The Stranglers Newcastle Mayfair 26th Feb 1981 & Newcastle City Hall 24th Nov 1981
Before I start today’s post; I just remembered that I also saw The Stranglers as one of the support acts for The Who at Wembley Stadium in 1979. Now, looking back, that was some line-up: The Who, The Stranglers, AC/DC and Nils Lofgren. I must write a full account of that gig when I come to covering The Who. Today I’m reflecting on The Stranglers in 1981.
1981 was another busy year for the band, releasing two studio albums, and touring in support of each. Their popularity was, however, starting to wane a little in the UK, and their three single releases of 1981 (“Thrown Away”, “Just Like Nothing on Earth”, “Let Me Introduce You to the Family”) only made the lower regions of the chart. Indeed, I can’t remember any of those singles at all. But as a live concert attraction The Stranglers remained a big draw, attracting punks and rock fans alike to their gigs.
The Stranglers first album release of the year was “The Gospel According to The Meninblack”, a concept album which explores the conspiracy theories around alien visitations to Earth and the sinister Men in Black, who appear in many biblical stories. This was a very different sort of album from their early punkier releases, and quite a brave move. Hugh Cornwell said of the album in a recent interview (SmellsLikePop, 2011) “I was sitting around Jet Black’s house and he was obsessed with UFOs……I thought that we could do a whole album about stuff they were writing in those books [referring to UFO books]…we all started getting into it. Jet didn’t realize that anyone would be interested in this weird stuff.” “The Gospel According to The Meninblack” made No 8 in the UK album chart, and the Stranglers went out on tour to promote the album. I saw their concert at Newcastle Mayfair on 26th February 1981. Phil Coxon attended every night of the early 1981 UK tour and says of the Mayfair gig: “The venue is in the nightclub style, have a look round and decide to treat myself to a Kentucky. Go back to the venue to see Modern Eon. [Aha so thats who the support was]. There’s a bit of hostility towards them tonight, the first time I’ve witnessed any so far. Their roadie quickly makes his way to the culprits and, even though he was outnumbered, he soon shut them up. Another good night from both bands with another lively crowd. The band coming on to Waltzinblack works a treat. Even though they have totally omitted anything from Rattus or Heroes, it’s still a great set and all the crowds seem to approve.” (From lair.thestranglers.net).
But one album wasn’t enough for the men in black in 1981. In November of that year they released “La Folie”, which was yet another change in style. This time the band consciously set out to make a much more accessible, commercial pop album, and worked with producer Tony Visconti, who helped them to achieve it. “La Folie” is French for “Madness”, and the theme of each song was “The Madness of Love”. The album contained the song “Golden Brown” which was released as a single in January 1982, reaching No. 2 in the UK chart. “Golden Brown” took the bands career in a different direction, and returned them to commercial success.
The Stranglers toured again in late 1981 and early 1982 in support of “La Folie”. The tour saw them returning to the City hall for the first time in four years to play a concert on 24th November 1981, which I attended. Live the Stranglers continued to put on great concerts, although I must admit I wasn’t familiar with the new songs, and missed some of the early classics like “London Lady”, “Grip” and “Hanging Around”.
Setlist from Newcastle City Hall 24th November 1981: Non Stop; Threatened; Just Like Nothing on Earth; Second Coming; The Man They Love to Hate; MeninBlack; Who Wants the World?; Baroque Bordello; Golden Brown; Tramp;Thrown Away; Tank; I Feel Like a Wog; Let Me Introduce You to the Family; Nuclear Device (The Wizard of Aus); Genetix. Encore: Bring on the Nubiles; Duchess; The Raven
Posts Tagged ‘gig’
11 Jun
The Stranglers Newcastle Mayfair 26th Feb 1981 & Newcastle City Hall 24th Nov 1981
10 Jun
The Stranglers Sunderland Mayfair 17 July 1980
The Stranglers Sunderland Mayfair 17 July 1980
The Stranglers were persona non grata in Newcastle after a riotous gig at the City Hall in 1977. It was almost three years before they appeared in the North East again, this time at Sunderland Mayfair (aka The Mecca or, previously, the Locarno). A lot had changed in the intervening years. By 1980 The Stranglers had released four albums, the latest being “The Raven”, and had 10 singles in the UK singles charts, including top twenty hits with “Something Better Change”, “No More Heroes”, “5 Minutes”, “Nice ‘n’ Sleazy”, and “Duchess”. Disaster also struck for the band in 1980 when Cornwell was arrested and convicted for drug use and sent to prison for three months in Pentonville.
