Roxy Music the Lincoln Festival 27th May 1972
I will spend the next few days trying to recall as much as I can about the seven or so occasions on which I have seen Roxy Music live. I first saw a new and relatively unknown Roxy Music at the Lincoln Festival on 27th May 1972. This was their first major performance and only the seventh time the band had played together. They appeared early on the Saturday afternoon, sandwiched between sets by Locomotive GT (a Hungarian rock band who were pretty big during the ’70s) and Heads, Hands and Feet. The Roxy line-up at the time was Bryan Ferry (vocals and keyboards), Phil Manzanera (guitar), Andy Mackay (sax and oboe), Paul Thompson (drums), Eno (synths) and Graham Simpson (bass). I recall that there was quite a buzz about the band at the time, largely as a result of their connections with King Crimson. Bryan Ferry had auditioned as lead singer for King Crimson, and impressed Robert Fripp and Pete Sinfield, although they felt that his voice was not suitable for Crimson. They went on to help Roxy Music obtain a record contract, and Sinfield produced their first, wonderful, album. 
The sound at the festival wasn’t great; it was windy and the mix was poor. But it was obvious even at this early stage in their career that there was something new, different and unique about this band. The guys all dressed outrageously and looking at pictures of Roxy taken at the festival you would think they had come from another planet, and they all look so young! The image here is from a Sounds poster of the time and was taken at the festival. And the music sounded very different to anything else around at the time. Eno’s use of synths, Ferry’s vocals, and Mackay’s oboe all gave Roxy their own distinctive sound. Roxy Music were recording tracks for their first album at the time of this appearance, and it was well before the release of their first single “Virginia Plain”. Their short set is likely to have consisted of the following songs: 2HB; Would You Believe?; Sea Breezes, Ladytron, If There Is Something!, Re-Make/Re-Model, The Bob (Medley), Virginia Plain. Roxy provided a short interlude of majestic bright glam/art rock in what was an excellent line-up, but a very wet windy and cold weekend. Looking back, and although I didn’t realise it at the time, there were glimpses of the greatness and richness of musical texture which would follow. Foolishly, I saw Roxy Music simply as a quirky weird new band, and because of this I left it a couple of years before I saw them again, which I now regret. The next time I saw Roxy Music was on their 1974 tour, and I’ll reflect on that tomorrow.
Posts Tagged ‘classic rock’
15 Apr
Roxy Music the Lincoln Festival 27th May 1972
14 Apr
A day at the Edinburgh festival with Radiohead and Franz Ferdinand (well two of them) 22nd August 2006
A day at the Edinburgh festival with Radiohead and Franz Ferdinand 22nd August 2006
The Edinburgh festival is an amazingly broad all-encompassing set of events, and we often find ourselves going along to one or two. In August 2006 we spent a day up in Edinburgh, and managed to take in two musical events, each of a different sort. David, Laura and I drove up to Edinburgh in the late morning, to make sure that we arrived for our first event, which was part of the Edinburgh International Book Festival.Alex Kapranos and Nick McCarthy of Franz Ferdinand were due to discuss lyric writing, as part of the children’s programme. Speaking at the time Kapranos said: “We are looking forward to performing for, and talking to, the kids at such a great event. We might even give a few secrets away”, and the director of the children’s programme at the Edinburgh International Book Festival, Karen Mountney, added “We wanted to create a family event where young people could be inspired by the best in the business.” The event started at 4.30pm in a small theatre on the book festival village. It had sold out very quickly and the place was packed with 500 young people eager to meet some musical heroes close up. Frontman Alex Kapranos and guitarist Nick McCarthy spent an hour telling the young fans all about their songs and how they write them. They sat on a small stage surrounded by guitars and a piano, which the duo used to illustrate their points and play short pieces from their songs. Kapranos: “I have always felt that songwriting and lyrics were seen as the poorer cousins of the literature world, but that’s not necessarily the case. The greatest figure in Scottish literature was not primarily