Crosby, Stills & Nash Gateshead Sage October 15th 2013
The past 10 years has seen several visits to the UK by Crosby and Nash, and CS&N, after many years of not visiting this country. This is the fourth time that I’ve seen C&N or CS&N in the last ten years, as well as solo shows by Stephen Stills and Neil Young. This year’s tour features Crosby, Stills and Nash who played to a packed Sage concert hall in Gateshead last night. Laura decided to join me this time. She’s not a fan, but is familiar with some of their songs, largely as a result of hearing me play them. The show was almost three hours, with an interval and featured all of the classic CS&N tracks, with some solo material and some new songs. The harmonies were, as always, still beautiful.
From the programme: “Welcome to our world of music. All our lives we’ve been focussed on touching your hearts and hopefully having you think abut the crazy world we still live in….whether it’s a love song or a subject of vital importance, it’s essential for us to communicate with you and make you a part of our lives. Hopefully our music will help you feel less lonely, less crazy and perhaps, inspire you to do something positive about your life and the lives of others. Time, family and friends are our only true currency and we have to recognise that all of us together, can make a difference and help make the world a better place for ourselves and our children. Rock on!” Still old hippies at heart, and still out there playing for us, and doing a pretty damn good job of it too.
The set list included (from memory; I have definitely missed some): Carry On/Questions; Marrakesh Express; Long Time Gone; Southern Cross; Lay Me Down; Bluebird; Love the One You’re With. Interval. Helplessly Hoping; Golden Days; Treetop Flyer; What Are Their Names; Guinnevere; Just a Song Before I Go; Burning for the Buddha; Our House; Teach Your Children; Almost Cut My Hair; Wooden Ships. Encore: Suite: Judy Blue Eyes.
Posts Tagged ‘music’
16 Oct
Crosby, Stills & Nash Gateshead Sage October 15th 2013
15 Oct
The Motors Newcastle Mayfair 1978
The Motors Newcastle Mayfair 1978
Airport! The Motors were a British pub rock band who got swept up in the punk scene and hit the charts with “Airport”, which was a number 4 UK hit single in 1978. They were formed in London in 1977 by former Ducks Deluxe members Nick Garvey and Andy McMaster together with guitarist and front man Bram Tchaikovsky, and drummer Ricky Slaughter. I saw them a few times around this period, notably at the Reading Festival and at Newcastle Mayfair. “Airport” was rising up the charts at the time of the Mayfair gig and the place was packed. These guys had learned their craft in the pub rock scene of London, and it showed. They were a slick and professional live rock band, with some catchy tunes. As well as “Airport”, their earlier single “Dancing the Night Away” was also pretty good. Bram left the band shortly after this, and went on to lead his own band. The Motors continued for a few more years until they folded in 1982. My poster programme (pictured) tells me that support for the Mayfair gig came from heavy rock band “Marseille” and young Glasgow band “The Jolt”.
“Airport, airport, You’ve got a smiling face, You took the one I love so far away, Flying away, flying away, Airport, airport, You’ve got a smiling face, You took my lady to another place, Flying away, flying away” (The Motors, 1978).
