Jon Anderson Manchester Royal Exchange Theatre August 4th 2013
A special solo performance with the frontman of YES – Jon Anderson
Last night I went to see Jon Anderson in solo concert at the Royal Exchange Theatre in Manchester. The show was billed thus: “Frontman of one of the biggest bands of all time, Jon Anderson brings his stunning voice and exquisite songs to Manchester’s Royal Exchange Theatre for this very special solo performance. Expect a magical night that draws from the YES songbook and includes all-time classics such as Owner Of A Lonely Heart, Wonderous Stories, Long Distance Runaround, and Yours Is no Disgrace.” The venue sounded interesting and lived up to its description on the Royal Exchange site: “The Royal Exchange Theatre is a seven-sided, glass-walled capsule, literally suspended from huge marble pillars situated in The Great Hall of the historic Victorian Cotton Exchange Buildings in Manchester city centre. The unique design means all seats are less than nine metres from the circular stage giving views from all angles.” I arrived around 7pm after a uneventful drive down the A1 and across the M62. I parked the car in the Arndale NCP, and found the venue, which is situated right in the centre of Manchester, just up from Victoria station. I had a look around, and took my seat. Although I was in Row G, which was the back row of the lower level, I was still very close to the performance area. In the centre of the floor a carpet was set out surrounded by candles, and a couple of microphones. Behind the carpet stood two guitars and an electric piano. Shortly after 7.30pm Jon walked into the theatre space unannounced to the sound of bird song, with the light still on. It was clear this was going to be a special evening; the venue was sold out, and the setting was perfect for a low-key, friendly acoustic concert. The lights went down and Jon stood in the centre of the floor, a few feet from all of us. I notice that during the show he took care to turn around so that everyone got a good chance to see him.
The set was a mix of Jon Anderson’s back catalogue; mostly Yes, but also some from his time with Vangelis and from his solo career. I recognised most of the songs, but a few were unfamiliar to me, so apologies if I haven’t got the setlist quite right. Jon seemed very relaxed, and pleased to be with us. The format of the show was Jon accompanying himself on acoustic guitar for most of the evening, with a short spell on a dulcimer, a ukelele and piano. Some of the songs were performed in full, while others were snippets of the Yes originals. Between the songs Jon told some stories drawn from his past experiences, and told some (not particularly good :)) jokes. The set went something like this (I am sure that I have missed some): Yours is no Disgrace; Sweet dreams; America (Jon told us how he recently met Paul Simon while he was in Australia); Time and a Word (a reggae treatment); One Love (the Bob Marley song). The next few songs were performed on a dulcimer; Under heavens door; Flight of the Moorglade (? I think). Jon was then back to acoustic guitar; he talked about his first meeting with Vangelis, and how he had originally attempted to line him up as a replacement for Rick Wakeman in Yes. That didn’t work out, so he decided to record with Vangelis himself. This led into Jon singing Find my way Home, and recalling an interesting memory of how he had to persuade Vangelis to play on Top of the Pops (“I am a serious musician”). Then it was back to Yes songs: Starship Trooper; Give Love each Day; Long Distance Runaround; and Owner of the Lonely Heart, brought the first half of the concert to close. After a short interval, Jon resumed the show sitting at the electric piano for a medley of Close to the Edge; Heart of the Sunrise; Marry Me Again; and The Revealing Science of God. He then picked up a ukelele for You Got the Light. It was back to guitar for And You and I; and Ritual (Nous Sommes du Soliel). For the next song “Tony and Me”, Jon took us back to 1963, when he was a young guy playing in a Beatles-influenced band, along with his brother Tony. He told a story of seeing the Beatles at Southport Floral Hall; of playing with Joe Cocker in Sheffield; of smoking a joint with Robert Plant up in a club in Newcastle when Plant was in Listen, and of a Liverpool band called the Undertakers whose singer (I think it was Jackie Lomax?) came on stage in a coffin and how one night he was trapped in the coffin. A couple of more songs led into John Lennon’s Give Peace a Chance; and then he closed the show with Yes favourites I’ve Seen All Good People and Roundabout, with everyone standing and singing along for the last song. He couldn’t leave without an encore, and sang a few more songs: A Day in the Life (back to the uke for a cover of the Beatles song); Sun is Calling; State of Independence; Wonderous Stories; and Soon. The show finished around 10pm, and I was home around 12.15am.