This tour was to promote “The Raven”. I remember the Sunderland show as a good gig, but also being a little disappointed that many of the early songs had been dropped in favour of more recent tunes. A young Baz Warne was apparently in the audience that night. He would, of course, join the band some 20 years later. The programme from the show folds out to make a large poster of the band.
Based on setlists from that period the concert is likely to have gone something like this: Shah Shah A Go Go, Ice, Four Horsemen, Toiler On The Sea, Duchess, Thrown Away, Hanging Around, Hallow To Our Men, Waiting For The Meninblack, Down In The Sewer, Who Wants The World, Princess Of The Street, Just Like Nothing on Earth, Tank, Nuclear Device, Genetix, Baroque Bordello, The Raven
“Duch of the terrace never grew up
I hope she never will
Says she’s an heiress sits in her terrace
Says she’s got time to kill
Time to kill
And the Rodneys are queuing up
God forbid
And they all want to win the cup
God forbid” (Duchess, The Stranglers, 1979)
9 Jun
The Stranglers Newcastle City Hall 12th October 1977
The Stranglers Newcastle City Hall 12th October 1977
I have already written about the first couple of times I saw the Stranglers in concert which was at gigs in early 1977 at Newcastle Poly and the City Hall. Well it wasn’t long before they were again, once more headlining at Newcastle City Hall. I think that support on this occasion came from local punk heroes Penetration (or maybe that was the City Hall gig earlier in the year); it is all, I am afraid, a bit of a blur…. I saw the Stranglers quite a few times over the next 7 or 8 years and I’ll blog a little about those gigs over the next few days. The Stranglers live was always guaranteed to be wild, with the crowd going absolutely mental, goaded on by Hugh Cornwell and Jean-Jacques Burnel. By late ![_DSC3097 [LR]](https://myvintagerock.com/wp-content/uploads/2014/06/dsc3097-lr.jpg?w=159&h=241)
1977 the Stranglers had just released their second album “No More Heroes” and were massively successful with punks and rock fans. These were one band which seemed to be able to bridge the two camps, and thus drew massive crowds to their concerts. They were in the UK singles charts 4 times in 1977, first with “Grip”/”London Lady”, which was a minor hit early in the year reaching No 44, then with “Peaches”/”Go Buddy Go”, which made No 8, “Something Better Change”/”Straighten Out” which reached No 9, and their final hit of 1977 “No More Heroes” which got to No 8.
The October 1977 concert was a pretty wild gig with some trouble as I recall, Hugh and Jean-Jacques arguing with the bouncers (I think Jean-Jacques may have tried to kick one of them at one point), and Hugh encouraging the crowd to push their way past the bouncers and climb up on stage. By the end of the gig the stage was completely full of pogoing fans surrounding the band. All of this resulted in the Stranglers not being welcome in the City Hall for some time. Indeed the next few Stranglers tours missed out the North East completely, and it was 1980 before they returned to the region for a gig at Sunderland Mayfair, which I will write about tomorrow. I believe one of the band (either Jet Black or Jean-Jacques Burnel, depending upon which report you read) was arrested after the 1977 Newcastle gig. But then the band were used to ![_DSC3130b [CROP][LR]](https://myvintagerock.com/wp-content/uploads/2014/06/dsc3130b-croplr.jpg?w=220&h=297)
controversy at the time, not least because of their very non-PC songs and lyrics and their attitude towards the press. I would always buy a copy of “Strangled” magazine at each gig, as these were often on sale in place of a programme. This was a regular fanzine type mag; one of my early copies is pictured here. Based on setlists at the time the Stranglers set will have been something like this: No More Heroes; Ugly; Bring on the Nubiles; Dead Ringer; Sometimes; Dagenham Dave; Goodbye Toulouse; Hanging Around; Five Minutes; Bitching; Burning Up Time; I Feel Like a Wog; Straighten Out; Something Better Change. Encore: London Lady; Peaches; (Get A) Grip (On Yourself); Go Buddy Go
Updated 13th of June 2020. Pictures of Hugh Cornwall of the Stranglers and Pauline and Rob of Penetration added. Many thanks to Mark for providing the pictures of the gig!
