The Jags Redcar Coatham Bowl Sunday 28th October 1979
I went with a group of mates to this gig. We often drove down to Redcar on a Sunday night for concerts in the late 70s. The Jags were a new wave, cum mod, cum power pop, band who hit the charts with “Back of my Hand” (I’ve got your number, written on the back of my hand). That song, which is pretty catchy and very Elvis Costelloish, is the only thing I remember about this band. They dressed in sharp suits and the lead guitarist / singer played a Fender Telecaster. The gig at Redcar was good, as I recall, but the most memorable thing of the night, which sticks in my mind to this day, was the guitarist hitting someone down in the front of the crowd over the head with his guitar. I think the guy was either heckling him or spitting, not sure which, but he really whacked him with theat guitar! We all thought it great fun at the time, but I’m not sure the guy who was hit would have agreed. I also saw the Jags play at the Reading festival in the same year.
Posts Tagged ‘punk’
19 Jun
The Jags Redcar Coatham Bowl 1979
18 Jun
Judas Priest Newcastle Arena 2005
Judas Priest Newcastle Arena 2005
The Angel Of Retribution tour
After a (too long) gap of over 20 years since I last saw Judas Priest in concert, I decided it was about time to see them again. In between that time Rob Halford has left and rejoined the band, so this 2005 outing was a sort of reunion tour. I went along with a group of mates, all of whom were seriously into Priest, and David came along for the ride. The Arena was by no means full, but the crowd size was respectable; Newcastle was always a metal stronghold and many people still had a soft spot for this band. The stage set was quite spectacular, and the show started with Rob Halford being hoisted down onto the stage to join the rest of the band. The show featured lots of Halford costume changes, and (of course) towards the end of the set Rob rode on stage wearing a huge leather coat, riding his Harley Davidson. This was pure heavy metal (and very tongue in cheek) theatre, and although the sound and atmosphere at the arena can never touch that of the City Hall, the spectacle and scale of the show certainly made up for it. 
Special guest for the tour were The Scorpions, another band who I hadn’t seen for a long time. My favourite Scorpions song has always been Loving You Sunday Morning, which they played that night. Judas Priest setlist: Electric Eye; Metal Gods; Riding on the Wind; The Ripper; A Touch of Evil; Judas Rising; Revolution; Hot Rockin’; Breaking the Law; I’m a Rocker; Diamonds & Rust; Deal With the Devil; Beyond the Realms of Death; Turbo Lover; Hellrider; Victim of Changes; The Green Manalishi; Painkiller; Hell Bent for Leather; Living After Midnight; You’ve Got Another Thing Comin’. It was great to hear old favourites like The Ripper and Victim of Changes again, and the Priest remained as impressive as ever live. David isn’t into heavy metal at all, and found it all a little too over the top.
17 Jun
Judas Priest Newcastle City Hall 1983
Judas Priest Newcastle City Hall 1983
Judas Priest returned to Newcastle City Hall in December 1983, two years after their last appearance at the venue. Support this time came from Quiet Riot, an American heavy metal band, who had just released a great cover of Slade’s “Cum On Feel the Noize.” Priest were by now mega successful in the USA. Earlier in the year they had played for over 300,000 heavy rock fans at the “US Festival”, alongside Mötley Crüe, Ozzy Osbourne, The Scorpions and Van Halen. Vince Neil of Mötley Crüe said of the event: “It was the day new wave died and rock n’ roll took over” [from Wiki]. The event set the single-day concert attendance record for the US. 
Setlist from the 1983 tour: Electric Eye; Riding on the Wind; Grinder; Metal Gods; Bloodstone; Breaking the Law; Sinner; Desert Plains; The Ripper; Freewheel Burning; Screaming for Vengeance; You’ve Got Another Thing Comin’; Victim of Changes; Living After Midnight; The Green Manalishi; Hell Bent for Leather.
This was once again a great performance by Judas Priest, and was in fact the last time that I saw them in concert for over 20 years. As their success in the USA grew, their visits to the UK were less frequent. They did play at the City Hall a couple of more times in the late 80s and early 90s, but I foolishly missed those gigs. I’ll write on the next time I saw Priest, which was in 2005, tomorrow.
