The Only Ones Redcar Coatham Bowl 15th October 1978
I’ve just played “Another Girl, Another Planet” to remind myself how great The Only Ones were. The Only Ones were led by singer and guitarist Peter Perrett along with guitarist John Perry, drummer Mike Kellie (ex-Spooky Tooth) and bassist Alan Mair. I saw the band twice, at this great gig at Redcar Coatham Bowl and at Newcastle City Hall, as support for Television. The Only Ones were a strange and unique mix of punk and psych, with Perrett looking (a little) and sounding (a lot) like Syd Barrett. Their best known song “Another Girl, Another Planet” even has the line “I look ill, but I don’t care about it” which just about summed it up. Peter Perrett went on to develop a well-publicised drug habit, and disappeared from the public eye for many years. In recent years The Only Ones have reformed, and have been playing concerts again.
Posts Tagged ‘gigs’
2 Jan
The Only Ones Redcar Coatham Bowl 15th October 1978
1 Jan
Gilbert O’Sullivan Newcastle City Hall 16th February 1978
Gilbert O’Sullivan Newcastle City Hall 16th February 1978
Moving on to the letter “O”; I guess this concert could be categorised as a guilty pleasure. I’ve seen Gilbert O’Sullivan only once in concert, at Newcastle City Hall in early 1978. By then he had hit the charts several times with songs such as “Nothing Rhymed”, “Alone Again (Naturally)”, (both beautiful, classic pop tunes), “Ooh-Wakka-Doo-Wakka-Day” :), “Clair”, and “Get Down”. The concert featured all of those hits and more, and was an enjoyable evening seeing a true craftsman sing some fine songs. Pop/rock band Wilder were his backing band. Wilder consisted of Bill Cuthbert on guitars, Richard Houghton on bass, Neil Carter on guitar and keyboards (Carter went on to work with UFO and Gary Moore), and Stuart Heeley on drums. Before joining O’Sullivan Wilder had been touring themselves, playing clubs and universities, and supporting various major acts (I’m sure I saw them supporting someone, but can’t remember who). The tour also featured two backing singers who were sisters: Doreen and Irene Chanter 🙂 . During the tour Gilbert also recorded a BBC television special for “Sight & Sound”. I found a flyer in my programme for a band called “Ofanchi” who I suspect were the support act. The programme starts with an alarming honest note, very different from the sort of publicity material that I usually find: “Gilbert O’Sullivan knows that he has to pick himself up off the floor and come out fighting. Every record he has put out these last 18 months has flopped and suddenly the one-time hit-maker is on the defensive.” He had just released an album “Southpaw” in the hope of regaining his (previously mega) success; the programme goes on to say: “Failure could doom him to showbusiness’s vast outer space.” 
The programme was right in terms of hits; Gilbert featured in the UK top 20 once more when “What’s In A Kiss?” reached No. 19 in 1980. However, he has continued to record and recently started to tour again, and remains popular and successful. He had a well publicised dispute with his manager and record company over royalties. Eventually, in May 1982, the court found in O’Sullivan’s favour, describing him as a “patently honest and decent man”, and awarded him £7 million in damages. The programme shows Gilbert to be a private, shy man who: “does not drink alcohol or smoke…never swears..he walks to church on a Sunday because he has never learned to drive the three cars he owns.” In recent years O’Sullivan has been enjoyed a resurgence in success, and people are starting to reevaluate his songs, and realise how great a writer he is. Morrissey has sung “Nothing Rhymed” in concert, and on a recent visit to Dublin, Gilbert played to sell out crowds for almost a week at the Olympia Theatre. Another artist for me catch again next time he visits (which he has done a couple of times recently). Oh, and tickets for that concert in 1978 cost all of £1 (!). We were sitting at the back in the cheap seats, but nonetheless I am sure prices of concert tickets have risen to silly prices these days, way out of line with inflation. I’m going to do an analysis one day.
31 Dec
Gary Numan Newcastle City Hall 1983, Warriors Tour, and 1984, Berserker tour.
Gary Numan Newcastle City Hall 27th September 1983, Warriors Tour, and
4th December 1984, Berserker tour.
