The Battleship Potemkin, Pet Shop Boys , Swan Hunter’s shipyard, Wallsend, 1st May 2006
In 2003 The Institute of Contemporary Arts (ICA) in London, asked Neil Tennant and Chris Lowe (Pet Shop Boys) to write a new score for the film The Battleship Potemkin, and perform it as a free concert in Trafalgar Square. They did so, and have performed the piece several times since, including this performance in the North East, which David and I attended in May 2006. The Battleship Potemkin is a propaganda film that tells the story of the 1905 mutiny of the Russian ship. The film is recognised as a silent classic, and is often cited as one of the greatest films of the period. I attended a film studies course at college; The Battleship Potemkin was one of the films we were shown, and I had to write an essay about it. “Battleship Potemkin is a 1925 silent film directed by Sergei Eisenstein and produced by Mosfilm. It presents a dramatized version of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against their officers of the Tsarist regime. Battleship Potemkin has been called one of the most influential propaganda films of all time, and was named the greatest film of all time at the Brussels World’s Fair in 1958.” (Wikipedia). 
On May 1st, 2006, Pet Shop Boys with the Northern Sinfonia performed the music with the film at a special event held at Swan Hunter’s shipyard, Wallsend, and presented by the Newcastle Gateshead Initiative. Tickets were distributed free through a ballot, and 14,000 people attended the event. The music reflected the sombre mood of the film, and used a mixture of electronica and orchestration to provide an appropriate accompaniment to the grainy images shown on the screen. It was a cold evening, and there was quite a wait before Pet Shop Boys and the film started. Then local actor Tim Healy appeared on a raised platform to the left of the stage to introduce the performance. The film’s credits rolled and the music started. This was a very different type of performance for most of the crowd, including me, and fans of Pet Shop Boys who were hoping to hear some of their many hits will have gone home disappointed; indeed we could hardly see the band, as they spent most of the evening hidden behind a screen on the dimly lit stage. 
The music was mostly instrumental, although Pet Shop Boys had composed a few new songs as part of their score. It was very loud in parts, and fitted well with the film and its battle sequences. It was, as it should have been, the film which was the star of the evening. I went with David and we both agreed it was quite a strange, but ultimately fulfilling, experience. The walk down to the shipyard was marked by stickers (showing Pet Shop Boys) on the pavement; I managed to pull one up on the way home, and have pictured it here 🙂 I have also included a picture from the film The Battleship Potemkin, which is now public domain and available thanks to the Wikimedia Commons licence.
NewcastleGateshead Chief Executive Andrew Dixon said when the performance was announced: “This event promises to be an amazing and unforgettable audience experience set against the striking backdrop of one of the region’s most historic and iconic symbols of its industrial roots. To use Swan Hunters as a stage set for one of the most exciting and innovative musical events of 2006 is very fitting.” Sage Gateshead performance director Simon Clugston: “To hear Northern Sinfonia perform the soundtrack to the classic film Battleship Potemkin with the Pet Shop Boys in the apt industrial setting of Swan Hunter’s shipyard will be a night to remember.”
Posts Tagged ‘gig’
8 Feb
The Battleship Potemkin, Pet Shop Boys , Swan Hunter’s shipyard, Wallsend, 1st May 2006
7 Feb
Carl Perkins , Bo Diddley & Matchbox Newcastle City Hall 13th April 1978
Carl Perkins , Bo Diddley & Matchbox Newcastle City Hall 13th April 1978
This was a great concert with performances from two true legends of the first wave of rock’n’roll. First up were Matchbox, who are a rock’n’roll / rockabilly revival band that are still playing today. Matchbox went on to the have hit singles in 1979 and 1980 with “Rockabilly Rebel”, “Buzz Buzz a Diddle It” and “Midnite Dynamos”. Then came Bo Diddley who strutted the stage with his trademark rectangle guitar, playing those classic buzz riffs to the “Bo Diddley beat” like only he could, in tunes like “Who Do You Love” and “Bo Diddley”. From the programme: “Bo Diddley is one of the classic figures in contempary music, ranking alongside such originators as Chuck Berry and Muddy Waters”. 
Headliner Carl Perkins played the classic “Blue Suede Shoes” and a set of rock’n’roll, country and rockabilly. He played an excellent set, with was a little more country than rock. Dressed in a cream suit covered with rhinestones, he was in a every way a cool guy, and had the crowd (which included lots of teds in their full gear) literally rocking in the aisles. From the programme: “Had it not been for a serious car crash, Carl Perkins could have been bigger than Elvis Presley – at least, that’s the opinion of Sun Records’ boss Sam Philiips – the man who discovered them both.” A memorable gig, by two guys from the golden era who were part of the birth of rock music; I won’t see their like again.
