Mick Ronson Newcastle City Hall 13th Aprl 1974
After David Bowie disbanded the Spiders from Mars, his management saw Mick Ronson as a potential new pop star. “A lot of people thought that Mick Ronson was going to take over from where Bowie was kind of letting it go. ‘Cos he was always prettier and more talented. He had a huge following of fans. De Fries thought he was his next star.” (Leee Black Childers). Ronson released an album “Slaughter on 10th Avenue”, and a few singles: the excellent instrumental album title “Slaughter”, a cover of Elvis’ “Love Me Tender” and the very Bowie-ish “Billy Porter” (straight from Bowie’s 60s “London Boys” period). He also went out on tour to promote the album, starting with two appearances at the Rainbow Theatre in London in February 1974. Ronson’s band featured Mark Carr Pritchard on guitar (Mark was a member of Bowie’s side project Arnold Corns), fellow Spider Trevor Bolder on bass, Ritchie Dharma on drums, ex Aladdin Sane pianist Mike Garson on keyboards, Thunderthighs on backing vocals (Thunderthighs were famous backing singers who featured on Mott the Hoople singles and Lou Reed’s “Walk on the Wild Side”, and also went on to have some success of their own), and a 5 piece brass and woodwind section. I think the woodwind section appeared only at the Rainbow show. The tour gained mixed reviews and attendance was patchy so plans for extending the tour were quickly abandoned. In September he joined Mott the Hoople and then went on to join Ian Hunter in Hunter Ronson. Mick himself admitted that he didn’t feel entirely comfortable as a front man: “I decided that solo vocal projects for me weren’t quite right. I felt uncomfortable singing as I didn’t quite believe in what I was singing. So I decided to knock my recording career on the head.” (Mick Ronson).
I saw the Newcastle gig of the tour. It was reasonably well attended, and loved the track “Slaughter on 10th Avenue”. I remember that he played most of the album, and everyone sat applauding politely. Then towards the end; I think it may have been the last song or the first encore, he played “Moonage Daydream” and the place went crazy. Everyone, including me and my mates, ran down to the front of the stage. It reminded us how great those Ziggy shows had been, and was amazing. I have the tour material which, rather than a programme is a folder containing promo photos of Mick (as a teen pin-up 🙂 ), a poster, and a flyer inviting me to join his fan club.
A recording of the Sheffield gig of the tour shows the setlist as: I’m The One; Leave My Heart Alone; Growing Up And I’m Fine; Only After Dark; Angel #9; Hey Ma Get Papa; The Music is Lethal; Maker; Love Me Tender; Pleasure Man; Woman; Slaughter on 10th Ave.; Moonage Daydream. Encore: Girl Can’t Help It; Something To Say; White Light White Heat. I would guess that the Newcastle show will have been similar. Mick Ronson was a great talent, an amazing guitarist, a cool guy and a big part of the Ziggy phenomenon. Sadly missed.
4 Apr
Mick Ronson Newcastle City Hall 13th Aprl 1974
3 Apr
Renaissance Newcastle City Hall 20th September 1978
Renaissance Newcastle City Hall 20th September 1978
Renaissance originally rose from the ashes of the Yardbirds, formed by Keith Relf and Jim McCarty with Keith’s sister Jane Relf on vocals. The idea was to form a progressive rock band drawing heavily from classical influences. The line-up soon changed completely with Annie Haslam and Michael Dunford joining in the early 1970s; this heralded the most successful period of their career with music which fused folk rock with classical. By the time of this concert at Newcastle City Hall in 1978 the line-up of Renaissance was Annie Haslam – lead vocals, Jon Camp – bass, John Tout – piano, Michael Dunford – guitar, and Terrance Sullivan – drums. 
It was at this time that Renaissance scored a hit single in Britain with “Northern Lights”, which reached No. 10 during the summer of 1978. The single was taken from the album “A Song for All Seasons”. Renaissance are a vastly under-rated and largely forgotten band. Annie Haslam has an excellent voice with a tremendous range, and their albums contain some epic prog rock classics. I found a setlist from 1978 (although not from this gig): Can you hear me?; Carpet of the sun; Things I don’t understand; Northern lights; Mother Russia; Day of the dreamer; Midas man; The vultures fly high; Running hard; Song for all seasons; Prologue; Ashes are burning. Renaissance have reformed on a couple of occasions, based around the core of Annie Haslam and Michael Dunford, who sadly passed a couple of years ago. Annie Haslam continues to lead the band.