16 Jun
Judas Priest Newcastle City Hall 1981
Judas Priest Newcastle City Hall 1981
The Priest continued to spread metal mayhem across the globe, but also remained true to the home crowd, and returned for another full UK tour in 1981. The “World Wide Blitz” Tour, which was in support of their Point of Entry album, called at Newcastle City Hall on 18th November 1981, and I went along with a group of mates to marvel at our leather-clad heroes. By now tracks from British Steel were part of the set, so we were treated to classics such as Breaking the Law, and Living After Midnight, as well as old favourites Sinner, Beyond the Realms of Death and their excellent, and very dark, cover of Green Manalishi. This was classic Priest at their very best; they were now a massively successful heavy rock act, and were building up a big following in the USA and Japan.
From this tour on, Priest’s visits to the UK would become less frequent, as they started to concentrate on touring the US and other parts of the world. But for now, these guys were our metal heroes, and never failed to blow us away in concert. I can picture Rob now, commanding the stage, screaming out the vocals, flanked by KK Downing and Glen Tipton with their guitars flashing and swinging about. Great stuff! A typical setlist from the 1981 tour: Solar Angels; Heading out to the Highway; Diamonds & Rust; Hell Bent for Leather; Breaking the Law; Sinner; Beyond the Realms of Death; Grinder; Desert Plains; Hot Rockin’; You Don’t Have to Be Old to Be Wise; Victim of Changes; The Green Manalishi (With the Two Pronged Crown). Encores: Living After Midnight; Tyrant. Support in 1981 came from Accept, a German heavy metal band who played an important role in the development of speed metal.
15 Jun
Judas Priest Newcastle City Hall 1979 and 1980 British Steel!
Judas Priest Newcastle City Hall 1979 and 1980 British Steel!
Judas Priest continued to tour throughout 1979 to 1980, moving from the Hellbent on Leather tour to the British Steel tour. Support acts were local band White Heat in 1979, and the mighty Iron Maiden in 1980. I also have a memory of attending a show at Newcastle Mayfair around this period; I think Priest may have played two nights at the City Hall and one at the Mayfair ballroom during the British Steel tour. British Steel was the sixth lp release by Judas Priest, and moved their music from dark, operatic metal, to shorter, more accessible and commercial rock songs. 
The album reached No 4 in the UK lp charts, their highest chart entry to date, and two singles from it reached the UK singles chart. These were Living After Midnight and the great Breaking the Law. The video for Breaking the Law is still shown on TV, and is a wonderful example of an early, very tongue in cheek, heavy metal promo. Their gigs continued to be crazy metal events, and Priest were a great favourite with the Newcastle metal crowds. The set around this time also included excellent covers of Fleetwood Mac’s Green Manalishi (1979) and Spooky Tooth’s Better By You, Better Than Me (in 1978). 
A typical setlist from 1980: Hell Bent for Leather; The Ripper; Running Wild; Living After Midnight; Sinner; Beyond the Realms of Death; You Don’t Have to Be Old to Be Wise; Grinder; Victim of Changes; Steeler; Genocide; Tyrant; The Green Manalishi. The programme for the 1980 Judas Priest tour is a true heavy metal work of art in itself. The cover shows a zipped leather suited guy wearing (of course) a studded belt complete with Judas Priest buckle. 
But the real treat lies inside. The centre fold of the programme contains a pop up of the band in all their onstage metal glory.
My copy has become a tad creased over the years, but I’ve done my best to photograph and present it here. Rob is on his motorbike in his usual leather gear, and the guitarists all have their axes held aloft. You couldn’t beat it!
13 Jun
Judas Priest Newcastle City Hall October 1978
Judas Priest Newcastle City Hall October 1978
In many ways Judas Priest as the ultimate heavy metal band. When they returned to the City Hall in October 1978, their image had developed from the standard heavy rock band with flowery shirts and flares, and they we starting to become heavy metal gods. Rob Halford in particular was starting to wear more studded leather gear, with undertones of S&M, and he was using his incredible vocal range to greater effect on songs like The Ripper in which he would scream the vocals in his high pitched operatic style. I don’t remember at which point, or on which tour, Rob started to ride a motorbike on stage, but it wasn’t that long after this. 