14 Oct
Mr Big live 1976
Mr Big live 1976
Mr Big were a British pop rock band, fronted by the enigmatic Dicken. They are best known for their 1977 Top 5 hit “Romeo”. The members of Mr Big had been playing together since the late 1960s, and in 1974, the band signed to Epic Records. In 1975, Bob Hirschman, then manager of Mott the Hoople, took over as the band’s manager, and their first album, Sweet Silence, was released on EMI. In November 1975, Mr Big supported Queen on their A Night at the Opera tour. I caught the tour at the City Hall, but got in late (that’s a story for another day) and missed Mr Big. I did get to see them once or twice, and have a programme from their solo tour. I don’t recall whether I saw them at Redcar Bowl, or Newcastle Mayfair, or possibly both. Romeo was a catchy tune, and Mr Big were good live. Dicken was a charismatic front man with a strong raspy voice. I’ve just played some of their material on YouTube to remind myself of them. I found the following write up which describes them well: “Not to be confused with the American band that came about years later, this Mr. Big are the real deal from the 70s. Probably best known for their massive hit “Romeo” in 1977, they were hard to define or pin down to one musical genre. Their music could be Pop one moment, Hard Rock the next and anything in between. Progressive Rock even! Signed to EMI around the same time as Queen and Cockney Rebel many fans feel they should have been just as big but sadly they lost out, particularly to the former. They toured as support to Queen, Sweet, Tom Petty, Journey, Kansas, The Runaways and were signed to the Arista label in the USA. Ian Hunter (of Mott the Hoople fame) produced their third album “Seppuka” but it was not released until years later. Dicken and bassist Pete Crowther went on to form another band named Broken Home, which released two albums in the early 80s (again highly recommended listening).” I also saw Broken Home at Reading 1980. From the Mr Big tour programme: “They took the British press by strom lat year, causing some of Britain’ finest music publications to rave ecstatically over their ‘awesome creative powers’. Mr Big is the quintessential British Band.”
13 Oct
Deep Purple Manchester Apollo Oct 12th 2013
Deep Purple Manchester Apollo Oct 12th 2013
I decided at the last minute to go and see Deep Purple at Manchester Apollo last night. Its a couple of years since I’ve seen them and the nearest calling point of this year’s tour was Manchester. The concert wasn’t sold out, so I bought myself a standing ticket, printed it off on my computer. I was soon on my way down the A1 and across the M62 to Manchester, listening to “In Rock” as I drove down. I arrived just as support band Rockbox took to the stage. The Apollo seemed pretty full, with the stalls packed, and looking upstairs I could see very few empty seats. Rockbox were quite bizarre. They are a five piece; the singer used a loud hailer rather than a mike, and the four other guys were wearing red velvet school uniforms ala Angus Young, complete with devil horns and short trousers. The guitarist wore his amp in a satchel and had a speaker strapped to his belt. Two guys had drums hanging around their necks; one with a bass drum and the other with a snare and a couple of cymbals. And oh, there was also a guy with a huge horn, draped around him; I think it was a sousaphone. A pretty strange line-up and very different from the norm. Their set was all covers including Won’t get fooled again, Sgt Peppers, and Don’t stop me now. They went down well with the crowd, who found it good fun, and knew all the songs. 
I found a spot quite close to the stage, and Deep Purple came on bang at 9pm. They have just released a new CD “Now What?!” which is their 19th album, and their first for 8 years, and the set featured a few tracks from it. In fact, they started with a new song, which surprised me (and disappointed me a little as I was expecting usual opener Highway Star). Not to worry, however, as there were plenty of old classics for me. Each member took a solo during the set, which I usually find tiring, but last night the balance was OK, with each members instrumental piece working well, and not being over long. Favourites for me were (of course) all of the old ones: Strange Kind of Woman, Lazy, Into the Fire, Space Trucking, Smoke on the Water, and the encores Hush and Black Night. Ian Gillan’s voice was quite strong, with the usual screams intact. He is now in the habit of disappearing off stage between verses, presumably to take a rest, and a drink for his throat. They dedicated one of the new songs, Above and Beyond, to Jon Lord. Black Night closed the show at 10.45pm, and was just great. It took me a good 30 mins to get out of the car park; they pack the cars in nose to tail, so you are blocked in and can’t get out until everyone around you arrives at their car. I then got stuck in traffic driving through the city centre. I was home around 1.45am. It was good to see Deep Purple again, particularly in a relatively intimate venue. Just classic. The old ones are still the best. Setlist: Après vous; Into the Fire; Hard Lovin’ Man; Vincent Price; Strange Kind of Woman; Contact Lost (guitar Solo by Steve Morse); Uncommon Man; The Well-Dressed Guitar; The Mule (drum Solo by Ian Paice); Above and Beyond; Lazy; Hell to Pay (keyboard Solo Don Airey); Perfect Strangers; Space Truckin’; Smoke on the Water. Encore: Green Onions (Booker T. & The MG’s); Hush; (bass Solo by Roger Glover); Black Night
12 Oct
Steve Marriott Sunderland Kazbah Club 22nd January 1989
Steve Marriott Sunderland Kazbah Club 22nd January 1989
Reflecting back on the gigs I have attended over the years gives me the opportunity to think about the performers that I really rate. One of them has to be Steve Marriott. For me, Steve is simply the best performer and the best white soul and R’n’B singer that I have ever seen. Period. I’ve already written about the Humble Pie concerts I attended in the early 70s. I was also lucky enough to see Steve in the reformed Small Faces, who I caught a couple of times in the late 70s; I’ll write about those shows on another day.