Gary Numan’s retirement from live performance didn’t last and in 1983 he was back on tour, playing again at the City Hall to promote the Warriors album. This saw a departure from his previous style, with the involvement of several other notable musicians, including Bill Nelson, and other influences, including jazz. The album was not as successful as his previous releases, and is recognised as the beginning of a decline, including by Numan himself: “I thought that by getting in some of the best players and singers around I could make the albums more ‘musical,’…..What I actually did was progressively bury the very style that my fans had enjoyed….. I swamped my own performances in huge layers of backing vocals. ….with Warriors I was lighting the fires of what came close to being my funeral…”. The show was still good, and included all ofmthe usual favourites (and a long set), but I must admit that I was beginning to lose faith a little. Support came from Tik and Tok.
Setlist 1983: Sister Surprise; Warriors; Remind Me to Smile; Metal; This Prison Moon; Down in the Park; Films; She’s Got Claws; Love Needs No Disguise; I Die: You Die; Love Is Like Clock Law; The Iceman Comes; The Rhythm of the Evening; This Is My House; I Am Render; War Songs; My Centurion; The Tick Tock Man; We Take Mystery (To Bed);Cars; Are ‘Friends’ Electric?; Tracks; We Are Glass
I saw Gary Numan once more, when he returned to the City Hall in 1984 to promote the Berserker album. The Berserker Tour featured a “high-tech Roman temple” stage set to complement Numan’s white leather jacket/white make-up/blue-hair look. A double-album, White Noise, was recorded live at the Hammersmith Odeon show in December 1984. Support was from Hohokam, who were on Numan’s own label.
Setlist 1984:Berserker; Metal; Me! I Disconnect From You; Remind Me to Smile; Sister Surprise; Music for Chameleons; The Iceman Comes; Cold Warning; Down in the Park; This Prison Moon; I Die: You Die; My Dying Machine; Cars; We Take Mystery (To Bed); We Are Glass; This Is New Love; My Shadow in Vain; Are ‘Friends’ Electric?
30 Dec
Gary Numan Farewell concert Wembley Arena 27th April 1981
Gary Numan Farewell concert. Wembley Arena 27th April 1981.
It was 1981, and after a short two year career, and massive success, Gary Numan took us all by surprise by announcing his retirement from live performance. A massive farewell concert was scheduled to take place at Wembley Arena in April. I was due to speak at a conference in London around the same time; in fact Gary’s farewell concert was set to take place the night before the conference was due to begin. So I extended my stay, booked a room in a small B&B in Wembley, and bought a ticket for the show. The concert was initially scheduled for one night, but extended to three to satisfy the demand from fans to see Gary Numan one more time. The show was a big spectacular event, with the lavish sort of stage show that I had come to expect from Gary Numan. The stage set took two months to construct and cost Numan around £150,000. Wembley Arena was full of Numanoid lookalikes who gave him a great send-off. 
Fans were crying and throwing red roses and teddy bears on stage for Gary. The concert featured all the hits and well known songs, and was an emotional event for everyone present. Support came from Nash the Slash and Shock, a music/mime/dance/pop group featuring Tim Dry, Barbie Wilde , Robert Pereno, LA Richards, Sean Crawford and Carole Caplin. Shock were very much part of the new romantic scene, performing at The Haçienda and The Blitz Club. When they broke up Tim and Sean became the double act Tik and Tok and Carole famously went on to become a lifestyle advisor to Cherie Blair.
Setlist: This Wreckage; Remind Me to Smile; Moral; Me! I Disconnect From You; Conversation; The Aircrash Bureau; Airlane; M.E.; Everyday I Die; Films; Remember I Was Vapour; Trois Gymnopédies (First Movement); She’s Got Claws; Cars; I Dream of Wires; I’m an Agent; The Joy Circuit; I Die: You Die; Cry the Clock Said; Tracks; Down in the Park; My Shadow in Vain; Please Push No More; Are ‘Friends’ Electric?; We Are Glass.
At the end of the show Numan said “this has been the greatest two years I’ve ever had, thank you”, and then he was gone. But, like all of the best retirements 🙂 it didn’t last for long, and a couple of years later he was touring again.