8 Jun
Pulp: Life, Death and Supermarkets (with live Q and A from Sheffield City Hall) Tyneside Cinema 6th June 2014
Pulp: Life, Death and Supermarkets (with live Q and A from Sheffield City Hall) Tyneside Cinema 6th June 2014
Things weren’t looking too good for Pulp back in 1988. After a disastrous farewell show, they packed their bags and relocated to London from Sheffield. Some 25 years and 10 million album sales later, the band returned home for an emotional farewell show. Rather than making a conventional concert movie, award-winning film-maker Florian Habicht uses this momentous occasion as his backdrop for a more intimate documentary. Setting up a series of artfully arranged tableaux, he presents a fascinating exploration of the close and enduring relationship between Pulp and the “common people” of Sheffield. At this charming and insightful film’s centre is the band’s charismatic, endlessly quotable lyricist and frontman Jarvis Cocker. (From the publicity for the film).
Starring Jarvis Cocker, Mark Webber, Candida Doyle, Nick Banks, Steve Mackey and the people of Sheffield. Directed by Florian Habicht.
‘Florian Habicht’s concert movie follows Jarvis Cocker and his bandmates as they prepare to mark their 25th anniversary as Britpop royalty with a concert in their native Sheffield. Songs will be sung, stories will be told, and pies will be eaten, because the only way to fully understand Pulp is to hang out in the town that birthed the band. “Sing along with the common people” isn’t just a lyric – it’s a mission statement.’ (NowToronto.com). “Fittingly, Florian Habicht’s affectionate documentary tells the story of the band from the streets of Sheffield with the help of friends, family and fans, aged and youthful alike (one wears a T-shirt proclaiming: “I am a common person so **** you”), all of whom have their own stories to tell.” (The Guardian)
The UK release was last night, 6th June 2014, and the Sheffield premiere, with the band, local stars and filmmakers in attendance was broadcast live to 90 cinemas across the UK from Sheffield City Hall. Laura and I went to the screening at the Tyneside Cinema.
The event started with a live feed from outside Sheffield City Hall, a choir of Yorkshire ladies singing “Common People” on the steps of the Hall, and the audience mingling and making their way to their seats. Soon we see Jarvis and the rest of Pulp arrive. The screen at Sheffield lists the towns and cities to which the film is being beamed out, each one followed by a little Jarvis joke, some rhyming…”Doncaster….Clap faster….Tyneside….You shall have a fishy….” (lots of cheers from our home crowd). The film is introduced by Director Florian who brings Liberty, a young Sheffield girl who features in the movie as one of the “stars” from the people of Sheffield, up on stage to say a few words.
The film itself centres around the farewell 2012 Pulp gig at Sheffield Arena, the day of the gig and, most of all, the people of Sheffield. There are clips from the concert, but not many in comparison with other concert films. Most of the time we are taken around Sheffield, meeting the people and talking about their personal connections with Pulp. A group of older people sing a lovely rendition of “Help The Aged”. Jarvis, and each band member, talk a little about themselves, their connection with Sheffield and the importance of holding their last gig there for the people they grew up with. A paperseller outside the market tells us why he likes Pulp. Liberty listens to “Disco 2000″in her garden.
This works well, and paints a picture of a band returning to, reflecting on, and respecting their roots.
After the film, Paul Morley hosted a live Q & A session with the band, and Florian, talking largely about the movie, the concept behind it, and how it came about. At one point, Javis asks everyone in the audience who features in the movie, to stand up. Almost half the crowd in the City Hall do so.
