Rainbow Whitley Bay Ice Rink 8th September 1983
The next time Rainbow visited the North East it was to play in the cold and cavernous Whitley Bay Ice Rink, which was the venue of choice of bigger bands in the 80s, before Newcastle had an arena. This was now Rainbow MK VIIII (!) and the line-up was Ritchie Blackmore (guitar); Roger Glover (bass); Joe Lynn Turner (vocals); David Rosenthal (keyboards); Chuck Burgi (drums). Support came from ex-Runaway Lita Ford.
Whitley Bay Ice Rink was a pretty awful venue for a rock concert. It held a lot of people but standing on top of an ice rink covered in wooden boards is not the best setting for a gig, and it was always soooo cold. 
However Rainbow’s performance made up for it. Ritchie was on excellent form, controlling his guitar and the band with strange almost magical hand gestures. A bootleg recording exists of the show. It was a long set by Rainbow standards, probably around two hours. Very loud and a storming performance. One of the best times that I saw Rainbow live. I think Ritchie’s strat was smashed into pieces, which he threw into the crowd, if I remember correctly. This was the last time I saw Rainbow. The next time I saw Ritchie it was back in Purple at their massive comeback show at Knebworth.
Setlist: Spotlight Kid; Miss Mistreated; I Surrender; Can’t Happen Here; Catch the Rainbow; Drinking with the Devil; Difficult to Cure; Power; Blues; Stargazer; Stranded; Death Alley Driver; Fire Dance; All Night Long; Maybe Next Time; Since You Been Gone; Encore: Long Live Rock ‘n’ Roll
Posts Tagged ‘gig’
20 Mar
Rainbow Newcastle City Hall 23rd July 1981
A year had passed since Ritchie Blackmore and Rainbow last graced the stage of Newcastle City Hall, and things had yet again changed in the band. Graham Bonnet and Cozy Powell both resigned to pursue other projects following a very successful performance at the first Monsters of Rock festival at Donington. The new line-up was Rainbow Mk VII and featured Ritchie Blackmore (guitar), Roger Glover (bass), Don Airey (keyboards), Bobby Rondinellu (drums) and Joe Lynn Turner (vocals). Their UK tour called at the City Hall for two nights, and I attended the first night, on 23rd July 1981. Support came from Rose Tattoo, an Australian hard rock and roll band, fronted by bald-headed and heavily tattooed Angry Anderson, who went on to major solo success with the power ballad “Suddenly”. I remember that there was quite a buzz about Rose Tattoo at the time, so I made a point of watching their set, and pretty good they were too.
By now I was getting used to the ever changing format of Rainbow, and I’d heard the single “I Surrender” which gave the band another big chart success. Joe Lynn Turner was another great front man and vocalist and took the band even further in the direction of classic AOR and even bigger success around the world. This was another amazing performance by Blackmore and the band.
Setlist: Land of Hope and Glory / Over the Rainbow; Spotlight Kid; Love’s No Friend; I Surrender; Man on the Silver Mountain; Catch the Rainbow; Can’t Happen Here; Lost in Hollywood; Long Live Rock ‘n’ Roll. Encore: All Night Long.
19 Mar
Rainbow Newcastle City Hall 19th February 1980
Rainbow Newcastle City Hall 19th February 1980
It was now 1980, and Rainbow’s line-up had changed yet again. Blackmore had his eye on the commercial rock market, and wanted to move Rainbow’s music in the direction of more commercial straight ahead rock, away from their traditional “swords and sorcery” thematic. Ronnie James Dio was having none of this, so he was off, soon to join Black Sabbath. So the band morphed yet again. In came singer Graham Bonnet, last seen fronting The Marbles who hit the UK charts in the late ’60s with a Bee Gees penned pop classic “Only One Woman”. Bonnet has a great solid rock voice, with an amazing vocal range; although at the time I found it difficult to imagine anyone other than Dio singing Rainbow classics like “Man on the Silver Mountain”. But sing them Graham did, and he made a pretty good fist of it too. The line-up of Rainbow Mk V was Ritchie Blackmore (guitar), Cozy Powell (drums), returning old Purple mate Roger Glover (bass), Don Airey (keyboards) and Graham Bonnet (vocals). 
