it goes onward.

SWEET POSTER SIGNEDAndy Scott looks great. All the heavy-metal hero with a long mane of pure white hair. Respect. He bangs away at his red Fender Stratocaster. “The Sixteens “(my particular favourite) soon follows and then we are treated to hit after hit. “Wigwam Bam”, “Little Willy”, “Hellraiser” and another classic “Love Is like Oxygen”. Just fantastic. Each one delivered in a new heavier, louder manner. These are no longer pop classics they are heavy metal songs!

The encores are “Blockbuster” and finally “Ballroom Blitz”! It don’t get any better than this. Happy days.

Michael Schenker Newcastle City Hall 29 October 2021

“Doctor doctor, please oh, the mess I’m in
She walked up to me and really stole my heart” (UFO, 1974)

shenker tixBear with me while I reminisce a little. I am in Sunderland Locarno in 1974. A band I have seen several times before, UFO, appear with a new guitarist. This guy is young, German, and with very long blonde hair playing a Gibson Flying V. His name is Michael Schenker and he is on the first steps of the ladder taking him towards legendary guitar hero status. He has left an up-and-coming German band The Scorpions to join UFO. He looks cool; just great. He comes with a bunch of new songs he has written with the band. One of them, “Doctor Doctor”, starts off with a quiet, swirling guitar introduction which soon builds up into a rocky song. This song becomes one of my favourites of all time and the signature tune for UFO, who go on to great success in the years to follow. I see them, and enjoy them, many times. They become one of my favourite bands of all time. Schenker is a guitar hero and also temperamental. In 1978 he walks out on UFO.

shenk 1I am in Newcastle City Hall in 1978. Schenker has rejoined The Scorpions for a short period, reuniting with his brother Rudolf Schenker. The City Hall is packed, surprisingly I thought as this band were still largely unknown in the UK, and they were sensational.

My relationship with, and admiration for, Michael Schenker continues over the years. I watch him perform in his own band MSG, at the City Hall, several times in the early 1980s and he is always great. He surrounds himself with top-class musicians including Chris Glen from The Sensational Alex Harvey Band, drummer Cozy Powell and former UFO bandmate Paul Raymond, among many others. Schenker then rejoins UFO for a short time and sadly descends into a period of erratic performances fuelled by alcohol and drug addiction.

He then reappears with many different incarnations of the Michael Schenker group. My next encounter with him was many years later at the Sage Gateshead, when the man was on top form again.

Roll forward to 2021 and I am in the City Hall again with my carer Lisa (thanks for the photographs: some great images) about to witness another evening with the legend that is Michael Schenker. We arrive just in time to catch the last couple of numbers by shenk3support act Doro, former female lead singer with heavy rock band Warlock, with long blonde hair and resplendent in black leathers and chains, getting the crowd suitably warmed up with some great heavy rock including, showing her influences, a great version of Judas Priest’s “Breaking the Law”! Class!

After a short break and a suitably cool pint of Carling (no Guinness on sale) we are treated to two hours of classic Schenker with the guitar wizard taking us through a tour of his back catalogue. Michael looks just great; fit, slender and wearing a great furry hat, playing his usual Gibson Flying V. After couple of unfamiliar, but great, opening songs we are right back to the past and the aforementioned “Doctor Doctor”. It really doesn’t get any better. The evening continues to rock onward with Schenker on brilliant form, played some excellent guitar histrionics.

Michael has assembled a great band of musicians including excellent front man vocalist Ronnie Romero, who recently fronted Ritchie Blackmore’s reformed Rainbow.

Lots and lots of great UFO songs follow: “Lights out”; I used to always love it when they sang “Lights out in Newcastle” instead of “Lights out in London” and this always got a great cheer from the home crowd. No such change of lyrics tonight but still a great shenk2song. Then “Rock Bottom”, “Shoot Shoot”, “Too Hot to Handle” and closing song “Only You Can Rock Me”. Fantastic. A great band, excellent UFO classic songs, and a wonderful performance by Michael Schenker on top form. It made an old man happy.

