Greg Lake Newcastle Mayfair 1981
The Mayfair was packed for this concert, and quite right too, as Greg had assembled a band of rock heavyweights for his first solo tour. The Greg Lake Band line-up for this 1981 outing was Greg on bass and vocals, special guest guitar ace Gary Moore, Tristram Margetts (from the very under-rated and too often forgotten Spontaneous Combustion) on bass, Tommy Eyre (ex-Joe Cocker and the Grease Band, and Alex Harvey band) on keyboards, and Ted McKenna (ex-SAHB, and Rory Gallagher) on drums. The set consisted of a mix of new songs, drawn from Greg’s first solo album which had just been released, and older ELP and King Crimson classics. Gary Moore played the excellent Parisienne Walkways, with its tremendous soaring guitar, and almost blew his band leader off the stage. But Gregg has a set of classic rock songs to draw from. Lucky Man is one of my favourite ELP tracks, and I was pleased to hear Greg sing it that night. It was also great to see them play tracks from the first, excellent King Crimson album. Epitaph is a particular favourite of mine, and 21st Century Schizoid Man was dark and loud, vibrating through the ballroom. The two Hammersmith Odeon gigs were recorded for a live album. The setlist for the Mayfair gig will have been something like: Fanfare for the Common Man / Karn Evil 9; Nuclear Attack; The Lie; Retribution Drive; Lucky Man; Parisienne Walkways; You Really Got a Hold on Me (a cover of the Smokey Robinson song); Love You Too Much; 21st Century Schizoid Man; Epitaph; The Court of the Crimson King; C’est la vie. I would have sworn that they also played I Believe in Father Christmas, but I’ve searched the internet and everything I have found suggests that my memory is playing tricks again, and that it didn’t feature in the set during the tour. Support came from pop-rock band Voyager who had a minor hit with their debut single, “Halfway Hotel”, which reached No. 33 in the UK Singles Chart in 1979.
Posts Tagged ‘prog rock’
15 Sep
Greg Lake Newcastle Mayfair 1981
7 Aug
King Crimson Newcastle Odeon 8th December 1972
King Crimson Newcastle Odeon 8th December 1972
My memory has been playing tricks with me again. I was convinced that I saw King Crimson in 1974, around the time of the “Red” album. But no, when I checked, I found that I was wrong again, as I often am these days. The concert that I saw took place on Friday 8th December 1972, when Robert Fripp and his mighty band played at Newcastle Odeon, not that long before the release of their fifth album “Larks’ Tongues in Aspic”. This was the one and only time that I saw King Crimson in concert, and I went with my friend John. Support came from Lloyd Watson who I have blogged on separately, as John and I went to see him playing in a pub in Peterborough a few years ago. Lloyd won the solo category of the Melody Maker competition in 1972, appeared on “The Old Grey Whistle Test” and did two British tours, one supporting King Crimson and the other Roxy Music.
I went along to the Odeon that night with tunes from Crimson’s glorious first album running through my head, hoping to hear songs like “In the Court of the Crimson King” and “Epitaph”. Of course, the band didn’t play either of those tunes. I should have expected that, as the line-up of King Crimson had changed completely (apart from main man Robert Fripp) just prior to the tour. The line-up for the late 1972 UK tour was: leader Robert Fripp on guitar; John Wetton, fresh from Family and now coming to the fore on vocals and bass; Bill Bruford, who had just left Yes, on drums, David Cross on violin, flute, and keyboards; and Jamie Muir on percussion. Newcastle Odeon was a massive venue which was far from full for this gig, and John and I claimed some empty seats, which were much closer to the front than the cheap (60p! bargain :)) rear stalls tickets we had bought. The show was not what I expected. It was much more improvisation, and jazz, than rock. 