The changing nature of the band didn’t seem to impact upon their popularity. If anything Rainbow were more popular, and once again sold out two nights at the City Hall. I attended the first night’s concert. Support came from NWOBHM band Samson featuring Bruce Dickinson (or Bruce Bruce as he was then). This concert displayed more shades of classic rock than the mystical dark elements on show during the Dio-era. It was a different type of gig, but no less enjoyable, and Blackmore was as on-fire as ever. The new formula had already paid dividends in the form of a massive hit single “Since You Been Gone”, which was followed by the almost as successful “All Night Long”.
Setlist: Eyes of the World; Love’s No Friend; Man on the Silver Mountain; Catch the Rainbow; Lost in Hollywood; Long Live Rock ‘n’ Roll / Kill the King; All Night Long
18 Mar
Rainbow Newcastle City Hall 1st November 1977
Rainbow Newcastle City Hall 1st November 1977
Ritchie Blackmore and Rainbow returned to the City Hall in 1977 to promote their upcoming album “Long Live Rock ‘n’ Roll”. The ever changing line-up had evolved into Rainbow Mk4 and was now Ritchie Blackmore (guitar), Ronnie James Dio (vocals), Bob Daisley (bass), David Stone (keyboards) and Cozy Powell (drums). This time demand to see the band was massively high, resulting in two sold out performances at the City Hall. Support came from Kingfish. Once again, Rainbow put on an amazing show, with guitar pyrotechnics ala Blackmore, soaring vocals from Dio, and an amazing stage and light show. They just don’t make rock bands like this any more.
From the tour programme: “Welcome to one of the most exciting events in rock music today. This is not simply another travelling show. It is a spectacular of lights and music. Rainbow’s $100,000 computerised ‘firework machine’ brings a new dimension to the concert stage…Visually, it is stunning. Musically, it weaves through every emotion. But the emphasis on this tour is excitement. ‘If anyone has come for a nice, quiet night’ smiles Cozy Powell ‘they’d better head for the exit. If we don’t burst your ears, we’ll blind your eyes.’ Long Live Rock & Roll!”
Well said, Cozy.
Setlist: Kill The King; Mistreated; Sixteenth Century Greensleeves; Catch The Rainbow; Long Live Rock ‘n’ Roll; Lazy-Man On The Silver Mountain; Still I’m Sad.
17 Mar
Rainbow Newcastle City Hall 14th September 1976
Rainbow Newcastle City Hall 14th September 1976
In 1975 Ritchie Blackmore was becoming disillusioned with Deep Purple, wanting to move their music in a different direction, drawing from his interest in classical music. He decided to try a few songs out with rock band Elf, fronted by Ronnie Jame Dio; Elf having supported Purple on the 1974 Burn tour. The liaison with Dio worked well and so Blackmore decided to leave Purple to form his new band Rainbow, although he was less than happy with the rest of Elf, and soon changed the rest of the line-up. By the time the band started to tour, and reached the UK; the line-up of Rainbow Mk2 consisted of Ritchie Blackmore (guitar), Ronnie James Dio (vocals), Jimmy Bain (bass), Tony Carey (keyboards) and Cozy Powell (Drums). Their first tour called at Newcastle City Hall on 14th September 1976.
Support came from Stretch, a band that was fronted by Elmer Gantry (of Elmer Gantry’s Velvet Opera and “Flames” fame). Stretch developed from a band put together in 1974 with (according to them) help from Mick Fleetwood, to perform as Fleetwood Mac on a US tour. In the end Fleetwood dropped out (and denied any involvement) and they toured without him, but punters soon realised that the band contained no members of Fleetwood Mac and the tour collapsed. They subsequently had a hit single in 1975 with “Why Did You Do It?”,which was a direct attack on Fleetwood. Stretch were a pretty good rock band, who I saw a couple of times in the mid-70s. 
Rainbow concerts were tremendous events. The stage was surrounded by a massive rainbow which consisted of 3,000 coloured lights. And Blackmore was at the height of his powers in both guitar prowess and showmanship excess. He would climb on top of the stacks up and onto the balcony. I remember one show (I think it may have been this one) where he stood on top of a massive stack bashing his Strat against the side of the balcony, until it (the guitar that is) was totally demolished (I think it also left a few dents in the side of the balcony which had to be repaired afterwards). Of course we all cheered him on. Great stuff. Dio had an unbelievable vocal range, and added lyrics, and an atmosphere, of demons, goblins and mysticism to the proceedings. Their songs were excellent too: “Sixteenth Century Greensleeves”, “Man On The Silver Mountain” and “Stargazer” are classics from the time. Blackmore retained “Mistreated” from his days with Purple. In the early days of Rainbow their concerts consisted of a relatively small number of songs, each one becoming an opportunity for epic jamming, particularly by Blackmore. The guy was amazing and his performance simply breathtaking in those days.