known for his poetry, but for his song-writing – Robert Burns – and there has been a longevity to what he says. Lyrics are another side of literature.” He added: “When it comes to song writing, there are not any distinct rules – there isn’t any right of wrong way to go about it. Some of the best things you do are mistakes. I didn’t have any music training – most of song writing is messing about till it sounds good.” (from a review on http://www.gigwise.com/ at the time). I like intimate events like this one, where you get the chance to hear musicians speak, and always find them very interesting and enlightening. After the event Laura and David joined a line to get their festival brochures signed by the two guys. I had to go and move the car…
The next part of our day was very different; we were going to see Radiohead in concert at Meadowbank stadium. Support came from Beck, who we sadly missed because of our trip to the book festival (still, it was worth it). Radiohead took to the stage shortly after we arrived, and from opener ‘Airbag’ the crowd were simply enthralled. This was the first time I saw Radiohead, and to be honest I didn’t really get them at the time, although Laura and David were, and still are, massive fans of the band. The stage backdrop featured a large and fractured image of Thom Yorke, in front of which he wriggled around squeezing perfect vocals and emotion from his wiry frame. The set included classics like ‘Karma Police’ and ‘Paranoid Android’ and tracks which were new at the time such as ‘Videotape’ and ‘Bodysnatchers’. The magnificent ‘Creep’ ended their two-hour set and was the anthem of the evening. The large crowd was pretty unruly at times, with Thom having to stop the show at one point. A good gig, and a great ending to the day. Laura thought it was one of the best gigs she had been to, and was knocked out by Yorke’s vocals. I’ve seen Radiohead a couple of times since then, and I am beginning to count myself a fan now.
Setlist: Airbag; 2+2=5; The National Anthem; My Iron Lung; Morning Bell; Videotape; Nude; Lucky; The Gloaming; Where I End And You Begin; Paranoid Android; All I Need; Pyramid Song; Fake Plastic Trees; I Might Be Wrong; Idioteque; How To Disappear Completely. Encore 1: You And Whose Army?; Bodysnatchers; Just; Karma Police. Encore 2: There There; True Love Waits/Everything In Its Right Place; Creep.
It seemed to take forever before we were allowed out of the car park; they held us back until the crowds cleared. We then had a couple of hour drive home, arriving back in the early hours of the morning after a long, tiring, but exciting day.
13 Apr
Ratt Invasion of Your Privacy World Tour ’85/’86
Ratt Invasion of Your Privacy World Tour ’85/’86
I found a programme for Ratt’s “Invasion of Your Privacy” ’86/’86 world tour in my collection, but I couldn’t find a ticket stub to match. My conundrum was soon solved however, when I realised that I’d seen Ratt down the bill at Donington Monsters of Rock in 1985 and as support for Ozzy Osbourne on 12th February 1986 at Newcastle City Hall. Ratt were very much on their way upward at the time, and must have had their own tour programme, either at Donginton or alongside Ozzy’s merchandise. I have already written about the Ozzy gig, but I didn’t say much about Ratt. As I have a programme to feature here, I figured I should write a little about the band.
Ratt are an American hard rocking band, and were instrumental in the formation of the early ’80s Los Angeles glam metal scene, often referred to as the ‘Sunset Strip’ sound. Like their friendly rivals Mötley Crüe, Ratt’s sound fused pop hooks with the metal ethos along with big hair, and over the top on-stage performances and (on- and off-stage) behaviour. Ratt continue to tour and record today despite several hiatuses and many lineup changes. They were formed and led by vocalist Stephen Pearcy; at the time I saw them the line-up included Warren De Martini and Robbin Crosby on guitars, Bobby Blotzer on drums and Juan Croucier on bass. The tour programme describes Ratt as having “wiry energy”, “desperate rightness” and an attitude which guitarist Crosby calls “gladiator land-gyspies; cement pirates” [whatever that might be 🙂 ]. It tells me that the band went from “sleeping on the floor of a converted garage in Los Angeles, their pillows nestled against their Marshall amps” to massive success with their debut album “Out of the Cellar” and that “we’re finally out of the cellar and into your living rooms. Ratt cannot be exterminated”.
