Q-Tips Redcar Coatham Bowl 21st December 1980
Q-Tips were an English blue-eyed soul and new wave band, who formed in 1979 from the remnants of 1970s pop outfit Streetband. Streetband had hit the UK charts in 1978 with the novelty song “Toast”, which had become a success as a result of heavy airplay by Kenny Everett. The band was fronted by Paul Young who was to go on to major solo success after leaving Q-Tips. “Toast” was as much a hindrance as a help in the career of Streetband, and they folded soon after it was in the charts, with members Paul Young on vocals, Mick Pearl on bass guitar, and guitarist John Gifford forming Q-Tips. The ex-Streetbanders added new recruits Dave Lathwell on guitar, Ian Kewley on keyboards and Baz Watts on drums. The band wanted to create a soul review format and so added a four piece brass section of Steve Farr (baritone saxophone), Richard Blanchchard (tenor saxophone), Oscar Stuart Blandamer (alto saxophone) and Tony Hughes (trumpet) who all hailed from North London. I saw Q-Tips a few times in the late 70s and early 80s including this gig at the great Redcar Bowl, an earlier (and very empty) gig at Middlesbrough Rock Garden, and supporting The Who at Newcastle City Hall during their 1981 tour. The band were great live, all suited and looking the part, with great performance and vocals (as you would expect) from Paul Young; they were very much a full soul revue show. However, they had little commercial success, and folded in 1982 with Paul Young going solo.
Posts Tagged ‘R&B’
3 Mar
Q-Tips Redcar Coatham Bowl 21st December 1980
2 Mar
Classic Legends of Rock and Folk Newcastle City Hall 1st March 2014
Classic Legends of Rock and Folk Newcastle City Hall 1st March 2014
Martin Turner plays the music of Wishbone Ash
Curved Air
Strawbs
So the Classic Legends of Rock (and Folk) came to The City Hall, the spiritual home of rock in the North East of England. This was an evening of mixed emotions for me. I’ve seen all of these bands headline the City Hall to packed houses. It was great to see them back on the big City Hall stage again, but also a little sad to see such a small crowd (I would guess there were a few hundred people there) which filled the front part of the stalls (the circle wasn’t open). So I enjoyed seeing the bands perform last night, but the memories of 40 years ago, when I stood in a capacity crowd cheering and singing along to “Blowin’ Free” (or on even earlier tours “Jailbait”), “Back Street Luv” or “Lay Down” are forever etched in my mind, and bring back memories of just how great all these acts were; back in those days which are now beginning to seem such a long time ago (which is because it was a long time ago 🙂 ). Anyway, back to the show.
Strawbs were on stage when I arrived just after the advertised start time of 7.30pm. This was the three piece acoustic version, which features David Cousins, Dave Lambert and Chas Cronk, all of whom have been with the band since 1973, and in Cousins’ case from the very start. Their short 30 minute set featured (among a few others songs) the excellent “Hangman and the Papist” (Cousins commented on the fact that old band-mate Rick Wakeman is coming to the City Hall soon, and recalled how they played this track on Top of the Pops during a period when the show featured a regular “album spot”), “Ghosts” and finished with the hit single “Lay Down”. A few minutes to change the gear and Curved Air appeared on stage. The first track was instrumental, with Sonja Kristina joining the band for “It Happened Today”. The latest version of Curved Air features Sonja (vocals), fellow original member Florian Pilkington-Miksa (drums), Kirby Gregory (guitar), Paul Sax (violin), Chris Harris (bass) and Robert Norton (keyboards). We were treated to the beautiful “Melinda (More or Less)” (a favourite of mine), a couple of new songs, a shortened “Vivaldi” and closer “Back Street Luv”. They were on stage for around an hour.
