Judas Priest mid 70s – 1978
Judas Priest toured a lot in the early days of their career, and played several times as Sunderland Locarno and Newcastle Mayfair. I saw some of those gigs and remember them as a pretty solid rock band. I think I saw them supporting Budgie once. This was the classic line-up of Rob Halford – vocals; K. K. Downing – guitar; Glenn Tipton – guitar; Ian Hill – bass guitar; the drummer changed a few times. Over the years you could see how these guys were developing as performers and song writers. Metal classics like The Ripper, Victim of Changes, and Sinner started to appear in the set. Rob Halford got crazier each time I saw them, and K K Downing and Glen Tipton started to perfect their guitar duels. I must mention Glen Tipton and his previous band, the Flying Hat Band. I saw that group on two occasions at Sunderland Locarno and they were simply stunning; one of the best live acts I ever saw. Tipton’s guitar playing was unbelievable; I remember standing at the front watching their entire set and being just blown away.
By the time I saw Priest at Newcastle City Hall in February 1978, they were the quintessential pure metal band they we have all grown to love. Lots of leather and Rob was so over the top, whipping the audience, throwing bottles of beer into the crowd. I remember one night the crowd caught hold of his whip and pulled him off stage by it. I saw quite a few times over the next few years, mostly at the City Hall, and also at the Mayfair. I’ll spend a few days reflecting on the Priest. I found a track listing from a live recording of the Feb 1978 City Hall show which shows the set as: Exciter; White Heat, Red Hot; The Ripper; Savage; Sinner; Beyond The Realms Of Death; Victim Of Changes; Better By You, Better Than Me; Diamonds And Rust; Starbreaker; Tyrant
Posts Tagged ‘music’
11 Jun
Neil Young & Crazy Horse Newcastle Arena 10 June 2013
Neil Young & Crazy Horse Newcastle Arena 10 June 2013 The Alchemy tour
Support: Les Lobos
Went to see Neil Young last night at Newcastle Arena. This was the first time I have seen him with Crazy Horse in 40 years, which was also the last time he played in Newcastle (at the City Hall; with the Eagles support). The place was packed, and Neil played for over two hours. Great power, passion and his voice is in excellent shape. The guy doesn’t rest on his laurels. The set was drawn from across his career, with a few old favourites, but this time there was heavy emphasis on heavy, grungie riffs with lots of jamming and drawn out solos and endings. The first four songs took up over an hour, with one song ending with what seemed like ages of feedback, and doomy dark noise. A short acoustic set featured Comes a Time and a version of Dylan’s Blowin’ in the Wind. Then it was back to the heaviest, darkest, most lumbering garage psych that Neil and the Crazy Horse guys could squeeze and wrestle from their axes.
The visuals were pretty fun; the stage was set with a group of mega towering Fender stacks, and a massive mike. A group of mad scientists (or were they alchemists?) took to the stage in white lab coats at various points in the set. At the start Neil and Co came on stage, saluting to the National Anthem and a large Union Jack; very patriotic! And at one point we were transported back to Woodstock, complete with rain and clips from the soundtrack “get down from the towers”. By the end Neil relented and gave the crowd a few favourites: Hey Hey My My, Cinnamon Girl, and Rockin’ in the Free World. I went with Marie, Laura and David and we all had quite different views of the show. David and his mates lapped it up and thought it was great; Laura was less sure, and Marie (who was a big Neil fan years ago, but has never seen him in concert before) was a little disappointed that he didn’t play all of After the Goldrush and Harvest! Me; I’m not sure. I certainly enjoyed it. And I guess I knew he wasn’t really going to play Southern Man and Alabama. You have to admire the guy; there aren’t many from his generation who can still deliver a set so uncompromising and powerful. Setlist: Love and Only Love; Powderfinger; Psychedelic Pill; Walk Like a Giant; Hole in the Sky; Comes a Time; Blowin’ in the Wind; Singer Without a Song; Ramada Inn; Cinnamon Girl; Fuckin’ Up; Surfer Joe and Moe the Sleaze; Mr. Soul; Hey Hey, My My (Into the Black). Encore: Rockin’ in the Free World
5 Jun
The Sadista Sisters: Punk before punk at the Newcastle Festival 1976
The Sadista Sisters: Punk before punk at the Newcastle Festival 1976
Looking back through the programme for the 1976 Newcastle Festival, the gig that brings back the most vivid memories is the Sadista Sisters, who played a residency at the Centre Hotel. The Sisters were a right-on out-there feminist theatre cum rock cum punk act, with elements of cabaret and performance art, who had been a massive hits at the Edinburgh Festival the previous year. The Sadista sisters were Theresa D’Abreu,
Judith Alderson,
Linda Marlowe, and
Jacky Taylor. They wore outrageous costumes which blended gender, and their songs/performances were crazy and quite unsettling. And the programme says that their performance was sponsored by Pernod, and we all got a free glass! I also saw the Sadista Sisters perform at the Reading Festival that year, and in the same year they released their only album. They folded a few years later, having build up a cult following. They seem largely forgotten now, but at the time their performance was powerful and challenging stuff. Looking through the programme, I also attended Eric Burdon, supported by the Steve Brown Band, at the City Hall. There are a few gigs listed that, in hindsight, I wish I had gone to, including Diana Dors in cabaret, and in conversation at the Centre Hotel, and Larry Adler in concert. Now there are two gigs that I wish I had gone to!