King Crimson started with a long instrumental track featuring Cross on violin and Muir on percussion which, based on setlists from the period, must have been “Larks’ Tongues in Aspic (Part 1)”. Fripp remained seated throughout the performance, speaking to the audience only to announce the songs at one point. John Wetton handled the vocals on those songs that had any. But the guy who sticks in my memory from this concert is Jamie Muir. Muir came from a free improvisation background and “contributed an assortment of unusual sounds from a wide variety of percussion instruments, including chimes, bells, thumb piano, mbiras, a musical saw, shakers, rattles, found objects, and miscellaneous drums” (from Wikipedia). His performance that evening was just incredible. The only familiar song was “21st Century Schizoid Man”, which was was the final track and was loud, dark and very heavy. Overall I left the gig unsure as to what I had just witnessed. I found it pretty heavy going at the time. The set consisted of the entire “Larks’ Tongues in Aspic” album (which had not yet been released, so the material was all new and unfamiliar to the audience), closer “Schizoid Man”, and some free improvisation numbers. I’ve just googled and found a live recording on YouTube of a gig at Hull Technical College around the same time. I listened to some of it, and it sounds great! This concert is another one that seems much better on reflection than I probably realised at the time (if that makes any sense :)). And its also another concert which I would love to go back in time to, and experience all over again. Setlist from the Hull Technical College recording: Walk On… No Pussyfooting; Larks’ Tongues in Aspic (Part I); Book of Saturday; Robert Fripp announces the songs to be played; Improvisation: Vista Training College Under Spot Light; Exiles; Easy Money; Improvisation: Fallen Angel Hullabaloo; The Talking Drum; Larks’ Tongues in Aspic (Part II); 21st Century Schizoid Man. I am pretty sure that the Newcastle performance was a similar set. King Crimson are another band on my ever growing list of bands to see again (if, of course, Fripp ever decides to reform the band).
5 Aug
Jon Anderson Manchester Royal Exchange Theatre August 4th 2013
Jon Anderson Manchester Royal Exchange Theatre August 4th 2013
A special solo performance with the frontman of YES – Jon Anderson
Last night I went to see Jon Anderson in solo concert at the Royal Exchange Theatre in Manchester. The show was billed thus: “Frontman of one of the biggest bands of all time, Jon Anderson brings his stunning voice and exquisite songs to Manchester’s Royal Exchange Theatre for this very special solo performance. Expect a magical night that draws from the YES songbook and includes all-time classics such as Owner Of A Lonely Heart, Wonderous Stories, Long Distance Runaround, and Yours Is no Disgrace.” The venue sounded interesting and lived up to its description on the Royal Exchange site: “The Royal Exchange Theatre is a seven-sided, glass-walled capsule, literally suspended from huge marble pillars situated in The Great Hall of the historic Victorian Cotton Exchange Buildings in Manchester city centre. The unique design means all seats are less than nine metres from the circular stage giving views from all angles.” I arrived around 7pm after a uneventful drive down the A1 and across the M62. I parked the car in the Arndale NCP, and found the venue, which is situated right in the centre of Manchester, just up from Victoria station. I had a look around, and took my seat. Although I was in Row G, which was the back row of the lower level, I was still very close to the performance area. In the centre of the floor a carpet was set out surrounded by candles, and a couple of microphones. Behind the carpet stood two guitars and an electric piano. Shortly after 7.30pm Jon walked into the theatre space unannounced to the sound of bird song, with the light still on. It was clear this was going to be a special evening; the venue was sold out, and the setting was perfect for a low-key, friendly acoustic concert. The lights went down and Jon stood in the centre of the floor, a few feet from all of us. I notice that during the show he took care to turn around so that everyone got a good chance to see him.