My taxi is waiting and takes me back home and Chris and Lisa set me back in the bed with strains of “Doctor Doctor” still ringing in my ears and around my head. A great night. Happy days and happy memories.

SETLIST: Ascension; Cry for the Nations; Doctor Doctor; Sleeping With the Lights On; Assault Attack; We Are the Voice; Looking for Love; Warrior; Into the Arena; In Search of the Peace of Mind; Red Sky; Lights Out; After the Rain; Armed and Ready; Sail the Darkness; Rock You to the Ground; Drilled to Kill; Rock Bottom; Shoot Shoot; Let It Roll; Natural Thing; Too Hot to Handle; Only You Can Rock Me

 

 

Iron Maiden Newcastle Arena 14 May 2017

maiden tix may 2017Well it has been more than 30 years since The Maiden and I touched base. Too long. I have many happy memories of Iron Maiden and early days at Sunderland Locarno and Newcastle City Hall, Paul Di’Anno and early tracks such as “Running Free”, the entrance of Bruce Dickinson (who I had known as Bruce Bruce from Samson), the hit song “Run to the Hills” and, of course, the ever present giant monster Eddie.

This was one of the first concerts after my accident and I was both looking forward to it and also a little nervous about travelling so far in the back of a taxi and sitting through a rock concert. While I need not have been nervous. There was nothing to fear. As soon as Iron Maiden took to the stage I felt “at home”; a kid again; back in the swirling, magical, loud experience that is heavy rock music. Somewhere along the road Iron Maiden have evolved from pioneers of the New Wave of British Heavy Metal to a classic, almost vintage, heavy rock band.

The current members of the band are the ever present leader, original member, and super bass guitar player Steve Harris, long time guitar men Dave Murray and Adrian Smith, drummer Nicko McBrain and local hero Janick Gers on guitar. And of course, Bruce Dickinson on vocals. Iron Maiden have a style of their own; soaring, operatic rock vocals, triple guitar rock with lots of OTT solos, and a super energetic front man in Bruce Dickinson. Oh, and of course, the aforementioned Eddie who always makes an appearance, lumbering around the stage striking fear into all who dare come near him.

maiden progThey enter the stage to the music of UFO’s “Doctor Doctor” (great choice and clearly setting out their influences) and then straight into a set which draws from their entire back catalogue, and heavily from their new album The Book of Souls. There are lots of songs that are new to me, but they all sound great and when they go back to the early days and “Iron Maiden” and the first encore “The Number of the Beast”, I am on familiar territory. I was expecting “Run To the Hills” and they don’t play it, but hey you can’t always have everything. They leave the stage to the music of Monty Python’s “Always Look on the Bright Side of Life”, which about sums the evening and the whole experience for me. My carer, Alan, was a Maiden virgin but really enjoyed the whole thing. A great night with a great band. It was like meeting old friends again. I was back on the rock ‘n’ roll rollercoaster; in a wheelchair, but still rocking away. Happy days are here again.

Setlist: Doctor Doctor (UFO song as intro); If Eternity Should Fail; Speed of Light; Wrathchild;    Children of the Damned; Death or Glory; The Red and the Black; The Trooper; Powerslave; The Great Unknown; The Book of Souls; Fear of the Dark; Iron Maiden. Encore: The Number of the Beast; Blood Brothers; Wasted Years. (Always Look on the Bright Side of Life: Monty Python)

