Pink Floyd Newcastle City Hall 27 January 1972
I first saw Pink Floyd at Newcastle City Hall in 1972. The date of the concert was changed as I recall; I went through the week before, not knowing the gig had been postponed by week or so, and had to come home again. I returned on the correct night, without a ticket for the sold out gig, and managed to buy one outside for face value. The first thing I noticed were four large PA speakers set out in the corners of the hall. I’d read in the music papers of their quadrophonic sound system, so I knew that I was about to experience something quite different to any other concert I’d been to before. The show was in two sets; I sat and waited. As a 15 year old I was totally immersed in the music and the event; no sneaking down to the bar for me in those days. Pink Floyd introduced their new composition “Eclipse (A Piece For Assorted Lunatics)” and played it in full during the first half of the concert. “Eclipse” was to develop into “The Dark Side Of The Moon” in the coming months, and the titles of the tracks changed during that period. A few of the tracks were apparently played as instrumentals in some of the earlier concerts. I definitely remember them (Roger I think) introducing it as “Eclipse” and I also recall the voice “I’ve been mad for f**ing years…” swirling around the hall; and the clock, the heartbeat and that laugh reverberating around and around us, switching between the four speakers. None of us knew what to expect of course; I nearly jumped out of my seat when I heard the laugh come at me from a speaker behind me at the back of the hall, and at very high volume. Just incredible. Even then, hearing the piece for the first time, you just knew it was unique.
After a short internal the Floyd returned to play a set of classics; starting with “One of These Days” from “Meddle” (a favourite of mine at the time) which was their most recent album at that time. Roger’s bass vibrated through the hall; to be followed by lots of screaming in “Careful With That Axe, Eugene”. Another thing that sticks in mind was the elevated lighting rig, which stood at the back of the stage behind the band, and was unlike anything I had seen before. Towards the end of the show the rig swirled up to the ceiling drowning the hall in myriad coloured lights. Very effective and actually quite spooky. I would imagine by today’s standards it would seem pretty basic, but at the time is was state of the art stuff, and all added to the mysterious of the Floyd in concert. The second closed with the beautiful “Echoes” and the haunting “Set The Controls For The Heart Of The Sun” with its heartbeat drum beat, and closing with Roger beating a fire-lit gong.
I was totally blown away by the performance, and bored everyone at school for weeks, telling them how great Pink Floyd (and they were great indeed 🙂 ). A memory I will keep with me forever (at least I hope so…and if my memory does go, one of the purposes of this blog is to remind me).
Set 1: Speak To Me; Breathe; The Travel Sequence; Time; Home Again; The Mortality Sequence (aka “Religion”); Money; The Violent Sequence; Scat; Lunatic; Eclipse
Set 2: One Of These Days; Careful With That Axe, Eugene; Echoes; Set The Controls For The Heart Of The Sun
Pink Floyd members in 1972: Roger Waters, David Gilmour, Nick Mason, Richard Wright
“I’ve been mad for f***ing years, absolutely years, been over the edge for yonks, been working me buns off for bands…I’ve always been mad, I know I’ve been mad, like the most of us…very hard to explain why you’re mad, even if you’re not mad…” (Speak to Me, Mason, 1972)
Posts Tagged ‘music’
20 Jan
Pink Floyd Newcastle City Hall 27 January 1972
19 Jan
The Reading Festival 24th – 26th August 1973
The Reading Festival 24th – 26th August 1973
August 1973 and I was back at the Reading Festival. This year I hooked up with a large group of mates from town who had traveled down in a Transit van. I discovered Reading town centre, and the local pubs for the first time this year, and as a result missed some of the bands. The line-up was pretty mixed, with a clear attempt to become international; featuring bands from France, Italy and the USA, and also retaining jazz elements with appearances by Chris Barber and George Melly (who was great and a surprise success).
Friday line-up: Embryo (Germany), Alquin (Holland), Stray Dog (USA), Greenslade, Capability Brown, Commander Cody and the Lost Planet Airmen (USA), Jo’Burg Hawk (South Africa), Rory Gallagher. The successes of the day were Commander Cody and of course Rory, who was just amazing. This was classic Rory at his best: Messin’ With the Kid; Laundromat; Walk on Hot Coals; Pistol Slapper Blues; Going to My Home Town; and Bullfrog Blues. The crowd loved him. Capability Brown grew out of the ’60s band Harmony Grass; prog rock with great harmonies. 
The other thing I discovered was the bridge over the Thames, and we spent many an hour watching people dive off and down into the river (which seemed crazy and dangerous to me).
Saturday line-up: Dave Ellis, Clare Hamill, Tasavallan Presidentti (Finland), Riff Raff, Fumble, Magma (France), Lindisfarne (Mk II), Chris Barber band, Status Quo, Sensation Alex Harvey Band, Strider, Andy Bown, The Faces.
My memories of the Saturday are of Status Quo going down a storm, and the Faces being OK, but the real success of the day being the Sensation Alex Harvey Band. SAHB were just about to release “Next”; I think they started the set with “Faith Healer” which sounded incredible, the intro throbbing across the field. Alex was electric and made a lot of new friends that day. 
The Faces set was nowhere near as strong as the previous year. This was one of their first gigs after Ronnie Lane had been replaced by Tetsu (who was great by the way); you could sense that the band were losing their enthusiasm and a Rod would soon be on his way. Lots of footballs into the crowd again. Oh and Jesus dancing naked during the afternoon. I don’t recall Andy Bown’s set and didn’t know much about him at the time, other than he was in The Herd with Peter Frampton. I do remember being surprised as how high up on the bill he was. I think this was where he made friends with Quo; he joined them shortly afterwards on keyboards. Fumble were a rock’n’roll revival band who played a lot of gigs at the time; I recall seeing them several times at local student union dances.