After a short break, Martin Turner and his band took to the stage. Those of us who follow both Martin’s band and Wishbone Ash (featuring Andy Powell) will know that the outcome of a recent court case means that Martin is no longer allowed to use the name Martin Turner’s Wishbone Ash and is hence now touring as Martin Turner plays the music of Wishbone Ash. I’ve seen both bands several times over the past few years; Martin in particular has been touring a lot. Because of this I wasn’t really too bothered about staying for their set; I’d come more to see Curved Air. As it happened, I was really impressed by Martin and his band last night, and staying through to the encore of “Blowin’ Free”. He has assembled a line-up which faithfully recreates the music of classic ’70s Wishbone Ash with himself as front man, vocals and bass; Ray Hatfield and Danny Wilson having the unenviable task of reproducing the twin-guitar sound, which they do amazingly well, and Tim Wilson on drums. The set included well-known Wishbone Ash songs such as “King Will Come”, “Warrior” and “Pheonix” alongside less often played tracks like “Lullaby” from the “Pilgrimage” album and Laurie Wisefield’s “Goodbye Baby Hello Friend”. A great set with a nice mix of songs; Martin and his band deserved headline status last night.
Looking back this morning on the concert last night, I enjoyed seeing all those classic songs performed again, but for me the evening was tinged with a little sadness and a wish that I could turn the clock back and relive the concerts of the early ’70s. Never mind; I’ve just watched “Hangman and the Papist” from Top of the Pops 1971 on YouTube; powerful; amazing stuff; Cousins is wearing a great coat 🙂 .
Is it really 43 years ago..? I couldn’t print my e-ticket at home then.
“Who will be the hangman in the dawn?”
28 Feb
Graham Parker and the Rumour Live in the late ’70s
Graham Parker and the Rumour Live in the late ’70s
There was no better band than Graham Parker and the Rumour in the late 70s. They exploded out of pub rock and were part of the scene, and sound, which influenced punk and new wave. Graham Parker was the coolest guy on the planet and rocked and sang white soul and R&B like no-one else (OK maybe that’s a little unfair on Van Morrisson who was clearly a strong influence on Graham). The Rumour came with all the right pub-rock credentials featuring the legnedary Brinsley Schwarz (lead guitar) and Bob Andrews (keyboards) (both ex Brinsley Schwarz), Martin Belmont (rhythm guitar, ex Ducks Deluxe) and Andrew Bodnar (bass) and Steve Goulding (drums). And those songs: Fool’s Gold, Pourin’ It All Out, White Honey, and the show-stopping reggae-tinged (Hey Lord) Don’t Ask Me Questions; it makes the hairs on the back of my neck stand up just thinking about being at a gig with the entire audience singing along “Hey Lord; Don’t Ask Me Questions”. There was just no-one to touch them on a good night; power, passion, rhythms, rock, dancing, and Graham Parker on fire in terms of his singing and his overall performance. 
Graham Parker and the Rumour gigged relentlessly from 1976 on, and I saw them lots of times. My tickets tell me I was at gigs at Newcastle City Hall on 23rd March 1977 with Southside Johnny as support, 17th November 1977 (Marie’s birthday, she agreed to come along although she wasn’t a fan, and a drunken guy behind us spilled a bottle of Newcastle Brown Ale all over her head…I still haven’t been forgiven for that night… 🙂 ), 5th March 1979 and 5th April 1982 (by that point the Rumour had departed and the concert was Parker solo). I also remember a great gig at Newcastle Poly and seeing Parker as part of the supporting bill for Bob Dylan at his massive Blackbushe concert. There were probably others which escape my fading memory.
Graham Parker has been absent from UK stages for too many years, but has reunited with the Rumour and is playing over here again. Something else for me to look forward to.
Note added on 18th May 2014. I have just discovered a large poster programme for Graham Parker, which comes from the 1982 tour. I had it filed away separately because it was so big. I have added it today. 