The set was a mix of Jon Anderson’s back catalogue; mostly Yes, but also some from his time with Vangelis and from his solo career. I recognised most of the songs, but a few were unfamiliar to me, so apologies if I haven’t got the setlist quite right. Jon seemed very relaxed, and pleased to be with us. The format of the show was Jon accompanying himself on acoustic guitar for most of the evening, with a short spell on a dulcimer, a ukelele and piano. Some of the songs were performed in full, while others were snippets of the Yes originals. Between the songs Jon told some stories drawn from his past experiences, and told some (not particularly good :)) jokes. The set went something like this (I am sure that I have missed some): Yours is no Disgrace; Sweet dreams; America (Jon told us how he recently met Paul Simon while he was in Australia); Time and a Word (a reggae treatment); One Love (the Bob Marley song). The next few songs were performed on a dulcimer; Under heavens door; Flight of the Moorglade (? I think). Jon was then back to acoustic guitar; he talked about his first meeting with Vangelis, and how he had originally attempted to line him up as a replacement for Rick Wakeman in Yes. That didn’t work out, so he decided to record with Vangelis himself. This led into Jon singing Find my way Home, and recalling an interesting memory of how he had to persuade Vangelis to play on Top of the Pops (“I am a serious musician”). Then it was back to Yes songs: Starship Trooper; Give Love each Day; Long Distance Runaround; and Owner of the Lonely Heart, brought the first half of the concert to close. After a short interval, Jon resumed the show sitting at the electric piano for a medley of Close to the Edge; Heart of the Sunrise; Marry Me Again; and The Revealing Science of God. He then picked up a ukelele for You Got the Light. It was back to guitar for And You and I; and Ritual (Nous Sommes du Soliel). For the next song “Tony and Me”, Jon took us back to 1963, when he was a young guy playing in a Beatles-influenced band, along with his brother Tony. He told a story of seeing the Beatles at Southport Floral Hall; of playing with Joe Cocker in Sheffield; of smoking a joint with Robert Plant up in a club in Newcastle when Plant was in Listen, and of a Liverpool band called the Undertakers whose singer (I think it was Jackie Lomax?) came on stage in a coffin and how one night he was trapped in the coffin. A couple of more songs led into John Lennon’s Give Peace a Chance; and then he closed the show with Yes favourites I’ve Seen All Good People and Roundabout, with everyone standing and singing along for the last song. He couldn’t leave without an encore, and sang a few more songs: A Day in the Life (back to the uke for a cover of the Beatles song); Sun is Calling; State of Independence; Wonderous Stories; and Soon. The show finished around 10pm, and I was home around 12.15am.
A great evening. Of course if was very different from seeing Yes, but the personal and intimate approach worked well. Jon’s voice was fine, much much stronger than I expected, and he was in good spirits, very chatty with the home crowd. My next Yes event will be seeing the latest version of that band up in Newcastle early next year, a concert which I am looking forward to. I also notice that Rick Wakeman is going out on tour next year with his Journey to the Centre of the Earth album. Now I wasn’t a big fan of the album when it came out, but I must admit I am tempted to go and see the show. The comings and goings of Yes band members remains as complex and confusing as ever, but I guess it was ever so.
1 Aug
Jethro Tull Acoustic Middlesbrough Town Hall 2007
Jethro Tull Acoustic Middlesbrough Town Hall 2007
In 2007 Jethro Tull released “The Best of Acoustic Jethro Tull” which included some of the band’s best known acoustic tracks from 1969 onward. To promote the album the band toured an acoustic show, which called at Middlesbrough Town Hall. 
The line-up of Tull for this tour was Ian Anderson, Martin Barre, David Goodier, John O’Hara and James Duncan Anderson. They were accompanied by special guest Violinist Anna Phoebe. Setlist: Some Day The Sun Wont Shine For You; Living In The Past; The Water Carrier; Gypsy; Katerina’s Theme; Jack In The Green; The Donkey And The Drum; Thick As A Brick; Birnam Wood To Dunsinane; Fat Man; Bouree. INTERVAL. 99 Lives; Dun Ringill; Pastime With Good Company; Steal; Aqualung; America; My God; Beside Myself / Rocks On The Road / Budapest; Locomotive Breath. The folkier side of Tull was never my favourite in the late 70s and early 80s, but I grew to like it as time passed. I certainly enjoyed this gig, which presented the softer, acoustic side of the band.
