A bit of an adventure to see an old friend and hero. So, Jackie, my taxi driver and I set off early in the evening for a 50+ miles ride up into the wilds of Northumberland to see none other than Edgar Broughton. We travelled up towards Hexham, along a winding road up to Allendale and then a few miles further to Sinderhope where we easily found the High Forest Community Centre a small building set on its own surrounded by lovely fields and wildlife (see picture from website, below). We arrived in plenty of time, around 7 PM (the start time was 7:30 PM).
The staff on the door were very helpful “We’ve been expecting you” and made sure I safely entered the building. They directed me to a space right down the front of the small Hall, sitting close to Edgar himself. Edgar is a great hero of mine since the early 1970s. He was, and is, the original rebel as the T-shirt, which he kindly gave me, proclaims (see image). This guy had no fear in the 70s. He was left-wing, antiestablishment and wore his out–there credentials on his white karate suit (which he always seemed to wear at the time).
As I say I sat next to Edgar, my hero and role model (except I did not have the nerve that he did). So, what could I do but talk to the guy. I had a good chat with Edgar about old times and the first time I saw him perform which was with the Edgar Broughton Band back in 1971 at Sunderland Locarno. I recall being part of a conga trail which weaved its way around the ballroom, up the stairs and across the balcony chanting “Out Demons Out” along with Edgar, Steve Broughton (his brother) on drums and Arthur Grant on bass. Edgar was about to embark on a tour of seaside venues playing on the beach, or close by. The next date was at Redcar beach. However, the local council had banned Edgar and the band from playing there. Edgar told us all that night: “The police are trying to stop us playing at Redcar this weekend. We are going anyway and we will play off the back of a lorry. Please come along to see us. Bring your cars and let’s gridlock all of the roads in Redcar”.
And indeed, he did. I was too young to make my way to Redcar at 14 and had no way to get there. I was there in spirit with you Edgar I told him. The police arrested Edgar and he spent the night in a police cell in the local jail. He wrote a song “Judge Called me a Liar” to commemorate the event. I related the whole story to Edgar. “Yes I remember that day well” and he smiled to me. I also told him how I had seen him many times over the years at Newcastle Mayfair, Sunderland Locarno several times, Newcastle City Hall, the Buxton Festival “It was very wet” Edgar said, and in later years at the City Hall as the Broughtons supporting (Ian) Gillan, in a club at Sheffield, Hull Adelphi club, York Duchess and more recently supporting Roger Chapman at Newcastle Academy. All great memories. Edgar nodded. We chatted on about old times. He kindly signed a CD for me. I moved over to let others talk to Edgar and soon it was time for him to take to the stage.
The hall was small; I would estimate that there was not more than 50 people there and the place was full. The guy who organised the concert came up to see me. “Sorry I was not there when you arrived, I was busy lambing”. Such is rural Northumberland. Edgar sat on a stool not far away from Jackie and me in the centre front of the hall. He sang in his unique soulful voice a clutch of new songs, a few I recognised from recent performances and many from his new CD. His first song was about his brother Steve “We were soldiers together”. Steve sadly recently passed away. You could feel the pain in Edgar’s voice. Other songs were more beautiful. Another I recognise recounted a tale of two people falling in love “Can I dance with you?” (or something like that). Before each song Edgar recounted a story on which the song was based. Each song was challenging, beautiful and soulful. Edgar sang to us directly from his heart.
One particular song was a prequel to the Edgar Broughton Band track “Evening over the Rooftops”. Fascinating. After one song he blew me a kiss. Thank you Edgar. And soon it was over. Edgar Broughton took to the stage around 7:40 PM and concluded his set around 9 PM. After the show I said my goodbyes to my hero, Edgar, and Jackie and I entered our taxi. Our taxi driver informed us that he had been watching lambs, rabbits and deer frisking around in the fields. Wonderful.