7 Jun
An Evening with Nancy Sinatra The Sage Gateshead 14th April 2005
Nancy Sinatra Sage Gateshead 14th April 2005
I move from writing about one lady with a Morrissey connection (Sandie Shaw) to another. In 2004, Nancy Sinatra recorded Morrissey’s “Let Me Kiss You” accompanied by the man himself on backing vocals. She also came to the UK for a tour shortly afterwards, and Marie and I went to see her at The Sage Gateshead. Support was Richard Hawley, who also came on stage during Nancy’s set and dueted with her: “working with Nancy came about because Jarvis was asked to write some songs for her…..he called me and wondered if I would like to come along to co-produce and play on them…..she asked me to support her on her European tour as a solo artist which I enjoyed immensely. She also asked me to get up with her band and duet with her every night, which is a memory I will cherish for all my time” (Richard Hawley, from his website).
I have several of Nancy Sinatra’s albums from the 60s; the albums “Boots”, “Movin’ with Nancy” and her lp with Lee Hazlewood, “Nancy and Lee” are all just great. “These Boots are made for Walkin'” is a classic pop song and “Summer Wine” and “Some Velvet Morning” are beautiful, dark, strange songs. So I was quite excited about seeing her. Well the lady didn’t let me down; she was pure class and sang many of those classics: “Boots”, her excellent version of “Bang Bang” which is so much better than Cher’s version with that spooky reverb guitar, “You Only Live Twice”, Morrissey’s “Let Me Kiss You”, a great and emotional duet with a video of her dad on “Somethin’ Stupid” and The Beatles “Run for your Live” which she covers on one of her 60s albums (I think it is on “Boots”). At one point she walked up and down the aisles throwing out Nancy key rings, each one in the shape of a big puckered pair of pink lips (I managed to catch one 🙂 see the images). Just great, and for me a dream come true. I think she also sang “Sugartown”, another great track. I guess this is another guilty pleasure, but actually I think the lady is one of the true greats, and don’t care.
Here is the setlist from the London show of the same tour; I would guess the set at Newcastle will have been similar to this, although not exactly the same, as I am sure she sang “Run For Your Life” at the Newcastle concert: Bang Bang; Your Groovy Self; How Does That Grab You, Darlin’?; Barricades And Brickwalls; Baby Please Don’t Go; Let Me Kiss You; Easy Evil; Drummer Man; 99 Miles From L.A.; Sixty Minute Man; Flowers; Two Shots Of Happy, One Shot Of Sad; 
Somethin’ Stupid; Tony Rome; Baby’s Comin’ Back to Me; Lightning’s Girl; Sugar Town; These Boots Are Made For Walkin’. Encores: You Only Live Twice; Don’t Let Him Waste Your Time; Friday’s Child; So Long Babe; Besamè Mucho; 100 Years.
I’ll leave the last words on Nancy Sinatra to Richard Hawley (again, from his website): “must admit I was nervous, but soon found out I had no reason to be as Nancy is one of the most lovely and genuine people I’ve ever had the pleasure to work with. She is a massive talent and still has a great, unique voice.”
6 Jun
Sandie Shaw Newcastle University 20th June 1986
Sandie Shaw Newcastle University 20th June 1986
I grew up listening to Sandie Shaw. “Alway Something There To Remind Me”, “Girl Don’t Come”, “Long Live Love”, “I’ll Stop At Nothing”: all classic pop songs. I even admit that as a 10 year old I watched her win the Eurovision Song Contest with “Puppet On A String”. But I thought I’d never get the chance to see her live. However, come the mid 80s Sandie Shaw was back in the public eye, and back in the charts, thanks to The Smiths and her cover of “Hand in Glove”. She went out on tour and I was lucky enough to catch her when she played Newcastle University in 1986. Backing Sandie were members of the JoBoxers (remember “Boxer Beat”?). What can I say. She looked great. I think she wore a leather cap and leather hot pants. Wow. She sang some of the old hits, along with some of her mid 80s material including “Hand in Glove” and her ode to Morrissey “Steven (You Don’t Eat Meat)” 🙂 Her voice was great. We were right down the front straight in front of her.
A dream come true. Support came from Scottish rock/soul/funk band Love and Money, and local heroes Martin Stephenson and the Daintees.