31 Jul
Jethro Tull Newcastle City Hall 2004 and 2006
Jethro Tull Newcastle City Hall 2004 and 2006
I saw Jethro Tull at the City Hall in 2004 and 2006. Tull were involved in quite a number of projects during these years. In 2003 they released The Jethro Tull Christmas Album, which consisted of a collection of traditional Christmas songs, along with some Christmas songs written by Jethro Tull. The album was a big success and their best selling release since the 1987 Crest of a Knave.
The set for the 2004 concert included quite a few Christmas songs as a result, as well as some great old favourites like Beggars Farm and Nothing Is Easy, taking us right back to the very early days of the band. The setlist for the 2004 Newcastle concert (I got the list from a bootleg which was recorded at this gig): Aqua-Intro; Living In The Past; Nothing Is Easy; Beggar’s Farm; Eurology; A Christmas Song; Farm on the Freeway; Pavane; Weathercock; A Week of Moments; Mother Goose; Misére; Songs From The Wood; Too Old To Rock ‘n’ Roll: Too Young To Die; Heavy Horses; God Rest Ye Merry Gentlemen; Flying Dutchman; My God; Holly Herald; Aqualung; Wind Up; Locomotive Breath; Protect and Survive; Cheerio. 
Both shows were great Tull fun. I went along with Norm and Will and we all enjoyed seeing the old guys again.
In 2005 Ian Anderson released a live double album and DVD called Ian Anderson Plays the Orchestral Jethro Tull. In addition, a DVD recorded live at the Isle of Wight 1970 and a live album called Aqualung Live (recorded in 2004) were both released in 2005. There were also further line-up changes in 2006 with bassist Jon Noyce leaving to be replaced by David Goodier, and keyboardist Giddings leaving to be replaced by John O’Hara. The 2006 tour was billed as the Aqualung tour, and Tull played that lp in its entirety. Setlist: Life Is A Long Song, Skating Away…, Living In The Past, Slipstream, Up To Me, Griminelli’s Lament¹, Aurora³, Wond’ring Aloud, Mo’z Art, Cheap Day Return/Mother Goose, She Is Like The Swallow, Bourée. Interval. Nocturne/Bohemian Rhapsody, Kashmir (incl. Whole Lotta Love), Cross-Eyed Mary, Hymn 43, Morris Minus, Flying Dutchman (intro)/My God, Budapest, Aqualung, Wind-Up, Locomotive Breath, Protect And Survive, Cheerio. Tull were accompanied by electric violinist Lucia Micarelli for this tour, and she also fronted the band herself for a couple of songs notably covers of Queen’s Bohemian Rhapsody and Zeppelin’s Kashmir. Electric violinists featured alongside Ian on a couple of Tull tours around this period. The 2006 concert was a sell out, proving that the band retained their popularity, and that they still have a loyal fan base.