6 Feb
Public Image Ltd Newcastle City Hall 1983 and 1986
Public Image Ltd Newcastle City Hall 15th November 1983 and 10th May 1986
I next saw PIL at Newcastle City Hall in 1983. The line-up of the band had changed completely since the early days are now featured John Lydon (vocals); Martin Atkins (drums; I’d seen him a few years earlier in his band Brian Brain); Louis Bernardi (bass); Joseph Guida (guitar) and Arthur Stead (keyboards). By 1983 PIL had released several singles and three albums, including ‘Metal Box’. The set featured a mix of tracks from the albums, the singles and, surprisingly, The Pistols’s ‘Anarchy in the UK’. Gone was the strange discordant band I had seen in 1978; this version of PIL were more of a straight rock band, which was ok in some ways, but disappointing in others. A great show; the crowd went crazy when they played ‘Anarchy’.
Set List: Public image; Low life; Annalisa; Religion; Memories; Solitaire; Flowers of romance; Chant; Anarchy in the UK; This is not a love song; Attack.
Public Image Ltd were back in Newcastle three years later on 10th May 1986. This time the line-up was John Lydon (vocals); the late great John McGeoch (ex Banshees and Magazine, and simply excellent; guitar); Lu Edmonds (ex-Damned and a member of the current PIL line-up; keyboards, guitars); Allan Dias (bass); Bruce Smith (drums). Another great gig. On this occasion I felt that PIL were much truer to the original spirit of the band, partly as a result of John McGeoch’s amazing guitar work. This time they played The Pistols’ classic ‘Pretty Vacant’. Setlist (from a gig in Edinburgh the following evening, but I think Newcastle was similar; I certainly remember them playing Pretty Vacant): Kashmir (I assume this is a different song to the Zeppelin track?); FFF; Annalisa; Fishing; Poptones; Pretty Vacant; Banging the Door; Flowers of Romance; Bags; Tie me to the Length of That; Round; Home; Public Image; Rise; Low Life; World Destruction; Ease.
5 Feb
Public Image Ltd, Creation for Liberation Benefit Gig, Manchester Belle Vue, 23rd February 1979
Public Image Ltd, Creation for Liberation Benefit Gig, Manchester Belle Vue, 23rd February 1979
This was Public Image Ltds 5th gig, and their first in the North of England. I’d been a massive Pistols fan, having seen them twice in 1976 and 1977, so I was looking forward to this one. I’d bought their first album, and found it quite strange and rather disconcerting, it was so different to the Sex Pistols. Marie and I went to the concert which was in the massive Kings Hall our at Belle Vue Manchester. We drove down and stayed at a hotel in the city centre (the Portland I think).
The concert was entitled ‘Creation for Liberation’ and was a benefit gig in aid of the ‘Race Today Friendly Society’. Also on the bill were Bristol’s The Pop Group (punky/jazzy/art-rock), Merger (a great reggae band), and poets Linton Kwesi Johnson and John Cooper Clarke. We arrived early to see all the bands. I remember seeing a lot of people from the Manchester punk scene; a couple of members of the Buzzcocks were in the crowd. Everyone had turned out to see what John’s new band was like. I remember both dub poet Linton Kwesi Johnson (“England is a bitch’ was a stand-out) and local hero John Cooper Clarke (super fast) going down well, and then there was a long wait for PIL. 
The line-up of PIL was: John Lydon (vocals), Keith Levene (guitar); Jah Wobble (bass) and Eddie Edwards (from the Vibrators sitting in on drums for this one gig). There was a long, cold, ait before PIL came on stage. When they did, they wandered on and Lydon famously said to the waiting crowd, “No gimmicks, no theatre, just us. Take it or leave it”. They then launched into ‘Theme’ and played a set which featured songs from their first album, and the controversial Pistols songs ‘Belsen Was A Gas’ (this was the last time that PIL would ever perform the song, and the last time that it was performed live until the Pistols played it again during their reunion tour in 2002). The sound was poor and murky and you couldn’t hear Lydon’s vocals very well at all. John was as scary and engaging as ever, but overall the band’s performance was a little shaky, and lacking the power and depth that PIL can achieve on a good night. I was hoping we would get a Pistols hit for the encore (I should have known that was never going to happen), but they simply played ‘Annalisa’ again. It was great to see Lydon on stage again, and in a strange way, this was a memorable concert. It represented everything that PIL was about at the time: challenging, strange, not quite what you would expect, noisy and discordant.
