Small Faces Newcastle City Hall 19th April & 17th September 1977
Small Faces are one of the most important bands ever. As well as being central to the mod movement they also produced some of the best 60s pop in Lazy Sunday and Itchycoo Park, pioneered blues-rock and presented a blue-print that Zeppelin would model themselves on (listen to You Need Loving from their 1966 album) and experimented with mixing soul/blues/pop with psych on Tin Soldier and the wonderful Ogdens’ Nut Gone Flake album. I have written before about how I believe that Steve Marriott was one of our greatest ever singers and performers. The more I watch old videos of Marriott in Small Faces and Humble Pie, the more I realise just how sensational and unique he was.
I never got to see Small Faces in the 60s, they split up before I got into concert going. I did see Humble Pie several times, and was always totally blown away by Steve Marriott’s soul, emotion and power. So when Small Faces reunited after the Faces broke up in 1975, I was totally up for seeing them. The guys first reformed briefly to film videos miming to the reissued “Itchycoo Park” which hit the charts again. Ronnie Lane left after the first rehearsal due to an argument. 
Although the others didn’t know he was already unwell and was beginning to display the symptoms of multiple sclerosis. McLagan, Jones and Marriott decided to stay together as Small Faces, recruiting ex- Roxy Music bassist Rick Wills to take Lane’s place. As well as touring they also recorded two albums: Playmates (1977) and 78 In The Shade (1978) neither of which were very successful.
The Small Faces played at Newcastle City Hall twice in 1977; in April and September. The first show was pretty full, perhaps even sold-out, but the second gig was quite poorly attended. Perhaps it was just too soon after the first (there was after all only 5 months between the two gigs). I was near the back for the first concert and right down the front for the second gig. They were supported by cockney punks Cock Sparrer at the first concert. Cock Sparrer would go on to pioneer the skinhead Oi movement. I remember thinking that they were incredibly raw, very like the Jam and old Small Faces. Ace young guitarist Jimmy McCulloch also briefly joined Small Faces after leaving Wings, and was with them at the second of the City Hall gigs. I think old mate P P Arnold was also with them, providing backing vocals. Blue (fronted by ex-Marmalade Hughie Nicholson) were support at the September concert. Unfortunately for Small Faces, music in Britain was rapidly changing and punk rock was becoming firmly established. 
The reunion concerts and the albums didn’t result in the success and adoration that, in my view, they should have. At the time, this reunion wasn’t recognised for what it was, another chance to experience one of our greatest ever bands and one of our greatest ever front men. The time just wasn’t right for this reunion and Small Faces broke up again in 1978. For me, it was amazing to see Small Faces live at the City Hall. The shows were incredible, and I simply marveled at actually seeing Marriott perform Tin Soldier and All or Nothing, both of which remain two of my all time favourites. Their like will never be seen again.
The set for the concerts consisted of old faves and a few new songs including: Whatcha Gonna Do About It; Everybody Needs Somebody to Love; High and Happy; All or Nothing; Find It; Itchycoo Park; Smiling in Tune; Tin Soldier; Playmates; Looking for Love; Lazy Sunday
Posts Tagged ‘rock n roll’
12 May
Small Faces Newcastle City Hall 19th April & 17th September 1977
10 May
Sigue, Sigue Sputnik Newcastle Mayfair 12th March 1986
Sigue, Sigue Sputnik Newcastle Mayfair 12th March 1986
Recipe for a successful pop/new wave band.
1. To start off you must have some existing credibility. In this case, Tony James had a significant punk pedigree, and had starred in Generation X. Tony was, and remains, a good friend of Mick Jones of the Clash, who was to be the new band’s sound engineer.
2. Find a charismatic and, ideally crazy, lead singer. Enter Martin Degville, or simply “Degville”.
3. Craft a new art-based image, and wear the wildest clothes you can. It helped that Degville was a clothes designer and worked in YaYa clothes shop in Kensington Market.
4. Choose a wild, obscure, strange name for the band, so everyone can talk about you and discuss what the name means (by the way what does Sigue, Sigue Sputnik mean?).
5. Rehearse a lot, and play rarely, and only at select trendy venues.
6. Talk to the press and “big up” your band. James described the band as “Hi-tech sex, designer violence, and the fifth generation of rock ‘n’ roll”.
