Lady Gaga Newcastle Arena 22nd Nov 2014
Laura and her friend Christina accompanied me to the ArtPop Ball, when Gaga’s ArtRave tour called at Newcastle Arena last night. I am finding it difficult to write about this show, there was so much going on all the time, with a crazy stage set, many dancers, and loads of costume changes. I also can’t make my mind up whether it was one of the best shows I have ever seen, or one of the worst; truth being it contained elements of both.
We arrived while support, and Gaga friend, Lady Starlight was finishing her set, which seemed to consisted of a constant monotone dance beat. She soon left the stage and a series of videos of our Gaga hero were greeted by massive cheers from the crowd. The stage set consisted of bright white dome-like structures on the main stage which housed the band, and formed an entrance to the show. From the stage a series of translucent walkways extended out into the main floor area of the arena. The fans on the floor could walk underneath and between the walkways and could still see the show through them. There was another smaller stage-cum-walkway at the other end of the floor area. A massive piano, looking something like a futuristic version of the organ from The Phantom, was perched on a corner of the set up.
The show itself was a mix of Lady Gaga’s hits and tracks from the new album. Lots of loud dance, anthemic singalongs and a few acoustic-type songs which featured Gaga largely solo on the piano. The latter were, for me, some of the best moments. Lady Gaga had a number of costumes changes into a series of bizarre get-ups including a strange tentacle dress, a golden leotard with wings, some very revealing next-to-nothing outfits and a crazy rave girl complete with big rara skirt and luminous dreadlocks. At one point she is changed by her stylists on stage, dressing down to nothing at all, with her back to the audience. There were also quite a few Gaga speeches / sermons where she told us hoiw she is “the most authentic artist”, talked about her support for the LGBT community, and related some stories of her life. Her personal connection to the fans is clear and strong. She talks directly to them, a lot, more so than any other artist. The music is pretty powerful stuff at times. Some of the images are simplistic and obvious, but I guess that it part of the point, the attraction, the charm and the power of the concept. Is it “authentic performance art”? Who knows, and who is to decide? The audience certainly liked it and cheered in unison when Gaga declared them the “most f***ing authentic fanbase in the world” (if you keep saying you are authentic does it make you authentic?). But I am perhaps being a little harsh here. At the end of the day this is a challenging, entertaining, sometimes moving, sometimes a little shocking, show which takes every rock and pop (and art) concept you have ever seen (Bowie, Madonna, Queen, Liza Minnelli, punk, disco, dance, rave, Bette Midler, Black Sabbath, Blondie, Cyndi Lauper, Andy Warhol – you can see them all in there), mashes them up, twists them and throws them back out at you in some super bright, often trashy, never boring but always entertaining, postmodern pastiche. You just have to admire the lady.
ACT I: Welcome to the artRave: ArtPop; G.U.Y.; Donatella
ACT II: Planet Venus; Venus; MANiCURE
ACT III: Memories; Just Dance; Poker Face / Telephone
ACT IV: Partynauseous; Paparazzi; Do What U Want; Dope; Yoü And I; Born This Way
ACT V: Jewels N’ Drugs; The Edge of Glory (snippet); Sexxx Dreams; Mary Jane Holland; Alejandro; Bang Bang (My Baby Shot Me Down)
ACT VI: Ratchet; Bad Romance; Applause; Swine
Encore: Gypsy
Posts Tagged ‘gig’
23 Nov
Lady Gaga Newcastle Arena 22nd Nov 2014
22 Nov
U2 Newcastle City Hall 1st March 1983
U2 Newcastle City Hall 1st March 1983
Support Act: The Nightcaps
In between seeing U2 at the Mayfair and this gig at the City Hall, I also saw them back at Gateshead Stadium, supporting the Police in 1982. I’ve written separately on that concert, when I covered the Police. It was another great concert and another triumph for U2. However it was The War album and that tour really sealed it for U2. They were now a major band. The City Hall concert sold out very quickly and a second night was added, three weeks later. You could feel the power in this band, and you also knew that the next time we saw them it would probably be in a big arena or stadium. This tour was the first and last time the band played the City Hall. It was an amazing show and we were right down the front. Bono, the rest of the band and the audience were all on fire that night. Bono ran around the stage waving a white flag during excellent new song ‘Sunday Bloody Sunday’ and climbed up onto the balcony during ‘I will Follow’.