2 Apr
B A Robertson Newcastle City Hall 13th April 1980
B A Robertson Newcastle City Hall 13th April 1980
“OK.- So I’ve had a couple of hit singles (Bang Bang – Know what I mean?!!), done 2 or 3 radio shows and been on the telly – Top of the Pops. Whoopee!! But I don’t know what I’ll be like “live” any more than you. – Fancy coming along to find out? It’ll be a drag if there’s more of me on stage than you in the audience. Maybe together we could “Knock it off”? 🙂 (Opps sorry man). Stay Kool, Luv. B A. (sing the above to the tune of “We’ll Meet Again”). Sentimentality Rools OK?” (B A Robertson tour programme, 1980). “Initial Success” The Album coming soon. “Kool in the Kaftan” The single out now. (Also from the programme).
Not sure whether this is a guilty pleasure or not. I’d all but forgotten about this gig. One of the great things about writing this blog is that it reminds me of concerts that lie long forgotten somewhere in the depths of my fading memory. Another great thing is that it encourages me to read a bit about each act. Now all I remembered about B A Robertson until yesterday was the great fun single “Bang Bang”, which I though was pretty cool at the time; in a quirky sort of way. But a little googling and I find that he had a few more hits (including “Knocked it off” and the above mentioned “Kool in the Kaftan” which was out at the time of this concert; of course now I remember).
And he had a hit with an excellent cover of the equally excellent P J Proby’s “Hold Me”, on which he dueted with the wonderful Maggie Bell. I’d forgotten about that song too, until I saw Maggie Bell perform it with Pete Barton of the Animals a few weeks ago (and good it was then, and now, too). I’ve just watched “Bang Bang” and “Hold Me” on YouTube. Top of the Pops really was great, wasn’t it. Today I also discovered that B A Robertson wrote some hits for Cliff Richard and “The Living Years” for Mike and the Mechanics. Quite an accomplished guy. Now back to this concert. My ever-fading memory tells me that it was good, harmless pop fun, and also that it wasn’t particularly well attended. But there wasn’t more of B A on stage than us in the audience, as B A had feared.
I’ve decided that it isn’t a guilty pleasure after all, and that B A is a cool guy. Bang Bang. 🙂
1 Apr
Chris Rea in the 70s, Redcar 1983 and Newcastle 2006
Chris Rea Redcar Coatham Bowl 6th March 1983 and Newcastle City Hall 5th April 2006
Chris Rea was quite a well known figure on the North East music scene during the late 70s. Chris was born in Middlesbrough, his family owned an ice cream factory and ran 21 cafés around Teesside. He played in local bands and went solo in 1978. I first came across Chris Rea when I saw him as the support act for Lindisfarne on a couple of occasions at Newcastle City Hall. I would also often see him and his pals at gigs in Middlesborough Rock Garden and the Town Hall. You could easily spot them as they would all be wearing jackets which displayed the phrase “Whatever Happened to Benny Santini?” across their backs. This was the title of Chris’ debut album, and the name that the record company wanted him to use, instead of his own. I recall seeing their jackets, and wondering whi Benny Santini was 🙂 Then I became aware of the single “Fool (if you think it’s over)” which was a big hit for Elkie Brooks. After the Lindisfarne gigs the next time I saw Chris in concert was at a packed home-coming gig at Redcar Coatham bowl. He was on great form that evening, and the local crowd gave him an amazing reception. 