29 Dec
Gary Numan Newcastle City Hall 1979 and 1980
Gary Numan. Newcastle City Hall 21st September 1979, and 29th September 1980
It was May 1979 and Gary Numan and his band Tubeway Army seemed to come out of nowhere. I remember seeing this strange, scary guy singing “Are ‘Friends’ Electric?” on Top of the Pops, and being fascinated by both his image and his music. Numan had, actually, already released an album and a few 45s, before he hit No 1 in the UK singles chart with “Are ‘Friends’ Electric?” and No 1 in the lp chart with “Replicas”. “Are ‘Friends’ Electric?”, was very different from anything else around at the time, and a million miles away from the fast punk music that most bands of the time were producing, and which had influenced Gary Numan to start out in the business. 
Writing for Smash Hits in 1979, Cliff White described the song as “a dark, threatening wall of synthesized sound” which “throbbed ominously behind a gloomy song of paranoia and loneliness”. Come September 1979, Gary Numan released his third album “The Pleasure Principle”, dropped the Tubeway Army moniker, and went out on his first national tour, calling at major concert venues up and down the country. The publicity prior to the tour promised a spectacle to match the scifi imagery we had all seen on TV. I bought tickets for Marie, me, Marie’s younger sister and niece to see the concert, which sold out very quickly. We had seats close to the front and were blown away by the concert. The show lived up to all our expectations with great use of stark white lighting, rising towers, and Gary our robotic hero centre-stage making quirky, jerky movements. My favourite songs were “Electric”, “Cars” and “Me! I Disconnect From You”. Gary had a cute little car (like a small dodgem car) which he drove around the stage as he sang “Cars”. Support came from OMD who had recently formed. This was before “Enola Gay”; I’d heard the single “Electricity” (which was played a lot at Middlesbrough Rock Garden at the time) and remember staying out of the bar and watching them just to hear that song. 
Setlist: Airlane; Me! I Disconnect From You; Cars; M.E.; You Are in My Vision; Something’s in the House; Random; Everyday I Die; Conversation; We Are So Fragile; Bombers; Remember I Was Vapour; On Broadway (The Drifters cover); The Dream Police; Films; Metal; Down in the Park. Encore: My Shadow in Vain; Are ‘Friends’ Electric?; Tracks.
Almost exactly a year later and Gary Numan was back on tour again. We saw him again at Newcastle City Hall, sitting about half way back in the hall. Gary had just released the “Telekon” album and the tour was thus called, of course, the “Teletour”. 
The hit singles “We Are Glass” (another great song) and “I Die: You Die” were released that year. The show was quite similar to the 1979 tour, with another lavish stage set, and Gary wearing his trademark black leather boilersuit with interlocking red belts. Support came from Nash the Slash 🙂 , a crazy punk violinist whose entire face was covered in surgical bandages, and wore sunglasses, a white suit and a white top hat! Setlist: This Wreckage; Remind Me to Smile; Complex; Telekon; Me! I Disconnect From You; Cars; Conversation; Airlane; M.E.; Everyday I Die; Remember I Was Vapour; Stories; Are ‘Friends’ Electric?; The Joy Circuit; I Die: You Die; I Dream of Wires; Down in the Park; Tracks; We Are Glass. The next time I saw Gary Numan was at his farewell (! 🙂 ) concert at Wembley Arena in 1981. I’ll write about that event tomorrow.
28 Dec
New Order Sunderland Mayfair 1984, Newcastle Mayfair 1986 & Newcastle Academy 2006
New Order Sunderland Mayfair 15th August 1984
I have a theory that, during the 80s, you could judge the success of New Order by how low Hookie was carrying his bass. Each time I saw the band that bass seemed to slip further down his leg, reaching a point around his knees, where I guess it couldn’t get any lower. I spent the night at the Sunderland gig staring in wonder at Peter Hook and that bass. I swear he was wrestling and fighting with his guitar, as if it had a life of its own, and was trying to escape his clutches. He was definitely becoming a fully fledged rock star; indeed the entire band seemed to exude a level of confidence way above that which I had witnessed on the previous two occasions I saw them. They were riding on a wave of success; Blue Monday had propelled them to another place, and the Mayfair was packed. The ticket it pretty impressive too :). Setlist: Face Up; Thieves Like Us; Age of Consent; Your Silent Face; Sooner Than You Think; ICB; The Village; 5 8 6; Sunrise; The Perfect Kiss; Blue Monday (cue for major dancing).