Ratt are little mentioned these days, with much of the publicity and credit for the scene going to Mötley Crüe, who perhaps did out-do them in terms of outrageousness. However, Ratt were without doubt a formidable force at the time, and their shows were glorious celebrations of what is possible if you take pop and glam sensibilities and align them with the values, volume, approach and craziness of heavy metal. Their concerts were something to be experienced, and Ozzy must have found it difficult to follow them on that stage some nights.
Ratt’s line-up has changed a lot over the years; however they are now back to more or less their classic formation with Stephen Pearcy, Warren De Martini, Bobby Blotzer and Juan Croucier all once again in the fold. They are joined by Carlos Cavazo on guitar.
Setlist from 1986: Dangerous but Worth the Risk; Give It All; Wanted Man; In Your Direction; Never Use Love; Walkin’ the Dog; You Think You’re Tough; Lay It Down; You’re in Love; Sweet Cheater; Round and Round
PS Ratt made a big noise and had big hair, so I figured I’d use a bigger than usual image of their tour programme for my post today. Rock on.
10 Apr
Reo Speedwagon Newcastle City Hall 28th October 1985
Reo Speedwagon Newcastle City Hall 28th October 1985
I saw Reo Speedwagon once, when they toured the UK in 1985 and played at Newcastle City Hall. The line-up at the time was Neal Doughty (keyboards), Alan Gratzer (drums), Gary Richrath (lead guitar), Kevin Cronin (lead vocals, rhythm guitar), and Bruce Hall (bass). They were touring off the back of their eleventh studio album “Wheels Are Turnin'”. They had been in the UK singles charts earlier in the ’80s with “Keep on Loving You” and “Take It on the Run”, and in 1984 with “Can’t Fight This Feeling”. REO Speedwagon formed in 1967 in the USA, and have had considerable success. Their 1980 album “Hi Infidelity” contained four US Top 40 hits and is the group’s best-selling album, with over ten million copies sold. Over the course of their career, the band have sold more than 40 million records and continue to play to this day. The concert was an evening of great adult-oriented pop rock. I recall lots of jangling acoustic guitars and strong harmonies. Support came from Robin George.
Thanks to Mitch for the setlist: Don’t Let Him Go, Tough Guys, I Do’ Wanna Know, One Lonely Night, Back On The Road Again, Take It On The Run, Can’t Fight This Feeling, Wherever You’re Goin’ (It’s Alright), The Unidentified Flying Tuna Trot, Shakin’ It Loose, Keep On Loving You, Keep Pushin’, Roll With The Changes.
Encores: Riding The Storm Out, Time For Me To Fly.
9 Apr
Lou Reed Liverpool Philharmonic Hall 22nd April 2005
Lou Reed Liverpool Philharmonic Hall 22nd April 2005
It had been a long time since I last saw Lou Reed in concert, so when he came over to play a few dates in 2005, I bought tickets for David and I to see him at Liverpool Philharmonic Hall. We traveled down to Liverpool by train, and stayed at the Adelphi Hotel, just up from Lime Street station, and a short walk from the Philharmonic Hall, which is a beautiful art deco concert hall. It was good to see Lou Reed in concert again after all this time. I must admit I was hoping for a few Velvet Underground classics, but it wasn’t to be. Lou devoted the set to tracks from his solo albums, most of which were unfamiliar to me. He also played a lot more guitar solos than I recall him doing in the ’70s, and showed us that he was a pretty neat guitarist. The encore was “Perfect Day’ which made the evening for David and me. For once we didn’t have to rush for a train, or have a 3 hour drive home, so we decided to see if we could get Lou’s autograph. We went around to the stage door and joined a line of Reed fans, all of whom had the same idea as us. A guy came out and told us to wait and that Lou would come out and see us all soon. After what seemed a long wait, the guy returned, and apologised to us all. He explained that Lou was feeling tired, and wouldn’t be coming out after all, but if we gave him something for Lou to sign, he would get it signed for us. David and I gave him our tickets, and we all waited again. Soon the guy returned and gave us back our items, now signed, apparently by Lou Reed (see scan). Did Lou really sign it? I like to think so, but who knows….? Its a pretty scribbly autograph 🙂
Setlist: Adventurer; The Proposition; My House; Ecstasy; Guilty; Mad; Talking Book; Slip Away (A Warning); Charley’s Girl; Burning Embers; Vanishing Act; Why Do You Talk?; Guardian Angel; The Blue Mask. Encore: Perfect Day.
