Posts Tagged ‘classic rock’

Jethro Tull Newcastle City Hall 2004 and 2006

Jethro Tull Newcastle City Hall 2004 and 2006
tulltixcityhall19feb I saw Jethro Tull at the City Hall in 2004 and 2006. Tull were involved in quite a number of projects during these years. In 2003 they released The Jethro Tull Christmas Album, which consisted of a collection of traditional Christmas songs, along with some Christmas songs written by Jethro Tull. The album was a big success and their best selling release since the 1987 Crest of a Knave.
The set for the 2004 concert included quite a few Christmas songs as a result, as well as some great old favourites like Beggars Farm and Nothing Is Easy, taking us right back to the very early days of the band. The setlist for the 2004 Newcastle concert (I got the list from a bootleg which was recorded at this gig): Aqua-Intro; Living In The Past; Nothing Is Easy; Beggar’s Farm; Eurology; A Christmas Song; Farm on the Freeway; Pavane; Weathercock; A Week of Moments; Mother Goose; Misére; Songs From The Wood; Too Old To Rock ‘n’ Roll: Too Young To Die; Heavy Horses; God Rest Ye Merry Gentlemen; Flying Dutchman; My God; Holly Herald; Aqualung; Wind Up; Locomotive Breath; Protect and Survive; Cheerio. tulltixmarch06 Both shows were great Tull fun. I went along with Norm and Will and we all enjoyed seeing the old guys again.
In 2005 Ian Anderson released a live double album and DVD called Ian Anderson Plays the Orchestral Jethro Tull. In addition, a DVD recorded live at the Isle of Wight 1970 and a live album called Aqualung Live (recorded in 2004) were both released in 2005. There were also further line-up changes in 2006 with bassist Jon Noyce leaving to be replaced by David Goodier, and keyboardist Giddings leaving to be replaced by John O’Hara. The 2006 tour was billed as the Aqualung tour, and Tull played that lp in its entirety. Setlist: Life Is A Long Song, Skating Away…, Living In The Past, Slipstream, Up To Me, Griminelli’s Lament¹, Aurora³, Wond’ring Aloud, Mo’z Art, Cheap Day Return/Mother Goose, She Is Like The Swallow, Bourée. Interval. Nocturne/Bohemian Rhapsody, Kashmir (incl. Whole Lotta Love), Cross-Eyed Mary, Hymn 43, Morris Minus, Flying Dutchman (intro)/My God, Budapest, Aqualung, Wind-Up, Locomotive Breath, Protect And Survive, Cheerio. Tull were accompanied by electric violinist Lucia Micarelli for this tour, and she also fronted the band herself for a couple of songs notably covers of Queen’s Bohemian Rhapsody and Zeppelin’s Kashmir. Electric violinists featured alongside Ian on a couple of Tull tours around this period. The 2006 concert was a sell out, proving that the band retained their popularity, and that they still have a loyal fan base.

Jethro Tull York Barbican 2001

Jethro Tull York Barbican 2001
tulltix2001 My interest in Jethro Tull had been revived by the great show that I attended at Newcastle City Hall in 1999. I was therefore quite disappointed when their 2001 outing missed out Newcastle, so I persuaded Marie to come and see them with me in York, which was the nearest show on the tour. The concert was held at the York Barbican centre which was a sports complex and also used for concerts. This was the first time that I’d visited the Barbican. I did go with David to see Steve Winwood there a couple of years later. The Barbican has recently been refurbished, and it reopened a couple of years ago as an entertainment centre, which plays host to lots of concerts. I need to find a reason to visit again 🙂 tullprog2001 Tull were on grand form as usual, and I enjoyed the show, although there were quite a few songs which were unfamiliar to me. Looking at the setlist today, I understand why. At least four of the songs were Ian Anderson solo tracks (Ian had released three solo albums by 2001). Even Marie (sort of) enjoyed her Tull outing, although we had a (friendly) argument about Ian’s flute solos. When he started a solo he would press a foot pedal. Marie was convinced that the solo was on tape, and that Ian was switching the tape on with the pedal. I was equally convinced (and remain so to this day) that there was no such use of tapes at all, and that the pedal was merely an effects pedal. Setlist: Aqualung; My Sunday Feeling; Cross-Eyed Mary; Roots to Branches; Jack-in-the-Green; Thick as a Brick; Sweet Dream; Beside Myself; Hunt by Numbers; Bourée; The Water Carrier (Ian Anderson song); The Habanero Reel (Ian Anderson song); Set-Aside (Ian Anderson song); Pibroch (Cap in Hand) (Instrumental); A New Day Yesterday; In the Grip of Stronger Stuff (Ian Anderson song); Budapest; Mayhem Jig; Aqualung; Locomotive Breath; Living in the Past; Protect and Survive (Instrumental); Cheerio