We travelled back, this time through the centre of Hexham, and onward into the centre of Newcastle (there was a diversion and the A1 was closed southbound) down Westgate Road and across to Sunderland. I was back in my bed shortly after 11 PM. A wonderful evening. Oh, something I forgot. We asked for a drink and were informed that it was a “Bring your own” bar. One guy kindly said “Don’t worry, here’s a can of Red Stripe you can have”. How kind. But that was the sort of evening, the sort of place, the sort of people it had been. A magical night, with my hero Edgar, who was so friendly and kind to me, in a welcoming venue with such welcoming people. Thank you Edgar. Until next time my friend.
No photos from Jackie and me this time. The concert was so intimate and we were so close to Edgar sitting on his stool in front of us that it just didn’t feel right to take photographs. Instead, I have included a photograph of the venue, my T-shirt, the signed CD and a photograph from Wikimedia Commons of the Edgar Broughton Band at a reunion concert in the 100 Club in London, around the same time that I saw them in Sheffield, probably something like 20 years ago. Time for sleep.
It has been a long time since I last saw 
The Forum website told me: “He’s been a major star for four decades. Paul Young broke into the big time 40 years ago when No Parlez went to number one and spawned iconic hits like Wherever I Lay led to My Hat (That’s My Home). More success followed with the number one album The Secret Of Association and the worldwide hit Everytime You Go Away, not forgetting an appearance at Live Aid and more.
Paul sustained that success – while having fun in his tex-mex band, Los Pacaminos. Now, on the 40th anniversary of No Parlez, he’s releasing a remarkable new record and publishing his extraordinary memoir; both called Behind The Lens. He’s touring the UK, too, where he’ll meet fans, sing songs and tell stories about his incredible career. It’s time to revel in the classic hits and learn the stories behind them as Paul steps out from Behind The Lens.”
As the above description explains this was very much a speaking tour, with Paul reminiscing about many career highlights, interspersed with excerpts from his back catalogue, for which he accompanied himself on acoustic guitar. He was also accompanied by one of his long-time collaborators, who also acted as the interviewer during the Q&A session. The stage was set out with a couple of seats for Paul and his friend as shown in the image. However, photography was not allowed so as not to detract from this intimate show; hence the lack of any pictures within my blog entry this time.
Paul started with tales of his youth and how he first got into music. He moved on to his early soul review band which comprised up to nine members at one-time, namely the Q-Tips, who I saw on two occasions, the first at Middlesbrough Rock Garden and then at Redcar Coatham Bowl. They were excellent on both occasions, Paul very much the front man, leading a band including vocalists and a brass section.
After Q-Tips followed The Street Band and chart success with the quirky hit record “Toast” from which he showed a short video snippet. I had forgotten this particular part of his career. Next Paul proceeded to discuss his massively successful LP record No Parlez which included the hit “Wherever I Lay my Hat” and my particular favourite “Love of the Common People” a reworking of the reggae song originally released by Nicky Thomas in 1970.
Paul then moved to his second, equally successful album, The Secret of Association, and another massive chart hit “Every Time You Go Away”. He then showed a short clip of his appearance at Live Aid, which I attended in Wembley Stadium in 1985. A fantastic memory of momentous day. It brings tears to my eyes when I think of all of the crowd walking out of the stadium singing “Feed the World” after witnessing Bob Geldof leading the entire cast of the day through the song.
The second half of the show brought us up-to-date with Paul discussing his latest band Los Pacaminos and his latest album and book Take a Piece Of Me with You. I bought a copy of the lovely book which contained an autographed card (see images). The other images of the Q-Tips ticket, the Live Aid programme and the No Parlez LP are of items from my own collection. Many thanks to Jan and Chris for the photographs and Chris for manipulating the site. A greatly enjoyable evening with a hugely talented and successful guy.