A great evening. Of course if was very different from seeing Yes, but the personal and intimate approach worked well. Jon’s voice was fine, much much stronger than I expected, and he was in good spirits, very chatty with the home crowd. My next Yes event will be seeing the latest version of that band up in Newcastle early next year, a concert which I am looking forward to. I also notice that Rick Wakeman is going out on tour next year with his Journey to the Centre of the Earth album. Now I wasn’t a big fan of the album when it came out, but I must admit I am tempted to go and see the show. The comings and goings of Yes band members remains as complex and confusing as ever, but I guess it was ever so.
Posts Tagged ‘concert’
5 Aug
Jon Anderson Manchester Royal Exchange Theatre August 4th 2013
4 Aug
Howard Jones Newcastle City Hall March 1984
Howard Jones Newcastle City Hall 1984
Howard Jones first single “New Song” was released in September 1983 and rose to No 3 in the UK charts. His second single “What is Love?” was released a couple of months later and made No 2 in the charts. In March 1984, Howard Jones’ released his fist album “Human’s Lib”, which was a massive success in the UK, Japan and the USA. The album entered the UK album chart at the No. 1 spot, spending a total of 57 weeks in the chart, and reaching double platinum status. 
So Howard Jones was pretty big news when he toured the UK in March 1984 in support of the “Human’s Lib” album. “New Song” and “What is Love” are joyful songs, and Howard in concert was an enjoyable electropop experience. I read a review of a concert on the tour which mentions a revolving stage; which I don’t recall. Support for the tour was Scottish band Endgames. Howard’s single “Like to Get to Know You Well” was also a big hit later in 1984. I saw Howard Jones live once more, at Live Aid at Wembley Stadium in 1985, where he played “Hide and Seek”. He is touring quite regularly again at the moment.
3 Aug
Michael Jackson Roundhay Park Leeds August 29th 1988
Michael Jackson Roundhay Park Leeds
Ashleigh was massively into Michael Jackson around the release of his Bad lp. I aslo fancied seeing him, but his tour of the UK sold out straight away, before we decided we should go. So we agreed to drive to Leeds, on the off chance of picking tickets up outside Roundhay Park. It was actually quite difficult to buy tickets that day. There were touts outside the venue, but they were asking a lot more than face value for the tickets. We eventually managed to buy a couple of tickets for a reasonable price, and we excitingly entered the gates of Roundhay Park. Roundhay is a large park to the north of Leeds city centre, and has hosted concerts in the past by massive acts such as the Stones, Genesis and Springsteen. Laura, David and I went to see Robbie Williams there a good few years after this Michael Jackson gig. Support for Jackson came from Kim Wilde, who put in a good performance; but everyone was of course waiting for the main man. It was Michael’s Jackson’s 30th Birthday on the day of this concert, so it was a special event. He opened with Wanna Be Startin’ Somethin’, and played a selection of his well known songs, going right back to the days of the Jackson Five. He was, as you would expect, a great showman and performer, and the crowd loved him, cheering his every dance move. Ashleigh was just amazed by him. I enjoyed the gig, it was very spectacular with lots of fireworks and explosions, although I also remember that the sound was quite poor. 
From the Yorkshire Post: “More than 60,000 fans turned out for the concert which was hailed at the time by critics as perhaps the most dazzling two hours of showmanship ever witnessed in Britain. One reviewer wrote: “When the opening fanfare reached a climax he shot out of the stage in a Jack-in-a-box and stood motionless in front of a seas of adoring faces for a full two minutes.” Jackson returned to Roundhay a few years later as part of the Dangerous tour, although we didn’t attend that gig. Laura and I had tickets to see him at the London O2 gigs which never, of course, took place. Setlist: Wanna Be Startin’ Somethin’; This Place Hotel; Another Part of Me; I Just Can’t Stop Loving You; She’s Out of My Life; I Want You Back / The Love You Save / I’ll Be There; Rock With You; Human Nature; Smooth Criminal; Dirty Diana; Thriller; Bad Groove; Workin’ Day and Night; Beat It; Billie Jean; Bad. Encore: The Way You Make Me Feel; Man in the Mirror.
1 Aug
Jethro Tull Acoustic Middlesbrough Town Hall 2007
Jethro Tull Acoustic Middlesbrough Town Hall 2007
In 2007 Jethro Tull released “The Best of Acoustic Jethro Tull” which included some of the band’s best known acoustic tracks from 1969 onward. To promote the album the band toured an acoustic show, which called at Middlesbrough Town Hall. 