26 Feb
Prince London O2 Arena 9th September 2007
Prince London O2 Arena 9th September 2007
Prince has been in the news recently, as he has been over here in the UK playing a series of guerrilla gigs in London and Manchester. The reviews of those gigs have been overwhelmingly positive, with fans and critics alike proclaiming the purple one as one of the best performers in the world. Now I don’t pretend to be a big Prince fan, but I did go to see him during his record-breaking unprecedented 21 night run at the O2 Arena in London in 2007, billed as the Earth Tour. Tickets were priced at a mere £31.21 a pop in order to “make the concerts affordable to everybody”, and also entitled the bearer to a free copy of Prince’s CD, Planet Earth. Similarly, the reviews of the time were extremely positive: “Every night, from the moment he hit the stage, he had the audience eating out of his hand with his consummate showmanship and musical genius — his guitar playing, in particular, was extraordinary. You got the feeling that he was simply pleasing himself, but the fun was mightily contagious” (totalproduction). I enjoyed the gig much more than I had anticipated, Prince included several of his hits, and some amazing covers. He stage was modelled in the shape of his trademark symbol, and he used it to its full extent, popping up at various different places during the evening. 
You can see shades of many influences in Prince’s music and style, but the artist who he most reminds me of is Sly Stone; now there is someone who I have never seen and would love to…(but I doubt I will get the chance to now). Prince may be back in the UK in the summer for shows at Glastonbury or Hyde Park.
Setlist: Let’s Go Crazy; Baby I’m a Star; Proud Mary (Creedence Clearwater Revival); All Along the Watchtower (Bob Dylan via Hendrix); Take Me With U; Guitar; Shhh; Musicology; Play That Funky Music (Wild Cherry); Sexy Dancer; Le Freak (Chic); What a Wonderful World (Louis Armstrong). Piano set: Somewhere Here on Earth; Diamonds and Pearls; Adore; Strange Relationship; Sometimes It Snows in April; 7; Come Together (The Beatles); If I Was Your Girlfriend. Encore: Black Sweat; Kiss; Purple Rain. Sampler set: Irresistible Bitch; Sign “☮” the Times; Raspberry Beret; When Doves Cry; I Wanna Be Your Lover; Soft and Wet; Lady Cab Driver. Encore 2: I Feel for You; Controversy
25 Feb
The Pretty Things and Arthur Brown Newcastle Tyne Theatre 5th October 2002
The Pretty Things and Arthur Brown Newcastle Tyne Theatre 5th October 2002
When I was a kid, way back in 1968, I received some record vouchers as part of my Christmas present. Now lps were precious items in those days; I went to the local record shop and spent ages choosing which discs to spend my vouchers on. In the end I chose “Prophets Seers and Sages, the Angels of the Ages” by Tyrannosaurus Rex and “Crazy World of Arthur Brown”. Both good choices. A few months later I came across and bought a copy of The Pretty Things’ “S F Sorrow” in a second hand shop. I played those albums constantly on our new home stereo system. The Arthur Brown lp had such wonderful prog tracks as “Spontaneous Apple Creation”, “Child of My Kingdom” and (of course) “Fire” and “Fire Poem”, featuring Arthur’s manic soaring vocals and the late great Vincent Crane’s rich swirling Hammond organ. And S F Sorrow simply amazed me; with its rich mix of great pop hooks, R&B, and psych. “Baron Saturday”, “She Says Good Morning” and “Loneliest Person” were my favourite tracks.
I first got to see Arthur Brown live around 1973 at a Kingdom Come gig in Sunderland Polytechnic Wearmouth Hall. That concert was spectacular, and unlike anything I’ve ever see before or since. The show started with Arthur being tied to a large wooden cross in a simulated crucifixion, featured a massive brain being chased around the hall by the pope, and concluded with Arthur being dragged from stage in a straitjacket.
The first time I saw The Pretty Things live was at Sunderland Locarno, in January 1973. Their set at the time drew heavily from S F Sorrow and also included some of their classic 60s R&B singles. Phil May had the longest hair I had ever seen, and remains to this day one of our best rock vocalists and front men. I saw them a few times after that gig, supporting touring acts at Newcastle City Hall; once with Status Quo, and with a few other bands; exactly who I don’t remember, maybe Bad Company.