A couple of years later Priest released British Steel, an album which in many ways defines the heavy metal genre. More than any other band I saw in concert, Priest developed from what I would class a solid rock band like many others in the mid 70s, to a top rate metal band, pushing at the boundaries and setting a standard that many others would attempt to match over the years, and to this day. This change was very evident in their live performances, which saw them graduate from clubs, through ballrooms to concert halls (and soon onward to arenas). Along the way I witnessed them deliver an excellent, and well received, performance at the Reading festival in 1975. Support for the late 1978 tour came from the multi talented Lea Hart who has been a producer, singer, songwriter, and (currently) manager (of Maiden’s Paul Di’Anno). Hart had been in Slowbone, and went on to join Fastway in the 80s.
12 Jun
Judas Priest mid 70s – 1978
Judas Priest mid 70s – 1978
Judas Priest toured a lot in the early days of their career, and played several times as Sunderland Locarno and Newcastle Mayfair. I saw some of those gigs and remember them as a pretty solid rock band. I think I saw them supporting Budgie once. This was the classic line-up of Rob Halford – vocals; K. K. Downing – guitar; Glenn Tipton – guitar; Ian Hill – bass guitar; the drummer changed a few times. Over the years you could see how these guys were developing as performers and song writers. Metal classics like The Ripper, Victim of Changes, and Sinner started to appear in the set. Rob Halford got crazier each time I saw them, and K K Downing and Glen Tipton started to perfect their guitar duels. I must mention Glen Tipton and his previous band, the Flying Hat Band. I saw that group on two occasions at Sunderland Locarno and they were simply stunning; one of the best live acts I ever saw. Tipton’s guitar playing was unbelievable; I remember standing at the front watching their entire set and being just blown away. 
By the time I saw Priest at Newcastle City Hall in February 1978, they were the quintessential pure metal band they we have all grown to love. Lots of leather and Rob was so over the top, whipping the audience, throwing bottles of beer into the crowd. I remember one night the crowd caught hold of his whip and pulled him off stage by it. I saw quite a few times over the next few years, mostly at the City Hall, and also at the Mayfair. I’ll spend a few days reflecting on the Priest. I found a track listing from a live recording of the Feb 1978 City Hall show which shows the set as: Exciter; White Heat, Red Hot; The Ripper; Savage; Sinner; Beyond The Realms Of Death; Victim Of Changes; Better By You, Better Than Me; Diamonds And Rust; Starbreaker; Tyrant
4 Jun
Rock Against Racism Punk gig Newcastle Guildhall 1977
Rock Against Racism Punk gig Newcastle Guildhall 1977
This Rock Against Racism gig featured The Big G (aka Harry Hack and the Big G), Punishment of Luxury, The Press Studs and Speed. I remember The Big G and Punilux well. Both bands gigged regularly around the north east in the late 1970s, and they have both also recently reformed. I am afraid I don’t recall the Press Studs. The excellent bored teenagers site lists them as: “A very short lived Punk 5-Piece from Newcastle-Upon-Tyne who played fairly regularly at “Gatsby’s”. Speed were one of the first Punk bands to form in the North East, and were around in the early days along with Penetration. They were all very young at the time and used to gatecrash other peoples gigs, jump on stage and play! I am sure I saw this happen at a gig at Newcastle Poly one night. Rock Against Racism was a new concept in 1977, which organised quite a few gigs in the north east, including this one at the Guildhall, which I attended, largely to see Punishment of Luxury who were very impressive at the time.
![_DSC3285 [LR]](https://myvintagerock.com/wp-content/uploads/2013/06/dsc3285-lr.jpg?w=218&h=218)
Harry Hack and the Big G at the Guildhall
The Big G were: Rob Dixon: Harry Hack. Peter Howard: Walter Hack. Mick Emerson: Red Helmet. Anth Martin: EH Flash. Jane Wade: Kid Mutant. Norman Emerson: Mean Average.