30 Jul
Jethro Tull York Barbican 2001
Jethro Tull York Barbican 2001
My interest in Jethro Tull had been revived by the great show that I attended at Newcastle City Hall in 1999. I was therefore quite disappointed when their 2001 outing missed out Newcastle, so I persuaded Marie to come and see them with me in York, which was the nearest show on the tour. The concert was held at the York Barbican centre which was a sports complex and also used for concerts. This was the first time that I’d visited the Barbican. I did go with David to see Steve Winwood there a couple of years later. The Barbican has recently been refurbished, and it reopened a couple of years ago as an entertainment centre, which plays host to lots of concerts. I need to find a reason to visit again 🙂 
Tull were on grand form as usual, and I enjoyed the show, although there were quite a few songs which were unfamiliar to me. Looking at the setlist today, I understand why. At least four of the songs were Ian Anderson solo tracks (Ian had released three solo albums by 2001). Even Marie (sort of) enjoyed her Tull outing, although we had a (friendly) argument about Ian’s flute solos. When he started a solo he would press a foot pedal. Marie was convinced that the solo was on tape, and that Ian was switching the tape on with the pedal. I was equally convinced (and remain so to this day) that there was no such use of tapes at all, and that the pedal was merely an effects pedal. Setlist: Aqualung; My Sunday Feeling; Cross-Eyed Mary; Roots to Branches; Jack-in-the-Green; Thick as a Brick; Sweet Dream; Beside Myself; Hunt by Numbers; Bourée; The Water Carrier (Ian Anderson song); The Habanero Reel (Ian Anderson song); Set-Aside (Ian Anderson song); Pibroch (Cap in Hand) (Instrumental); A New Day Yesterday; In the Grip of Stronger Stuff (Ian Anderson song); Budapest; Mayhem Jig; Aqualung; Locomotive Breath; Living in the Past; Protect and Survive (Instrumental); Cheerio
28 Jul
Jethro Tull Newcastle City Hall 1999
Jethro Tull Newcastle City Hall 1999
It was another 9 years before I saw Jethro Tull again. By this time the line-up had changed a little (again) to: Ian Anderson (flute, vocals), Martin Barre (guitar), Andrew Giddings (keyboards), Jonathan Noyce (bass), and Doane Perry (drums). They had just released the album J-Tull Dot Com. The new material displayed Eastern and world music influences, but as usual the concert featured a mix of Tull material from throughout their career. 
I’d lost touch with Jethro Tull up to this point, but this concert reminded me how great they were (and still are), and how much I had enjoyed their music. It was great to see Ian Anderson and Martin Barre in particular. Ian was ever the showman, although his voice was not as strong as it had been. Martin’s guitar playing and quiet presence were as excellent as always. And they played classics like Living in the Past, Witches Promise and Fat Man. Great stuff. I was hooked again, and started to attend Tull concerts more regularly from that point onward. Setlist: Steel Monkey; For a Thousand Mothers; Serenade to a Cuckoo; Spiral; Witches Promise; Nothing Is Easy; Jeffrey Goes to Leicester Square; Fat Man; AWOL; A New Day Yesterday; Nellie the Revenge; Dot Com; Boris Dancing; Hunting Girl; Hunt by Numbers; Flying Dutchman; My God (with flute solo); Passion Jig; Locomotive Breath; Aquadiddley; Aqualung; Living in the Past; Dogs in the Midwinter; The Dambusters March; Cheerio
27 Jul
Jethro Tull Sunderland Empire 1990
Jethro Tull Sunderland Empire 1990
I went with a group of mates to this gig, some 19 years since we first saw Jethro Tull at the same venue. The late 80s and early 90s saw Tull return to rock and the blues for the albums Crest of a Knave (1987), Rock Island (1989), and Catfish Rising (1991). The one thing that sticks in my mind about this gig is Ian coming on stage with a massive search light which he then proceeded to shine at all of us. Looking back at the set list for the concert (of which live recordings exist) reminds me that Tull played some great old favourites that night; including Living In The Past and Love Story (that song is still a big favourite of mine). There was no support act for this show. 
Thanks to Doug for the great picture, which he took at this concert.
Setlist: Intro: Tanz, Wond’ring Aloud, Steel Monkey, Thick As A Brick, Living In The Past, Rock Island, Nellie The Revenge (inst.), Cheap Day Return/Nursie, Mother Goose/Jack-A-Lynn, Love Story, Serenade To A Cuckoo, A Christmas Song, Budapest, Strange Avenues, Kissing Willie, Pine Martin’s Jig/Drowsy Maggie, Dun Ringill, Jack-In-The-Green, Said She Was A Dancer, My God (including flute solo, Bourée), Pussy Willow/Pibroch (instrumental), Another Christmas Song, Farm On The Freeway, Too Old To Rock’N’Roll, Aqualung, Locomotive Breath, Fylingdale Flyer (instrumental), Cheerio.