So some 30 odd years later, this gig at the Tyne Theatre teamed up two of my favourite acts. Arthur was as crazy and powerful as ever, and the Pretty Things played much of S F Sorrow, featuring a line-up which reunited many of the original band members. Arthur also joined The Pretty Things for a couple of songs. Arthur signed my ticket with a weird hippy third eye, and Phil May and the rest of The Pretty Things signed a reissue copy of S F Sorrow which was on sale at the venue. A great night. Oh and David came along with me and became a fan of Arthur and The Pretty Things that night 🙂
22 Feb
The Pretenders Newcastle City Hall 17th January 1984
The Pretenders Newcastle City Hall 17th January 1984
The Pretenders regrouped in 1983 with original members Chrissie Hynde (guitar and vocals), and Martin Chambers (drums). They were soon back in the UK charts with “Back on the Chain Gang” and “2000 miles”. By the time I saw them in concert at Newcastle Hynde and Chambers had been joined by Malcolm Foster (bass) and Robbie McIntosh (guitar). The line-up was professional, and the concert good, but I felt some of the rawness of the original band was lacking. However, Chrissie Hynde remains an engaging performer to this day. I last saw the Pretenders when they supported Rod Stewart at St James Park Newcastle a few years ago.
From an article by Andy Schwartz in New York Rocker (June 1980): “Seeing [The Pretenders] live brings home just how new they are to all of this. Their entire stage repertoire can’t encompass more than twenty numbers, and even Hynde, already a potent presence and the obvious center of attraction, hasn’t yet taken full command of the stage. 
She’s still awed by the roar of the crowd, still slightly amazed to find herself in the spotlight in place of her teenage idols: Lennon, Townshend, Ray Davies.”
A Pretenders setlist from 1984: The Wait; Message of Love; The Adultress; Time the Avenger; My City Was Gone; Show Me; Talk of the Town; Birds of Paradise; Thin Line Between Love and Hate; Thumbelina; Back on the Chain Gang; I Hurt You; Pack It Up; Bad Boys Get Spanked; Mystery Achievement; Middle of the Road; Up the Neck; Precious. Encore: Brass in Pocket;Tattooed Love Boys
21 Feb
The Pretenders Newcastle gigs 1979 – 1981
The Pretenders Newcastle gigs 1979 – 1981
Chrissie Hynde moved to London from the USA in 1973, finding work at the NME and at Malcolm McLaren and Vivienne Westwood’s clothes store. She became involved with the early punk scene, and hung around with the Pistols, The Clash and The Damned. She had a few short-lived bands and then formed the Pretenders in 1978 with Pete Farndon on bass, James Honeyman-Scott on guitar, and Martin Chambers on drums. They released a cover of The Kinks “Stop Your Sobbing” in 1979, followed by the great “Kid”. It was around the release of “Kid” when I first saw the Pretenders on 3rd August 1979 at Newcastle Mayfair. The Mayfair was a big heavy metal haunt, and the audience would give punk and new waves bands a hard time. The Pretenders were no exception, and they faced an onslaught of beer glasses.
If I remember right, Chrissie Hynde put on a brave front arguing with the hecklers, but they eventually abandoned the gig, soaked with beer. Nonetheless, they played a great set, and left me wanting to see them again. In January of 1980 the Pretenders hit No 1 in the UK charts with “Brass in Pocket”. On 8th February 1980 I saw them play to a packed, sold out, Newcastle Polytechnic. They gave a storming performance, and Chrissie was simply amazing. This was the best time I have seen them in concert, and a gig that sticks in my mind as something pretty special. It was one of those nights where you felt that you were seeing a band on the verge of the big time, they knew it, we knew it and the atmosphere was electric; I think they may have been No 1 the week of the gig. 
From there on the next couple of visits to Newcastle were to the City Hall; on 6th October 1980 with (Swords of 1000 men) Ten Pole Tudor as support and again on 30th November 1981. The Pretenders were a great live act; Chrissie all swagger, tunes with great hooks, and a sense of their ’60s pop roots blended with punk and new wave. By the end of 1982 both Pete Farndon and James Honeyman-Scott had died from drug overdoses, and it seemed that the band would be no more. However they were to regroup in 1983, and were back at the City Hall in 1984. I’ll blog about that gig tomorrow.
20 Feb
The Police & U2 Gateshead Stadium 31st July 1982
The Police Gateshead Stadium 1982
Support Acts: U2, The Beat, Gang Of Four, Lords Of The New Church.