This setlist is from Sandie Shaw’s gig at Manchester Hacienda a few days later; I would guess her set at Newcastle will have been similar to this: Hand in Glove; Always Something There to Remind Me; I Don’t Owe You Anything; Long Live Love; Message Understood; Steven (You Don’t Eat Meat); I’ll Stop at Nothing; Go Johnny Go!; Anyone Who Had a Heart; Frederick; A Girl Called Johnny; Girl Don’t Come; Are You Ready to Be Heartbroken. Encore: Jeane; Hand in Glove.
My favourite Sandie Shaw song is “Tomorrow”. Not sure if she is a guilty pleasure. I would argue not.
5 Jun
The Skids Durham University 9th October 1980
The Skids Durham University 9th October 1980
I saw the Skids for my fourth, and last, time at a gig at Durham University Dunelm Ballroom on 9th October 1980. The fold out poster-programme shows the band as Scottish gents in their cricket gear; punks no more. They had just released their third album “The Absolute Game” and the line-up was now Richard Jobson on vocals, Stuart Adamson on guitars/vocals, Russell Webb on bass, and Mike Baillie on drums. The album saw The Skid move to a softer, poppier sound. “Bubblegum’s back and it sounds wonderful. In contemporary terms the Skids are to The Clash and the post-modernists what Sweet were to Slade and Bowie: opportunistic enthusiasts with a starry-eye on the charts and an ear for crazy combinations….At its best, The Absolute Game comes close to being great pop music” (Chris Bohn reviewing “The Absolute Game”, NME, 20th September 1980). Things were not good in the Skids camp; internal disagreements had led to further changes in personnel. 
Soon after the 1980 tour Adamson and Baillie left the band, and it imploded. To be honest I remember little of the Durham gig, that probably means it didn’t have the power, passion or craziness of the previous times I saw the Skids. I’ll remember those nights at the Rock Garden and the City Hall, when these guys were at the top of their game, and one of the best punk / new wave bands around. “Towards the fag end of 1978, some time after cool critics had officially nailed down the coffin lid on punk, the Skids came along and cocked up the post mortem by crafting some of the finest music ever to come out of the great rock ‘n’ roll rejuventation….The sound they developed over three excellent albums was a majestic and highly individual blend of Big Chant pop and joyous punk energy built on Stuart Adamson’s sparklingly innovative guitar-play and embellished by Jobson’s challenging and only occasionally impenetratable lyrics. They had power, glory and unashamed feeling and made it all as singalongable as a video tape of Rogers and Hammerstein highlights.” (Garry Bushell, reviewing the Skids accomplishments in Sounds, 3rd July 1982)
4 Jun
The Skids Middlesbrough Rock Garden and Newcastle City Hall 1979
The Skids Middlesbrough Rock Garden and Newcastle City Hall 1979
The Skids were an amazing live act, much better in my view, than the late Stuart Adamson’s later and much more successful band, Big Country. The Skids had all the uplifting guitar anthems of Adamson, with some tinges of Scottish folk, coupled with the power of punk and the charismatic front man and vocalist Richard Jobson. The rest of the line-up of the original Skids was William Simpson on bass and Thomas Kellichan on drums. I first saw them on 24th March 1979 at a crazy, wild gig at Middlesbrough Rock Garden.
The Skids were high in the charts at the time with the anthemic “Into the Valley” and were incredibly popular, much too popular for the tiny Rock Garden. I figured I needed to buy tickets for this gig, something I didn’t usually do, so drove down to Middlesbrough and got a couple for me and my mate Dave. We drove down for the gig, stopping off for a drink in a pub near Billingham, where we ran into some mates. The conversation went something like this: Me: “Funny seeing you down here. Where you going?” Friends: “We were going to see the Skids at the Rock Garden in Middlesbrough, but its sold out and we were turned away, so we are on our way back home”. Me: “Yes we are going, but we have tickets”. Friends: ” I doubt you will get in, even with tickets. It is rammed packed and they physically can’t get any more people in there. There are fights at the door and the police have arrived and are turning everyone away”. Me: “Wow. Lets drink up and get down there”. Which we did. Our mates were correct. There was pandemonium at the door, and the bouncers first reaction was to say “No chance, not even with tickets”. However after a bit of persuasion they allowed us to push our way in. We could hardly get into the venue, it was completely crammed so that no-one could move. 