The line-up of Tull for this tour was Ian Anderson, Martin Barre, David Goodier, John O’Hara and James Duncan Anderson. They were accompanied by special guest Violinist Anna Phoebe. Setlist: Some Day The Sun Wont Shine For You; Living In The Past; The Water Carrier; Gypsy; Katerina’s Theme; Jack In The Green; The Donkey And The Drum; Thick As A Brick; Birnam Wood To Dunsinane; Fat Man; Bouree. INTERVAL. 99 Lives; Dun Ringill; Pastime With Good Company; Steal; Aqualung; America; My God; Beside Myself / Rocks On The Road / Budapest; Locomotive Breath. The folkier side of Tull was never my favourite in the late 70s and early 80s, but I grew to like it as time passed. I certainly enjoyed this gig, which presented the softer, acoustic side of the band.
31 Jul
Jethro Tull Newcastle City Hall 2004 and 2006
Jethro Tull Newcastle City Hall 2004 and 2006
I saw Jethro Tull at the City Hall in 2004 and 2006. Tull were involved in quite a number of projects during these years. In 2003 they released The Jethro Tull Christmas Album, which consisted of a collection of traditional Christmas songs, along with some Christmas songs written by Jethro Tull. The album was a big success and their best selling release since the 1987 Crest of a Knave.
The set for the 2004 concert included quite a few Christmas songs as a result, as well as some great old favourites like Beggars Farm and Nothing Is Easy, taking us right back to the very early days of the band. The setlist for the 2004 Newcastle concert (I got the list from a bootleg which was recorded at this gig): Aqua-Intro; Living In The Past; Nothing Is Easy; Beggar’s Farm; Eurology; A Christmas Song; Farm on the Freeway; Pavane; Weathercock; A Week of Moments; Mother Goose; Misére; Songs From The Wood; Too Old To Rock ‘n’ Roll: Too Young To Die; Heavy Horses; God Rest Ye Merry Gentlemen; Flying Dutchman; My God; Holly Herald; Aqualung; Wind Up; Locomotive Breath; Protect and Survive; Cheerio. 
Both shows were great Tull fun. I went along with Norm and Will and we all enjoyed seeing the old guys again.
In 2005 Ian Anderson released a live double album and DVD called Ian Anderson Plays the Orchestral Jethro Tull. In addition, a DVD recorded live at the Isle of Wight 1970 and a live album called Aqualung Live (recorded in 2004) were both released in 2005. There were also further line-up changes in 2006 with bassist Jon Noyce leaving to be replaced by David Goodier, and keyboardist Giddings leaving to be replaced by John O’Hara. The 2006 tour was billed as the Aqualung tour, and Tull played that lp in its entirety. Setlist: Life Is A Long Song, Skating Away…, Living In The Past, Slipstream, Up To Me, Griminelli’s Lament¹, Aurora³, Wond’ring Aloud, Mo’z Art, Cheap Day Return/Mother Goose, She Is Like The Swallow, Bourée. Interval. Nocturne/Bohemian Rhapsody, Kashmir (incl. Whole Lotta Love), Cross-Eyed Mary, Hymn 43, Morris Minus, Flying Dutchman (intro)/My God, Budapest, Aqualung, Wind-Up, Locomotive Breath, Protect And Survive, Cheerio. Tull were accompanied by electric violinist Lucia Micarelli for this tour, and she also fronted the band herself for a couple of songs notably covers of Queen’s Bohemian Rhapsody and Zeppelin’s Kashmir. Electric violinists featured alongside Ian on a couple of Tull tours around this period. The 2006 concert was a sell out, proving that the band retained their popularity, and that they still have a loyal fan base.