7. Wait until you feel the time is right, and the band have gained enough of a buzz around them and then, and only then, release a single. Link the single with a movie, for mass exposure. In this case the band’s first single “Love Missile F1-11” was included in the film “Ferris Bueller’s Day Off”. It reached No 3 in the UK charts.
8. Go out on tour at last. Make sure that there is lots of publicity around the tour. In this case the band were billed as the latest shock rock band; the next Sex Pistols. The Sun featured the usual shock-horror stories. Some of their shows were marred by violence and Sigue, Sigue, Sputnik were, as a result, banned from several venues. The Newcastle gig was moved from Tiffanies to the Mayfair, because of fears of violence.
Now to the concert. The gig itself was not that well attended, and the security entering the venue was one of the strictest I have seen. Full searches on the way into the ballroom. The show was as expected; outrageous, strange, fun and like nothing else we had seen. The music was a mix of dance, electronic, rockabilly and punk; if that makes any sense. Degville was very much a star, wearing the most outrageous headgear and costume. A video of the Newcastle gig can be seen on YouTube. Google Sigue, Sigue, Sputnik and Newcastle Mayfair and you’ll find it.
Sigue, Sigue Sputnik were Tony James – space guitar; Martin Degville – vocals; Neal X – electric guitar; Ray Mayhew – drums; Chris Kavanagh – drums; Yana YaYa (Jane Farrimond) – keyboards, space echo, special effects.
I saw them once more at Newcastle Riverside a year or so later.
7 May
Santana and Earth, Wind & Fire Newcastle City Hall 15th September 1975
Santana and Earth, Wind & Fire Newcastle City Hall 15th September 1975
This was a strong double bill of two quite different bands. Disco funk legends Earth, Wind and Fire opened the show. They had just released the album “That’s the Way of the World” and were massively successful in the USA, if less well known in the UK. I remember them having a big show, with lots of people on stage, and the highlight was a revolving drum kit (you had to see it to believe it 🙂 ). Santana had a lot to follow with such a strong opening act, but Carlos and the band rose to the occasion playing a set that included favourites like Black Magic Woman, Samba pa ti and Soul Sacrifice. The tour came between Santana’s sixth album “Borboletta” and their seventh “Amigos”. I recall that the concert was sold out and Marie and I went along without tickets. We managed to get two single seats, and spent the evening watching the concert standing at the back of the hall. 
The next time I saw Santana they were special guests for Bob Dylan at St James Park Newcastle, on 5th July 1984. Santana’s set at this massive open-air gig was Touchdown Raiders; Spirit; By the Pool; Samba pa ti; Breaking Out; Gypsy Queen; Incident at Neshabur; Waited All My Life; Two Points of View; Brotherhood; Savor; Who Loves You; Open Invitation; She’s Not There; Europa (Earth’s Cry, Heaven’s Smile); Right Now.
6 May
Santana Newcastle City Hall November 22nd 1972 early (6.30pm) show: Exclusive Northern appearance
Santana Newcastle City Hall November 22nd 1972 early (6.30pm) show: Exclusive Northern appearance
John and I went to see Santana at Newcastle City Hall on November 22nd 1972. The band played two shows at the venue that evening, and we went to the early show which was at 6.30pm. John’s memories of the gig: “As I recall Santana were not frequent visitors to the UK and this was one of the earliest times they played in the North East in the post-Abraxas period. They played two shows, with no support and it was my birthday. At that time Carlos was heavily influenced by John Mahavishnu and was moving in a more jazz/fusion-influenced direction than the heavily percusive sounds of the first two albums. I believe at the beginning of the set he said “A moment of meditation for Devadip” which was the name given to him by his guru Shri Chimony. Apparently it means “The lamp, light and eye of God”. This change in musical direction caused considerable tension within the band and precipitated a number of line up changes. I remember really enjoying the gig and I think they played most of Side 1 from the Caravanserai album – “Waves Within”, “Look up (to see whats coming down)”, “Just in time to see the sun”, “Song of the wind” and “All the Love in Universe”. Funnily I don’t remember if they played “Black Magic Woman” or “Oye Como Va”. I never saw the band again but have great memories of this show.”