Today, I’m thinking about the last time I saw Steve Marriott in concert which was in 1989, a couple of years before his sad and untimely death. The Kazbah club was a small, short-lived, club which operated in Sunderland in the late 80s. I saw a few bands perform there; Chicken Shack, The Groundhogs and Steve Gibbons come to mind. Going to this gig was a last minute decision; I just decided to go along on the night and entered the club late, right before Steve took to the stage. It was great to see him again, after a gap of 10 years or so. To be honest he looked a little weary, and worse for wear, but the passion remained in his performance. The voice was a little raw, and more rusty, but at times he sang with the power of the old days. The set contained quite a few unfamiliar songs, but I remember him performing “All or Nothing” which remains one of my favourites and went down well with the sparse crowd. He also played a few “standards”; I recall “High Heal Sneakers” being performed that night. It was great to watch Steve in such a small and intimate venue, but for me the evening was also tinged with sadness, seeing him play in front of a few people, and not in great shape. The line-up at the time was probably Steve Marriott and The DT’s. The DT’s were an existing band from Birmingham who Steve admired and eventually hooked up with. Their line-up included Steve Walwyn, Greg Rhynd, Simon Hickling and Ches Chaplin. Typical Steve Marriott setlist from early 1989 (from humble-pie.net) : Watch Your Step; Let’s Work Together; Everything’s Gonna Be Alright; Don’t You Lie to Me; My Babe; World in a Jug; Before You Accuse Me; Big Train Stops at Memphis; I Don’t Know Where I’ve Been; Five Long Years; All or Nothing; Promised Land; Just Your Fool; High Heeled Sneakers; This Old Fool. Two years later Steve Marriott sadly died when a fire, thought to have been caused by a cigarette, swept through his home in Essex.
PS. Just noticed that Steve’s surname is spelt incorrectly on the ticket.
10 Oct
The Moody Blues Newcastle City Hall 1997 to 2006
The Moody Blues Newcastle City Hall 1997 to 2006
I went to four Moody Blues concerts at Newcastle City Hall between 1997 to 2006: in 1997, 2000, 2004 and 2006. I saw them more recently at the same venue in 2008, and have already written about that concert. The line-up changed over the years, with Patrick Moraz leaving in 1991, and Ray Thomas retiring in 2002. The band continues with the trio of “original” members Justin Hayward, John Lodge and Graeme Edge. Of course the only member who has been with the band from the very start in drummer Graeme. Ray is a miss in the live shows, I found his songs quite different in style to those of Justin and John. Legend of a Mind (which I always thought was called “Timothy Leary’s Dead” 🙂 was a favourite of mine, even if does sound a little dated. I greatly enjoyed all of their gigs, even though the set was becoming predictable.
Typical setlist: The Voice; Tuesday Afternoon; For My Lady; English Sunset; Words You Say; Strange Times; Steppin’ in a Slide Zone; Haunted; I Know You’re Out There; Story in Your Eyes. Intermission. Your Wildest Dreams; Isn’t Life Strange; The Other Side of Life; Nothing Changes; I’m Just a Singer; Nights in White Satin; Legend of a Mind; Question. Encore: Ride My See-Saw.
I’ve foolishly missed the Moody Blues the last couple of times that they have visited Newcastle. I must make the effort to see them next time. Nothing can touch the classic albums that the Moody Blues produced in the late 60s and very early 70s.