David Bowie Exhibition Is. The Victoria and Albert Museum London July 28th 2013

David Bowie Exhibition Victoria and Albert museum London July 28th 2013
bowie Marie, Laura and I travelled to London on Sunday. We were meeting up with David and Shona to go the “David Bowie Is” exhibition at the Victoria and Albert museum. We’ve all read a lot about the exhibition and we are quite excited about it going to see it. It sold out quickly and by the time we got around to booking all that remained were tickets for evening shows, which had been added to satisfy the incredible demand. So we booked tickets for this Sunday evening. It seems ages ago since we bought the tickets.
From the V&A site: “23 March – 11 August 2013. The V&A has been given unprecedented access to the David Bowie Archive to curate the first international retrospective of the extraordinary career of David Bowie. David Bowie is features more than 300 objects that include handwritten lyrics, original costumes, fashion, photography, film, music videos, set designs and Bowie’s own instruments.”
Just got home. We really enjoyed the exhibition. I typed up some comments on my iPad on the train: The exhibition takes you from Bowie’s early days in London through to the present day. On show are exhibits from Bowie’s own collection, including hand written lyrics, and stage costumes alongside original album sleeve art work and period artefacts such as space toys, concert posters and musical instruments (a stylaphone and a saxophone). On arrival we were each given a headset to where, which played a selection of David Bowie tracks as we moved through the exhibition space, the tracks relating to each period as we came to it. It was fascinating to see hand written lyrics for Starman and Heroes and the early synth tat Brian Eno played on the latter song. Also on show are exhibits relating to Bowie’s influences, including posters for Warhol events, and the musical  Cabaret. As you make your way through the space, the many faces and persona of the man are revealed. The costumes alone are worth the price of admission, ranging from the early Ziggy cat suits, through the stark black suit and white shirt of the Thin White Duke to the extravagant costume influenced by Bowie’s role in Labyrith.  Of particular interest to me (and items I would love to own) are an original poster from the Ziggy era (it took me right back; I can remember the same poster on display around Newcastle at the tie the Ziggy tour called at the City Hall), a programme for the 1969 tour where Bowie supported Humble Pie, and a poster for a gig at the Festival Hall where he shared a bill with Tyrannosaurus Rex and Roy Harper ( and DJ John Peel).  Now those were the days!
We called into the shop on the way out, buying a poster and a badge, while resisting the rather expensive hard back book (I am regretting doing so already, and may yet buy a copy online 🙂 ). Laura bought a poster, some postcards and a Ziggy plectrum.