Michael Schenker Sage Gateshead 25 Jan 2016

Michael Schenker Sage Gateshead 25 Jan 2016schenker
It was a Friday night over 40 years ago, probably 1974. A group of us were standing on the dancefloor marveling at the young guitarist who was strutting his stuff a few feet in front of us. The band was UFO, who had just released their third album Phenomenon, and their new member was German guitar wizard Michael Schenker. Schenker was every inch the young and perfect rock god; long blonde hair, skinny jeans, a scoop neck t-shirt covered in stars (I think; my memory plays tricks). And he could squeeze some tryly amazing sounds out of his Gibson Flying V. The stand-out track was Doctor Doctor. Amazing. We all went home and practised some more on our guitars.
Roll on 40 something years. It’s been a long time since I last saw Michael Schenker; probably in the 1980s when he fronted his own MSG. Today his band is Michael Schenker’s Temple of Rock and the members are ex-Scorpions Herman Rarebell (drums) and Francis Buchholz (bass), ex-Rainbow’s Doogie White (vocals) and Wayne Findlay (guitar & keyboards).
schenker tixI make my way to the front and stand (probably too) close to the PA stack. Schenker and the guys take to the stage and launch straight into a blistering rockin’ Doctor Doctor. Schenker looks great: skinny, fit, and he’s walking the stage with a wild glint in his eye and a massive grin across his face. His playing is amazing; still the guitar hero who blew me away all those years ago. The band rocks and is LOUD; Doogie White does a fine job singing those classic UFO and Scorpions tracks. The new songs sound pretty good too.
Legend.
Setlist: Doctor Doctor; Live and Let Live; Lights Out; Where the Wild Winds Blow; Natural Thing; Before the Devil Knows You’re Dead; Victim of Illusion; Lovedrive; Coast to Coast; Vigilante Man; Saviour Machine; Too Hot to Handle; Good Times; Rock You Like a Hurricane; Rock Bottom
Encore: Attack of the Mad Axeman; Communion; Blackout
Postscript. By the time I drove home I couldn’t hear a thing. Just a dull ringing in my hears. Now when I was young it was great fun if my ears buzzed for days after a gig. This time it sort of scared me. My hearing isn’t that great anyway, and I was thinking “What if it doesn’t come back?” Well luckily it has. Lesson learned: when you are an old guy like me you take the earplugs they offer you at the door.
Schenker is still a legend.

Alice Cooper (and Motley Crue) Newcastle Arena 2nd November 2015

Alice Cooper (and Motley Crue) 2nd November 2015
FullSizeRender(3)I haven’t been too well this week. I’ve had a head cold, but I still couldn’t resist going to see Alice Cooper. Alice is currently special guest on the Motley Crue farewell tour which called at Newcastle Arena on Monday. I made a last minute decision to go along to see the old rock schocker. Its almost 40 years since I first saw Alice on the Welcome to my Nightmare tour, and I remain a fan. So I stopped feeling sorry for myself, forgot my cold and drove through to Newcastle for the show. I parked the car and wandered around the outside of the arena, hoping to score a cheap ticket. A friendly guy sold me a £45 standing ticket for £30: Result. I wandered around the floor area, but soon realised I needed to sit, so retreated to an empty seat in the front tier just to the left of the stage. First up was a thrash rap band called The One Hundred from London. They warmed the crowd up well, and were very LOUD. There was then a short wait before Alice took to the stage at around 7.45pm. Alice_Cooper_2015The familiar creepy Vincent Price intro for “The Black Widow” came over the PA: “….I feel that man has ruled this world as a stumbling dimented child-king long enough! And as his empire crumbles, my precious Black Widow shall rise as his most fitting successor!” Alice looked and sounded great; he has a cool rocking band which features three lead guitarists. Next up was “No More Mr. Nice Guy” quickly followed by two of my favourites: “Under My Wheels” and “I’m Eighteen”. Both are classic rock songs and still sound excellent. It’s difficult to believe that “Eighteen” was written 45 years ago. You might think it wierd seeing a 67 year old Alice sing about being “Eighteen and I don’t know what I want … I’m a boy and I’m a man” but it worked. And it still sounded great. Those dark chords came slamming out, Alice’s vocal was as strong as ever, and he led the audience through that anthemic chorus “I’m eighteen and I like it!” Wonderful!
Alice’s band are straight out of the school for heavy metal. There’s lots of leather and ripped faded denims, and three excellent metal guitar heroes in the form of axe woman Nita Strauss, and axe men Ryan Roxie (who has been in the Alice band for 20 years) and Tommy Henriksen. Bassist Chuck Garric has been with Alice for over 10 years and drummer Glen Sobel was recently placed 1st runner up in DRUM Magazine’s Poll in both the Rising Star and Rock/Metal categories. These guy play great and do justice to all those classic Alice songs.
FullSizeRender(4)For “Billion Dollar Babies” Alice threw fist fulls of billion dollar notes out to the crowd (wish I’d caught one), and in “Dirty Diamonds” handfuls of necklaces flew out to luck people in the front rows. I had wondered whether the show would be as theatrical as in the past, given the special guest status of Alice’s performance. But I should have known that you can’t really have Alice Cooper without theatre. I am pleased to report that poor Alice still gets himself into the usual macabre scrapes. The guillotine made an appearance …. off came our hero’s head, and a massive boa constrictor nearly strangled him. One minute Alice was in a straight-jacket; the tortured victim of a psychotic nurse and next a giant Frankenstein monster lumbered around the stage. Just like old times. The final song just had to be everyone’s favourite teenage rebellion anthem “School’s Out.” Excellent! We all sang along.
I stayed for part of Motley Crüe’s set which started off as powerful and OTT as you’d expect. The crowd were well up for the glam metal pioneers and gave them a hero’s welcome. But my cold started to get the better of me, so I made my way home; I really must be starting to feel my age.
Alice is THE MAN.
Alice Cooper setlist: Vincent Price Intro; The Black Widow; No More Mr. Nice Guy; Under My Wheels; I’m Eighteen; Billion Dollar Babies; Poison; Dirty Diamonds; Go to Hell; Feed My Frankenstein; Ballad of Dwight Fry; I Love the Dead; School’s Out
Many thanks to Ralph Arvesen for allowing use of his picture of Alice Cooper live in 2015 which is licensed under CC BY 2.0 via Wikimedia Commons