My memories of the gig are also of an enjoyable concert. I’m pretty sure that they also played “Samba Pa Ti”. Their visit covered only two UK cities, Newcastle and Manchester, as part of their 1972 European tour (not sure how it could be an “Exclusive Northern appearance” when they also played Manchester 🙂 ; but maybe it was at the time the tickets were printed). Santana had just released their fourth album Caravanserai, and as John says it was a sharp departure from his critically acclaimed first three albums. We were all familiar with Santana at the time because of their excellent storming performance of “Soul Sacrifice” in the “Woodstock” film. By the time John and I saw Santana and his band in Newcastle their musical style had changed considerably from the band we all saw and loved in “Woodstock”. I recall being quite surprised by the difference, which was moving the music closer to that which John McLaughlin was pursuing in his Mahavishnu Orchestra. Santana’s exquisite guitar playing shone out, as it always does, to this day. I also remember that Slade were performing at Sunderland Top Rank that evening, with Thin Lizzy and Suzi Quatro as support acts. As we returned home after the Santana gig, which will have bee finished by 8.30pm to allow for the late show, we could see people entering the Rink (aka Top Rank) for the Slade gig.
A setlist from three days later at a concert in Switzerland shows Santana as having played the following songs. I would suspect the Newcastle set is likely to have been similar to this one: Going Home; A-1 Funk; Every Step of the Way; Samba pa ti; Look Up (To See What’s Coming Down); Just in Time to See the Sun; Incident at Neshabur; Bambele; Stone Flower; Waiting; Castillos de arena; Free Angela; Earth; Se a Cabo; Savor; Toussaint L’Overture
5 May
Saxon Newcastle City Hall 1980, 1981 and 1982
Saxon Newcastle City Hall 1980, 1981 and 1982
I saw Saxon on three more occasions at Newcastle City Hall. The first was on 1th December 1980 on the “Strong Arm of the Law” tour. From the programme: “Hi there , this is Biff writing a few lines to tell you what’s happened since we last saw you. As you may know “Wheels of Steel” went silver and I was very proud to receive my silver disc. We are now becoming successful in other countries round the world and we owe all this to you, our British fans. I hope you like the new album and tour..Have a listen to “Heavy Metal Thunder” – it’s dedicated to YOU!”. I’ve just done as Biff suggested and watched a clip of Saxon playing “Heavy Metal Thunder” live at the time. Biff plays the rock star part to a T, long locks flailing about, and great silver spandex trousers. A solid slab of heavy metal rock. “Strong Arm of The Law” was Saxon’s third studio and was released only four months after “Wheels of Steel” charted at No. 11; these guys were on a roll. The song I remember most from the new album, and which I enjoyed seeing them play live was “Dallas 1 PM”, which was written about the assassination of John F. Kennedy. Support on the tour was Limelight, a rock band from Mansfield. Limelight had a strong following in the North East clubs at the time. 
The next time I saw Saxon was on 21st October 1981. This was the “Denim and Leather tour”. Denim and Leather was their fourth studio album, released in 1981 and was the last album with the classic line, as drummer Pete Gill left the band due to a hand injury. It is also seen as the last of their three classic albums (along with Wheels of Steel and Strong Arm of the Law). Following its release Saxon stopped making albums for over a year, and concentrated on looking for success in the USA. Support came from American heavy rock band Riot. From the programme” “Denim and Leather. The two words were made from each. Like bread and butter. Salt and pepper. Gin and topic. Simmons and Stanley. They fit together as snug and neat as an expertly carpentered mortice and tenon joint. They roll over the tongue with ease, like the phrase “And incidentally music lovers” from Fluff Freeman’s lips. And they’re destined to become as much a part of heavy metal’s frenzied folklore as the expressions “mayhem merchant”, “titanic powerchord” and “flashbomb fever”. [Yeah, terms I use every day 🙂 ]. Denim and leather are old friends. And the older, more frayed, scraped, battered and tattered the better. Combined, the two materials make up a uniform to be reckoned with, a Kerrang! kostume more meaningful then the DM’s and Sta-Prest of the cropped-tops; more relevant that the tablecloths and Jolly Rogers….of the ephemeral futurists. Look at the Hammersmith hordes. The multitudinous Mancunians. Cower before the Bristil Battalion. The Glasgow garrison. There’s an army out there and the battledress is the same. Leather jacket, studded, patched with motorcycle brand names, once dark and supple, now cracked and turning brown. Or denim jacket, embroidered, faded, grubby, stiff and stained with the sweat of 100 hothouse holocausts. And the jeans, greasy with engine oil, wearing through all the knees, ill-fitting and overlong…..Heavy Metal, after all, is a mass experience, an enjoyment to be shared, not selfishly guarded, not confined to bleak bedsit seclusion…Some people will never understand but we relish being..An army of thousands surrounded by lights. And we have the power to proclaim that…Nobody stands in our way!” Apologies for reproducing so much from the programme here, but I feel that it sums up the mood of the time, and is very much “of the period”. 