Jethro Tull Newcastle City Hall 1999

Jethro Tull Newcastle City Hall 1999
tulltixcityhall23nov It was another 9 years before I saw Jethro Tull again. By this time the line-up had changed a little (again) to: Ian Anderson (flute, vocals), Martin Barre (guitar), Andrew Giddings (keyboards), Jonathan Noyce (bass), and Doane Perry (drums). They had just released the album J-Tull Dot Com. The new material displayed Eastern and world music influences, but as usual the concert featured a mix of Tull material from throughout their career. tullprog1999 I’d lost touch with Jethro Tull up to this point, but this concert reminded me how great they were (and still are), and how much I had enjoyed their music. It was great to see Ian Anderson and Martin Barre in particular. Ian was ever the showman, although his voice was not as strong as it had been. Martin’s guitar playing and quiet presence were as excellent as always. And they played classics like Living in the Past, Witches Promise and Fat Man. Great stuff. I was hooked again, and started to attend Tull concerts more regularly from that point onward. Setlist: Steel Monkey; For a Thousand Mothers; Serenade to a Cuckoo; Spiral; Witches Promise; Nothing Is Easy; Jeffrey Goes to Leicester Square; Fat Man; AWOL; A New Day Yesterday; Nellie the Revenge; Dot Com; Boris Dancing; Hunting Girl; Hunt by Numbers; Flying Dutchman; My God (with flute solo); Passion Jig; Locomotive Breath; Aquadiddley; Aqualung; Living in the Past; Dogs in the Midwinter; The Dambusters March; Cheerio

Jethro Tull Sunderland Empire 1990

Jethro Tull Sunderland Empire 1990
tulltixempire6may I went with a group of mates to this gig, some 19 years since we first saw Jethro Tull at the same venue. The late 80s and early 90s saw Tull return to rock and the blues for the albums Crest of a Knave (1987), Rock Island (1989), and Catfish Rising (1991). The one thing that sticks in my mind about this gig is Ian coming on stage with a massive search light which he then proceeded to shine at all of us. Looking back at the set list for the concert (of which live recordings exist) reminds me that Tull played some great old favourites that night; including Living In The Past and Love Story (that song is still a big favourite of mine). There was no support act for this show. Sunderland Empire 06-2.05.90
Thanks to Doug for the great picture, which he took at this concert.
Setlist: Intro: Tanz, Wond’ring Aloud, Steel Monkey, Thick As A Brick, Living In The Past, Rock Island, Nellie The Revenge (inst.), Cheap Day Return/Nursie, Mother Goose/Jack-A-Lynn, Love Story, Serenade To A Cuckoo, A Christmas Song, Budapest, Strange Avenues, Kissing Willie, Pine Martin’s Jig/Drowsy Maggie, Dun Ringill, Jack-In-The-Green, Said She Was A Dancer, My God (including flute solo, Bourée), Pussy Willow/Pibroch (instrumental), Another Christmas Song, Farm On The Freeway, Too Old To Rock’N’Roll, Aqualung, Locomotive Breath, Fylingdale Flyer (instrumental), Cheerio.

Jethro Tull Newcastle City Hall 1984

Jethro Tull Newcastle City Hall 1984
tulltix84 Jethro Tull returned to Newcastle City Hall in September 1984. The tour was to promote their new album Under Wraps. This new release introduced an 80s electronic/synth-pop sound, to a mixed reaction from fans and critics. The concert was, however, a big success, with quite a long set drawing from many of Tull’s albums (by 1984 they had released 15 albums!). Tull also played a couple of track from Ian Anderson’s solo album Walk Into Light, which was released in 1983. tullprog1984 Under Wraps #1; Locomotive Breath (Instrumental intro); Hunting Girl; Under Wraps #1; Later, That Same Evening; Nobody’s Car; Apogee; Thick as a Brick; Level Pegging; Skating Away on the Thin Ice of the New Day; Pussy Willow; Clasp; Living in the Past; Serenade to a Cuckoo; Fat Man; Fly by Night; Made in England; Tull NCH 15.05.82. (1) European Legacy; Black Sunday; Aqualung; Locomotive Breath; Too Old to Rock ‘n’ Roll, Too Young to Die; Different Germany; Thick as a Brick (reprise).
Thanks to Doug for the picture which was taken at the City Hall at Tull’s visit in 1982. The band at this point consisted of Ian Anderson (flute, vocals and part-time detective for this tour concept), Martin Barre (guitar), Dave Pegg (bass), Peter-John Vettese (keyboards) and new man Doane Perry (drums). The programme consists of photos of the band members, depicting Ian Anderson as a super-sleuth (the subject matter of the songs on Under Wraps is heavily influenced by Ian’s love of espionage fiction), and lyrics from some of the songs which were performed during the concerts.