30 Jul
Jethro Tull York Barbican 2001
Jethro Tull York Barbican 2001
My interest in Jethro Tull had been revived by the great show that I attended at Newcastle City Hall in 1999. I was therefore quite disappointed when their 2001 outing missed out Newcastle, so I persuaded Marie to come and see them with me in York, which was the nearest show on the tour. The concert was held at the York Barbican centre which was a sports complex and also used for concerts. This was the first time that I’d visited the Barbican. I did go with David to see Steve Winwood there a couple of years later. The Barbican has recently been refurbished, and it reopened a couple of years ago as an entertainment centre, which plays host to lots of concerts. I need to find a reason to visit again 🙂 
Tull were on grand form as usual, and I enjoyed the show, although there were quite a few songs which were unfamiliar to me. Looking at the setlist today, I understand why. At least four of the songs were Ian Anderson solo tracks (Ian had released three solo albums by 2001). Even Marie (sort of) enjoyed her Tull outing, although we had a (friendly) argument about Ian’s flute solos. When he started a solo he would press a foot pedal. Marie was convinced that the solo was on tape, and that Ian was switching the tape on with the pedal. I was equally convinced (and remain so to this day) that there was no such use of tapes at all, and that the pedal was merely an effects pedal. Setlist: Aqualung; My Sunday Feeling; Cross-Eyed Mary; Roots to Branches; Jack-in-the-Green; Thick as a Brick; Sweet Dream; Beside Myself; Hunt by Numbers; Bourée; The Water Carrier (Ian Anderson song); The Habanero Reel (Ian Anderson song); Set-Aside (Ian Anderson song); Pibroch (Cap in Hand) (Instrumental); A New Day Yesterday; In the Grip of Stronger Stuff (Ian Anderson song); Budapest; Mayhem Jig; Aqualung; Locomotive Breath; Living in the Past; Protect and Survive (Instrumental); Cheerio
28 Jul
Jethro Tull Newcastle City Hall 1999
Jethro Tull Newcastle City Hall 1999
It was another 9 years before I saw Jethro Tull again. By this time the line-up had changed a little (again) to: Ian Anderson (flute, vocals), Martin Barre (guitar), Andrew Giddings (keyboards), Jonathan Noyce (bass), and Doane Perry (drums). They had just released the album J-Tull Dot Com. The new material displayed Eastern and world music influences, but as usual the concert featured a mix of Tull material from throughout their career. 
I’d lost touch with Jethro Tull up to this point, but this concert reminded me how great they were (and still are), and how much I had enjoyed their music. It was great to see Ian Anderson and Martin Barre in particular. Ian was ever the showman, although his voice was not as strong as it had been. Martin’s guitar playing and quiet presence were as excellent as always. And they played classics like Living in the Past, Witches Promise and Fat Man. Great stuff. I was hooked again, and started to attend Tull concerts more regularly from that point onward. Setlist: Steel Monkey; For a Thousand Mothers; Serenade to a Cuckoo; Spiral; Witches Promise; Nothing Is Easy; Jeffrey Goes to Leicester Square; Fat Man; AWOL; A New Day Yesterday; Nellie the Revenge; Dot Com; Boris Dancing; Hunting Girl; Hunt by Numbers; Flying Dutchman; My God (with flute solo); Passion Jig; Locomotive Breath; Aquadiddley; Aqualung; Living in the Past; Dogs in the Midwinter; The Dambusters March; Cheerio
27 Jul
Jethro Tull Sunderland Empire 1990
Jethro Tull Sunderland Empire 1990
I went with a group of mates to this gig, some 19 years since we first saw Jethro Tull at the same venue. The late 80s and early 90s saw Tull return to rock and the blues for the albums Crest of a Knave (1987), Rock Island (1989), and Catfish Rising (1991). The one thing that sticks in my mind about this gig is Ian coming on stage with a massive search light which he then proceeded to shine at all of us. Looking back at the set list for the concert (of which live recordings exist) reminds me that Tull played some great old favourites that night; including Living In The Past and Love Story (that song is still a big favourite of mine). There was no support act for this show. 
Thanks to Doug for the great picture, which he took at this concert.
Setlist: Intro: Tanz, Wond’ring Aloud, Steel Monkey, Thick As A Brick, Living In The Past, Rock Island, Nellie The Revenge (inst.), Cheap Day Return/Nursie, Mother Goose/Jack-A-Lynn, Love Story, Serenade To A Cuckoo, A Christmas Song, Budapest, Strange Avenues, Kissing Willie, Pine Martin’s Jig/Drowsy Maggie, Dun Ringill, Jack-In-The-Green, Said She Was A Dancer, My God (including flute solo, Bourée), Pussy Willow/Pibroch (instrumental), Another Christmas Song, Farm On The Freeway, Too Old To Rock’N’Roll, Aqualung, Locomotive Breath, Fylingdale Flyer (instrumental), Cheerio.