The next time I saw Lou Reed perform was when he came on stage for a short guest spot with Gorillaz at Glastonbury 2010 and performed their song “Some Kind of Nature”.
Lou Reed sadly passed away on 27th October 2013, and we lost a big talent.
7 Apr
REM London Hammersmith Apollo 19 February 2005
REM London Hammersmith Apollo 19 February 2005
I was late getting into REM, and didn’t go to see them until 2005. By then drummer Bill Berry had left the band and they were a core three piece of Peter Buck on guitar, Mike Mills on bass and Michael Stipe on vocals. Their 2005 word tour was to promote their 13th album “Around the Sun”. The tour called at arenas and during the summer reached massive outdoor venues, including an appearance in Hyde Park. Marie and I went to this intimate show at London’s Hammersmith Apollo. For this tour, Stipe adopted wore a green greasepaint ring circling his head around his eyes, resembling the Green Lantern’s mask and also a blindfold. The stage show consisted of dozens of light tubes hanging above the band, displaying several colour-changes as the concert progressed: yellow for “Everybody Hurts”, and red for “Losing My Religion” in front of plates which produced a backdrop of sparks and flashes. The set was a mix of new songs and classics, with a seven song encore. A great concert, I shouldn’t have left it so long to go and see REM. 
Setlist: I Took Your Name; Animal; Undertow; The Outsiders; 7 Chinese Bros; High Speed Train; Everybody Hurts; Electron Blue; Leaving New York; I’ve Been High; Departure; Orange Crush; I Wanted to Be Wrong; Final Straw; Imitation of Life; The One I Love; Walk Unafraid; Losing My Religion. Encore: What’s the Frequency, Kenneth?; Bad Day; Sweetness Follows; Swan Swan H; Electrolite; I’m Gonna DJ; Man on the Moon.
We also saw REM play a brief set in London’s Hyde Park as part Live 8, and had tickets for their show in Hyde Park that summer. Their Hyde Park concert was postponed because of the 2005 London bombings, and we couldn’t make the new date for some reason (I don’t recall what) and obtained a refund, missing the gig. REM are sadly missed from the music scene; a great band.
5 Apr
Celebrating Jon Lord The Royal Albert Hall 4th April 2014
Celebrating Jon Lord The Royal Albert Hall 4th April 2014
I am sitting on the 07.00 train from Kings Cross to Newcastle as I write this. Last night I spent the evening with a group of musicians, from the worlds of both classical and rock, and fans who had travelled from around the globe to celebrate the music of Jon Lord. The event was held in the majestic Royal Albert Hall, a venue in which Lord performed many times, and where he premiered his concerto for group and orchestra with Deep Purple some 45 years ago.
As we arrived in the hall, we were greeted by two large video screens on either side of the stage, showing images of Jon. I had a seat on the arena floor, a few rows from the front, to the left of stage centre. A great view.
The evening had been organised by The Sunflower Jam on behalf of the Jon Lord Fellowship for cancer research. The Sunflower Jam is a charity led by Jacky Paice (wife of Ian Paice and twin sister of Jon Lord’s wife Vicky Lord), which organises annual events at the Albert Hall.
The event started promptly at the advertised time of 19.30 with our host Bob Harris welcoming us and introducing the concert. This was an evening of music, celebration and emotion, which started with Ian Paice accompanying his sister-in-law Vicky Lord on stage, for Vicky to say a few words about Jon. The first half of the concert was devoted to Lord’s solo and orchestral compositions and featured the Orion Orchestra conducted by Paul Mann, and our house band of the evening of Murray Gould, Neil Murray, Jerry Brown, Paul Wichens and Nigel Hopkins. The first piece was “Durham Awakes” from the “Durham Concerto” featuring Kathryn Tickell on Northumbrian pipes. This was followed by Steve Balsamo on vocals and Anna Phoebe on violin accompanied by Mickey Moody on guitar, performing “All Those Years”. 