Jethro Tull Newcastle City Hall 1982

Jethro Tull Newcastle City Hall 1982
The Broadsword and the Beast tour
tullprog82 The next time I saw Jethro Tull was in 1982 at Newcastle City Hall. They had just released The Broadsword and the Beast which was their 14th studio album. The line-up of Tull at the time was: Ian Anderson on vocals, flute, acoustic guitar, crazy dance and cocked leg; Martin Barre on wondrous electric guitars; Dave Pegg (ex-Fairport and friendly folkie) on bass guitar; Peter Vettese on keyboards; and Gerry Conway on drums. There was no support act, and the ticket made sure that we knew: “Please note. No support Jethro Tull on Stage 8pm prompt”. This was quite a theatrical show with lots of props and the band wearing medieval clothing. The set was a mix of old and new, with quite a few acoustic songs. I was still concerned about the folk influence at this stage, but enjoyed the show, as always. tulltix82
Setlist: Clasp, Hunting Girl, Fallen On Hard Times, Pussy Willow, Broadsword, Jack-In-The-Green, Seal Driver, Heavy Horses, Weathercock/Fire At Midnight/Flute Solo (including God Rest Ye Merry Gentlemen and Bourée)/Sweet Dream, Flying Colours, Songs From The Wood, Watching Me Watching You, The Swirling Pit, Pibroch, Beastie, Too Old To Rock’N’Roll…, Aqualung, Minstrel In The Gallery, Locomotive Breath/Black Sunday, Cheerio
Tull NCH 15.05.82. (2)
Thanks to Doug for the picture, which he took at this gig, showing Martin Barre in his best gear.
A bootleg recording of the Newcastle gig exists, often entitled “The Beastie of Newcastle”.
“Bring me my broadsword and clear understanding. Bring me my cross of gold as a talisman.
Bless with a hard heart those who surround me. Bless the women and children who firm our hands.
Put our backs to the north wind. Hold fast by the river.
Sweet memories to drive us on for the motherland”
(The Broadsword and the Best, Ian Anderson, 1982)

Jethro Tull Newcastle City Hall 1977

Jethro Tull Newcastle City Hall 1977
tulltix77 In 1977 Jethro Tull released Songs from the Wood, which was their tenth studio album, and the first of a trio of folk rock albums, the others being Heavy Horses. Of course, folk influences had always been apparent in Jethro Tull’s music, but on Songs from the Wood, they came to the fore. At the time I couldn’t quite get away with this change of style. I much preferred the rockier, blues-oriented side of Tull. Looking back this album and Heavy Horses were two of their best, and the 1977 tour was also excellent. There were also some line-up changes in the Tull fold. David Palmer, who had worked with the band from the early days as their orchestral arranger, joined as a full-time member of keyboards, and John Glascock joined on bass. Glascock was familiar to me, as I had seen him play alongside Stan Webb in Chicken Shack at some great gigs in the early 70s. tullprog1977
The programme tells me that the support act for the 1977 tour was Leo Kottke, but I have no recollection of seeing him play that night. However, I do remember seeing Leo play at the Cambridge folk festival a couple of years earlier. He is a great acoustic guitarist who plays some amazing slide guitar on tracks like Vaseline Machine Gun. As you would expect, Tull’s set included a few songs from Songs from the Wood, along with old favourites. At the time I was very unsure about the new acoustic tracks, but songs like Jack-in-the-Green and Songs from the Wood stand up against some of Tull’s best. Setlist: Wond’ring Aloud; Skating Away on the Thin Ice of the New Day; Jack-in-the-Green; Thick as a Brick; Songs from the Wood; Conundrum; To Cry You a Song; A New Day Yesterday (with flute solo including Bouree); Velvet Green; Hunting Girl; Too Old to Rock ‘n’ Roll, Too Young to Die; Beethoven’s 9th; Minstrel in the Gallery; Aqualung; Wind Up; Back-Door Angels. Encore: Locomotive Breath