They kept the doors at the front, and the fire doors at the back, open to let some air in; it was so hot in there. The open doors were also useful so that the bouncers could throw people out, when fights broke out, and there were lots of those. This was one of those nights where I feared for my life; it was so full, so edgy, pretty dangerous. I think the support was local Borough punk band No Way. Anyway, the Skids came on and the place went totally wild, crazy, punks pogoing, beer everywhere, glasses being thrown about, fights down front. A room full of punks singing along to “Into the Valley” and “The Saints are Coming”. Incredible. I wish I could have bottled nights like that. From then on, we were Skids fans and saw them a couple of more times in the brief career.
The next time was, according to my ticket, at a concert on 12 June 1979 at Newcastle City Hall. However, the Skids gigography lists no such gig, but does list a Skids gig at the City Hall on 29 October 1979. And my programme also lists the gig as being on 29 October 1979. Another mystery for my fading memory. Was the gig perhaps rescheduled? Did they play in both June and October? And if so, where is my ticket for the October gig? Who knows. I have stopped thinking too much about such puzzles; it drives me crazy if I do. My ticket shows local art-rock band Punishment of Luxury as support along with a band called The Edge. I don’t know who The Edge were, but looking at the Skids gig list they supported them a lot of times. By the time of this gig Alistair Moore was on keyboards and Rusty Egan (ex-Rich Kids) had joined on drums. What I do remember was another packed wild, uplifting gig.
I saw the Skids once more and will blog on that gig tomorrow.
Update. Thanks to Mitch for solving my puzzle. The Skids did indeed play Newcastle in June and October 1979. I must have been at both gigs. Mitch has provided the set lists below:
The Skids set list at Newcastle June 1979: The Saints Are Coming, Six Times, Out Of Town, Scale, Scared To Dance, Charles, Melancholy Soldiers, Integral Plot, All The Young Dudes, Of One Skin, Sweet Suburbia, Masquerade, Night And Day, Into The Valley. Encores: Reasons, Masquerade, TV Stars, Of One Skin, Into The Valley.
October 1979 set: Animation, Out Of Town, Melancholy Soldiers, Working For The Yankee Dollar, Dulce Et Decorum Est, Masquerade, The Olympian, Pros And Cons, Scared To Dance, The Saints Are Coming, Thanatos, Home Of The Saved, Charade, Into The Valley. Encores: Charles, Of One Skin, All The Young Dudes, Masquerade.
And how could I forget TV Stars which was the B side of Into the Valley and one of the highlights of their shows at the time, and often the start of great singalongs in the Rock Garden.
“Ena Sharples
David Hunter
Meg Mortimer
Stanley Ogden
ALBERT TATLOCK
ALBERT TATLOCK” (TV Stars, The Skids, 1979)
3 Jun
Status Quo Dublin & Newcastle in 2006, Harrogate in 2007
Well you will be pleased to know that I have finally come to the end of my ramblings on Status Quo. My writings over the past week sort of mirror my relationship with Quo. I started quite enthused about the band, recalling just how amazing a live act they were in the early 70s. Working through those early 70s festival gigs and the 70s tours brought back great memories of an age which is long gone. An age when denim and simple rock and boogie were fun, and it didn’t matter if it was cool or not. When Status Quo were a serious player, and quite simply on a good night, the greatest rock’n’roll band on the planet (OK I know, I will have said the same about Zeppelin, The Who, The Stones, Slade and one or two others…but when I was in the City Hall, and they were playing Backwater or 4500 times, I did believe that they were the best band in the land, just as I believed it about Zeppelin when they played Communication Breakdown or Dazed and Confused…oh well, you know what I mean 🙂 ). Then there was the break-up in 1984, the comeback in 1986, my loss of faith in the band during the 90s, and then a renewed energy in Quo, and my renewed interest, with the release of Heavy Trafficin the early 2000s. Well my renewed interest stayed for a few more years until perhaps 2009, or 2010. But I am afraid I have to report that the sets and the tour became too similar, and I started to lose faith again. I saw Quo at Dublin in The Point on 25th October 2006. 