Set List: Theme; Annalisa; Low Life; Religion; Attack; Belsen Was A Gas; Public Image; Annalisa
Thanks to Paul B. Toman for allowing the use of his image of the PIL button badge through the Wikimedia Commons licence agreement.
4 Feb
Robert Palmer Newcastle Mayfair 19th May 1983
Robert Palmer Newcastle Mayfair 19th May 1983
Robert Palmer was a cool guy and a great R&B and soul singer. I first came across him when I saw him in Dada, a jazz/rock fusion band, who supported Iron Butterfly on their 1971 UK tour. Dada also featured Elkie Brooks, and the pair of singers were soon to form the great Vinegar Joe, who I was lucky enough to see several times in the early 70s. Palmer and Brooks were great together live; the cool, suave Yorkshireman was the perfect complement to Brooks’ fiery, wild and raucous stage persona. After Vinegar Joe folded, Palmer went on to forge a solo career, achieving particular success in the USA. By the time I saw him again at this gig at Newcastle Mayfair in 1983, he had released 7 albums. The tour was to promote the Pride album, and followed his success in the UK singles chart with Some Guys Have All The Luck which reached No 16, and was his biggest hit to date. 
The show saw Palmer looking particularly cool in a snappy suit, and singing his blue-eyed soul to an appreciative Newcastle crowd. A live recording exists of the Hammersmith Palais show of the 1983 tour which shows the setlist as: Every Kinda People; What Can You Bring?; Dance For Me; Want You More; You Can Have It (Take My Heart); Woke Up Laughing; Say You Will; Sneakin’ Sally Through The Alley; Pride; It’s Not Difficult; Some Guys Have All The Luck; Best Of Both Worlds; Sulky Girl; Looking For Clues; Johnny And Mary. I would imagine that the set at the Mayfair will have been similar. Palmer went on to even bigger success a few years later with Addicted To Love (and that iconic video) and She Makes My Day. He died of a heart attack in a Paris hotel room on 26 September 2003 at the age of 54.
3 Feb
Tom Paxton Newcastle City Hall 5th November 1974
Tom Paxton Newcastle City Hall 5th November 1974
I’ve only seen Tom Paxton once, but really enjoyed it. It was at a concert at Newcastle City Hall in 1974, and (to my shame) the only song which was familiar to me was “Last Thing on my Mind”. Tom held the audience entranced for an hour or two with songs and stories which mixed politics, sadness and humour. Tom continues to perform continuously and visits the region every year or so. His next tour sees him joined by Janis Ian, which should make for a great evening. 
My 1974 tour programme includes some quotes from the UK press about Tom’s visits to this country: “Tom Paxton’s business is communication and he is a master of it. There can be few folk singers or groups who haven’t used some of his songs. His writing is spontaneous but he doesn’t rush it. …I’d wait until morning and it is was still there I’d go to work on it” (New Spotlight)…”A Paxton happening cannot be called a concert. A more apt label would be “An Evening with Tom Paxton” [Note: that’s exactly what my ticket says:) ].. As he sings and strums, more beautifully as the tour rolls by, all aspects of life are reflected and expressed in his lyrics.” (Lancashire Evening Post)…..”Singer, composer, Tom Paxton, perhaps one of the most relaxed of all the Americans who come to these shores” (Evening Times, Glasgow).
2 Feb
The Reading Festival 23rd – 25th August 1974
The Reading Festival 23rd – 25th August 1974
This was my third visit to the Reading Festival; I felt I was a seasoned festival goer 🙂 . By now a large crew of local people were going to the festival, so there were lots of mates there, and we spent much of the weekend in the pubs in town, and down near the Caversham Bridge; particularly The Griffin. We would nip back to the festival site to catch the bands we wanted to see. The line-up in 1974 wasn’t particularly strong in comparison to the previous couple of years, and quite a few bands who had been advertised didn’t show (notably Eric Burdon, Ronnie Lane and Blodwyn Pig, all of whom I was looking forward to seeing). The Friday line-up was : Nutz, Johnny Mars, Hustler, Beckett, Camel, 10c, Fumble, Sensational Alex Harvey Band.
