Steve Earle is an artist that I have been meaning to see for some time. His material is unfamiliar to me, but I aware of his legend and the country and blues roots from which he draws. This tour sees him “alone again” on stage, guitar in hand and (quite often) harmonica strapped around his neck ready for action. Whitley Bay Playhouse is a relatively intimate venue and it was packed on Saturday night for Steve’s performance; and rightly so.
The Playhouse website describes Steve’s background much better than I am able: ” Steve Earle is one of the most acclaimed singer-songwriters of his generation. A protege of legendary songwriters Townes Van Zandt and Guy Clark, he quickly became a master storyteller in his own right, with his songs being recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Pretenders, and countless others. 1986 saw the release of his record, Guitar Town, which shot to number one on the country charts and is now regarded as a classic of the Americana genre.”
Steve came on stage exactly as advertised at 8:30 PM. I was told he would be finished by 10 PM. His set was a mixture of songs from throughout his career. Each song was delivered in his unique raucous blues style. At one point in the proceedings, he explained: “Townes Van Zandt once told me there are two kinds of music: the blues and Zipadee–Doo–Dah” and that was pretty much the logic behind Steve’s delivery. Each song came from deep within his heart and soul. This guy is the real thing and pulls no punches. He isn’t afraid to admit that he is a recovered/recovering heroin addict. At one point he sadly told us of the recent passing of his son as a result of drugs. Whiskey and hard drugs are part of Steve’s life; or at least they have been in the past.
His songs tell the stories of this guy’s life through his hard drinking and drug using days. He did a great rendition of “Mr Bojangles”; I had forgotten that this had been written by country star Jerry Jeff Walker, rather I associated the song with Sammy Davis Junior. Steve closed with his signature song “Copperhead Road”.
But the crowd would not let him leave without playing an encore or two. So, he returned and sang a couple more songs; closing with “Jerusalem” which he proudly told us had been recorded by Joan Baez and Bruce Springsteen. You don’t come with much better credentials than that. It was 10 PM and the guy had been entertaining us for two hours. Pretty good going!
I greatly enjoyed my first encounter with Mr Earle. I really need to listen to more of his material.
Many thanks to Jan for taking the photos.
Setlist (something like): If I Should Fall From Grace With God; The Devil’s Right Hand; My Old Friend The Blues; Someday; Guitar Town; I Ain’t Ever Satisfied; Taneytown; Now She’s Gone; Goodbye; Sparkle and Shine; You’re the Best Lover That I Ever Had; South Nashville Blues; CCKMP; Transcendental Blues; Angel Is the Devil; It’s About Blood; Mr. Bojangles; Harlem River Blues; Tell Moses; Galway Girl; Copperhead Road.
Encore: Black Lung; Billy Austin; Jerusalem
The great song “American Pie” is etched in my memory for reasons, which sleep after time I will explain below. 
American Pie was recorded in May 1971 and a month later received its first radio airplay. Thirty years later, it was voted number 5 in a poll of the 365 “Songs of the Century” compiled by the Recording Industry Association of America and the National Endowment for the Arts. Issued as a double A-side single in November 1971 and charted within a month. Interest from the media and public sent the single to #1 in the USA and Don to international superstardom. Every line of the song was analysed time and time again to find the real meaning. Don refused to sanction any of the many interpretations, so adding to its mystery” (Sage Gateshead website).
The Lincoln Festival had a magnificent lineup with Rod Stewart and the Faces, the Beach boys, Rory Gallagher, Humble Pie (now Steve Marriot was definitely a boy), Genesis, Strawbs, Status Quo, Joe Cocker, Monty Python!, Stone The Crows with Maggie Bell, Lindisfarne, Nazareth, Atomic Rooster, Slade and many others. Anyway, appearing on the Sunday afternoon, as I recall, was a guy called Don Maclean sandwiched between excellent performances by Status Quo (who were busy transitioning from a pop band to the number one boogie machine) and the magnificent Humble Pie (with Steve Marriot excelling himself as a great soul and blues singer “my skin is white, but my soul is black”). “American Pie” had just been in the UK singles chart and was, by then, a global hit with its very enigmatic lyrics, which we all know now are loosely based around the death of Buddy Holly, a hero of Don McLean. The festival had been plagued by showers of torrential rain but, just at the point Don started singing “American Pie” the rain stopped and the sun came out. It was a truly magical moment and we all stood up (the boys singing and dancing on the top of our hay barn). From that point on I was a fan and I went to see Don McLean several times after that at Newcastle City Hall. He went on to have many other hits including the beautiful “Vincent” about Vincent Van Gough.
So roll forward 50 years and my carer Jan and I are seated at the back of the Sage waiting to see Don McLean. This was Jan’s first Don McLean concert and for me, it was probably around 40 years since I last saw him. I lost touch with him, sadly, along the way. Support act was 
Thanks to Jan for her photographic skills.
This was the Hotel California tour and The Eagles were returning to the UK as a massive sell out act. I’d seen them twice before, once supporting Neil Young at Newcastle City Hall in the early 70s, and secondly on a bill with Elton John and The Beach Boys on a long hot day at Wembley Stadium. They were great on both occasions so I was looking forward to seeing them as a headline act. Their UK tour took in a few dates, and the nearest was in the wonderful, and sadly missed, Glasgow Apollo. They played two nights, Saturday and Sunday and we went to the second of the two gigs. I drove up with my mate Ian, and we were both excited about seeing The Eagles. We had seats reasonably close to the front, but not too close, as the Apollo stage was very high and the view from the first few rows sometimes wasn’t great and you were guaranteed to leave with a stiff neck. According to the ticket support came from Dan Fogelberg, although I believe this was changed and the actual support was Valerie Carter. A published setlist (from the Apollo website) shows them opening with Hotel California, which would now seem a strange choice for a first song, but the album was new at the time and therefore not well known at all. My memories are of a great concert, and of the band returning for an encore wearing kilts and accompanied by a lone Scottish piper. 