Saxon were back at the City Hall on 17th September 1982. There was no new studio album to promote, but they had just released a live album “The Eagle has Landed” which was also the title of the tour. The cover of the tour programme shows Biff standing victorious on the Donington stage, facing a massive crowd of denim and leather, the famous tyre in the background. Support for the 1982 tour were Cheetah, a rock band fronted by two girl vocalists. The live albums contains the following tracks, which give a feel for Saxon concert sets at the time: Motorcycle Man; 747 (Strangers in the Night); Princess of the Night; Strong Arm of the Law; Heavy Metal Thunder; 20,000 Ft.; Wheels of Steel; Never Surrender; Fire in the Sky; Machine Gun; And the Bands Played On; See the Light Shining; Frozen Rainbow; Midnight Rider; Dallas 1PM; Hungry Years.
Part of the attraction of Saxon was the working class, Northern, nature and work ethic of these guys. They were living the dream, living their life through rock, and using as an escape from the pits and the factories which may otherwise have been their future. This was, I am sure, part of the reason they were so successful in the North East. The audience identified with them, it was as if they were looking at themselves on stage, and living out their fantasies and dreams through Biff and the guys.
I saw Saxon once or twice more at Monsters of Rock festival, but haven’t seem them again since those days. They continue to gig and have recently returned to the public eye, in part due to a TV programme in which Harvey Goldsmith helped them relaunch their career.
Another one for my ever-growing list of bands to see again, at least once more.
PS Just noticed that I was pretty close down front for all these gigs. That explains why my hearing is starting to fail these days….Has anyone ever taken a case against a group of bands for hearing loss ? 🙂
PPS Another memory entered my head today. I recall seeing Saxon play at West Cornforth (Doggy) club one night, it must have been in 1979. I think they were still billed as Son of a Bitch, but had changed their name to Saxon by the time they played the gig. They were awesome (and LOUD) in a small workingmens’ club. I still don’t know why they call West Cornforth “Doggy” 🙂
4 May
Yes Newcastle City Hall 3rd May 2014
Yes Newcastle City Hall 3rd May 2014
Yes are back touring the UK again, performing three of their most popular albums in their entirety: The Yes Album, Close to the Edge, and Going for the One. The current Yes line-up consists of founder, and only surviving original member, Chris Squire on bass; guitarist Steve Howe from the classic Yes line-up; long-time drummer and local lad Alan White drums, more recent returnee Geoff Downes from the 80s line-up keyboards, and new singer Jon Davison. It was good to go along knowing that I would be hearing classic songs such as “Yours is No Disgrace,” “I’ve Seen All Good People,” “Starship Trooper,” “Close to the Edge,” “And You And I,” “Going for the One,” and “Wonderous Stories.
“We performed these three albums in their entirety on our North and South American tours, and the fans absolutely loved it,” says Yes guitarist, Steve Howe. “Fans did indeed love it,” states Yes co-founder and bassist, Chris Squire, “and so did we. Plus, we’ll be performing pieces we’ve rarely played live. In fact, I believe the one song we never performed in concert before our three-album tours is ‘A Venture’ from The Yes Album.” Alan White goes on to say, “As with our three-album North and South American tours, this is a great opportunity to share with our European fans the growth of Yes throughout different eras, and to revisit the great memories of those times, as well as create brand new ones. We’re looking forward to touring Europe, performing these albums, and most of all, meeting our wonderful fans. It’s great fun for us, and we think our fans throughout Europe will love the performance as well.”