Then Miller Anderson gave a moving reading of “Pictured Within”. This was followed by Rick Wakeman leading the band in music from “Sarabande” and Margo Buchanan singing “One From The Meadow”. Finally, the first half of the concert closed with Jeremy Irons elegant reading of Thomas Hardy’s “Afterwards”, accompanied by Paul Mann on piano. There was a lot of material that I wasn’t familiar with in the first half of the show; it was good to experience something new and different, performed perfectly and beautifully by a group of musicians who were all there to celebrate the diversity of Jon Lord’s compositions. Bob Harris returned and told us that after the interval “we are going to rock” 🙂 It was 20.45.
The second part of the evening started at 21.10 with Joe Brown, ever the cheeky cockney, who entertained us with a few quips and then introduced Paul Weller. Mod Weller took us back to the ’60s performing two tracks from Jon’s first band The Artwoods. These were fine slabs of Motownish white soul R’n’B: “Things Get Better” and “I Take What I Want”. Great stuff.
Next we were treated to a couple of Paice, Ashton and Lord songs “Silas & Jerome” and “I’m Gonna Stop Drinking” led by the amazing vocalist Phil Campbell, and great blues guitar of Bernie Marsden. Phil is a relatively new vocalist from Scotland and is straight out of the mould of Rod Stewart/Joe Cocker/Chris Robinson. Just perfect wild raucous singing and the right amount of rock’n’roll swagger. Check him out. The high point of the evening (so far). Steve Balsamo and Sandi Thom then performed a beautiful version of the haunting classic “Soldier of Fortune”.
Nothing could have prepared any of us for what came next, which was an amazing performance by Bruce Dickinson and particularly Glen Hughes. They started with “You Keep On Moving”, which was great enough, but then they took the roof of the place with an incendiary version of “Burn”. Everyone on their feet, the two of them sparring vocally, both out-singing each other with their tremendous outstanding vocal ranges. Sorry for all the superlatives, but it was that good. A hall full of old guys punching the air and rocking. 
Hughes was incredible. It took me back to the time I saw Purple Mk III on the Burn tour. I was struck that night (can it really be 40 years ago?) by Hughes’ over the top performance and his soulful soaring vocals. Last night he was strutting and stalking around the stage, bass aloft, wrestling ever ounce of soul and emotion out of his voice. I have never seen a performance like it; at times he was on his knees, tears running down his cheeks. Yes it was over the top, but you just knew that the guy went out last night determined to deliver the performance of his life, and that he felt and meant every word of it. Electric, and a privilege to experience. Glen Hughes closed this segment of the show with “This Time Around”, which he explained was the only song he wrote with Jon Lord.
Finally it was left to Deep Purple to close the evening, which they did with great style performing a short set of “Uncommon Man”, “Above And Beyond”, “Lazy” (with Bentley Kline on violin sparring with Don Airey on keyboards), the beautiful blues of “When A Blind Man Cries”, the cooking rhythms of “Perfect Strangers” and closing with (what else) a rocking “Black Night” with all of us singing along. Then everyone joined Purple on stage for an encore of “Hush”. Lots of “Nah Nah Nah Nah”s from the stage and the floor. It just doesn’t get much better. For over three and a half hours we were well reminded just how great a musician, composer and man Lord was. RIP Jon Lord.
The Performers
Host: Bob Harris
Deep Purple: Ian Gillan (vocals), Steve Morse (guitar), Ian Paice (drums), Roger Glover (bass), Don Airey (keyboards).
The Orion Orchestra conducted by Paul Mann.
House band: Murray Gould – guitar, Jerry Brown – drums, Neil Murray – bass, Paul Wichens – keyboards, Nigel Hopkins – piano.