This was a Mini festival of music which started at 4:30 PM! As I had other commitments on the afternoon I could not make the start of the show. I went along at around 7:30 PM just in time to catch the end of 
A massive singalong and a great introduction to our evening. Sadly, we had already missed 
Next up was the Wedding Present who were one of my main reasons for attending, the other being to see 
They were very loud, fast; reminiscent of the noise of The Birthday Party (Nick Cave’s first band); and David’s favourite band at the time of their formation. David is a very charismatic front man. The songs were unfamiliar to me but I greatly enjoyed each of them. Shades of punk and the Clash ran through my mind. They played a lovely loud, fast version of “Make Me Smile (Come up and See Me)” as a tribute to the late, great, sadly missed Steve Harley. Thanks Ciaran for the recommendation. I must see them again.
I have seen Peter Hook several times over the years. Firstly, with the pre-Joy Division band Warsaw, then the legendary Joy Division themselves and several times with New Order. I also saw him in an intimate book launch show where he talked about his career, demonstrated his different bass guitars and signed copies of his book (which I purchased and stored away upstairs in my hoarder’s vault):. As expected, Peter was centre-stage, bass low down almost on his knee (although not quite as low down as it used to be, perhaps) and delivered an excellent set including many Joy Division classics.
One welcome surprise came a few songs into the set. Peter declared (something like this): “I played my second ever gig in this hall. Our first gig, when we were called Warsaw, before we transformed into Joy Division, was in Manchester and we were playing with north-east band Penetration. They kindly offered to let us play with them the following night here so we came up and supported Penetration and the Adverts in this very hall”. Well, you were almost right, Peter, but I was at that concert and I am 100% certain that it was not in the City Hall but it was in the old Guildhall down by the Quayside.
I remember this particular concert very well. I followed Penetration, and many other punk bands at the time, and met Gary, from Penetration by chance outside the Guildhall. He said something like “We were playing in Manchester last night and met this new great band Warsaw. We invited them up to play here tonight”. The lineup was (in order of appearance): Warsaw, Harry Hack and the Big G (local Newcastle punk band), Penetration and headliners the Adverts, featuring Gaye) Advert on base and vocalist and bandleader TV Smith, had just had a hit with “Gary Gilmore’s eyes” (Gary Gilmore was an American killer who was executed in 1976 and the song is about a guy who wakes up in hospital having had an eye transplant and realises he has been given Gilmore’s eyes!) Crazy or what?.
My recollection of Warsaw is very sketchy but I did watch them and thought they were a reasonable new fast punk band. I almost shouted from my vantage point on the wheelchair platform “No Peter it was the Guildhall” but I was too reserved to do so and anyway I don’t think he would have heard me. I have a flyer for the gig somewhere but it doesn’t mention Warsaw at all as they were a late addition to the bill. Peter Hook then proceeded to play a Warsaw song which I’m afraid I did not recognise but sound quite good. Peter also dedicated a song to Steve Harley; the guy is much missed they ended their set with a brilliant rendition of “Love Will Tear us Apart”. Another fantastic singalong.
Peter Hook & the Light Setlist: No Love Lost; Exercise One; Digital; Warsaw; Reaction; Inside the Line; Ice Age; Novelty; Disorder; New Dawn Fades; She’s Lost Control; Shadowplay; Isolation; Twenty Four Hours; Atmosphere; Ceremony; Transmission; Love Will Tear Us Apart
Much respect to 
The Glasshouse website promoted the show thus: “The tour will get under way in Lulu’s hometown of Glasgow on April 9 and The Glasshouse – which changed its name from Sage Gateshead in September – is to be her third port of call. The tour will wrap up at The London Palladium on April 17 which was the anniversary of the day in 1964 that she first stormed into the UK charts , at the age of just 15, with the iconic Shout. The six dates are set to be a real celebration of a career that has turned Lulu into a national treasure and which has seen her become a Eurovision winner, a Bond theme singer and star of the biggest-selling record in the US – To Sir With Love in 1967. She is one of the first pop artists to have performed behind the Iron Curtain in Poland; has had a number one with Take That and has just this summer performed two nights at the Hollywood Bowl. And now the tour promises to show off Lulu “as you’ve never seen her”.”