Setlist: Gloria; I Threw A Brick Through A Window; A Day Without Me; Seconds; New Year’s Day; Sunday Bloody Sunday; The Cry; The Electric Co./Send In The Clowns; I Fall Down; October; Tomorrow; Twilight; Out Of Control
Encore: Party Girl; A Celebration; 11 O’clock Tick Tock; I Will Follow; 40
The next time I saw U2 was in Wembley Stadium at Live Aid, where they played a short two song set (Sunday Bloody Sunday and Bad) and were one of the highlights of the day. Bono famously pulled a girl from the crowd up onto the stage that day. Bono: “I don’t like the distance between stage and crowd. I don’t like the distance between performer and audience. So I’m looking for a symbol of the day, something I can hold onto. Melanie Hills: “Bono looked at the audience and suddenly looked towards me…I was looking around: me? me? And they were saying, yeah, you, you, get up there. Oh my God. And so the security men grabbed me….” A magic moment that truly cemented U2’s position as a major rock force.
After Live Aid, the next time I saw U2 was at a big stadium in Scotland.
21 Nov
U2 Newcastle Mayfair 9th October 1981
U2 Newcastle Mayfair 9th October 1981
Support from the Comsat Angels.
This gig came a couple of months after we had seen U2 deliver an incendiary performance at the Rock on the Tyne festival at Gateshead Stadium, where Bono clambered up the lighting towers, played the part of the rock star and generally got everyone onside. The Mayfair was packed to the rafters. Everyone wanted to see this new band. U2 had just released their second album “October” and the excellent single “Gloria”. There was something very different about U2; something that it was difficult to get a handle on, or describe in the same terms as any other band of the period. To put it in some sort of context, U2 were coming up alongside The Teardrop Explodes and The Bunnymen; both excellent bands. But there was something almost intangible about U2 that seemed to set them apart. Their music came through new wave, but its roots lay deeply and squarely in the 60s, beat, The Beatles, Stones, soul, religion, spirituality and, of course, Van Morrison. Jim Green, writing in Trouser Press, in March 1982: “People haven’t asked U2 if they’re the future of rock. They’ve told them.” What I remember of this gig was a joyous, crazy night with Bono singing his heart out for us, and those great, powerful early songs: “Gloria”, “I Will Follow”, “Fire” and “11 O’Clock Tick Tock”. The U2 who played those club gigs was a raw, hungry, stunning act who were a million miles away from the stadium rock band that they would very soon become. A different time, a different band, a different place. It seems so far away now. But on the night, in the heat and sweat and volume and crush of the Mayfair U2 were shiny and young and Newark intense. And Bono ran around that stage and sang and sang for all of us. I know I have written this before about other bands, but on that night, in the Mayfair, as we all watched U2; they were simply the best band on the planet.
Setlist: Gloria; Another Time, Another Place; Rejoice; An Cat Dubh; Into The Heart; I Threw A Brick Through A Window; The Cry; The Electric Co.; I Fall Down; October; Stories For Boys; I Will Follow; Twilight; Out Of Control; Fire; 11 O’Clock Tick Tock
20 Nov
Rock on the Tyne Gateshead Stadium 29th/30th August 1981
Rock on the Tyne Gateshead Stadium 29th/30th August 1981
In 1981 the north east for its own rock festival in the shape of Rock on the Tyne, a two day event which took place at Gateshead Stadium over the August bank holiday weekend. So we decided to forego our usual annual trek to Reading and sample the delights of this new event. That seemed a big choice, and a bit of a dilemma for me at the time, as I had been going to Reading for 9 consecutive years. As it happened, having made the break from going to Reading I never returned, which in hindsight was a mistake….
The line-up for Rock on the Tyne was (according to my tickets) as below.
Saturday. Huang Chung, Doll by Doll, The Polecats, Pauline Murray, U2, Ian Dury & the Blockheads, Elvis Costello. [note the programme doesn’t list Pauline Murray, and does list Beckett. I can’t remember seeing Pauline play, and suspect the programme may be correct.]
Sunday. Fist, Diamond Head, Trimmer & Jenkins, Dr Feelgood, Ginger Baker’s Nutters, Lindisfarne, Rory Gallagher.