In July 1977, the band were billed third at the Guildhall on Newcastle’s Quayside, supporting County Durham’s Penetration and punk pioneers The Adverts. Sixth on the bill were the little-known band Warsaw, formed the previous year in Salford, Manchester. “They were rubbish,” Peter remembers, but later Warsaw renamed themselves Joy Division and won world-wide fame. (Newcastle Evening Chronicle).
Vocalist Johnny Fusion of Speed moved to London and went on to form Band of Holy Joy“Formed from the ashes of an unrecorded ’77 punk band, Speed, Band Of Holy Joy’s
![_DSC3164 [CROP][LR]](https://myvintagerock.com/wp-content/uploads/2013/06/dsc3164-croplr.jpg?w=265&h=265)
Speed at the Guildhall
Many thanks to Mark for the pictures of The Big G and Speed.
3 Jun
Steven Severin The Cabinet of Dr Caligari Tyneside Cinema 2 June 2013
Steven Severin The Cabinet of Dr Caligari Tyneside Cinema 2 June 2013
On the face of it this seemed a strange sort of event. Certainly not the usual sort of gig I would normally go along to. From the Tyneside Cinema website: “Acclaimed solo artist and founder member of the legendary Siouxsie and the Banshees, Steven Severin returns to give audiences the rare opportunity to hear his electronic score for The Cabinet of Dr. Caligari. Capturing the surreal and enigmatic nature of the original work, Steven Severin’s score provides a synthesised, highly atmospheric soundscape for one of the most important films in the history of cinema.” 
This was my second visit to the Tyneside Cinema this week, and Marie came along with me on this occasion. I have been a fan of the Banshees since the early days; I always thought there was so much more to their music than simple punk. There was a dark, discordant energy to the sound they made which also matched their image; and I would guess some of that was down to Severin as well as Siouxsie. I haven’t seen Siouxsie perform for some years now, and sadly I can’t make her performances in London this month. Anyway, I had been looking forward to this chance to see a Banshee perform in my locality. I am also a fan of horror movies, so coupling a classic film of the genre with a Banshee seemed pretty good for me. In fact, I’ve never seen the Cabinet of Caligari right through, so I was looking forward to the whole experience. The performance started shortly after the advertised time of 6pm, with the lights going down in the small cinema before Severin took his place at an Apple Mac on a table by the side of the stage. The film was shown right through in all its black and white and sepia glory, as Steven delivered his electronic score, which was as haunting and dark as the surreal and disturbing images which enfolded on the screen. The film lasts around 70 minutes, and at the end Severin left the theatre as the lights went up, and the audience applauded. He did, however, hang around to sign copies of CDs which were on sale in the foyer. A different sort of “gig”, which was a nice change, and which Marie and I both enjoyed.
2 Jun
Iron Curtain 30 June 1979 Spectro Arts Workshop Newcastle
Iron Curtain 30 June 1979 Spectro Arts Workshop Newcastle
“Iron Curtain, a new band formed by Gary Chaplain, who left Penetration early last year, present an evening of unusual events, including a reading from Tony Jackson, and their own debut performance.” Spectro Arts Workshop was an arts centre in Bells Court, off Pilgrim Street, Newcastle. This was guitarist Gary Chaplin’s first gig after leaving local punk heroes Penetration. His band was called Iron Curtain, and their music was quite poppy punk as I recall. This was the only time Marie and I visited the Spectro Arts Workshop; I remember it took us some time to find the venue. The evening also included a poetry reading by local poet Tony Jackson. I found the following entry on a message forum: “Tony Jackson (1945 – 1997). Tony was closely involved in the Newcastle poetry “scene” of the 1960s – a close friend of Tom and Connie Pickard at that time, active at the Morden Tower, and in the running of the Morden Tower Bookroom and Ultima Thule Bookshop. Adrian Mitchell’s poem “Tony Jackson Is A Walking Jungle” comes from this period… From the ’70s he worked extensively with the People Show, increasingly devising his own routines (in chains) as his movement became restricted by MS. He refused to give way to his illness as long as possible, with the courage so many MS sufferers show – worked for various MS groups, but refused to get typecast as such. His work over the years appeared from a number of presses including Writers’ Forum, Galloping Dog and Pig Press.”
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