Setlist: Kill The King; Mistreated; Sixteenth Century Greensleeves; Catch The Rainbow; Man On The Silver Mountain; Stargazer; Still I’m Sad; Do You Close Your Eyes.
Note added 20th July 2014. I found the programme below in my collection. I guess it must be an unofficial programme which I bought outside the City Hall show in 1976. 
16 Mar
Reading Festival 26th – 28th August 1977
Reading Festival 26th – 28th August 1977
Reading 1977 was notable for a couple of reasons. First, the line-up finally (and sadly in my view) lost all traces of the festival’s jazz and blues roots. Instead we had lots of classic rock, with a (small) smattering of punk and new wave. Although 1977 was the year of punk, it was another year before the new music finally started to make its mark at Reading. And second, the main feature of the 1977 festival was MUD. Lots of it. Possibly the worst I have ever seen at a festival. It had been raining heavily for weeks before, which resulted in most of the site becoming a quagmire with rivers of mud, and a large mud lake right in front of the stage. Wellies were at a premium and were being sold for incredible prices in the town.
Friday’s line-up: Staa Marx; S.A.L.T; Woody Woodmansey’s U Boat; Kingfish; 5 Hand Reel; Lone Star; Uriah Heep; Eddie and the Hot Rods; Golden Earring.
A strange mix of bands on the first day. Woody Woodmansey’s U Boat (ex Bowie’s Spiders from Mars) closed their set with Suffragette City. A highlight for me was Uriah Heep; now with John Lawton on vocals. Heep were always one of my favourite bands, and still are; I was a little sad to see them third on the line-up; they would have headlined a few years earlier. Lone Star were also good; showing lots of promise at the time, and Eddie and the Hot Rods went down well with the crowd. Golden Earring closed the day with a strong performance (Radar Love!).
Saturday’s line-up: Gloria Mundi; Krazy Kat; No Dice; George Hatcher Band; Ultravox!; Little River Band; John Miles; Aerosmith; Graham Parker and the Rumour; Thin Lizzy.
I remember being impressed by Ultravox!; this was the early version with John Foxx on vocals. Aerosmith seemed a big band to feature third on the bill, drew a large crowd, and were excellent. “Dream On” from those days remains a favourite song of mine. But the stars of the day were Graham Parker (the whole crowd sang along to (Hey Lord) Don’t Ask Me Questions) and of course, headliners Thin Lizzy. Lizzy were massive at the time and played a classic set including: Jailbreak; Dancing in the Moonlight; Still in Love With You; Cowboy Song; The Boys Are Back in Town; Don’t Believe a Word; Emerald and closing with The Rocker as encore. A good way to spend a Saturday night.
Sunday’s line-up: Widowmaker; The Motors; Tiger: The Enid; Blue; Racing Cars; Wayne County and the Electric Chairs; Hawkwind; Doobie Brothers; Frankie Miller; Alex Harvey.
The Enid were a big Reading favourite and Robert Godfrey got the tired crowd going with versions of classics like The Dambusters March. The Motors and Widowmaker got the day off to a good start. Steve Ellis had left Widowmaker by this point and had been replaced by John Butler, and they still featured that crazy showman Ariel Bender. Tiger featured the excellent guitarist Big Jim Sullivan (I used to love watching him play on the Tom Jones show in the ’60s), and Blue had some neat songs (try listening to “Little Jody”) and deserved bigger success. They were fronted my ex-Marmalade Hughie Nicholson. Racing Cars went down well with the crowd; this was the year that they had a massive hit with “They Shoot Horses Don’t They?” Wayne County was greeted by a hail of cans from a tired and twitchy crowd who didn’t take well to his punk songs, including the classic “If you don’t want to F**k me, F**k Off! Hawkwind were OK, as were the Doobies and Frankie Miller, but we were all there to see Alex Harvey. SAHB played the usual set and Alex told his quirky stories: Faith Healer; Midnight Moses; Gang Bang; Last of the Teenage Idols; Giddy-Up-A-Ding-Dong; St. Anthony; Framed; Dance to the Music. Alex hadn’t been well and this was their first gig for a few months. It was good to see them, but it wasn’t one of their best performances, and sadly it was the last time the band would play together. The end of an era.