26 Jul
Jethro Tull Newcastle City Hall 1984
Jethro Tull Newcastle City Hall 1984
Jethro Tull returned to Newcastle City Hall in September 1984. The tour was to promote their new album Under Wraps. This new release introduced an 80s electronic/synth-pop sound, to a mixed reaction from fans and critics. The concert was, however, a big success, with quite a long set drawing from many of Tull’s albums (by 1984 they had released 15 albums!). Tull also played a couple of track from Ian Anderson’s solo album Walk Into Light, which was released in 1983. 
Under Wraps #1; Locomotive Breath (Instrumental intro); Hunting Girl; Under Wraps #1; Later, That Same Evening; Nobody’s Car; Apogee; Thick as a Brick; Level Pegging; Skating Away on the Thin Ice of the New Day; Pussy Willow; Clasp; Living in the Past; Serenade to a Cuckoo; Fat Man; Fly by Night; Made in England; 
European Legacy; Black Sunday; Aqualung; Locomotive Breath; Too Old to Rock ‘n’ Roll, Too Young to Die; Different Germany; Thick as a Brick (reprise).
Thanks to Doug for the picture which was taken at the City Hall at Tull’s visit in 1982. The band at this point consisted of Ian Anderson (flute, vocals and part-time detective for this tour concept), Martin Barre (guitar), Dave Pegg (bass), Peter-John Vettese (keyboards) and new man Doane Perry (drums). The programme consists of photos of the band members, depicting Ian Anderson as a super-sleuth (the subject matter of the songs on Under Wraps is heavily influenced by Ian’s love of espionage fiction), and lyrics from some of the songs which were performed during the concerts.
24 Jul
Jethro Tull Newcastle City Hall 1982
Jethro Tull Newcastle City Hall 1982
The Broadsword and the Beast tour
The next time I saw Jethro Tull was in 1982 at Newcastle City Hall. They had just released The Broadsword and the Beast which was their 14th studio album. The line-up of Tull at the time was: Ian Anderson on vocals, flute, acoustic guitar, crazy dance and cocked leg; Martin Barre on wondrous electric guitars; Dave Pegg (ex-Fairport and friendly folkie) on bass guitar; Peter Vettese on keyboards; and Gerry Conway on drums. There was no support act, and the ticket made sure that we knew: “Please note. No support Jethro Tull on Stage 8pm prompt”. This was quite a theatrical show with lots of props and the band wearing medieval clothing. The set was a mix of old and new, with quite a few acoustic songs. I was still concerned about the folk influence at this stage, but enjoyed the show, as always. 
Setlist: Clasp, Hunting Girl, Fallen On Hard Times, Pussy Willow, Broadsword, Jack-In-The-Green, Seal Driver, Heavy Horses, Weathercock/Fire At Midnight/Flute Solo (including God Rest Ye Merry Gentlemen and Bourée)/Sweet Dream, Flying Colours, Songs From The Wood, Watching Me Watching You, The Swirling Pit, Pibroch, Beastie, Too Old To Rock’N’Roll…, Aqualung, Minstrel In The Gallery, Locomotive Breath/Black Sunday, Cheerio
Thanks to Doug for the picture, which he took at this gig, showing Martin Barre in his best gear.
A bootleg recording of the Newcastle gig exists, often entitled “The Beastie of Newcastle”.
“Bring me my broadsword and clear understanding. Bring me my cross of gold as a talisman.
Bless with a hard heart those who surround me. Bless the women and children who firm our hands.
Put our backs to the north wind. Hold fast by the river.
Sweet memories to drive us on for the motherland”
(The Broadsword and the Best, Ian Anderson, 1982)
Vintagerock's Weblog. 