In the years that followed Chris went on to major stardom, and massive hits such as “Road to Hell”. Chris became very ill with cancer in 2001, and underwent a series of operations. He recovered and returned in 2005. The next time I saw him live was on his “farewell tour” in 2006, when it called at Newcastle City Hall. He had just released a CD set celebrating the blues, and the show was a mix of blues classics, tracks from Chris’ massive back catalogue and, of course, his hits. My tickets for that gig never arrived in the post, and I had to collect the hand written ticket pictured here at the door. Chris Rea is a versatile artist, a great songwriter, and a pretty nifty guitarist to boot. Although his 2006 tour was billed as a farewell, he has toured since then. A setlist from 2006: Jazzy Blue; That’s the Way It Goes; Where the Blues Come From; Josephine; Work Gang; Head Out on the Highway; Easy Rider; ‘Til the Morning Sun Shines on My Love and Me; Stony Road; KKK Blues; Julia; Stainsby Girls; Somewhere Between Highway 61 & 49; I Can Hear Your Heartbeat; The Road to Hell; On the Beach; Let’s Dance; Fool (If You Think It’s Over)
31 Mar
Terry Reid Sage Gateshead 25th November 2005
Terry Reid Sage Gateshead 25th November 2005
Aretha Franklin once famously said: “There are only three things happening in England: the Beatles, the Rolling Stones and Terry Reid.” Terry Reid, he of the Superlungs, he who turned down the job in Jimmy Page’s New Yardbirds soon-to-be Led Zeppelin, he of the amazing soulful voice. Just listen to some of his early stuff: “Stay with me baby”, “Bang Bang”, “Rich Kid Blues”, “Hand don’t Fit the Glove” and “Season on the Witch”. The guy just oozed passion, and sang on the edge, squeezing every inch of his soul through his performance. His voice and performance in the mid to late 60s matched that of other great rock and soul singers of the time such as Steve Marriott, Robert Plant, Eric Burdon and Joe Cocker. Terry Reid was someone who I’d always wanted to see in concert. I never got to see him in the early days, and he decamped to the USA in the early 70s, and became a very infrequent visitor to his home country. However, in 2005 he came over to play Glastonbury, and started to gig over here again. He has continued to come over every year or so since. I finally got to see Terry play at The Sage Gateshead in 2005. 
I was really looking forward to the gig, wondering how a modern Terry would approach his songs. The performance was interesting to say the least. Terry seemed the worse for wear, and must have had (more than) a drink or two before he took to the stage. At times he seemed close to falling over. The performance veered from the shambolic to the brilliant. Some of the audience gave up on Terry early in the set, and a few demanded their money back (yes it was that shambolic at times). I think they were given a refund, and they left during the first half of the set. Those of us who stayed were treated to an honest, passionate, right-on-the-edge performance of a man who still has charisma and sings with a passion, authenticity and honesty that is seldom seen. I understand that several of his performances of this period were of a similar nature, but recent reports that I have read suggest that he is in better shape these days.
30 Mar
Red Wedge tour (featuring The Smiths) Newcastle City Hall 31st January 1986
Red Wedge tour Newcastle City Hall 31st January 1986
The Red Wedge concert at Newcastle City Hall in January 1986 is one of the most memorable gigs I have been to. Red Wedge was a collective of musicians, fronted by Billy Bragg, who set out to engage young people with politics, and the Labour Party in particular, during the period leading up to the 1987 general election, in the hope of ousting the Conservative government of Margaret Thatcher. Billy Bragg was joined in Red Wedge by Paul Weller and The Communards lead singer Jimmy Somerville. Red Wedge organised a number of major tours and concert. The first and most memorable, took place in January and February 1986, and featured Billy Bragg, Paul Weller’s band The Style Council, The Communards, Junior Giscombe, and Lorna Gee. The core touring acts were joined by other guest bands throughout the tour.
The City Hall concert featured Billy Bragg, Junior Giscombe, The Style Council, The Communards, with guests Prefab Sprout and, as a big and very welcome surprise, The Smiths. It is The Smiths who stole the show, and their performance that night sticks in my memory as one of the best I have ever seen, by any band.
All of the bands performed short sets; a few songs each. The Communards were impressive, Jimmy Somerville’s soaring vocals were amazing, and the Style Council were also good. I seem to recall D C Lee guested with them and sang “See The Day”. Local heroes Prefab Sprout also went down well. John Hardy recalls their two song set on his North East Music History Blog: “But topping the local talent was the accoustic Paddy McAloon. The quirky ‘Dublin’ – a nostalgic carol to lost Ireland – his carressing croon and lyrical magic came through on ‘Cruel’, aided by the sylph like Wendy”.