By Sunday many people had given up and left because of the atrocious conditions. Poor John Peel tried to keep the crowd amused, partly be starting the famous “John Peel’s a C***” chant which continued into the next few years.
One final note. I had been to see The Sex Pistols play at Scarborough Penthouse club the night before the festival, and I was still buzzing with the memories of that gig. It had opened my eyes to the raw energy of punk, and that, coupled with the mud and awful conditions at Reading, meant I didn’t enjoy the weekend as much as usual. And just to make the experience complete, the alternator on my car packed in on the way back up the M1, and the car finally ground to a halt somewhere near Nottingham. After a wait of an hour or so, a kind AA man towed us back to Barnard Castle, where we waited (a few hours) for another AA relay van to pick us up and take us home. We arrived back after midnight on Monday, tired, hungry and very muddy, soggy and scruffy….the joys of festival going. Happy Days 🙂
15 Mar
Uli Roth and Pallas Newcastle City Hall 21st May 1983
Uli Roth and Pallas Newcastle City Hall 21st May 1983
Uli Roth obviously has fond memories of Newcastle City Hall. When I last saw him in concert, at The Office in South Shields a year or so ago, the City Hall was facing possible closure, and Uli told us that we must not let it happen: “get a petition; do something, you can’t let it close, that hall is one of the most beautiful in your country”. Well Uli, we did. The City Hall gained a reprieve, and continues to host rock concerts. From the Newcastle Journal: “Newcastle’s under-threat City Hall has been saved from closure after the city council announced it would not axe 100% of its arts budget…Plans to remove the City Hall from the council’s books were met with strong opposition. Around 11,000 people, both online and on paper, signed a petition against the move, started by the North East Music History group.” Anyway, back to Uli Roth. Uli formed his band Electric Sun after leaving the Scorpions in the late ’70s. 
Uli is a charismatic and flamboyant character who developed his own guitar style. Technically excellent, and a massive influence on many of today’s players, he blends the blues with indian and classical influences, and this; coupled with showmanship and virtuosity, make him a unique guitar player. He is also massively influenced by Jimi Hendrix. This show at Newcastle City Hall was recorded and segments of it appear on the 2006 DVD release Historic Performances. I remember being totally stunned by his playing, and the epic nature of his songs. Support came from the excellent Pallas, who had just released their first single “Paris is Burning”. I picked up a copy of their fanzine “The Sentinel” (pictured here) at the concert. Pallas were one of the few bands flying the prog-rock flag in the early ’80s, when that particular genre had become very unfashionable in the wake of punk, and the New Wave Of British Heavy Metal.
13 Mar
Riff Raff in 1973
Riff Raff in 1973
Now here’s a strange and obscure one for my blog entry day. In looking through my programmes and tickets for a band to write about, I found a programme for a band called Riff Raff. Now I have no recollection at all of where and when I saw Riff Raff, who they were and what sort of music they played. But the fact that I have the programme pictured here suggests that I did indeed see them. Quick googling tells me that Riff Raff were active around 1972 and 1973.
The programme tells me: “Riff Raff brings together four men of varying musical experiences whose sound spans both rock and modern jazz but cannot be pigeonholed in either camp. Their music is their own; they write, arrange and produce themselves, and the result is music of today that succeeds in avoiding the self-indulgence of many of their contemporaries. They named themselves Riff Raff with tongues firmly in cheek, although the name serves to emphasize the individuality of each member of the band. All four musicians have known or known of each other for a couple of years or more: that goes double for bassist Roger Sutton and keyboard man Tommy Eyre, who both ended a two-year run with the Mark-Almond band during the Summer of 1972; guitarist Pete Kirtley is a Geordie last seen as an Alan Price sideman; and percussionist Aureo de Souza hails, as all good percussionists should, from Rio de Janeiro. Riff Raff made a most encouraging if somewhat hasty debut at London’s Conway Hall and in something like half an hour manifested a superb show amalgamating moods with exciting melodies, catchy hooks and lots of free blowing. In fact, they exuded too much music, too much energy for the human mind to comprehend – the only way to dig the music was on a visceral level like you would on a night when the Buddy Miles Band or Santana were really cooking or if Shorter, Vitous and Zawinul suddenly walked into your local jazz cellar and took over.”