I was over for work and Quo were playing (result! 🙂 ). They were also doing a book signing at a large department store in O’Connell Street the day before the concert, so I went along, bought a book and got it signed and met Francis and Rick!! Then I was back to see them again at Newcastle City Hall on 2nd December 2006. The following year I saw them at Harrogate International Centre on 25th November 2007, as I couldn’t make the Newcastle gig (I think I was away in London that day). Great gigs, but as I say, a few years later I started to tire of it again a little. However the recent reunion tour renewed my faith again, and I missed last years Winter tour to have a rest for Quoing. However, I will go along and see them on the Winter 2014, and am looking forward to it, after writing these blog entries, and after not seeing them for almost 18 months (wow).
That takes me to my 33rd Quo experience. I’ve seen the band 6 times since these gigs, taking my total to 39 shows; I blogged on those gigs at the time. So that concludes my Quo blogging marathon 🙂 The next instalment will be in December when I go to see the guys play at Newcastle Arena on their Winter tour (which will be my 40th Quo gig….now can I get to 50?)
2 Jun
Graham Parker and the Rumour Newcastle Academy 1st June 2014
Graham Parker and the Rumour Newcastle Academy 1st June 2014
A few weeks ago I was writing about my memories of seeing Graham Parker in the 70s. At the time I wrote” “there was no better band than Graham Parker and the Rumour in the late 70s. They exploded out of pub rock and were part of the scene, and sound, which influenced punk and new wave. Graham Parker was the coolest guy on the planet and rocked and sang white soul and R&B like no-one else (OK maybe that’s a little unfair on Van Morrisson who was clearly a strong influence on Graham). The Rumour came with all the right pub-rock credentials featuring the legnedary Brinsley Schwarz (lead guitar) and Bob Andrews (keyboards) (both ex Brinsley Schwarz), Martin Belmont (rhythm guitar, ex Ducks Deluxe) and Andrew Bodnar (bass) and Steve Goulding (drums).”
At the time I didn’t know that I would be seeing them again, for the first time in 30-odd years. In 2011, Parker called up his old Rumour band mates and asked them to work with him again; they produced a new album that was their first together in over 30 years, and went out to play some shows. Last night they made their way back to Newcastle. Graham Parker explained how, outside the venue, a guy caught him and showed him a ticket for their concert at the City Hall in 1979, which he had signed at the time. He asked Graham to sign it again; which he duly did. He recalled those nights at the City Hall and other venues (the Poly as I recall) to cheers from the crowd, most of whom were surely at those gigs themselves. 
Of the reunion Parker says: “This has not been about touring for touring’s sake, or about making money….but we felt we had to get out there for a short while at least and be a part of the “This Is 40″ entourage….and bash some instruments around for the heck of it.” The tour has been having rave reviews; for example: “There was no need for any concerns over the 35-year gap. GP and the Rumour resolutely remain one of rock’s great live acts and the intervening years have done nothing to diminish their enduring powers. ” (the Birmingham Mail)
Well he didn’t let us down. Parker is still the same cool, cocky, energetic guy that he always was. From the moment they opened with Fool’s Gold, you just knew it was going to be good. The Rumour are still the tightest, hottest, rock, soul and reggae band on the planet (skanky beats, as Parker called them) and Parker is as animated and soulful as ever. Great stuff.
The setlist was something like this; I may have missed some: Fool’s Gold; Hotel Chambermaid; Snake Oil Capital of the World; Coathangers; No Holding Back; Howlin’ Wind; New Song; Live in Shadows; Lady Doctor; Love Gets You Twisted; Stick to Me; Watch the Moon Come Down; Get Started, Start a Fire; Discovering Japan; Nobody Hurts You; Pourin” it all out; Local Girls. Encore: You Can’t Be Too Strong; Don’t Ask Me Questions. Encore 2: Soul Shoes
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