It’s 45 years since I first saw Yes, and 43 years since I first saw them perform The Yes Album, which was also at a concert in the City Hall, when they supported Iron Butterfly. I wasn’t sure what to expect last night, particularly with another new singer in the band. What we got were excellent versions of all the songs. The new singer fits into the band perfectly. His vocals are spot-on and very close to Jon Anderson’s original recordings, and his performance, vibe and stage presence just seemed to fit with the feel of the band. It took me some time to get used to seeing the last guy they had singing, but this vocalist just seemed “right” from the first few bars of “Close to the Edge”. Of course, I will still prefer to see the return of Jon Anderson, but if that isn’t going to happen, you couldn’t get any better than this Jon as a replacement. But the star of the show last night was, without question Steve Howe, who played as well as I have ever seen him do, and was more animated than I have seen him for many years. The rest of the band all played faultlessly, and Chris Squire plays the role of senior member to precision, making most of the announcements and prowling around the right hand side of the stage. Each album and each song was announced on the screen at the rear of the stage, and the performance was augmented by a neat of set of visuals which included pictures, posters and tickets from “back in the day”. Similarly the tour programme is littered with images of memorabilia from early 70s tours, many of which I recognise. The programme also include the “Fragile” album, which must have featured in some of the US shows. The City Hall was pretty full last night, I would estimate that it would at about 90% capacity, and the crowd clearly enjoyed the show, giving Yes one of the best receptions they have had in Newcastle for many years.
An excellent concert from a band that just keeps on going, and who are as excellent musically today as they ever were.
Set 1. Close to the Edge: Close to the Edge; And You and I; Siberian Khatru. Going For The One: Going for the One; Turn of the Century; Parallels; Wonderous Stories; Awaken.
Interval.
Set 2. The Yes Album: Yours Is No Disgrace; Clap; Starship Trooper; I’ve Seen All Good People; A Venture; Perpetual Change.
Encore: Roundabout.
3 May
Saxon “Wheels of Steel” Newcastle City Hall 21st April 1980
Saxon “Wheels of Steel” Newcastle City Hall 21st April 1980
From the 1980 tour programme:
“Saxon. The name immediately conjures up visions of swashbuckling macho men who rape and pillage at every opportunity. Well, Saxon the band may not rape, but if anybody’s ever been to one of their concerts then they will know that the pillage bit is not that far from the truth. They’re the archetypal getcha rocks off head down no nonsense (mindless?) boogie band, hitting harder than a punch in the gut with a slab of concrete.”
Get the idea? Very much of its time and some of the language certainly wouldn’t seem acceptable these days. But this was the era of the dawn of the NWOBHM (New Wave Of British Heavy Metal) and Saxon came along riding high from deepest Yorkshire (Barnsley to be precise) with their brand of heavy rock.
I first saw Saxon when they were called Son of a Bitch and played regularly in a “before the match” spot at the Boliermakers club. It was obvious then that these guys were a pretty tight rock band and they built up their own following in the North East clubs. Some of my mates were pretty heavily into them at the time. The next thing we knew; they had rebranded themselves as Saxon and were appearing as support for major bands, such as Motorhead. 
Then they hit the big time, and were appearing on Top of the Pops playing “Wheels of Steel”. This all happened quite quickly. I remember going along to the City Hall gig, which was part of their first major tour, and wondering how many people would be there. It was pretty full, as a I recall, and Saxon delivered a solid set of heavy metal rock’n’roll. There are some damn fine rock tunes on the “Wheels of Steel” album including, as well as the title track, “747 (Strangers in the Night)”, which was a favourite of mine at the time, and “Suzie Hold On”. “Wheels of Steel” was Saxon’s second album and is recognised as their best work. It received positive reviews at the time; Eduardo Rivadavia said: “the album’s songs positively gleam with a bright, metallic sheen similar to that exhibited by the chrome eagle hoisting a motorcycle wheel on its iconic cover.” Support for the City Hall show was heavy rock band Lautrec.