1 Jun
Penetration Newcastle City Hall December 1978 and October 1979
Penetration Newcastle City Hall December 1978 and October 1979
Penetration played two memorable headlining concerts at Newcastle City Hall in December 1978 and October 1979. The 1978 concert was to promote their glorious first album “Moving Targets”. Support came from Punishment of Luxury and Neon. Punishment of Luxury were building their own following at the time, and were quite unique in their approach. Although their music undoubtedly grew out of punk, their spiky staccato art-rock had much more depth to it, and their performance were very theatrical (they had been members of a local theatre group), with use of masks and dance, lead by front men Brian Bond on vocals and Neville Luxury on guitar. Punilux (as they were known) had released the single “Puppet Life” in Summer 1978. Penetration were achieving national success at the time of this show, with Pauline and the guys often popping up in Sounds and NME. This concert was both a coming home and a celebration of their success, demonstrating that they were now of sufficient standing to headline the great hall where so many big acts had played, and where they had supported The Stranglers and The Buzzcocks only a year or so before. The set consisted of all the old favourites and tracks from the first album, including such great songs as: Life’s a Gamble, their cover of the Buzzcocks Nostalgia, Lovers of Outrage, and Movement.
Penetration returned to the City Hall almost a year later. I can’t fully recall who the support act was; my memory tells me it may have been local band The Angelic Upstarts. This time Penetration were promoting their follow up album, ‘Coming Up For Air’. This was part of a full UK tour which visited all of the major venues on the circuit. But things were not right within the Penetration camp, and on stage that night Pauline announced to our shock, “This is the last gig that this line up is ever going to do here… I think everything’s got to change after a while”. I was sitting a few rows from the front, but remember not quite catching what Pauline had said, and not wanting to believe that we were witnessing the end of Penetration. They played the rest of the set with a level of passion and emotion like never before, to a hall full of fans who were simply stunned by her announcement. Penetration went on to complete the tour, including another local gig at Dunelm House, Durham which I attended, and their final gig at The Nashville in London. And there you had it. The end of a very under-rated band who were much more than simple punk. Pauline returned to the City Hall a few years later as Pauline Murray and the Invisible Girls, and in recent years Penetration have reformed. But for a couple of years Penetration were out at the front of the local and national music scene, and gave us some great gigs to remember. Setlist from a gig on the last tour: Shout Above The Noise, Life’s A Gamble, She Is The Slave, Life Line, What’s Going On, Movement, Lovers Of Outrage, Party’s Over, Too Many Friends, Killed In The Rush, New Recruit, On Reflection, Nostalgia, Come Into The Open, Danger Signs, Free Money, Don’t Dictate. The following songs were recorded live at Newcastle City Hall in Dec 78 and Oct 79 and appear on the official bootleg: Come Into The Open; Movement; Lovers Of Outrage; She Is The Slave; Too Many Friends; Killed In The Rush
30 May
Penetration Peterlee Leisure Centre July 14th 1979
Penetration Peterlee Leisure Centre July 14th 1979
This gig was one event during a weekend of activities held in Peterlee, as part of the Peterlee Festival. Penetration played two shows at Easington Leisure Centre, an afternoon and an evening show. Support came from local heavy rock band White Spirit, who were up and coming at the time, and were soon to find fame as part of the New Wave Of British Heavy Metal movement. White Spirit featured Janick Gers who went on to play guitar in Gillan, and then Iron Maiden, who he plays with to this day. A strange pairing of acts, who both put on a great show. I went along to the afternoon concert, which was full of young punks. Penetration played a blinding set, as usual. I found the following entry on a message board, which I thought was interesting “…. a bunch of Hebburn Punks went to this gig. We got the bus from Newcastle but it broke down on the way. We thought we would never make the gig. However, the bus company sent another bus. We commandeered the top of the bus and changed the number and location to the 999 to No Place. We thought it was pretty appropriate considering, it was pretty cool watching peoples faces as we approached bus stops. Sean Halligan”