Jethro Tull War Child tour Newcastle Odeon November 1974

Jethro Tull War Child tour Newcastle Odeon November 1974
tulltixodeon Jethro Tull returned to Newcastle in November 1974, during the tour to promote the War Child album. Support for the tour was all-girl band Fanny. This time Tull had graduated to playing the massive Odeon theatre, which hosted a number of gigs in the early 70s and had a slightly larger capacity to that of the City Hall. Ian Anderson and co were at their pomp best at the time, and this album and tour saw them returning to straight songs after the concept albums Thick as a Brick and Passion Play. tullprogwarchild The single from the album was Bungle in the Jungle, which was quirky but also pretty catchy. If I remember correctly, Jeffrey Hammond-Hammond did a nifty version of (How Much Is) That Doggie in the Window? during the concert, and the band was accompanied by a string quartet. This was classic Tull at their best. Setlist: Minstrel in the Gallery; Wind Up; A Passion Play (excerpt); Thick as a Brick; My God (including Flute Solo with Bouree); Cross-Eyed Mary; (How Much Is) That Doggie in the Window?; Skating Away on the Thin Ice of the New Day; Wond’ring Aloud; Ladies; War Child; Sealion; Bungle in the Jungle; Aqualung; Back-Door Angels; Locomotive Breath; Hard-Headed English General; Back-Door Angels (reprise)

Jethro Tull Sunderland Top Rank 1972

Jethro Tull Sunderland Top Rank 1972
tullposter There is a story surrounding this gig. You won’t find it listed in any of the Tull gig histories on the internet, but it definitely took place, and I remember it well. I first heard of this gig directly from the local promoter Geoff Docherty. I was in the Rink (or Sunderland Top Rank to give it is formal name) buying tickets for another event, and Geoff was in there ay the same time. “I’ve got Jethro Tull coming in a few weeks time” he said. Now I already had a ticket to see Tull play at the City Hall in early 1972, as part of the tour that they were doing to promote their new lp Thick as a Brick (TAAB). The tour was already advertised, and the only North East date was the City Hall concert, so an extra Sunderland date prior to the tour didn’t seem very likely. But sure enough, posters advertising the gig with support Tir Na Nog soon appeared outside the Rink, and I bought tickets with a group of mates. Gigs at the Rink at that time tended to be on a Sunday night, and I think that was the case for this concert. The gig was obviously a warm-up for the TAAB tour. I returned my ticket for the City Hall (they would let you do that in those days, as long as they could sell it on), as I didn’t fancy seeing the band twice within a few days (big mistake, as it turned out). Tull NCH 15.05.82. (3) The night of the Sunderland gig came, and it was excellent. It was great to see Tull play in a relatively small ballroom venue, and I was right down the front, straight in front of Ian Anderson. The place was full, but not too packed. But the gig wasn’t quite what I had expected. First Tir Na Nog didn’t play. They were support for the main TAAB tour, but weren’t at this gig. And the other surprise was the set itself. I was expected an early run through of the Thick as a Brick album, but what we got that night was a Jethro Tull favourites set, which was great, but it also meant that I never got to see TAAB played live in its entirity until recently. The strange thing was the band had the stage set up ready for the TAAB show, with the telephone there ready to ring, but they didn’t perform any of the album. Anyway it was a great gig. Looking back I should have made the effort to go along to the City Hall as well. Not sure why I didn’t. Maybe it was sold out by that point, not that that usually stopped me. Oh well, writing this blog sometimes unearths regrets that I have about gigs that I missed, but hey ho such is life :). The line up of the band had changed since the last time I saw them with Barriemore Barlow replacing Clive Bunker on drums. Thanks to John for the scan of his poster and to Doug for the photograph of Ian Anderson, which he took at Newcastle City Hall some years after this gig.