Saxon were, at the time: Biff Byford (vocals, big hair, leather jacket and lycra trousers); Graham Oliver (guitar); Paul Quinn (guitar); Steve Dawson (bass); and Pete Gill (drums). I remember one of the guitarists had his guitar attached to his belt buckle and would spin it around and around, which looked pretty impressive. Biff was the main man, however, and had good rapport with the North East crowds who warmed to his Yorkshire humour.
Setlist: Motorcycle Man; Still Fit to Boogie; Freeway Mad; Backs to the Wall; 747 (Strangers in the Night); Rainbow Theme; Frozen Rainbow; Wheels of Steel; See the Light Shining; Judgement Day; Bap Shoo Ap; Street Fighting Gang; Stallions of the Highway; Suzie Hold On; Stand Up and Be Counted; Machine Gun.
“When my foots on the throttle there’s no looking back, I leave the motor tickin’ over when she’s back on the track, I’ve got a 68 Chevy with pipes on the side, You know she’s my idea of beauty, that’s what I drive. She’s got wheels, wheels of steel!…(Wheels of Steel, Saxon, 1980)
2 May
Damon Albarn The Great Hall Queen Mary University of London 1st May 2014
Damon Albarn The Great Hall Queen Mary University of London 1st May 2014 
Laura, David and Shauna and I went to see Damon Albarn play a special intimate show at The Great Hall Queen Mary University of London last night. David and Shauna are students there, so when this gig was announced Laura and I decided we would go down and join them for it. Demand for tickets was huge, with tickets limited to two per person and special arrangements to prevent touts from selling them on. We managed to get two seats, a single seat and a standing ticket, so we were spread out around the hall.
Albarn has just released his new studio album, Everyday Robots, which features cameo appearances by Brian Eno and Natasha Khan (Bat For Lashes). The album has been quite well received: “an intimate, introspective album that takes tentative steps to reveal the soul behind the star” (The Independent), “He’s arguably the foremost creative innovator of our times” (NME), “Beautiful, but subtle, cloudy and elusive” (The Guardian).
The Great Hall, part of Queen Mary’s historic People’s Palace, was re-launched in February 2013 following a £6m refurbishment project to restore the building to its former glory and install new technology.
Its a pretty amazing venue, and has a history of hosting gigs in the past; a poster on the wall shows that Pink Floyd, Black Sabbath, Genesis, Curved Air, Edgar Broughton and others played there in the late 60s and early 70s. George Foden, Corporate Events Manager of the University said: “We’re really excited to be involved. The promoter was considering several venues around London, so we’re delighted they chose the Great Hall for this high-profile show. When the venue was refurbished we ensured that the technical equipment installed was of a high-specification in order to attract artists of this calibre. We hope this will be the first of many live concerts in the Great Hall for staff and students and the local community to enjoy, as the venue has a long history of hosting live music events.”
The set was a mix of tracks from the new album, and lesser known (by me anyway, but judging by crowd reaction the audience knew them) songs from Blur, Gorillaz, The Good, the Bad & the Queen, and Rocket Juice & the Moon (Albarn’s collaboration with Flea of Red Hot Chili Peppers). Biggest crape reaction was for the Gorillaz hit “Clint Eastwood” which featured guest rapper Kano. Albarn moved from singing centre stage, to sitting at a piano, to rocking with a Graham Cxon signature Fender Telecaster. The pace and mood of the songs change similarly, with some intense rockers balanced by moody, delicate piano-based treatments of Blur songs, such as closer “This Is a Low”. Damon is accompanied by his excellent new band Heavy Seas and a small string section.