Ian Anderson performs the rock opera Jethro Tull @ Sage Gateshead 13th September 2015

Ian Anderson performs the rock opera Jethro Tull @ Sage Gateshead 13th September 2015
ian anderson tixThings come full circle. The touring band known as Jethro Tull seems to have been shelved, with Tull frontman and our manic flautist hero Ian Anderson touring under his own name, and Tull guitarist Martin Barre doing likewise. But Ian Anderson couldn’t keep away from the Tull moniker and concept for too long. So, as “a tribute to the original 18th Century agriculturalist” whose name the band borrowed back in February 1968, our hero has “imagined a scenario where the pioneering pursuit of improved crop-growing and farming methodology might apply to the world of today and tomorrow”. This led to the development of “Jethro Tull: the Rock Opera”, the delights of which Norm, Will and I experienced a few days ago at the Sage Gateshead. Anderson’s rock opera concept is this: take the story of the original farmer and inventor Jethro Tull and bring it up to date; tell that tale through the songs of Jethro Tull the band (and a few new ones written especially for the occasion), and create a theatrical stage show which takes the audience through the story. The show is very much just that; “a show” rather than a concert. The band provide the music, playing in front of a giant HD video screen. On the screen appear a cast of “virtual guests” who play the parts of Mr Tull and his family, narrate the story and sing segments of the songs. Anderson explains it thus: “Instead of spoken introductions to the songs in the show, there will be the use of that operatic device, the “recitative”, where the links are made by short sung vocal segments in a usually-simple musical backdrop”. So the songs are sung in part by Anderson live, and in part by virtual singers on the screen. The songs flow from one to the next with short video segments as bridges.
ian anderson progThe show started at 7.30pm prompt. Parking problems made us a little late, and we had to wait outside until first song “Heavy Horses” was finished (“a suitable break in the performance”). The first half was around one hour and there was a short interval before “the show” resumed. How did it work? Very well actually. The video was high quality and the sequencing between Anderson and band and the virtual singers was faultless. Anderson’s voice may not be quite as strong as it was “back in the day” so the use of video allowed him some vocal rest, and gave welcome variety to the performance. However, I must say that Ian’s flute playing remains as excellent as ever, and his stage presence and antics are undiminished. The virtual sets were as you might imagine; we were transported onscreen to Preston station for “Cheap Day Return” and deep into the forest for “Song from the Wood”. Great Tull fun. Special mention to Unnur Birna Bjornsdottir whose vocals were exquisite and made for great reworkings of Tull classics, particularly “The Witch’s Promise” and Florian Opahle, whose guitar playing was tremendous. A very different and highly enjoyable Tull evening. Great to see old friend Doug and other fellow Tullites.
What next Ian?
Part 1: Heavy Horses; Wind-Up; Aqualung; With You There to Help Me; Back to the Family; Farm on the Freeway; Prosperous Pasture; Fruits of Frankenfield; Songs From the Wood
Set 2: And the World Feeds Me; Living in the Past; Jack-in-the-Green; The Witch’s Promise; Weathercock; Stick, Twist, Bust; Cheap Day Return; A New Day Yesterday; The Turnstile Gate; Locomotive Breath
Encore: Requiem and Fugue
The Musicians: Ian Anderson (flute, vocals, guitar), Florian Opahle (guitar), John O’Hara (piano; Hammond organ), Greig Robinson (bass), Scott Hammond (drums, percussion).
The (virtual) Players: Ryan O’Donnell (the younger Jethro, and Jasper son of Jethro), Unnur Birna Bjornsdottir (Susannah, wife of Jethro), David Goodier (Jethros’ father), Ian Anderson (Narrator and the older Jethro), John O’Hara (scientist and choirmaster).