“Timothy Leary’s dead. No, no, no, no, He’s outside looking in. Timothy Leary’s dead. No, no, no, no, He’s outside looking in. He’ll fly his astral plane, Takes you trips around the bay, Brings you back the same day, Timothy Leary. Timothy Leary.” (Thomas, 1968).
9 Oct
The Moody Blues Newcastle City Hall 1981 and 1984
The Moody Blues Newcastle City Hall 1981 and 1984
After not touring for a long time, the Moody Blues began to tour extensively, coming to the UK every couple of years. I saw them at Newcastle City Hall in 1981 and 1984. Their concerts started to take a similar format, which to some extent they still follow to this day, consisting of two sets with an intermission, and no support act. The setlist would consist of the classic tracks, with some new songs (less new songs these days). My favourite “Tuesday Afternoon” would come quite early in the evening, while one of the other songs I would wait to hear, “Nights in White Satin”, would be played towards the end of the show. The hit “Question” would be the last song, and the encore was always “Ride my See-Saw”, which is as much rock’n’roll as you will get in a Moody Blues concert. Predictable, yes, but also always high quality and always a good show. I find it strange how the Moodies have “disowned” their early incarnation, and never ever play Go Now or anything from their first album, “The Magnificent Moodies”. I have a copy of that 1965 debut lp, and its actually pretty good. I understand, of course, that the band changed out of all recognition in terms of membership and style in 1967, but it would still be good to see them play Go Now just once :), and, at least in the 1980s, two members (Ray Thomas and Graeme Edge) remained from that original 1960s line-up.
The 1981 tour was to promote “Long Distance Voyager” and the 1984 tour, which was in aide of NSPCC (the National Society for the Prevention of Cruelty to Children), promoted new lp (and they were still lps in those days) “The Present”. From the 1981 tour programme: “The Moody Blues blast off into musical orbit for ’81 with their first new album for two years, ‘Long Distance Voyager’ featuring ex-Yes Keyboard ace Patrick Moraz for the first time on record, in company with original members, Justin Hayward (vocals-guitar) Ray Thomas (flute) John Lodge (bass) and Graeme Edge (drums). Although the Voyager album is the group’s first original concept since ‘Octave’ in 1978, the group has been continuously in demand throughout the world and Moraz is already the veteran of several U.S. tours where the group retain legendary proportions.”
From the 1984 tour programme: “The facts are that The Moody Blues have sold in excess of 30 million albums worldwide since their inception in 1964, that they have more platinum albums than any other surviving super-group and that their last release “Long Distance Voyager” was number one on the American charts. Their new LP, “The Present,” proves once again that The Moody Blues’ strong melodic structure within a rock framework has enduring appeal.”
Setlist from 1984: Gemini Dream; Sitting At The Wheel; Tuesday Afternoon; The Voice; Steppin’ In A Slide Zone; The Story in Your Eyes; Painted Smile; Reflective Smile; Veteran Cosmic Rocker; Driftwood. Intermission. Talking Out Of Turn; Running Water; Gypsy; Isn’t Life Strange; Blue World; I’m Just a Singer; Nights in White Satin; Legend of a Mind; Question. Encore: Ride My See-Saw
8 Oct
Blue Jays Newcastle City Hall 1975
Blue Jays Newcastle City Hall 1975
While we were waiting for The Moody Blues to return from their hiatus, Justin Hayward and John Lodge called at Newcastle City Hall, as the Blue Jays. Blue Jays is a 1975 album by Hayward and Lodge, which was recorded and released during the Moody Blues’ five-year break from recording, apparently in part for contractual reasons to fill the gap in Moodies output. According to Hayward: “I was under a lot of pressure from Decca to come up with something to release. So I actually went to America to do something with Mike [Pinder], between the two of us. Then Tony Clarke and John [Lodge] turned up at Mike’s house as well. Mike took me in the other room and said, “I don’t want to work with anybody else. I’m out of this project.” So then it became me and John and Tony Clarke, and we made an album called Blue Jays.” The title “Blue Jays” had a couple of meanings; first it is of course the name of a bird; secondly however it refers to the fact that the album was put together by the Moody Blues members whose names began with J; the (Moody) Blue J’s.