One of my main reasons for attending was to see up and coming new wave Irish band U2; this was their first appearance in the north east. I remember getting to the festival just in time to see their set late on Saturday afternoon. U2 were amazing at this point in their career. Bono was passionate, full of energy and you could just feel how hungry he and the rest of the band were for the massive success which was soon to follow. Stand-out songs were 11 O’Clock Tick Tock; I Will Follow (which they performed twice, once during the main set and again as part of the encore) and Fire. I remember Bono climbing up the lighting rig during (I think) Fire. Or perhaps that was the following year when they supported the Police at the same venue, or maybe it was on both occasions (actually I think it was both times ?) The memories are fading now, but what I do remember is that U2 were the highlight of the festival, and they were the band that everyone was talking about.
My other memory of the weekend was Rory Gallagher. Rory was never less than excellent, and this performance was no exception. He’d put on a little weight and added a brass section, and played the festival out with all those blues rock classics…Well did out ever get up with them bullfrogs on our mind?! Pure class 🙂
Ian Dury was good, Elvis was moving into his country period, Ginger Baker had a massive drum kit (of course). The festival wasn’t that well attended and wasn’t repeated although Gateshead Stadium has been used for concerts since then, including the aforementioned Police and U2 gig which took place the following year.
U2 setlist: With A Shout; 11 O’Clock Tick Tock; I Will Follow; An Cat Dubh; Into The Heart; Another Time, Another Place; The Cry; The Electric Co.; I Threw A Brick Through A Window; Stories For Boys; Out Of Control.
Encores: I Will Follow; Fire.
Rory Gallagher setlist: The Devil Made Me Do It; Bad Penny; Nadine; I Wonder Who; Moonchild; Double Vision; Wayward Child; Bourbon; Brute Force and Ignorance; Ride on Red, Ride On; Western Plain (When I Was a Cowboy); Tattoo’d Lady; Leavin’ Blues; Philby; Shadow Play; Bullfrog Blues
This post takes me up to the letter “U”. I will continue with “U” tomorrow, by writing about U2 in concert.
19 Nov
Robert Plant Newcastle Academy 18th Nov 2014
Robert Plant Newcastle Academy 18th Nov 2014
You just know that Robert Plant is enjoying himself.
The Newcastle Academy was completely packed last night; packed to the walls, so you couldn’t move at all; probably the fullest I’ve ever seen it. I was right down at the front crammed close to the stage, and there were lots of Zeppelin veterans around, everyone talking about their memories of that legendary band. One guy was relating stories of Zeppelin gigs at the Mayfair and an early City Hall show in 1970. Two other guys were talking about Earls Court and Knebworth. The respect for Plant remains solid, immovable, deep and immense. But a Plant performance these days isn’t simply a Zeppelin tribute act; far from it, The Sensational Space Shifters are a band, and each of the members are great musicians in their own right. The set is a mix of tracks from the new album, blues, folk (“there is lots of folk music tonight”) and Zeppelin classics reworked (a little, but not too much). Shape Shifter music is an eclectic mix: the world music side is clear and exemplified by Gambian Juldeh Camara’s contribution to the performance on the “riti” (a single-string fiddle) and Robert and the others playing those large tambourine-like instruments (are they called a “daf”?), but it isn’t as simple as combining african instruments and rhythms with rock. 
There is also rockabilly, particularly from crazy rock-out guitarist Justin Adams, psych, and the blues runs through everything, and screams from Liam “Skin” Tyson’s guitar. Oh, and of course, those familiar Zeppelin rock riffs come thundering through every now and then, as if we needed to be reminded where this guy’s roots lie. Plant looks great, his lion’s mane of hair intact and swaying, his voice as soulful, powerful and gentle as ever. You can feel that he is enjoying life and the music; he smiles and chats and jokes with the crowd, who give the band a roaring reception. The Sensational Shape Shifters give Plant the freedom, opportunity and space to safely bend the blues, rock, world music, mix it with excerpts from his back catalogue, and throw in all of the other musical influences which obviously run through his head, within a safe environment. The crowd know what to expect, and love it. We even get a snippet of House of the Rising Sun which prompts a massive singalong from the Geordie crowd. Amazing. Possibly the best time I’ve seen Plant in recent years.