New Order Newcastle Mayfair 10th September 1986. 
New Order released two albums before I saw them again; these were Low-Life (1985) and Brotherhood (1986). Their set at Newcastle Mayfair in 1986 drew heavily from their most recent release. I recall being disappointed, largely because they didn’t play Blue Monday, and because there were few songs that I recognised at all. This gig certainly wasn’t one of the best times that I have seen New Order, and to be honest I remember little about the gig. I think Hookie’s bass remained at knee height. It was 20 years until I saw them again. Setlist: State of the Nation; Everything’s Gone Green; Way of Life; Angel Dust; Paradise; Weirdo; Confusion; Subculture; Age of Consent; Bizarre Love Triangle; The Perfect Kiss.
Newcastle Academy 11th Oct 2006. 
Roll on 20 years and David and I were in Newcastle Academy to see New Order. This was their first visit to the North East since the Mayfair concert of 1986. In the interim the band had released 4 albums including the highly successful Waiting for the Sirens’ Call, which came out in 2005, and was generally recognised as a return to form. Gillian Gilbert left the band in 2001, and was replaced by Phil Cunningham. The rest of the line-up (Bernard Sumner, Peter Hook and Stephen Morris) remained unchanged. Over the 20 year period, there had been long gaps between releases and concerts, with New Order spending a lot of time in America. Their UK shows were mainly restricted to appearances at festivals, a small number of shows in Manchester and some arena concerts elsewhere. As a result, this Newcastle return was hugely anticipated, and tickets sold out immediately they went on sale. The Academy was completely packed; we were on the floor close to the stage and couldn’t move, and the band didn’t let the crowd down. New Order played a long set drawn from across their career, including a handful of Joy Division songs. That night they played with a passion, and seemed to be in a good mood. A great concert. Hookie’s bass still remained at knee height, which was comforting. The ticket price had risen from £5 in 1986 to £32.50 in 2006, which was less comforting. Setlist at Newcastle Academy in 2006: Crystal Regret; Ceremony; Who’s Joe?; These Days (Joy Division); Transmission (Joy Division); Krafty; Waiting for the Sirens’ Call; Your Silent Face; Guilt Is a Useless Emotion; Bizarre Love Triangle; Temptation; The Perfect Kiss; Blue Monday. Encore: Shadowplay (Joy Division); Love Will Tear Us Apart (Joy Division).
Sadly New Order split in 2008, the other members fell out with Peter Hook in a very public manner, and ultimately regrouped without him. Laura and saw their Newcastle Academy concert in 2012, which I blogged about at the time.
27 Dec
New Order Middlesbrough Rock Garden 17th Feb 1981 & Newcastle Mayfair 11th March 1982
New Order Middlesbrough Rock Garden 17th Feb 1981 & Newcastle Mayfair 11th March 1982
On May 17,1980, Ian Curtis committed suicide at his parents home in Macclesfield, leaving the remaining members Bernard Sumner, Peter Hook and Stephen Morris shocked, and with an uncertain musical future. Ultimately they decided to carry on, initially as a three piece and under a new name: New Order. By late 1980 New Order was playing gigs at small venues in their home town Manchester. Their repertoire consisted of new songs, other than “Ceremony” (an unreleased Joy Division song which was played live before Curtis’ death) and “In a Lonely Place” (demoed in the studio). Guitarist Bernard Sumner took on the role of main vocalist and Gillian Gilbert, Stephen Morris’s girlfriend, joined on keyboards. New Order played a couple of concerts in the USA, and started to venture further afield in the UK. I first saw them at a gig at Middlesbrough Rock Garden in early 1981. The concert was reasonably well attended, although by no means sold out. I remember being struck by how different their music was from Joy Division; much more electronic, less dark, few vocals. There was a sense that we were witnessing something very special, and very different from the direction that other new wave bands were going at the time. This was a universe away from the thrash of Warsaw that I had witnessed only a few years earlier. The songs came from their yet to be released first album “Movement”. A bootleg exists of a concert in Glasgow from the same period, which suggests the set at the Rock Garden was probably something like this: In A Lonely Place; Dreams Never End; Truth; Mesh; Procession; ICB; The Him; Cries & Whispers; Senses; Ceremony. My memory (which sadly, is quite often wrong these days) tells me that they also played an instrumental version of Love Will Tear Us Apart, towards the end of their set, possibly as an encore. However, this also seems unlikely, as the song doesn’t feature in any other published 1981 setlists. Having said that, they would sometimes play the old Joy Division classic during the sound check; so who knows?