Guests: Miller Anderson – vocals, Steve Balsamo – vocals, Joe Brown – jokes and cockney twang, Margo Buchanan – vocals, Phil Campbell – vocals, Bruce Dickinson – vocals, Nick Fyffe – bass, Glenn Hughes – vocals/bass, Bentley Kline – violin, Paul Mann – piano, Bernie Marsden – guitar, tMickey Moody – guitar, Anna Phoebe – violin, Sandi Thom – vocals, Kathryn Tickell – Northumbrian pipes, Rick Wakeman – keyboards, Paul Weller – vocals/guitar
Postscript
It was truly an amazing night. However, I have to say that I came away feeling a few things were missing. First, Blackmore and Coverdale. Now we all knew Blackmore was never going to attend, but some of us lived in a vain hope that past issues might have been forgotten, and that he may have made an appearance. On the other hand, it is of course up to him how he wishes to remember Lord, and his new song in Jon’s memory sees a return to his old style. I understand Coverdale couldn’t make it; again a big miss. I also expected to hear some of the “Concerto”, particularly given the occasion and the venue. A strange omission. And finally I had hoped for “Child in Time”. I know Purple don’t play it any more, but a version by the house band with a guest vocalist might have been possible. Sorry to niggle about what was an incredible event.
The images are all photographed from the concert programme.
4 Apr
Mick Ronson Newcastle City Hall 13th Aprl 1974
Mick Ronson Newcastle City Hall 13th Aprl 1974
After David Bowie disbanded the Spiders from Mars, his management saw Mick Ronson as a potential new pop star. “A lot of people thought that Mick Ronson was going to take over from where Bowie was kind of letting it go. ‘Cos he was always prettier and more talented. He had a huge following of fans. De Fries thought he was his next star.” (Leee Black Childers). Ronson released an album “Slaughter on 10th Avenue”, and a few singles: the excellent instrumental album title “Slaughter”, a cover of Elvis’ “Love Me Tender” and the very Bowie-ish “Billy Porter” (straight from Bowie’s 60s “London Boys” period). He also went out on tour to promote the album, starting with two appearances at the Rainbow Theatre in London in February 1974. Ronson’s band featured Mark Carr Pritchard on guitar (Mark was a member of Bowie’s side project Arnold Corns), fellow Spider Trevor Bolder on bass, Ritchie Dharma on drums, ex Aladdin Sane pianist Mike Garson on keyboards, Thunderthighs on backing vocals (Thunderthighs were famous backing singers who featured on Mott the Hoople singles and Lou Reed’s “Walk on the Wild Side”, and also went on to have some success of their own), and a 5 piece brass and woodwind section. I think the woodwind section appeared only at the Rainbow show. The tour gained mixed reviews and attendance was patchy so plans for extending the tour were quickly abandoned. In September he joined Mott the Hoople and then went on to join Ian Hunter in Hunter Ronson. Mick himself admitted that he didn’t feel entirely comfortable as a front man: “I decided that solo vocal projects for me weren’t quite right. I felt uncomfortable singing as I didn’t quite believe in what I was singing. So I decided to knock my recording career on the head.” (Mick Ronson).
I saw the Newcastle gig of the tour. It was reasonably well attended, and loved the track “Slaughter on 10th Avenue”. I remember that he played most of the album, and everyone sat applauding politely. Then towards the end; I think it may have been the last song or the first encore, he played “Moonage Daydream” and the place went crazy. Everyone, including me and my mates, ran down to the front of the stage. It reminded us how great those Ziggy shows had been, and was amazing. I have the tour material which, rather than a programme is a folder containing promo photos of Mick (as a teen pin-up 🙂 ), a poster, and a flyer inviting me to join his fan club.
A recording of the Sheffield gig of the tour shows the setlist as: I’m The One; Leave My Heart Alone; Growing Up And I’m Fine; Only After Dark; Angel #9; Hey Ma Get Papa; The Music is Lethal; Maker; Love Me Tender; Pleasure Man; Woman; Slaughter on 10th Ave.; Moonage Daydream. Encore: Girl Can’t Help It; Something To Say; White Light White Heat. I would guess that the Newcastle show will have been similar. Mick Ronson was a great talent, an amazing guitarist, a cool guy and a big part of the Ziggy phenomenon. Sadly missed.