The concert was in two parts with a short interval. Lulu focused on the many highlights of her career. The first part covered the 60s and 70s. The second part covered later years including the famous collaboration with Take That. She started with the 1960s “Shout”, and images of her with the Beatles and other stars from the era. And that was how the show progressed.
The format was Lulu talking about her life and her music, interspersing her story with images and the great songs which made her famous. She was accompanied by an excellent band and singers. She focused upon the highlights of her career, which are many and very impressive. After “Shout” Lulu talked about singing a Neil Diamond song: “The Boat That I Row” and showed a picture of her with Neil Diamond, whilst performing the song. Next was my favourite Lulu song “To Sir With Love” which she explained was never a hit in the UK, as it was released as a B-side in this country, but was a massive number 1 in America. She performed the song to a backdrop of clips from the film and many images of herself with Sidney Poitier.
She then went on to talk about her marriage to Maurice Gibb, “I married a Bee Gee”. Which led into showing a video of Lulu duetting with Maurice some years later on the Bee Gees’ track (and my favourite song of theirs) “First of May”. She explained how, long after they had been divorced, she was recording a duets album and someone suggested that she ask Maurice to do a duet with her. She was a little nervous of doing so, but when she did ask him he accepted immediately. Hence the video, during which Lulu sat down and watched the screen. Very touching.
The 1970s saw Lulu representing the UK in the Eurovision Song contest, so she sang “Boom Bang a Bang”. She went on to win the contest. As she sang images from the Eurovision Song contest were displayed on the screen behind her. Fantastic nostalgia. Then she talked about her collaboration with David Bowie, treating us to “The Man Who Sold the World”. Next we moved to the James Bond film theme “The Man with the Golden Gun” which was accompanied by video clips from James Bond films. This lady really was busy in the 1970s!
The second set followed a similar format moving into collaborations with Take That and Tina Turner. Again, some fabulous music and video to support the songs. However, I must admit to preferring the 60s and 70s material. Overall, an absolutely excellent showcase of Lulu’s many career highlights and a fantastic mind-boggling career.
Setlist: Set 1: Shout; Heat Wave; The Boat That I Row; To Sir With Love; Boom Bang-A-Bang; First of May; Oh, Me Oh My (I’m a Fool for You Baby); The Man Who Sold the World; The Man With the Golden Gun; I Could Never Miss You (More Than I Do); Scotland is a Place Called Home.
The evening started with a massive and welcome surprise. Jackie, my carer for the evening, enquired of the steward “what time does the concert finish and is there a support act?” I was so pleased and surprised when she returned and said “there is a support act and they are called 
Man continued through various line – up changes, the one constant being the excellent guitarist Micky Jones. When Micky sadly passed away, his son George took on the mantle of lead guitarist and the band continued with original bass player Martin Ace and long-time keyboard player Phil Ryan. I saw this version of the band at the New Roscoe pub in Leeds and they were excellent.
Somewhere along the road, there was a split in the band. Bass player Martin Ace continued his version of the band, inheriting the name Man while Micky Jones’ son George Jones formed his own version of the band Son of Man. Confusing or what! And it was this band, the one and only Son of Man, who were supporting 
George has assembled a great band around his fantastic guitar playing, including an excellent vocalist. They played music from their latest album and also some Man favourites including “Spunk Rock” and “Bananas” which has the amazing lyric: “I like bananas, because they’ve got no bones; I like marijuana, because it gets me stoned”. He even mentioned that the last time one of the songs was played in the City Hall was when Man performed there alongside John Cipollina from the legendary Quicksilver Messenger Service. I remember that particular concert well! And you can probably find a review on my blog somewhere. A great start to the evening.
Could things get better? Yes of course they could. Hawkwind were also one of my favourite bands in the early 70s. I have seen them many times over the years from the days, before they hit the charts with “Silver Machine”, and Stacia danced naked with them on stage. The current tour publicity material guides us through the complex history of Hawkwind: “One of England’s most enduring hard rock bands, Hawkwind were formed in London during the late ’60s, just as art rock was coming into its own. Though lesser known than contemporaries like Pink Floyd, the band is widely hailed as one of space rock’s early pioneers, thanks to seminal albums like 1973’s live opus Space Ritual, and its 1974 studio follow-up In the Hall of the Mountain Grill.