Setlist was something like this: Friends; Spoonful; Turn It Up; Going to California; Embrace Another Fall; Rainbow; What Is and What Should Never Be; No Place to Go; Babe, I’m Gonna Leave You; Little Maggie; Fixin’ to Die; House of the Rising Sun; I Just Want to Make Love to You / Whole Lotta Love. Encore: Rock and Roll
18 Nov
UK Newcastle City Hall 4th May 1978
UK Newcastle City Hall 4th May 1978
U.K. were a progrock supergroup formed by singer/bassist John Wetton (King Crimson, Roxy Music), keyboardist/electric violinist and local north east rock hero Eddie Jobson (Fat Grapple, Curved Air, Roxy Music), guitarist Allan Holdsworth (Soft Machine) and drummer Bill Bruford (Yes, King Crimson, Genesis). The original line-up of the band was short-lived, although new versions of the band have reformed in more recent times. UK’s music was technically amazing musicianship, and a combination of jazz/rock and prog, with a sense of the gothic thrown in for good measure. And this was after punk! Aaah, the days of prog pomposity, musical dexterity and OTT-ness 🙂
Setlist: Alaska; Time to Kill; The Sahara of Snow; Carrying No Cross; The Only Thing She Needs; Forever Until Sunday; Thirty Years In the Dead of Night; By the Light of Day; Presto Vivace and Reprise; Caesar’s Palace Blues
17 Nov
Tina Turner Gateshead Stadium 22nd July 1990
Tina Turner Gateshead Stadium 22nd July 1990
Tina Turner had just released her seventh studio album “Foreign Affair” and went out on a massive stadium tour of Europe. The tour played to and amazing three million people, breaking the Stones’ record for attendances on a European tour. The tour was billed as a farewell tour (it wasn’t of course), and Tina Turner stated: “I’ve always thought this would be the final one but I must admit I now have mixed feelings. I’m the first woman to fill all these stadiums and the feeling from all those fans night after night was fantastic. I don’t want to close that door completely. I’m going away for about a year and when I’m ready to return, I just hope the fans will want whatever I have to offer.” The show came to Gateshead Stadiun for two nights and north east fans were treated to a high energy performance, and all those classic Tina Turner songs. 
Tina ran around the stage, danced, sang, screamed and gave 110% without taking a breath. The lady is amazing. I think support may have been Joe Cocker?
Set List: Steamy Windows; Typical Male; Foreign Affair; Undercover Agent; Ask Me How I Feel; We Don’t Need Another Hero; Private Dancer; I Can’t Stand The Rain; Nutbush City Limits; Addicted To Love; The Best; I Don’t Wanna Lose You; What’s Love Got To Do With It; Let’s Stay Together; Proud Mary; What You Get Is What You See; Show Some Respect; Better Be Good To Me; Be Tender With Me Baby
Tina’s Band: Jack Bruno (drums); Timmy Cappello (percussion, keyboards, sax); Bob Feit (bass); Ollie Marland (keyboards); (local hero) John Miles (guitar); Kenny Moore (piano); James Ralston (guitar); Lejeune Richardson & Annie Behringer (dancers).
16 Nov
Thompson Twins Dunelm Ballroom, Durham University 9th March 1982 & Newcastle City Hall 6th May 1983
Thompson Twins Dunelm Ballroom, Durham University 9th March 1982 & Newcastle City Hall 6th May 1983
The Thompson Twins were named after the bumbling detectives in the Adventures of Tintin. The Crab With The Gold Claws was my favourite 🙂 I would run in from playing in the street to watch it. I can still hear the intro: “Hergé’s Adventures of Tintin: The Crab With The Golden Claws”.
But these Thompson Twins were very different. These started as a new wave outfit, formed in a squat with full on left wing anarchic values. In my mind I have them bracketed with the Raincoats and the Mekons. They were a large band comprising seven members, fronted by Tom Bailey on vocals and synth, which he was apparently just learning to play, Alannah Currie on vocals and percussion and Joe Leeway on vocals, percussion, synths and guitars. 
The other members were Chris Bell (drums), Peter Dodd (guitar, synths, percussion), John Roog (guitar) and Matthew Seligman (bass). Thomas Dolby would sometimes accompany them on synth. It was this seven piece Thompson Twins that I saw at Dunelm House in early 1982. I remember the set as being very rhythmic, verging on dance, with lots of drums and percussion, and that there was much running about the stage by everyone. This was at the time of their second album “Set” which featured the single “In the Name of Love”. “In the Name of Love” was a dance hit, particularly in the US, and encouraged the band to follow a dancie/pop direction. Shortly after “Set” the band split and was reduced to the trio of Bailey, Currie and Leeway. Big success was soon to follow. 