3 Apr
Renaissance Newcastle City Hall 20th September 1978
Renaissance Newcastle City Hall 20th September 1978
Renaissance originally rose from the ashes of the Yardbirds, formed by Keith Relf and Jim McCarty with Keith’s sister Jane Relf on vocals. The idea was to form a progressive rock band drawing heavily from classical influences. The line-up soon changed completely with Annie Haslam and Michael Dunford joining in the early 1970s; this heralded the most successful period of their career with music which fused folk rock with classical. By the time of this concert at Newcastle City Hall in 1978 the line-up of Renaissance was Annie Haslam – lead vocals, Jon Camp – bass, John Tout – piano, Michael Dunford – guitar, and Terrance Sullivan – drums. 
It was at this time that Renaissance scored a hit single in Britain with “Northern Lights”, which reached No. 10 during the summer of 1978. The single was taken from the album “A Song for All Seasons”. Renaissance are a vastly under-rated and largely forgotten band. Annie Haslam has an excellent voice with a tremendous range, and their albums contain some epic prog rock classics. I found a setlist from 1978 (although not from this gig): Can you hear me?; Carpet of the sun; Things I don’t understand; Northern lights; Mother Russia; Day of the dreamer; Midas man; The vultures fly high; Running hard; Song for all seasons; Prologue; Ashes are burning. Renaissance have reformed on a couple of occasions, based around the core of Annie Haslam and Michael Dunford, who sadly passed a couple of years ago. Annie Haslam continues to lead the band.
1 Apr
Chris Rea in the 70s, Redcar 1983 and Newcastle 2006
Chris Rea Redcar Coatham Bowl 6th March 1983 and Newcastle City Hall 5th April 2006
Chris Rea was quite a well known figure on the North East music scene during the late 70s. Chris was born in Middlesbrough, his family owned an ice cream factory and ran 21 cafés around Teesside. He played in local bands and went solo in 1978. I first came across Chris Rea when I saw him as the support act for Lindisfarne on a couple of occasions at Newcastle City Hall. I would also often see him and his pals at gigs in Middlesborough Rock Garden and the Town Hall. You could easily spot them as they would all be wearing jackets which displayed the phrase “Whatever Happened to Benny Santini?” across their backs. This was the title of Chris’ debut album, and the name that the record company wanted him to use, instead of his own. I recall seeing their jackets, and wondering whi Benny Santini was 🙂 Then I became aware of the single “Fool (if you think it’s over)” which was a big hit for Elkie Brooks. After the Lindisfarne gigs the next time I saw Chris in concert was at a packed home-coming gig at Redcar Coatham bowl. He was on great form that evening, and the local crowd gave him an amazing reception. 
In the years that followed Chris went on to major stardom, and massive hits such as “Road to Hell”. Chris became very ill with cancer in 2001, and underwent a series of operations. He recovered and returned in 2005. The next time I saw him live was on his “farewell tour” in 2006, when it called at Newcastle City Hall. He had just released a CD set celebrating the blues, and the show was a mix of blues classics, tracks from Chris’ massive back catalogue and, of course, his hits. My tickets for that gig never arrived in the post, and I had to collect the hand written ticket pictured here at the door. Chris Rea is a versatile artist, a great songwriter, and a pretty nifty guitarist to boot. Although his 2006 tour was billed as a farewell, he has toured since then. A setlist from 2006: Jazzy Blue; That’s the Way It Goes; Where the Blues Come From; Josephine; Work Gang; Head Out on the Highway; Easy Rider; ‘Til the Morning Sun Shines on My Love and Me; Stony Road; KKK Blues; Julia; Stainsby Girls; Somewhere Between Highway 61 & 49; I Can Hear Your Heartbeat; The Road to Hell; On the Beach; Let’s Dance; Fool (If You Think It’s Over)
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