But it was The Smiths who stole the show. There were whispers around the hall that something special was going to happen. Without any real warning, The Smiths were announced and stormed straight into ‘Shakespeare’s Sister, followed by ‘I Want The one I Can’t Have’, ‘Boy With The Thorn In His Side’ and ‘Big Mouth Strikes Again’ (“our new single”). There is something about a short set; it allows a band to focus and to maintain a high level of energy and passion throughout. The Smiths were simply phenomenal that night; there was a buzz about them at the time, and everyone was delighted to see them perform. But it was more than that. It was as if they had decided to put everything into those four songs; the power, the intensity, and Morrissey and Marr’s performance were a step above anything I had seen them deliver before (or since) that night. It was as if they knew that they were simply the best band on the planet at the time, and they came out with the confidence and ability to deliver a word class, stunning performance. We sat there, feeling that we were witnessing something special. It was that good. It was the best time I saw The Smiths, and a performance that will stay with me for ever. Perfect rock ‘n’ roll in four songs and 20 or so short minutes.
Johnny Marr said afterwards: “The Red Wedge gig at Newcastle City Hall was one of the best things we ever did. Andy and I had done a couple of gigs already with Billy Bragg in Manchester and Birmingham the week before…I was telling Morrissey about it and he was fairly up for just doing an impromptu show. So we drove up to Newcastle, without telling anyone. I walked into the sound-check…the other bands were a little bit perplexed as to what we were doing there. We had no instruments, so we borrowed The Style Council’s equipment and just tore the roof off the place. In the middle of the set we just walked on to this announcement and the place went bananas.” Morrissey said (NME, 1986): “…that was why we made a very brief, but stormy appearance. When we took to the stage the audience reeled back in horror. They took their walkmans off and threw down their cardigans. Suddenly the place was alight, aflame with passion!”
29 Mar
Red Hot Chili Peppers Edinburgh Murrayfield Stadium 13th June 2004
Red Hot Chili Peppers Edinburgh Murrayfield Stadium 13th June 2004
Support from N.E.R.D and Ash
I quite fancied seeing what the Red Hot Chili Peppers were like in concert, so when they toured the UK in 2004, David and I went along to see their concert at the massive Murrayfield Stadium in Edinburgh. By this point in their career the Chili Peppers were mega-big; their UK tour included massive (and sold-out) open-air shows in Hyde Park, Manchester Stadium and Cardiff Millennium Stadium. The Hyde Park gig was recorded for a live album. I was late buying tickets, and all I could manage to get was a couple of single seats a row apart, right up the back of the stadium. We drove up to Edinburgh on a nice warm Sunday afternoon, arriving just as the first support act Ash were finishing their set. The second support were N.E.R.D. featuring the (now very famous of course) front man Pharrell Williams, who got the crowd up and chearing, and were pretty good. The Chili Peppers came on stage quite early perhaps 8pm; it was certainly still light throughout their set. They played a set which drew from throughout their career and got a pretty good reaction from the crowd, but the sound was very murky where we sitting. Their friend, Johnny Ramone, hadn’t been well (and sadly passed shorty after this tour), so guitarist John Frusciante phoned Johnny at home from the stage.