In early 1983 the new slimmed down Thompson Twins released their third album “Quick Step and Side Kick”. The album was much more of a slick pop/dance record and reached No 2 in the UK charts. It also gave them four UK singles chart entries with “Love on Your Side” (No. 9), “We Are Detective” (No. 7), “Watching” (No. 33) and “Hold Me Now” (No. 4). The Thompson Twins had made the transition from a new wave act living in a squat to massive international success. Their “Side Kicks” tour sold out everywhere. I saw them when the tour called at Newcastle City Hall. A fun show, all the hits, and very different from the band that I had seen only one year previously.
15 Nov
Tear for Fears Newcastle City Hall 6th April 1985 (and Knebworth 1990)
Tear for Fears Newcastle City Hall 6th April 1985 (and Knebworth 1990)
In 1985 Tears for Fears released “Songs from the Big Chair”, their second album. It was a massive worldwide success, reaching No. 2 in the UK, and staying in the Top 40 album chart for over a year. It also reached No. 1 in the US, and gave them a string of international hit singles: “Mothers Talk”, “Shout”, “Everybody Wants to Rule the World” and “Head over Heels”. The album was well received by the music press and fans alike, and saw them move from their previous dark pop synth style to more poppy upbeat music. They toured extensively to promote the album, and called at the City Hall in April 1985 for a concert which sold out well in advance. Support came from Vitamin Z who had a hit with the single “Burning Flame”. My memory of the concert is of a joyous fun night with some serious audience singalongs during “Shout” and “Everybody Wants to Rule the World”. This was definitely the best time I saw Tears for Fears.
1985 Setlist: Mothers Talk; Broken / Head Over Heels / Broken; Start of the Breakdown; The Prisoner; The Working Hour; Pale Shelter; Suffer the Children; Memories Fade; I Believe; Mad World; Shout; Everybody Wants to Rule the World; The Hurting; Change.
The next and final time I saw Tears for Fears was when they appeared low down on a multi-band bill at Knebworth in 1990. The day was headlined by Pink Floyd and Paul McCartney. Tears for Fears opened the day around noon, and we were listening to them as we drove in (it was broadcast live on the radio) and then caught the end of their set as we entered the park. They were having a big success at the time with “Sowing the Seeds of Love”.
Setlist at Knebworth 1990: Women of Ireland;Head Over Heels / Broken Change; Pale Shelter; Sowing the Seeds of Love; All You Need Is Love (The Beatles); Advice for the Young at Heart; I’ve Got To Sing My Song; Badman’s Song; Everybody Wants to Rule the World
14 Nov
Tear for Fears Newcastle City Hall 5th December 1983
Tear for Fears Newcastle City Hall 5th December 1983
Tears for Fears were inescapable during the mid 1980s. Their music was played absolutely everywhere. The band spent most of 1983 out on tour around the world, promoting their debut album “The Hurting”. In November 1983, they released a new single, “The Way You Are”, and finished a successful year with another UK tour to promote it. This was their second UK tour of the year, and they returned to Newcastle City Hall to play another sold out concert. Support came from Bristol band The Escape. This was another great concert. Tears for Fears performed most of the tracks from The Hurting as well as the new single and a few new songs which would eventually end up on their second album, “Songs from the Big Chair”, in 1985.
Setlist (something like): Start of the Breakdown; Mothers Talk; Pale Shelter; The Working Hour; The Prisoner; Ideas as Opiates; Mad World; We Are Broken; Head over Heels; Suffer the Children; The Hurting; Memories Fade; Change; The Way You Are; The Marauders
The single “The Way You Are” was written while on tour, as a sort of stop gap to keep the band in the public eye while they recorded their second album. It wasn’t a massive hit compared to their previous releases, reaching No. 24 in the UK singles chart. Both Roland Orzabal and Curt Smith later admitted that they didn’t rate the song, Roland stating it was “the point we realized we had to change direction”, while Curt said it was “the worst thing we’ve done”. And change direction they did indeed. The 1983 Tears for Fears sang very dark, depressive songs. A year or so later a new Tears for Fears would emerge with a clutch of joyous pop songs which would take them to massive international success. I saw them perform back at the City Hall in 1985, but that’s a story for tomorrow.
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