This was the closest we were going to get to seeing the Moodies in concert, indeed at that time I feared that they may never tour again, so my friend Ian and I took the opportunity to see two of their front men at our local venue.
The set comprised a mix of songs from the Blue Jays album, including the hit single Blue Guitar and some Moody Blues classics; including Nights in White Satin and Question. It was a great gig, and almost as good as seeing the full band (but not quite :)). Support came from Aj Webber.
From the tour programme: “For Justin Hayward and John Lodge 1975 has been a year of change. At the end of the Moody Blues World Tour which ended in 1974 Justin and John took the first step on a road which has brought them to their current British tour. The step was an album conceived, written and recorded in their own Threshold recording studio. Today, the spirit of this album – which was baptised ‘Blue Jays’ – now begins to grow with Justin and John embarking upon a tour of Great Britain…Justin and John have a few good friends on the road with them. A few years ago during an American tour they met three musicians from Idaho – Jim Cockey, Tim Tompkins and Tom Tompkins. Jim, Tim and Tom have been part of the Threshold family ever since then – firstly through their own album, ‘Ever Sense The Dawn’ when they were a part of a band called Providence, and more recenly working with Justin and John on ‘BlueJays’. Two other old friends from the Threshold family are also with Justin and John on this journey – Mel Galley and Dave Holland from Trapeze.”
Setlist: Saved by the Music; Remember Me, My Friend; The Story in Your Eyes; This Morning; You; You and Me; My Brother; Isn’t Life Strange. Intermission. Who Are You Now; New Horizons; Emily’s Song; I Dreamed Last Night; Nights in White Satin; I’m Just a Singer; Blue Guitar; When You Wake Up. Encore: Question
7 Oct
The Moody Blues Glasgow Apollo 1979
The Moody Blues Glasgow Apollo 1979
My parents got their first stereo system in the late 60s. It consisted of a Garrard turntable, a separate amplifier and a couple of speakers. Around the same time my uncle bought a lovely HMV Stereogram. It was a wonderful piece of equipment, which I now have in my record room upstairs, alongside a modern player and an old Dansette. I would play my records on our stereo system, and also take them down the street to play on my uncle’s Stereogram, to compare the sound and the stereo effects. The albums I had at the time were The Beatles White album, Tommy by the Who, the Crazy World of Arthur Brown, and Days of Future Passed by the Moody Blues. Days of Future Passed was my favourite. The album had been recorded to demonstrate the New “Deramic Sound System” and had set out to demonstrate the potential of stereo recording. The sound was unlike anything I had heard before. The symphonic arrangements, the blend of classic and rock, the way in which the sound was divided across the two stereo channels; it was like entering a whole new sonic world for the first time. And the songs; “Tuesday Afternoon”, “Dawn is a Feeling”, and “Twilight Time”, were just amazing. But best of all was “Nights in White Satin”. I love the song to this day, but from the moment I first heard it I was fascinated by its unearthly quality. It stood out from the rest of songs on the album.
The Moody Blues early 1970s UK tours missed Newcastle. They played the Odeon in 1969, but didn’t return to the North East until the early 1980s. They did play Leeds University a couple of times in the early 70s, but I was just a little too young to make the trip to Leeds to see them. They then went on a hiatus from 1974 to 1978. So I never got to see the Moody Blues until 1979 when they returned to promote their new album “Octave”. Their 1979 tour was short, only taking in three venues: Glasgow Apollo, Stafford Bingley Hall, and Wembley Arena. I had waited so long to see this band, so decided to make the trip to Glasgow Apollo for the concert.
The “Octave” album featured the classic Moodies line-up of Justin Hayward on guitar and vocals, John Lodge on bass and vocals, Ray Thomas on vocals and flute, Graeme Edge on drums, and Mike Pinder on organ and synthesiser. Mike Pinder decided that he didn’t wish to tour, and was replaced by Patrick Moraz, who had just left Yes.