We were all asked to shout “Johnny, we love you!” as loudly as possible, which of course we did. A nice moment and for me the best bit of the show, and one of the only points where the band really engaged with the crowd. It was the same day as England were playing France in Euro 2004, and towards the end of their set, Flea announced the result from the stage: “We have some news for you…France have just kicked the shit out of England.” Cue a big cheer from the Scottish crowd. We managed to make our way down to the pitch area during the encores, and the sound was much clearer. A good show, but by no means amazing, and I would suspect not one of the Chili Peppers better gigs. Setlist: Can’t Stop; Around the World; I Feel Love (Donna Summer cover); Scar Tissue; By the Way; Brandy (You’re a Fine Girl); Otherside; Easily; The Zephyr Song; Get on Top; Fortune Faded; Throw Away Your Television; I Like Dirt; Leverage of Space; Californication; Right on Time; Parallel Universe. Encore: Drum & Trumpet Jam; Under the Bridge; Black Cross; Give It Away
28 Mar
The Rezillos and The Mekons Newcastle City Hall 30th November 1978
The Rezillos and The Mekons Newcastle City Hall 30th November 1978
The Rezillos had appeared at the City Hall the year before as support to the Ramones. This time they returned as headliners, riding on the success of their “Top of the Pops” single. The Rezillos were a wonderful quirky punk / new wave act from Edinburgh who took a much more light-hearted approach to their music than many other bands of the time. They were fronted by vocalist Fay Fife, who seemed to me to be a cross between Lulu, Twiggy, Sandie Shaw and Mary Quant; fellow singer Eugene Reynolds, who was a very cool cross between James Dean and Steve Zodiac, and guitarist Jo Callis, who went on to join the Human League. Their influences came through very clearly as 60s pop, rock n roll, and B movie sci-fi. The Rezillos split shortly after this tour, to re-emerge with a new line-up as The Revillos. “Top of the Pops” was their biggest hit, but their earlier singles “Can’t Stand my Baby” and “(My baby does) Good Sculptures” were also both good clean fun, as were their covers of Fleetwood Mac’s “Somebody’s Gonna Get their Head Kicked in Tonight”, The Dave Clark Five’s “Glad All Over” and Gerry and the Pacemakers’ “I Like It”. The album “Can’t Stand the Rezillos” is generally recognised as a classic of its genre and era. The Mekons were a punk band formed by a group of Leeds University students ; quite left wing and noisy as I recall. They continue to this day, and are now based in Chicago. A fun night for all super sci-fi pop hipsters.
PS The Rezillos have recently reformed and are gigging again.
27 Mar
Rush Newcastle Arena 5th October 2007
Rush Newcastle Arena 5th October 2007
27 years since they last graced a Newcastle stage, Rush were back and playing at Newcastle Arena. I went along with Laura and a group of mates. Saw a lot of old familiar faces; everyone had turned out to see this band again. This was a very slick and professional show, as befits a band with such a long and strong pedigree. One thing that I hadn’t bargained for was just how many albums had been released since I last saw Rush in concert. My memories were of those late 70s gigs, and I knew all of the songs from those days, but had heard very little by Rush since then. Hence almost all of their set was completely new to me. I only recognised “Spirit of the Radio” and “Tom Sawyer”. This was a long show, featuring two sets and drew from across their back catalogue (but not enough early songs from me. I didn’t think I’d ever see Rush, and that they wouldn’t play Xanadu; but there you go 🙂 ). A lesson learned. It is worth investing the time to get to know a band’s material before going to see them in concert. None the less I enjoyed the concert. 
This was the last time that I saw Rush. They have been back to Newcastle since this gig, but it clashed with another concert for me (I think I was in Manchester seeing Rogers Waters perform The Wall). Rush are hinting at a world tour next year. It’s about time I saw them again. And if I do, this time I will listen to their material before I go to the gig.
Setlist: First Set. Limelight; Digital Man; Entre Nous; Mission; Freewill; The Main Monkey Business; The Larger Bowl; Secret Touch; Circumstances; Between the Wheels; Dreamline. Interval. Second Set. Far Cry; Workin’ Them Angels; Armor and Sword; Spindrift; The Way the Wind Blows; Subdivisions; Natural Science; Witch Hunt; Malignant Narcissism; Drum Solo; Hope; Distant Early Warning; The Spirit of Radio; Tom Sawyer. Encore: One Little Victory; A Passage to Bangkok; YYZ
26 Mar
Johnny Marr Leeds Brudenell Social Club 25th March 2014
Laura and I went to see the great Johnny Marr last night at the equally great Leeds Brudenell Social Club. Johnny played two sold out gigs there as a warm up to some South American gigs. The Brudenell is an intimate club venue and the tickets for these gig sold out immediately. Johnny broke his hand a few weeks ago in a fall while he was running, and it was touch and go if the gigs would go ahead. However, his plaster came off last week, and he felt ok to do the shows. The set consisted of tracks from his latest album “The Messenger”, a couple of brand new tracks which will appear on his next album and the Smiths classics: Panic, Bigmouth Strikes Again, How Soon Is Now?, There Is A Light That and Never Goes Out. He also played a great cover of I Fought The Law (ala The Clash) and Electronic’s Getting Away With It. Really clear sound, great atmosphere, and pretty neat renditions of the Smiths songs. Great stuff!
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