Actually I’ve thought a little more about this. I discovered that Riff Raff featured on the bill of the 1973 Reading Festival, so I think that is where I must have seen them. And if I think a little harder something deep in the back of my mind tells me that they were throwing these programmes out to the Reading crowd. The folded up and crumpled nature of it would support that possibility. I can even see some traces of mud 🙂 . I listened to Riff Raff on YouTube this morning; their music was a mix of avant-garde, jazz and prog-rock; they reminded me a little of Soft Machine, with a tinge of the melodic of early Genesis.
13 Mar
The Runaways 1976 and 1977
The Runaways 1976 and 1977
The Runaways were an American all girl rock ‘n’ roll band who came along in the late ’70s. Although they were seen at the time as being part of the punk and new wave movement, and they certainly shared some of the same raw energy and directness, they were actually a pretty straight ahead rock ‘n’ roll band. The Runaways were Joan Jett (lead vocals and guitar), Lita Ford (guitar), Jackie Fox who was replaced by Vickie Blue (bass) and Sandy West (drums). Cherie Currie (vocals) was an early member of the band. I saw the Runaways twice, once at Leeds University Refectory on 9th October 1976 and again at Newcastle City Hall on 10th November 1977. Both great shows. A group of us drove down to Leeds for the first gig, which was one of the first new wave concerts that we all saw. Support came from Old Tennis Shoes. By the 1977 gig, Cherie Currie had departed, and the band became a four piece, but lost none of their raw rock ‘n’ roll power. Support at the City Hall gig was the excellent UK punk band 999, who had great powerpop songs like Emergency and Homicide (also check out their version of Little Red Riding Hood). 
From the programme: “Outdated rock n roll authorities would suggest the day of the all girl group wound up with the end of the sixties – but the raw fact is; its just begun. ..The Runaways are the new phenomenon and they not only spit out tough, raunchy vocals that would slice a man in half, but they write first class songs and handle their instruments with near phallic indecency…the idea of a cute chick sweating on stage beside the big boys is a little hard to swallow, so the idea of four such ladies is four times as hard to swallow…” Joan Jett, Lita Ford and Cherie Currie all went on to have successful solo careers.
Runaways setlist: Wasted, Take It Or Leave It, Blackmail, Queens Of Noise, You’re Too Possessive, Wild Thing, You Drive Me Wild, Rock And Roll, Wait For Me, I Wanna Be Where The Boys Are, I Love Playing With Fire, Schooldays, American Nights. Encores: C’mon, Little Sister.
999 setlist: Pick It Up, Hit Me, Quite Disappointing, My Street Stinks, No Pity, Chicane Destination, Titanic Reaction, Crazy, Nasty Nasty, Emergency, I’m Alive, Nobody Knows. Encores: Nasty Nasty, I’m Alive.
Thanks to Mitch for the setlist and his picture from the concert at Newcastle City Hall.
12 Mar
Queen and Paul Rodgers Newcastle Arena 3rd May 2005
Queen and Paul Rodgers Newcastle Arena 3rd May 2005
Of course, it was never going to be the same. When I heard that Queen were going out on tour again with Paul Rodgers as front man, I could hardly believe it. How was that going to work? What would it be like? However, as an old Queen, Free and Bad Company fan I felt I should go along and support them, and see the new line-up for myself. Marie, David and Laura all came along and we were glad that we did. The way in which the show involved all members with video of Freddie was excellent. And a few Free / Bad Company songs were thrown in for good measure and worked well. You have to give if to them; they managed to pull off what many thought the impossible, to go out with a new front man and make it work. All credit to Paul Rodgers for the way in which he approached this. The show was slick, still relevant and a great tribute to Freddie’s legacy. It will be interesting to see what the new line-up, fronted by Adam Lambert is like.
Setlist: Reaching Out; Tie Your Mother Down; I Want to Break Free; Fat Bottomed Girls; Wishing Well; Crazy Little Thing Called Love; Say It’s Not True; ’39; Love of My Life; Hammer to Fall; I’m in Love with My Car; Last Horizon; These Are the Days of Our Lives; Radio Ga Ga; Can’t Get Enough; A Kind of Magic; I Want It All; Bohemian Rhapsody. Encore: All Right Now; We Will Rock You; We Are the Champions
Line-up: Brian May – lead guitars, vocals; Paul Rodgers – lead vocals, rhythm guitar, piano, harmonica; Roger Taylor – drums, percussions, vocals. Touring musicians: Spike Edney – keyboards, backing vocals; Jamie Moses – rhythm guitars, backing vocals; Danny Miranda – bass, backing vocals
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