UFO Newcastle Academy 25 April 2015

UFO Newcastle Academy 25 April 2015
ufolpUFO 2015 are Phil Mogg (vocals and original, and only constant, member since 1969), Andy Parker (drums, and also a member of the original band in 1969), Paul Raymond (joined in 1976, and a veteran of 60s bands including Plastic Penny and Chicken Shack), Vinnie Moore (guitar and a new guy, who has only been with UFO for 12 years) and Rob De Luca (bass since 2008). The downstairs area of Newcastle Academy was packed with a mix of rock fans from the older generation and a good smattering of younger rockers. Good to see that these guys still attract a cross section of discerning music fans. They start with “We Belong to the Night” from their 1982 Mechanix album, which I am not that familiar with, and is a great opener. Phil Mogg looks and sounds great, and the rest of the band are rocking from the word go. Like many fans, I’ve come primarily for the classics, and I haven’t got long to wait. Four songs in and “Lights Out” hits us right between the eyes. The modus operandi seems to be thus: a classic UFO rocker, then a couple of new or less well known songs, followed by another classic. The great songs keep coming: “Only You Can Rock Me” (the guy to my left is shouting “Turn It Up”; which I definitely agree with), “Love to Love” (that one has always been one of my favourites; I’m a sucker for ballads), and “Rock Bottom” closes the show. We all know what is coming. You can’t have a UFO gig without “Doctor Doctor” and this one is no different. The young girl to my right (she can’t be more than 20) goes crazy, playing air guitar and shaking her head like it might just come off. “Shoot Shoot” send us on our way. The old guys really are the best, you know. A great gig. Only two things could have improved it. More volume (the guy on my left was right). And I miss Pete Way. Don’t get me wrong, the new bass player is fine, and couldn’t have done any better, but for me Pete Way was the soul of this band. Hope he’s ok. He hasn’t been so well, but I read that he is alright now and working on a solo album.
Setlist: We Belong to the Night; Fight Night; Run Boy Run; Lights Out; The Killing Kind; Venus; Only You Can Rock Me; Burn Your House Down; Cherry ; Love to Love; Messiah Of Love; Makin’ Moves; Rock Bottom
Encore: Doctor Doctor ; Shoot Shoot
PS the image (which I may have used before, and hence you may have seen before) is of a signed copy of the classic UFO lp Phenomenon, which I picked up at a car boot sale for 50p many years ago. Who knows if the signatures are real, put they look pretty real to me and I like to think that they are.