A year later local promoters The Soul Kitchen (“The Only Fun In Town” 🙂 ) booked New Order (“Dreams Never End”) for a concert at Newcastle Mayfair. By now they were playing several new songs which would appear on their 1983 second album “Power, Corruption & Lies”. The Mayfair was quite full, and I saw a big difference in New Order, compared to their performance at the Rock Garden. This was a much more confident band, more dance, more electronica. Blue Monday and massive success were yet to come, but you could sense that this was an important band. Bernard Sumner was much more of a front man, and Hookie’s bass was slipping further and further down to his knees; they were both forming their own rock star personas. Support (or “Early Entertainment” as the ticket says) came from Scottish band The Wake, who featured a young Bobby Gillespie.
Setlist from Newcastle Mayfair, 1982: In A Lonely Place, Chosen Time, Denial, Ultraviolence, Senses, Leave Me Alone, Hurt, Procession, Temptation.
New Order line-up: Bernard Sumner – vocals, guitar, Peter Hook – bass, Stephen Morris – drums, Gillian Gilbert – synthesizers.
25 Dec
Ted Nugent in concert 1976, 1977 and 1980
Ted Nugent in concert 1976, 1977 and 1980
Ted Nugent is, to say the least, outspoken and holds some strong views. When I first went to see him he was proclaiming: “It ain’t Rock’n’Roll if it ain’t loud” and “If its too loud you’re too old!” and indeed, loud he was. This was at the time of his “Free For All” and “Cat Sratch Fever” albums. He arrived in the UK just as punk was breaking. Now if Ted Nugent is anything, he sure ain’t punk rock. Ted plays straight ahead rock’n’roll and some pretty neat guitar. I first saw him at the Reading Festival in 1976, and then at Newcastle City Hall in 1977 and Newcastle Mayfair in 1980. Ted was wild and crazy on stage, with a massive mane of hair. One memory from the Mayfair gig, that my mate Norm reminded me of. Remember this was at the time of punk rock, when certain elements of the crowd would spit at the band. Well for some crazy reason a guy in the Mayfair crowd tried spitting at Ted. Ted didn’t take too kindly to this and had it out with the culprit, threatening to come down onto the dancefloor and sort him out. Ted played a big Gibson guitar, and wore lots of leather. Ted also had a big ego and would say some quite outrageous things, and continues to do so today. 
Some Ted quotes from the 1977 tour programme: “The sounds I make are all power, you’ve got to feel it when you’re blowing your rocks off. People think I’m deranged but it’s all about sex and audible, physical and visual recreation.” “There’s a ringing in my ears and I think that’s it the call of the wild. I got ears, I can hear it. The kids are going crazy, foamin’ at the mouth, ready to tear the legs off the security guards…and I should be modest?” “I can play real tasty too, all the time in fact. Sure I’m a show man, I’m the best entertainer of them all but listen to the classy way I do it”. “People were writing all kinds of shit about me. How I’d raped too women – one of them a nun. How I ate raw meat. It was vindictive. The only people I ever beat up were journalists.” and there’s more…”There’s no one to overshadow me, there ain’t nobody who can outdo me at my own game. I mean have you ever heard anyone who sounds like me?”.