Their potent mix of psychedelia, prog, straight-ahead hard rock, and lyrics steeped in science fiction — particularly the themes and imagery of author Michael Moorcock, who also became a member at various points — and drug effects helped define Hawkwind and separate them from the competition. The group’s history has been marked by a series of confusing lineup changes, as members began an almost revolving-door relationship with the band virtually from the outset. Throughout their many decades and incarnations, founding guitarist Dave Brock has remained Hawkwind’s chief steward, while notable players like Lemmy and Ginger Baker have also enjoyed stints with the band.”
As you will have gathered from the above, the line-up has changed many, many times over the years, the one constant being bandleader Dave Brock. Well, Captain Brock led his family through a selection of Hawkwind tracks old and new including favourites: “The Psychedelic Warlords Disappear in Smoke”, “Spirit of the Age” and “Brainstorm”. No “silver machine” and Dave Brock took a backseat in some of the songs and was not present for the encore (I believe it was said that he was backstage having a cup of tea) but, hey, who cares, this was still Hawkwind at their best.
A marvellous evening spent with two fantastic hippie/psychedelic bands. It doesn’t get much better than this. Many thanks to Jackie for the photographs and to Chris for manipulating the site.
Back in the City Hall with carers Jackie & Jan, along with my daughter Laura who is a fan of the Smiths, Morrisey and 
The crowd, by the way, was absolutely massive: it looked like you could hardly move down there. It was the biggest crowd I have ever seen standing in the City Hall. We were all set for a fantastic evening with tremendous atmosphere.
Gaz Coombes got the proceedings off to a great start. He has a new band and played a clutch of solo material. As far as I am aware, no Supergrass material at all (as for I am aware). Very entertaining. But everyone was there to see the main man Johnny Marr. He came on stage to a massive roar from the crowd.
The publicity for the tour described him thus: “Founding member and songwriting genius of The Smiths, superstar collaborator and sensational solo artist, Johnny Marr is rightly regarded as a bona fide British music icon. He has just released Spirit Power: The Best of Johnny Marr, a collection of songs curated from the last 10 years of his sublime solo output, together with a pair of new tracks, Somewhere and The Answer. The album, which debuted in the UK Top 10, came hot on the heels of Marr’s last studio album, Fever Dreams Pts 1-4and 2023 photography book Marr’s Guitars.”
Johnny took to the stage and truly commanded it. He waved his guitar about and played a selection of songs from his back catalogue including several Smiths songs (Laura counted seven, more than we have ever seen him play before) including “Panic”, “This Charming Man”, “Bigmouth Strikes Again” and “How Soon Is Now?” Great stuff! He closes with the Electronic song “getting away with it”. I am even getting quite familiar with his solo material. An excellent selection of songs drawn from throughout his career.
The encore included an excellent stomping version of Iggy Pop’s “The Passenger”. For the very last song we were once again taken back to the Smiths and “There Is a Light That Never Goes out”. We all agreed that the entire concert was very enjoyable indeed. A great night with a modern icon who is a true hero to Laura and me.
Johnny Marr Setlist: Sensory Street; Generate! Generate!; Panic; New Town Velocity; Spirit Power and Soul; This Charming Man; Somewhere; Walk Into the Sea; The Answer; Please, Please, Please Let Me Get What I Want; Get the Message; Bigmouth Strikes Again; Hi Hello; How Soon Is Now?; Easy Money; Getting Away With It.