On the day of the gig, I picked up Marie from work at 4pm and we drove straight up to Glasgow. I got lost somewhere in the city, as I often have to this day, and we arrived late, missing the support act. Support came from the late Jimmie Spheeris who was an American singer-songwriter and released four albums in the 1970s. We had seats upstairs, with a pretty good view of the stage. The Moodies had a big sound system, with massive speakers hanging from the roof. It was the first time I’d seen anything on this scale in a concert hall. The set was a mix of old favourites, and tracks from “Octave”. Although the sound system was huge, I remember thinking that the sound level was quite quiet for a “rock” band. “Nights in White Satin” was my favourite, along with the last song “Question”. The encore was “Ride me See-Saw” which it has been each time I saw them.
It was great to see the Moody Blues after such a long wait, and they didn’t let me down. The Moodies toured a lot since the late 70s, often calling at Newcastle, and I have seen them several times since that night. I’ll reflect on those concerts over the next few days.
From the tour programme: “The legend that never really went away while their music lived on is now back live with Patrick Moraz in the keyboard seat and their first appearances in the U.K. for six years sealed by two capacity appearances at Wembley Arena in 1979…….now at the end of 1979, it’s time for Britain to welcome the Moody Blues back to the live stage. Inevitably, there’ll be people in the audience tonight who have never been fortunate enough to see the Moody Blues playing live, but just as many, and possibly more, will be those who’ve seen the group before and enjoyed their albums since the ’60s. A cause for celebration – the return of the Magnificent Moody Blues”. The programme advertised “Out of this World” which was a compilation album of Moodies classics released on K-Tel records.
Setlist: Steppin’ in a Slide Zone; Tuesday Afternoon; Twilight Time; The Day We Meet Again; The Story in Your Eyes; I’m Your Man; Top Rank Suite; Isn’t Life Strange; Driftwood; I’ll Be Level With You; Gypsy; Survival; The Balance; I’m Just a Singer (In a Rock and Roll Band); Nights in White Satin; Legend of a Mind; Question. Encore: Ride My See-Saw.
5 Oct
Ralph McTell Newcastle City Hall 1974
Ralph McTell Newcastle City Hall 1974
Support from Prelude
I’ve only seen Ralph McTell once in concert, back in 1974. He was already well established on the folk scene at this point, having played several major concert tours, and filling the Royal Albert Hall twice in 1973. This tour was to promote Ralph’s seventh album “Easy” which featured Danny Thompson, John Kongos and Bert Jansch. I think Danny Thompson was with Ralph on the tour. It was of course the great song “Streets of London” which drew me to the gig. “Sreets of London” was recorded in 1969, but wasn’t released as a single until 1974, reaching No 2 in the UK singles chart. At one point it was selling 90,000 copies a day, and won Ralph the Ivor Novello Award and a Silver disc.” The song was inspired by McTell’s experiences busking and hitchhiking throughout Europe, especially in Paris and the individual stories are taken from Parisians – McTell was originally going to call the song Streets of Paris; 
but eventually London was chosen because he realised he was singing about London. The song contrasts the common problems of everyday people with those of the homeless, lonely, elderly, ignored and forgotten members of society” (from Wikipedia). I loved that song at the time, and enjoyed hearing Ralph McTell sing it. The City Hall was packed for this concert, and I was surprised just how many people were already fans of the guy, and knew the songs well enough to sing along to most of them. Support came from local folk trio Prelude, who had their own UK chart success in 1974, with a distinctive a cappella version of Neil Young’s “After the Goldrush”, which reached No 21. Singer Irene Hume explains how the song came about: “We were standing at a bus stop in Stocksfield and we just started singing it. There was no particular reason, it was just a nice song. The way we do it now is really no different from the way we did it at the bus stop. We included it in our act and it went down really well – even the rowdier clubs listened to it. We certainly never thought of it as a possible single”.
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