The first night of the festival saw the triumphant headlining return of the Alex Harvey band, who lived up to their name and were truly sensational. SAHB had appeared low down on the bill the previous year; there will have been many in the crowd who saw that performance, and knew how good they were. Johnny Mars and his Sunflower Blues Band gigged a lot in the early 70s; they played traditional blues; I remember seeing them at Sunderland Poly a few times; pretty good too. Fumble were a rock’roll revival band who also gigged a lot. Beckett were local North East heroes, featuring singer Terry Slesser. The SAHB setlist was something like this: Faith Healer; Midnight Moses; Can’t Get Enough; Give My Regards To Sergeant Fury; The Return of Vambo; The Man in the Jar; Money Honey; The Impossible Dream; Schools Out; Framed.
Saturday line-up: Jack the Lad, G T Moore and the Reggae Guitars, Trapeze, Sutherland Brothers, JSD Band, Procol Harum, Thin Lizzy, Long John Baldry, Heavy Metal Kids, Greenslade, Georgie Fame, Traffic.
Two bands stick in my mind from Saturday: Thin Lizzy who were excellent, and about to break through a year or so later, and Traffic. This was the classic Lizzy line-up featuring front-man Phil Lynott, the twin guitars of Scott Gorham and Brian Robertson, and Brian Downey on drums; at the time of the Nightlife album; they were at the top of their game. Traffic were excellent. They had just released their album When the Eagle Flies, and their set at Reading featured a few songs from that album, plus some old classics. The line-up at the time was Steve Winwood (guitar, vocals, keyboards); Chris Wood (flute, sax); Jim Capaldi (drums, vocals); Rosko Gee (bass); Rebop (percussion). Stand-outs were Steve singing John Barleycorn, simple and beautiful with acoustic guitar, and Rebop’s congas and percussion throughout. I found a published setlist for Traffic, which shows they played: Empty Pages; Graveyard People; Who Knows What Tomorrow May Bring; John Barleycorn; 40,000 Headmen; Love; When the Eagle Flies; Walking in the Wind; Dream Gerrard. I also have it in my mind that they performed Feelin’ Alright, but maybe that’s my memory playing tricks again. Also worthy of mention are Procol Harum (great version of Whiter Shade of Pale and a big success during the late afternoon), the late great Long John Baldry (excellent voice and a hero of mine), Heavy Metal Kids (the late Gary Holton as crazy and manic as ever), and Georgie Fame who seemed a bit out of place as part of the Saturday night line-up, but carried on the jazz and R’n’B tradition of the festival and went down pretty well.
Sunday Line-up: Gary Farr, Chilli Willi and the Red Hod Peppers, Esparanto, Strider, Barclay James Harvest, Chapman & Whitney Streetwalkers, Kevin Coyne, George Melly, Winkies, Steve Harley & Cockney Rebel, Harvey Andrews, Focus.
My main memories of the final day are of Steve Harley. Cockney Rebel had split a few months before the festival, and this one of Steve’s first appearances with his new band. They stole the show; appearing just as it was getting dark; the audience was with Steve from the start, and the performance was a triumph. Tumbling Down closed the set with a mass crowd singalong of “Oh dear, look what they’ve done to the blues, blues, blues”. It was clear that Steve was back, as cocky as ever; 1975 would bring him massive success with Make Me Smile.
I also remember watching Kevin Coyne (Marjory Razorblade), George Melly (a return after his success the previous year) and Focus who closed the show, and were also great, but seemed a little of anti-climax after Steve Harley’s performance.
DJs for the weekend were John Peel and Jerry Floyd. Oh and there were lots of cheers of “Wally”, “John Peels a c**t” (not sure how that one started), and a revolt at the prices of food in the arena, which resulted in a fish and chip van being trashed. Crazy, happy days.
1 Feb
Pete Seeger Newcastle City Hall 8th March 1978
Pete Seeger Newcastle City Hall 8th March 1978
Support from Louis Killen and The High Level Ranters
The passing earlier this week of the legendary Pete Seeger makes me cast my mind back to the one occasion I saw the great man in concert; which was at Newcastle City Hall in 1978. It is one of the simplest, yet most powerful performances I have had the pleasure of attending. I went along with a friend, neither of us massive folk fans, but the legend of the man transcends musical boundaries and drew us to the City Hall that night.
Seeger performed alone; seated centre stage on a simple wooden chair for much of the performance, accompanied only by his banjo, and sang all those great songs. He told us stories, sang his own tunes, and covered traditional and contemporary folk songs. There was a purity, authenticity and truth about his performance; Seeger was completely in tune with the audience; we all sang all with him to classics such as “Where Have All the Flowers Gone?”; “If I Had a Hammer”; “Turn! Turn! Turn!”; “Little Boxes”; and “We Shall Overcome”. The title “legend” is often applied to many different artists and musicians, but few actually deserve it; Pete Seeger is one who undoubtedly and absolutely does.