A great show 🙂 which demonstrated the breadth and richness of Albarn’s catalogue. Laura and I were up early to get the first Grand Central train home (07.52 😦 )
Setlist: Lonely Press Play; Everyday Robots; Tomorrow Comes Today (Gorillaz); History Song (The Good, the Bad & the Queen); Hollow Ponds; Slow Country (Gorillaz); Kids With Guns (Gorillaz); Three Changes (The Good, the Bad & the Queen); You and Me; Photographs (You Are Taking Now); Kingdom of Doom (The Good, the Bad & the Queen song); Poison (Rocket Juice & the Moon); Hostiles; El Mañana (Gorillaz); The History of a Cheating Heart; Out of Time (Blur); All Your Life (Blur). Encore: Clint Eastwood (Gorillaz; with guest Kano); Mr. Tembo (with choir); Heavy Seas of Love (with choir); This Is a Low (Blur)
1 May
Stiff Little Fingers Newcastle City Hall 23rd January 1982 (and/or October 1982?) and farewell on 5th February 1983
Stiff Little Fingers 23rd January 1982 (and/or October 1982?) and farewell on 5th February 1983
The fourth (also to be the final) album of Stiff Little Fingers’ first incarnation, Now Then… was not as successful as their earlier albums. The album took the band towards a more pop/new wave-oriented sound than their previous releases and wasn’t received that well by fans and critics. Having sad that, it did reach No 24 in the UK album charts. In 1981, drummer Jim Reilly left, and was replaced by Dolphin Taylor (from the Tom Robinson band).
“Looking back, for me, that was the end of the REAL SLF. After touring and recording for four years, Jake decided that 1982 would see the end of SLF. He wanted to pursue a solo career and walked away. I went back to a life in Belfast.” (Henry Cluney, from his website).
Live, however, they continued to be a major attraction and toured again in 1982, in support of Now Then…
Frustratingly, my tickets and programmes for SLF in 1982 leave me confused once again. I have a ticket stub from a concert at the City Hall on 23rd January 1982, yet the programme from the same year shows that they played twice at Newcastle City Hall on 11th and 12th October 1982. So….was the January gig postponed until October? Or did I see them in January and October? And if I did, where is my ticket stub from the October gig? Who knows….I’ve giving up beating myself up about such things, and just accepted that my memory is not good these days. Perhaps if you read this you can help solve my dilemma. Support for some of the dates on the October tour came from Midnight Oil, an Australian rock band who hit the UK charts “Beds Are Burning” later in the ’80s.
By 1983 it was all over. Stiff Little Fingers announced that they were to split, and played a few farewell gigs, one of which was at Newcastle City Hall. Support came from the mighty Alarm (68 Guns). 
Now I do remember this gig well. It was a storming concert, much better than their concert at the same venue previous year, and a fitting send off for a great band. There was a sense that this was the last time we were going to be seeing them, and we wanted to make sure that we made the most of it, and we also wanted to let the band know how much they meant to us.
But of course it wasn’t the end after all. Five years later Jake Burns reformed SLF and they continue to tour to this day. I’ve never seen the band live since those early days, which is something I should really put right. I’ve just read a couple of reviews of recent SLF gigs, and it seems that they are just as high energy and passionate as ever. I must try and get to see them again one day. Until then, I’ll remember that young, raw band I saw at that crazy gig at Newcastle Guildhall 35 years ago…
30 Apr
Stiff Little Fingers Newcastle City Hall 18th May 1981
Stiff Little Fingers Newcastle City Hall 18th May 1981
It was almost two years between Stiff Little Fingers gig at Newcastle Mayfair on 9th June 1979 during their Gotta Getaway Tour and their next appearance in the city which saw them playing Newcastle City Hall on 18th May 1981. There was a reason for this.
SLF front man Jake Burns explained (Record Mirror, 1981): “We tried on ‘Go For It’ to be as straightforward as possible while remaining as clear about the world as we could. We ran into problems before for being too subtle because people don’t always see the humour in our songs. ‘White Noise’ on Inflammable Material got us banned from Newcastle for two years or so. A councillor read the lyrics and ordered that they couldn’t have bands spreading such racist ideas in Newcastle. There was a headline, ‘PUNK ALBUM COULD START NORTH EAST RACE RIOT.'” This misunderstanding stopped SLF from coming to Newcastle during 1980.
However by the time they came to tour with “Go For It” things had relaxed and the band were able to book a concert at the City Hall, which quickly sold out. “Go For It” was SLF’s third album and saw the band’s style change a little, covering new subjects such as domestic abuse in the song “Hits and Misses” but also still retaining their stories of being a teenager growing up, with the song “Kicking Up a Racket”.
Live, however, little had changed. Stiff Little Fingers remained a hot, passionate live act who really meant it, and had a massively loyal following in the north east. Support act for the tour was punk band The Wall, who originated from Sunderland.
Another great gig by a great live act.
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