The Glasshouse website announced this concert thus:
“And so the stick man poet came to the north-east
Far from Beasley Street
In the cheap seats in the Odeon
Where the action is
From the Fire Station
Setlist (something like this): Questions I Can’t Answer; Hire Car; Get Back on Drugs You Fat F**k; Lydia, Girl With an Itch; Necrophilia; Beasley Street; Beasley Boulevard; Diez Macarenas; Sir Tom Jones; She’s Got a Metal Plate in Her Head; The Marital Miseries of the Modern Misogynist or The Rime of the Ancient Marrier; I’ve Fallen in Love With My Wife; Evidently Chickentown
My friend John was over from the USA. It was great to meet up with him again and to share memories of concerts that we enjoyed together at Newcastle City Hall in the 1970s. This was the second time I have seen 
So, we were both looking forward to the concert. Elaine was my carer for the evening and John, Elaine and I all went off together in the taxi to the City Hall.
First up as support act was an American band called 
It was standing downstairs, as is often the case in the City Hall these days. As usual, I was perched from a great vantage point on the wheelchair platform. Elaine insisted that John sat next to me on the platform and she also managed to find an empty seat up there also. So, we were all sorted for our hero taking the stage.
Slash is accompanied by a singer, 
The encore was something of a surprise to me. Slash sat down at a pedal steel guitar for a beautiful rendition of Elton John’s “Rocket Man”. Fabulous.
Setlist: The River Is Rising; Driving Rain; Halo; Too Far Gone; Back From Cali; Whatever Gets You By; C’est la vie; Actions Speak Louder Than Words; Always on the Run; Bent to Fly; Avalon; Spirit Love; Don’t Damn Me; Starlight; Wicked Stone; April Fool; Fill My World; Doctor Alibi; You’re a Lie; World on Fire.
Another great concert at the Fire Station which is proving to be an excellent hometown venue. And with two of my favourite 1980s bands.
Support came from the semi psychedelic music of the
So, the lineup I saw was this duo of McNabb and Layhe and it was great to see them together again. My favourite song is “Love Is a Wonderful Colour” which closed the set. A great support act, worthy of headline status in their own right.
Bought myself a lovely lyric sheet for “Love Is a Wonderful Colour” which Ian and Chris kindly signed for me. Setlist: Hollow Horse; Little Girl Lost; Evangeline; Out of Season; Starry Blue Eyed Wonder; Understanding (Country) Jane; Birds Fly (Whisper to a Scream); Love Is a Wonderful Colour
Following Adamson’s death in 2001, Big Country reformed in 2007, with the surviving members. Between 2010 and 2013, they also reformed with Mike Peters of The Alarm on lead vocals. Since then Big Country has continued with two of the original members (Watson and Brzezicki) and Simon Hough on vocals.
Steeltown was the second studio album by Big Country, recorded at ABBA’s Polar Studios in Stockholm. Released in 1984 Bruce Watson remembers: “We started work on Steeltown back in June 1984 at Abba’s studio. My Dad was a miner, so what we did was knuckle down to hard work for six weeks”. The album was based around the steel industry in Corby, Northamptonshire which was mainly populated by Scottish workers. The album went straight to number 1 in the UK album charts.
They have recruited an excellent new guitarist whose playing gives homage to the late, great Stuart Adamson. To my shame I am not familiar with Steeltown (although I probably saw them on the tour to promote the album). It was great to hear their music again. Particularly as they also performed great personal favourites such as: “Look Away” And “In a Big Country”. They concluded their set with “Fields of Fire” incorporating another great Celtic song “Whiskey in the Jar”. An excellent end to an excellent evening.
Setlist: Flame Of The West; East Of Eden; Steeltown; Where The Rose Is Sown; Come Back To Me; Tall Ships Go; Winter Sky; Rain Dance; The Great Divide; Just A Shadow; Look Away; Chance; In A Big Country; Wonderland; Fields Of Fire / Whiskey In The Jar
I am entering this report for completeness really. I went to see Barbara Dickson recently and she played quite a few Beatles songs, mentioning that the Beatles have been an important part of her career, starting with her rendition of Beatles tracks for the musical John Paul George Ringo & Bert which I saw at Sunderland Empire sometime around 1974. So I searched on my blog for the musical and to my shame discovered that I had not done an entry for this. So here I am today rectifying this error.
From the 
Vintagerock's Weblog. 