Sting: “Seven years ago I left this town and I said I would make it. It’s nice to come back and make you part of the success.”
Another one day event headlined by The Police. This one was local to me (no three hour drive home; great 🙂 ). The weather was ok, dull but no major rain problems. Attendance was estimated at around 12,000; well below the capacity, and there was lots of empty space in the stadium. The Police were good, but for me and most of he crowd, the revelation of the day was U2. I had seen U2 a few times before this gig, and thought they were good, but it was at this Gateshead gig that I realised just how powerful a U2 performance could be. Bono was simply sensational; his singing, passion, energy and performance were amazing. He climbed all over the lighting towers and had the entire crowd on his side by the end of their set. The Police found it hard to follow U2, and Sting wasn’t in a particularly good mood; but after a slow start, all those hits got the crowd singing along. The standard Police three piece line-up was augmented by a brass section for this show.
From reviews of the time:
“U2 took advantage of the day’s upswing to reinforce the numerous claims made on their behalf to be ‘the next big thing’. Currently cooped up in the country getting their third album together, they exploded with a barrage of pent-up energy that no amount of pastoral activity can fulfil. “(Sounds)
“The Police were totally predictable. Coming on over a tape to ecstatic applause from the half empty stadium, Sting yodelled and changed basses for every other song in sight …. I can’t say that they played badly – they’re much too professional and slick for that – but their many hits were trotted out with a lack of excitement which suggests that their days as a group may be numbered [interesting comment in hindsight]….The audience loved it – but then at £8.30 a time they could hardly afford not to could they? ” (Record Mirror)
U2 setlist: Gloria; I Threw A Brick; A Day Without Me; An Cat Dubh; Into The Heart; Rejoice; Electric Co; I Will Follow; Out Of Control. Encore(s): A Celebration; 11 O’Clock Tick Tock; The Ocean
The Police setlist: Message In A Bottle; Every Little Thing She Does Is Magic; Walking On The Moon; Spirits In The Material World; Hungry For You; When The World Is Running Down; The Bed’s Too Big Without You; De do do do, De da da da; Demolition Man; Shadows In The Rain; Driven To Tears; Bring On The Night; One World (Not Three); Invisible Sun (with Bono); Roxanne; Don’t Stand So Close To Me; Can’t Stand Losing You; Regatta de Blanc; Be My Girl; Can’t Stand Losing You; So Lonely
18 Feb
Jimmy Page Newcastle City Hall 23rd November 1988
Jimmy Page Newcastle City Hall 23rd November 1988
Support from Dare.
In 1988 Jimmy Page released his solo album Outrider, which featured guest musicians included Chris Farlowe, who sang on a number of tracks, Robert Plant, who sang on one track, John Miles (sang on two tracks) and John Bonham’s son Jason on drums. Jimmy subsequently went out on tour with a band featuring John Miles (vocals and guitar), Durban Laverde (bass) and Jason Bonham (drums). The tour was relatively short, luckily he called at Newcastle City Hall. Jimmy reflected on the album and tour afterwards: “Outrider’s all right. It’s demo-like compared with those overproduced albums that came out at the time. It didn’t do very well — doesn’t matter — but I did tour. I was playing music on that tour going right back to The Yardbirds. Jason [Bonham] was the drummer on that tour.” Jimmy’s set included tracks from Outrider, Zeppelin classics, songs by his previous band (with Paul Rodgers) The Firm, and back to his Yardbirds days for Train Kept a Rollin’. 
It was a great concert; we had seats looking down on the stage, but a pretty good view nonetheless and it was amazing seeing the guitar maestro so close up. Jimmy did the full bit; violin bow; theremin, and classic Zep solos. Great stuff. Setlist: Who’s to Blame; Prelude; Over the Hills and Far Away; Wanna Make Love; Writes of Winter; Tear Down The Walls; Emerald Eyes; Midnight Moonlight (including excerpts from White Summer, Black Mountain Side and Kashmir); In My Time of Dying; City Sirens; Someone To Love; Prison Blues; The Chase; Dazed and Confused; Wasting My Time; Blues Anthem (If I Cannot Have Your Love …); Custard Pie; Train Kept A-Rollin’; Stairway to Heaven (instrumental version).