We drove home through the night playing a cassette of the Hotel California album, constantly rewinding and replaying the title track. Great memories of a great band in a legendary venue. Setlist: Hotel California; Take it easy; Life in the fast lane; Take it to the limit; New kid in town; Victim of love; James Dean; Witchy woman; Lyin’ eyes; One of these nights; Doolin’ Dalton; Desperado; Best of my love; Already gone; Rocky mountain way; Turn to stone
If you had asked me 10 years ago, I would have said that we wouldn’t see Crosby, Stills and Nash back in the UK. It seemed so long since they toured over here. I had my memories of the great CSNY gig at Wembley Stadium in 1974, and figured that would be the one and only time I saw that great band, or CSN, live in concert. However, I would have been wrong. The past 7 years has seen a few visits to the UK by Crosby and Nash, and CSN. The first news of this was that Crosby and Nash were to tour Europe in early 2005. The first concert to be announced was set for the Royal Festival Hall London in February 2005. I bought tickets straight away for Marie and I to go to that show; however within a week or so, a gig was added at The Sage Gateshead, a venue which is local to us. So I bought tickets for the Sage gig and sold our tickets for London (ebay comes in handy a lot these days). We had good seats for the Sage concert, and ran into lots of old friends there. The show started with Military Madness, and took us through all of those great songs, with those exquisite harmonies; as beautiful as ever. A month or so later, further UK dates were announced, this time with Stephen Stills as part of the line up. I couldn’t resist a chance to see CSN so bought tickets for the Manchester Arena concert. David came along with me and we both enjoyed it. These were two great gigs; these guys are responsible for some of the best music of the last 40 years. I’ve loved them since I heard Marrakesh Express on the radio in the late 60s. 
Looking back this was a very strong line-up and a truly historic gig, although I’m not sure I realised it at the time. A group of us went down to London by train, primarily to see CSN&Y. To be honest ( and to my shame) I had little interest in seeing the other acts on the bill. This gig was very much a coming together of the long hairs; everyone there to see a cluster of west coast superstars who rarely appeared in the UK. The weather was good, a hot late summer day, and the vibe friendly and laid back. I remember running into loads of people from the North East. We had tickets for the stands, and couldn’t get down on the pitch which was frustrating. My mates and I spent some time next to the back stage area, star spotting. We saw (I think; from a bad….memory) members of the Moody Blues, The Faces, Led Zeppelin and Marc Bolan. My mate Don and I ran into Robert Plant in the gents, and we chatted to him; Don offered Plant a drink from his bottle of beer, Plant took a swig to Don’s delight (he swore he would keep the bottle for ever!). We arrived early and saw all the bands; I wish I’d taken more notice of their sets than I did. Jesse Colin Young’s “Darkness, Darkness” is now one of my favourite songs, but I remember nothing of what he played that day. I remember that the Band played a solid set including “The Weight”, “Night They Drove Old Dixie Down, and “Cripple Creek”. Joni Mitchell’s set was part solo on acoustic guitar or piano, and part accompanied by Tom Scott’s L.A. Express. Her album at the time was Court and Spark, and she played tracks from that lp plus favourites such as “Woodstock”, “Big Yellow Taxi” and “This Flight Tonight”. She is another artist who I really appreciate now; much more so than I did back then in the day. 
CSN&Y played a long set of around four (!) hours. They were just amazing; incredible harmonies, great musicianship. There were times when it dragged a little for me, as the set included a lot of songs which were unfamiliar to me. However, before too long another classic would come along, the harmonies would be spot on, and the guitar duels would spark off again. My enduring memories are of the start and end of their set. They started with an extended version of “Love the one you’re with” and the place went crazy. My last memory is of standing on a wooden bench, such as the seats were in the Wembley stands in those days, singing the chorus of “Ohio”, with 72,000 other people. Days don’t come any better. Where did the years go?
This was a pretty cool line up, and was my fist time seeing both bands. I knew a lot of stuff by America, but nothing by Poco. I went along with my friend Ian, as I recall. America had previously toured as support for Family in 1971, but the gig was the same night as Led Zeppelin played Sunderland Locarno (theres a gig I must report on), so I didn’t go. So when they returned to Newcastle for this gig at the Odeon I made sure that I attended. The Odeon is now sadly closed, but was an important venue for gigs in the North East in the early 70s. It was a little bigger than the City Hall, with a capacity of around 3,000, and I saw a few bands play there: Humble Pie, King Crimson, Black Sabbath, ELP, The Faces and The Who come straight to mind. BY the mid 70s it had sadly been converted to a multi-screen cinema, and the capacity reduced. I am pretty sure that this was the case for this gig. I recall both bands being really good that night. Typical America set list from 1975: Tin Man; Muskrat Love; Baby It’s Up to You; Moon Song; Old Man Took; To Each His Own; Lonely People; I Need You; Don’t Cross The River; Ventura Highway; Only In Your Heart; Woman Tonight; The Story of a Teenager; Half a Man; Company; Hollywood; Sister Golden Hair; Encore: Sandman; A Horse With No Name. I also googled and found a Poco setlist from 1974: Blue Water; Fool’s Gold; Rocky Mt. Breakdown; Bad Weather; Hoedown; Railroad Days; Ride the Country; Faith in the Families; Angel; Drivin’ Wheel; I Guess You Made It; Restrain; A Right Along; C’Mon. My friend John, who was also at this gig, has just emailed me to remind me that America/Poco played “Don’t Cross the River if you can’t swim the tide” with both bands on stage as the final number. 
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