26 Jul
Jethro Tull Newcastle City Hall 1984
Jethro Tull Newcastle City Hall 1984
Jethro Tull returned to Newcastle City Hall in September 1984. The tour was to promote their new album Under Wraps. This new release introduced an 80s electronic/synth-pop sound, to a mixed reaction from fans and critics. The concert was, however, a big success, with quite a long set drawing from many of Tull’s albums (by 1984 they had released 15 albums!). Tull also played a couple of track from Ian Anderson’s solo album Walk Into Light, which was released in 1983. 
Under Wraps #1; Locomotive Breath (Instrumental intro); Hunting Girl; Under Wraps #1; Later, That Same Evening; Nobody’s Car; Apogee; Thick as a Brick; Level Pegging; Skating Away on the Thin Ice of the New Day; Pussy Willow; Clasp; Living in the Past; Serenade to a Cuckoo; Fat Man; Fly by Night; Made in England; 
European Legacy; Black Sunday; Aqualung; Locomotive Breath; Too Old to Rock ‘n’ Roll, Too Young to Die; Different Germany; Thick as a Brick (reprise).
Thanks to Doug for the picture which was taken at the City Hall at Tull’s visit in 1982. The band at this point consisted of Ian Anderson (flute, vocals and part-time detective for this tour concept), Martin Barre (guitar), Dave Pegg (bass), Peter-John Vettese (keyboards) and new man Doane Perry (drums). The programme consists of photos of the band members, depicting Ian Anderson as a super-sleuth (the subject matter of the songs on Under Wraps is heavily influenced by Ian’s love of espionage fiction), and lyrics from some of the songs which were performed during the concerts.
25 Jul
Bruce Springsteen Leeds First Direct Arena 24 July 2013
Bruce Springsteen Leeds Direct Arena 24 July 20
Unbelievable show by Bruce last night in Leeds. Leeds First Direct Arena is a brand new purpose-buily 13,500 seater arena sited right in the centre of Leeds. Last night was the first concert at the venue, although the official opening night is reserved for Elton John in September (or the Kaiser Chiefs! There has been some controversy and bad feeling as to who the actual opener is). The venue has an intimate feel about it, and reminded me of a much larger version of the Odeon and other types of cinema that I went to when I was a kid. There was a lot of anticipation for this gig. Indoor arena shows are rare events for The Boos these days, so fans travelled from all over the work for this concert. 
Tickets sold out in a few minutes and were selling for around £500 each on secondary sites, although prices from the many touts outside the venue were reportedly around £150 a pop. Bruce certainly lived up to the hype. He came on stage shortly before 8pm and played until after 11pm. The show featured lots of requests, taken from the sign waving fans down in the pit, some of whom had been queueing outside the venue for several days to secure a place down the front. Bruce put his heart and soul into the performance, thanking the fans, and naming individuals in the pit who have attended throughout the European tour. At one point he crowd surfed across the hands of fans down the front and later in the show he pulled a whole family (mum, dad, and 5 or 6 daughters) up on to stage to dance with him. The set was a mix of Bruce favourites and some lesser known tracks, delving far back into this catalogue. He played a great version of Credence’s Bad Moon Rising. Another highlight for me was Because the Night. The sound was very clear and loud. He showed us last night just what a rock show can be like. Its going to be a long time before any future visitor to the new arena tops it. Just incredible. 
I was lucky enough to witness Bruce’s first UK show at Hammersmith in 1975, and saw him a couple of times after that, at Newcastle City Hall and St James Park Newcastle. I then lost interest in him, and didn’t pick up on him again until around 10 years ago. Since then I’ve seen him at London O2, Dublin Point, Hampden Park, and Sunderland Stadium of Light. Last night was the best I’ve seen him since those early shows at Hammersmith and the City Hall, and I’m hooked again. Setlist: Roulette; My Love Will Not Let You Down; No Surrender; Something in the Night; American Skin (41 Shots); The Promised Land; Hungry Heart; Local Hero; Gotta Get That Feeling; Bad Moon Rising; Thundercrack; Wrecking Ball; Death to My Hometown; This Depression; Because the Night; Darlington County; Shackled and Drawn; Waitin’ on a Sunny Day; The Rising; Land of Hope and Dreams. Encore: Secret Garden; Atlantic City; Badlands; Born to Run; Dancing in the Dark; Tenth Avenue Freeze-Out; Shout. Encore 2: If I Should Fall Behind; Thunder Road.
Vintagerock's Weblog. 