9 Feb
The Reading Festival 22nd – 24th August 1975
The Reading Festival 22nd – 24th August 1975
The Reading Festival hit its peak of success in the mid ’70s, and the 1975 festival sold out in advance. Although the previous years’ festivals that I had attended all seemed pretty full, you were still able to roll up and pay at the entrance. In 1975 the success of the festival and the draw of bands like Yes and Wishbone Ash ensured the site was completely packed, with hardly any room to be found in the campsites and car parks.
Friday line-up: Stella, Judas Priest, Wally, Kokomo, UFO, Dr Feelgood, Hawkwind. Judas Priest were an up and coming heavy rock band and were gigging constantly, as were UFO. Kokomo were a jazz/rock/funk outfit who were very successful during the ’70s. But the big success of Friday (and arguably the entire weekend) was Dr Feelgood, who were a massive hit with the festival crowd; Wilko and Lee being on red hot form. I was with a couple of guys who had recently become big Feelgood fans; “Back In The Night” had just been released and they were constantly singing it in my ear. “All around visible signs of the Doctor’s now-massive popularity – such as the many home-made banners (“Feelgood”, “Wilko” et al), the rapturous reception, the sea-of-weaving arms” (NME, 1975). “When Dr Feelgood stamped off they had within an hour, transformed this alfresco association into a tiny, sweaty, steaming R&B club. Charisma is too weak a word to describe what the Feelgoods had going for them that night.” (Brian Harrigan, Melody Maker, August 30, 1975). Hawkwind were ok, but it was cold, and they found it difficult to follow the Feelgood’s storming set.
Saturday line-up: Zzebra, SNAFU, Alberto Y Lost Trios Paranoias, Kursaal Flyers, Thin Lizzy, Alan Stivell, Heavy Metal Kids (billed simply as “Kids” in the programme), Ozark Mountain Daredevils, Supertramp, Yes.
My memories are of Thin Lizzy delivering an excellent set as always; they were gradually building up their own following and would soon break through to become massive; The Heavy Metal Kids being as OTT as ever; and Yes, who were amazing. I must also mention the Kursaal Flyers, who are sadly often forgotten in the history of pub rock; they would hit the charts in the following year with the great pop single: “Little Does She Know” (“I know that she knows that I know she’s two timing me”). Supertramp were on the verge of mega-success; they had hit the charts with “Dreamer” and had a considerable following. I was, and remain, a big Yes fan and their performance at Reading came at a point where the band were at the peak of their success. I recall it being very cold, with epic versions of “Close to the Edge” and “And You and I”, and a great version of “Roundabout” as an encore (very late and off to our tents). A bootleg exists of Yes’ set that night: Sound Chaser; Close To The Edge; And You And I; Awaken; The Gates Of Delirium; I’ve Seen All Good People; Ancient; Long Distance Run Around; Ritual; Roundabout.
Sunday line-up: Joan Armatrading, Babe Ruth, String Driven Thing, Climax Blues Band, Caravan, Soft Machine, Mahavishnu Orchestra, Robin Trower, Wishbone Ash. My memory of Sunday is of Wishbone Ash. Like Yes they were enjoying massive success at the time, and also like Yes they played a set of pure class, with the twin guitars of Andy Powell and Laurie Wisefield soaring through the cool, late Sunday evening.
Our DJs for the weekend were once again John Peel and Jerry Floyd. The weather was cold, with some rain, and the beer can fights were constant throughout the weekend. The festival had always been an organised, carefully planned event, but was becoming even more commercial. The nature of the festival, and its line-up, would transform further in the years which followed; with the emergence of punk and the re-emergence of heavy metal through the NWOBHM (New Wave Of British Heavy Metal). Any elements of the jazz festivals of the 60s had also disappeared.
Thanks to BaldBoris for allowing his image of the festival to be used through the WikiMedia Commons licence agreement.
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