Z Z Top Rocking the Castle, Donington 17th August 1985

Z Z Top Rocking the Castle, Donington 17th August 1985
zztopdoningtontixLine-up: ZZ Top; Marillion; Bon Jovi; Metallica; Ratt; Magnum; Tommy Vance (DJ)
Donington 1985 became “Rocking the Castle” rather than “Monsters of Rock”, presumably because the line-up was a little more mixed than the usual heavy metal fare. Z Z Top returned to the festival after playing third on the bill a couple of years earlier. They were joined by a strong clutch of bands including Bon Jovi and Metallica, both of whom who would go on to be headliners in their own right. It was a beautiful hot day; one of the best Donington festivals I attended, in terms of the weather. Don’t remember much about Magnum or Ratt, although I have always been a fan of Magnum. Metallica seemed very thrash metal to me at the time; they hadn’t yet developed the subtlety that was to come later. Bon Jovi were amazing; you could just tell that they were going to be massive. ZZ-Top-RockingCastleAt some point during the afternoon the Z Z Top car flew over the crowd, carried by a helicopter; this resulted in a massive cheer, and a hail of bottles and cans, none of which (luckily) managed to get high enough to touch the limo. This was the era of the can fight…. Marillion were the hit of the day, and went down really well with the crowd. They were at the tipping point of their career, having just released “Misplaced Childhood” and with major chart hits “Lavender” and “Kayleigh”. But the day belonged to boogie kings Z Z Top who were one of the biggest acts on the planet at the time, and effortlessly tore the place up with those classic songs, tongue in cheek humour, and unique style. Classic.
Z Z Top setlist: Got Me Under Pressure; I Got The Six; Gimme All Your Lovin’; Waiting For The Bus; Jesus Just Left Chicago; Sharp Dressed Man; Ten Foot Pole; TV Dinner; Manic Mechanic; Heard It On The X; I Need You Tonight; Pearl Necklace; Cheap Sunglasses; Arrested For Driving While Blind/Hit It Quit It; Party On The Patio; Legs; Tube Snake Boogie; Can’t Stop Rockin’; Jailhouse Rock; La Grange; Tush.
Two days to go ……

Local heroes: Brass Alley & Lucas Tyson

Local heroes: Brass Alley & Lucas Tyson
hartrockrecordI couldn’t finish my blog project without saying a few words about these two bands.
Brass Alley and Lucas Tyson (along with Beckett who I have already covered in earlier posts) were arguably the top North East bands in the early ’70s, playing in ballrooms and clubs around the region.
Brass Alley were a heavy rock band with a bluesy edge, fronted by singer Dave Ditchburn and featuring Barry Alton (guitar), Frankie Gibbon (bass), and Howard Martin (drums). They were heavily influenced by Free, and always included a few Free covers in their set. I saw them loads of times at Sunderland Locarno (Mecca), Newcastle Mayfair, in several working mens’ clubs and supporting touring acts at the City Hall. I remember that they had, for a short period, a Sunday night residency at Sunderland Top Rank. I can picture us all now, standing on the tables chanting for “The Hunter”; which was their encore at the time. The guitarist would do a great instrumental version of the “Theme from Exodus”.
Lucas Tyson were a much more guitar-oriented band fronted by the excellent, Hendrix-influenced, Pete Barclay. Pete played a Fender Strat, made heavy use of wah-wah and fuzz, and was a guitar hero for many of us young guys. I also saw Lucas Tyson play at Sunderland Mecca, Newcastle Mayfair, Sunderland Poly, and at the City Hall. Pete would do great Hendrix covers (“Voodoo Chile”, I think) and other guitar-led tracks. I remember seeing them support Edgar Broughton one night at the Mecca, when they played an awesome version of the Floyd’s “Astronomy Domine”.
Brass Alley and Lucas Tyson both feature on the single pictured above. I still have a copy and it’s a gem of early ’70s rock psych. The 45 EP features four tracks: “Daylight Child” by Lucas Tyson https://www.youtube.com/watch?v=57TSW5w1j6s&list=PLRBjLK_SZFghJcBolYpCMkTVt9L60TtCv&index=1 ; “The Hobo Song” by Yellow; “Pink Pills” by Brass Alley https://www.youtube.com/watch?v=DeR7xmNupF8 and “I Know You Well” by Trilogy. The single was released to promote Hart Rock, a 1971 rock festival held at Hartlepool football ground which featured these four local bands, plus others and was headlined by Arrival and Beggars Opera.
Four days to go.