31 Jan
Alan Price, “Kelly”, South Shields Marine & Technical College, 17th July 1977
Alan Price, “Kelly”, South Shields Marine & Technical College, 17th July 1977
This was the first performance of “Kelly”, a musical play co-written by Alan Price and Tom Kelly in 1977. Kelly was based on the story of the Second World War warship HMS Kelly, which was sunk off the coast of Crete in 1941 while captained by The Queen’s cousin, Lord Louis Mountbatten. HMS Kelly was a destroyer of the British Royal Navy. She was built by Hawthorn Leslie and Company at Hebburn on the River Tyne in 1937, launched in 1938 and commissioned in 1939, just before the commencement of the war. She was named after Admiral of the Fleet Sir John Kelly.
The musical Kelly was staged at South Shields Marine & Technical College (now South Tyneside College) and the rehearsals for the show were also filmed for a documentary, which was later shown on BBC TV. The performance featured a group of young local actors, some of whom were to go on to gain fame locally, including Ray Spencer, who is now director of the Customs House in South Shields, and Peter McIntyre, who is one half of the Maxie and Mitch comedy duo.
Tom Kelly also directed the stage show. Tom now writes full-time and works on creative writing projects, most recently ‘Men of the Tyne,’ for the Customs House commemorating those who worked on the river through monologues, songs and film. The Kelly show was part of the local celebrations for the Queen’s Silver Jubilee.
The show was in two parts. The first part was the performance of Kelly, and the second a performance by Alan Price and his band, during which he performed hits such as Simon Smith and the Amazing Dancing Bear, The House that Jack Built and The Jarrow Song. I went with a few mates, and it was an interesting and quite different performance to the rock concerts that we were used to attending at the time, and a very welcome change.
Cast: Narrator: Alan Price; Elsie: Iris Johnson; Bill: Jim Greaves; Jack: Bob Stott; Jimmy: Ray Spencer; Recruiting Officer: Ron Ainley; Kathleen: Elizabeth Ayre.
Music: The Alan Price Band; the South Shields Male Voice Choir; The Vintage Trad Jazz Band; Malcolm and Maxie.
The programme says of Alan Price: 1977; And he’s still working and moving on and moving back to the North East. “Will you do a concert for the Jubilee? No – we’ll do something more; and the “Kelly” is launched”.
30 Jan
James Arthur Newcastle City Hall 29th January 2014
James Arthur Newcastle City Hall 29th January 2014
Support from Titch
This is definitely a guilty pleasure. Laura quite fancied seeing James Arthur; in fact we were all impressed by him, and followed his progress on X Factor. In fact we feel so guilty admitting that we went to see James that Laura didn’t tell her friends that she was going (hope they don’t read this 🙂 ). But James isn’t your stereotypical X Factor contestant; his music, image and attitude draw from indie, grunge, soul, R&B and hip-hop. James is now on the cusp of becoming a regular pop star, selling out concerts up and down the country. He has, of course, had a few blips, said some inappropriate things, is a bit controversial and has been in the press along the way. This was a sort of home-coming show; bringing James back to the North East, although the real home town gigs take place in a couple of days time when he headlines two nights at Middlesbrough Town Hall. The City Hall was packed with James’ fans who are, in the main, young girls, but there were also a sprinkling of older ladies, some mums and dads who had brought their daughters, a few couples and a few male fans too. A young girl in the front row had “I love you James” written across her face in makeup. It was that sort of night. 
The set comprised his debut album in its entirety, and the closing encore was his hit Impossible. James is backed by an impressive band with guitar, bass, keyboards, drums and two excellent lady singers. The songs are very much r’n’b/soul/pop; the only cover was Marvin Gaye’s Lets Get it on. His set was powerful, and relatively short (an hour and a quarter), and the crowd was on its feet and screaming throughout. Lots of ladies underwear was thrown on stage and James must have touched hands with everyone down at the front (the girl with “I love you James” on her face cried). We had seats in the middle of the third row, right in the throng of it. Pretty good fun, musically and as an event. I bet the Middlesbrough gigs are good.
Setlist: You’re Nobody ’til Somebody Loves You; Flying; Emergency; Roses; Smoke Clouds; Suicide; Get Down; Recovery; Let’s Get It On; New Tattoo; Certain Things; Supposed. Encore: Is This Love?; Impossible
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