And a few more I found on the internet: “Vegetarians are cool. All I eat are vegetarians – except for the occasional mountain lion steak.” “Americans have the right to choose to be unarmed and helpless. Be my guest.” “I am the Great White Buffalo and I play an American-made Gibson guitar that can blow your head clean off at 100 paces.” “Gibson has been making the finest electric guitars the world has ever witnessed for over 70 years. They are as American as God, guns and rock and roll.”
Read more at http://www.brainyquote.com/quotes/authors/t/ted_nugent.html
Typical Ted Nugent setlist from 1977: Stranglehold; Just What The Doctor Ordered; Free for All; Snakeskin Cowboys; Cat Scratch Fever; Wang Dang Sweet Poontang; A Thousand Knives; Dog Eat Dog / Stormtroopin’; Hey Baby; Great White Buffalo; Hibernation; Motor City Madhouse.
The late Mick Farren reviewed Ted’s Hammersmith Odeon show for the NME, 12 March 1977, and said: “We’ve heard a great deal lately about how Ted Nugent abjures drugs and alcohol. Perhaps that’s his mistake. The occasional soul searching high might have produced some kind of sensitivity in him. Sensitive this boy is not. Compared to him, Lemmy and Motorhead seem positively pre-Raphaelite.”
I found a flyer for the Steve Gibbons band in my programme for the 1977 gig, so I guess they must have been the support act that night.
24 Dec
The Nice & Yes Sunderland Empire 1st February 1970
The Nice & Yes Sunderland Empire 1st February 1970
This was one of the first concerts that I attended, and as a thirteen year old who was just getting into music, it was a pretty big deal for me. This was the second time I had seen Yes, the first time being as support for the Bonzo Dog Doo Dah Band at the same venue the year before. I think there may have been two shows that evening, as was often the case back in those days. If that was the case, being a young kid, I would have attended the early show. The Yes line-up at the time was Jon Anderson: vocals, Peter Banks: guitar, Chris Squire: bass, Tony Kaye: organ, and Bill Bruford: drums. They playing material from their second album “Time and a Word” and the set included the excellent “No Opportunity Necessary, No Experience Needed” (a cover of a Richie Havens song, with a swirling Hammond organ intro taken from the film “The Big Country”), “Then”, “Sweet Dreams” (which was an early single and has featured in their set off and on to this day), “Astral Traveller”. There was an acoustic part to their set which featured the track “Time and a Word”. Yes were one of my favourite bands at the time, largely as a result of seeing these performances at the Empire, which seemed so fresh, sharp and exciting at the time.
The Nice were virtuoso Keith Emerson: organ, Brian Davison: drums, and Lee Jackson: vocals, and bass. They had just released the album “Five Bridges Suite” and played the Suite in its entirety. The work was commissioned for the Newcastle Arts Festival in 1969, and refers to the city’s five bridges over the River Tyne. I recall Lee Jackson, himself a Geordie, making great play of the local aspects of the work. The album cover features a picture of the Tyne Bridge, and the five movements, which the Nice played that night are: Fantasia, Second Bridge, Chorale, High Level Fugue and Finale. I think they also played their moving interpretation of Tim Hardin’s “Hang onto a Dream”, “Rondo”, and “America”; the latter two songs being showcased for Emerson’s organ playing. Keith Emerson was sensational, pulling his Hammond organ about the stage, stabbing it with daggers, and generally being an amazing showman. The picture on the front of my programme, shown above, sort of sums it up. A great gig by two important and influential bands, which sticks in my mind to this day.
Many thanks to Gerry Rogerson for allowing me to use his photograph which brings back happy memories!
23 Dec
Ray Jackson’s Lindisfarne Christmas Show Newcastle City Hall 22nd December 2013
Ray Jackson’s Lindisfarne Christmas Show Newcastle City Hall 22nd December 2013
When this show was announced, it sounded pretty improbable to me, and I just wasn’t sure that it would work. We’d been too long without a version of Lindisfarne gracing our stages, and the legendary Christmas concerts were now distant memories. But a version of Lindisfarne featuring only one original member? What would that be like?
A few events led to this year’s concert. Along the way we’ve had: the Alan Hull memorial concert; the unveiling of a plaque in Alan’s memory outside the City Hall, (with Ray Jackson playing at both events); the threatened closure of the City Hall, which was seen as a call to arms by many local musicians; and Ray Laidlaw and Billy Mitchell performing The Lindisfarne Story (a show which I missed and really must try to see when it tours again next year). And then in May this year it all came together. The press release at the time read: “A new Lindisfarne debuts this Christmas. Ray Jackson, whose unique mandolin, harmonica and vocal styles helped create the original sound of Lindisfarne in the 1970s, is back, and will be performing live in concert with his new band for the first time this Christmas. Earlier this year a date for Ray Jackson’s Legendary Lindisfarne Christmas Show was announced……Jacka’s first Lindisfarne show for 23 years! After originally only intending to perform a single show at Newcastle City Hall on December 23rd 2013, (which sold out within hours of being announced), a 2nd show was added for December 22nd, also long since sold out. A 3rd and final Newcastle show has been added for December 20th, along with three others in Harrogate, Hull and Middlesbrough”. So the Jacka Man had taken up the challenge; supported, and no doubt encouraged, by Barry McKay, Lindisfarne manager from the 70s, and promoter of the original Christmas Concerts. Ray Jackson’s Lindisfarne are: Ray Jackson (founder member, on mandolin/harmonica/lead vocals), Dave Hull-Denholm (from the 1990’s Lindisfarne line-up, on guitars/lead vocals), Paul Thompson (from Roxy Music, on drums), Ian Thomson from the 1990’s Lindisfarne line-up, on bass guitar/double bass/vocals), Charlie Harcourt from Lindisfarne Mk 2, on guitars/vocals) and Steve Daggett (who toured and recorded with the reformed 1978 original line-up, on guitars/keyboards/vocals). For the concerts they were also joined by Tom Leary on fiddle.
As we entered the City Hall we were all given a party hat (David and I passed, both being Scrooges 🙂 ) and a free programme (donations were taken for charity). The packed out hall was greeted by Denny Ferguson as Santa (he warmed the crowd up well, but I was hoping for Mike the Mouth Elliott) and the atmosphere was friendly and high in anticipation. People were sitting up at the back of the stage behind the band, just like we did in the old days, and a huge Christmas tree stood in the corner. As soon as the new line-up started playing it was obvious that it was going to be a good night. The band recreated the Lindisfarne wall of sound and were true to their legacy and the band’s spirit, with Jacka, of course, being the star of the night. The show was in two parts, with most of the well known songs held for the last lap. 
The first set was something like this (from memory, and I will no doubt have missed some): Road to Kingdom Come, All Fall Down, Wake Up Little Sister, Scarecrow Song, City Song, Together Forever, Marshall Riley’s Army, Lady Eleanor (as haunting as ever), Court in the Act. The second set had everyone singing along to: Turn a Deaf Ear, Kings Cross Blues, Train in G Major, Uncle Sam, January Song, a beautiful Winter Song with Dave Hull-Denholm sounding uncannily like his father-in-law, Fog On The Tyne, We Can Swing Together (complete with a lengthy harmonica solo from Jacka including The Blaydon Races and the Theme from Z Cars (boo..) and just as I remember it from the 70s, and….an appearance by the High Spen Blue Diamonds Sword Dancers), Run For Home and closing with Meet Me On The Corner. The encore was: Roxy’s (or actually Canned Heat’s) Lets Work Together (a surprise and well played with lots of great harmonica from Jacka) and (of course, to send us home on our way) a great singalong to Clear White Light. Barry McKay said something about next year’s present being even better; could that hint at a Lindisfarne reunion? Rod Clements was in the audience last night, so who knows. A great night which reclaimed Newcastle’s Christmas for a legendary band, without tarnishing any memories, and gave a few thousands Geordies an early present. Well done and many thanks to Jacka.
Official Lindisfarne site: http://lindisfarne.co.uk/
Ray Jackson’s Lindisfarne: http://rayjacksonslindisfarne.com/
The Lindisfarne Story: http://www.lindisfarnestory.co.uk/
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