Sunday line-up: Aj Webber, John Martyn and Danny Thompson, Ange (France), Tim Hardin and Lesley Duncan with the Tim Horovitz Orchestra, PFM (Italy), Jack the Lad, Medicine Head, Stackridge, George Melly and the Feetwarmers, Jon Hiseman’s Tempest, Mahatma, Jimmy Witherspoon (USA), Spencer Davis, Genesis. I think Roy Buchanan may have played also; he was advertised in early flyers, but doesn’t feature in the programme; I think I recall watching him. The stand-outs on Sunday were (surprisingly) George Melly who wore an incredibly sharp suit and totally engaged the crowd with his crazy jazz campness, and of course Genesis, with Peter Gabriel appearing with a strange pyramid arrangement on his head. Stackridge were good as always (Slark still a favourite of mine); Spencer Davis played all the hits, and had a great band featuring Charlie McCracken, Pete York, Ray Fenwick and Eddie Hardin. Tim Hardin sang his beautiful moving songs (If I was a Carpenter, Reason to Believe) and John Martyn went down well in his early slot, accompanied by the excellent Danny Thompson on double bass. The weather was pretty good as I recall, I don’t think we got much, if any, rain. Not one of the strongest Reading line-ups, but still a good weekend of music and fun, with excellent performances by Rory, George Melly, Alex Harvey, Quo and Genesis. Thanks to Ben Sutherland for making his photograph of the Reading Bridge available through WikiMedia Commons. The programme was once again produced by the local newspaper and cost all of 10p 🙂 . The poster of the Faces comes from the centrepages of the programme.
18 Jan
Pink Fairies live in the mid-’70s
Pink Fairies live in the mid-’70s
I was a big fan of the Pink Fairies in the early and mid ’70s and went to see them a number of times in concert. Those guys represented everything that was great about rock music; attitude, far-left politics, anti-establishment views, freedom and some great underground tracks. My mate had a copy of their “Kings of Oblivion” album which we played again and again, especially “City Kids” and “When’s the Fun Begin” (which was co-written by hero of the counter-culture, Mick Farren, who sadly recently passed away). Another favourite of mine was their version of “Walk Don’t Run” from the “What a Bunch of Sweeties” album, which adds vocals to the Ventures instrumental, and bends it into a piece of psych-tinged surf guitar grunge. 
You got the feeling that these guys lived on the edge, on the outside, and were 100% authentic. The line-ups that I saw featured Paul Rudolf and/or Larry Wallis on guitar, Duncan Sanderson on bass, and Russell Hunter on drums. The legendary Twink had departed some time before. My ticket stubs included here are for gigs at Middlesbrough Town Hall Crypt and Redcar Coatham Bowl, probably around 1975 or 1976. I also saw the Pink Fairies at Newcastle Mayfair a couple of times; in 1976 and 1977. These guys were pure raw rock’n’roll live and LOUD. Amazing. It seems a reunion of some sort is in the air; as the 100 club is advertising a Pink Fairies gig in May, although its not yet clear who will be in the line-up. Something for me to watch out for.
17 Jan
Ozzy Osbourne live 1982 to 1986
Ozzy Osbourne live 1982 to 1986
On 19 March 1982 a light aircraft piloted by Andrew Aycock (Ozzy’s band’s tour bus driver) carrying guitarist Randy Rhoads and Rachel Youngblood, the band’s make up designer, crashed while performing low passes over the band’s tour bus. In a prank turned deadly, the left wing of the plane clipped the bus, causing it to crash, killing Rhoads, Aycock, and Youngblood. Randy was only 26, and although he played for only a short period, he has been an immense influence on a whole generation of musicians in heavy rock and metal. Guitar World proclaimed that the guitarist “could have been the greatest”.
The Ozzy band were shocked and crushed by the tragedy, but regrouped with a new line-up (Bob Daisley and Lee Kerslake had left the band). By the time I saw Ozzy again on the Speak of the Devil tour when it called at Newcastle City Hall on 18th December 1982 the band was: Ozzy, Brad Gillis (from San Francisco band Ranger) on guitar, Tommy Alridge (from Black Oak Arkanas, and the Pat Travers Band), Pete Way (UFO) on bass. They were also joined by actor John Allen who was executed in a mock hanging as part of the now highly theatrical stage show. 
Support once again came from Budgie. From the 1982 tour programme: ” Tragedy struck, and rock lost a great guitar hero and a friend in Randy Rhoads. And yet in the midst of the quiet that followed our loss, there was movement. When the music stopped there was silence. However, it wasn’t a simple silence. It was a silence that would whip itself into a greater sound – a sound that would Speak of the Devil. As time changed me, as time has no doubt changed you, my infatuation with horror made things move faster. The tracks you’ll hear capsulize a real life story that helped cleanse my soul of the 13th anniversary of my career. I am Ozzy Osbourne…and sometimes we all Speak of the Devil”.
Setlist: Over the Mountain; Mr. Crowley; Crazy Train; Revelation (Mother Earth); Steal Away (The Night); Suicide Solution; Goodbye to Romance; Flying High Again; Believer; Sweet Leaf; Children of the Grave; Iron Man. Encore: Paranoid.
Ozzy was back in Newcastle on 18th November 1983 at the Mayfair for the Bark at the Moon tour with support from Heavy Petting. The line-up had changed again and was Ozzy, Jek E Lee on guitar, the return of Bob Daisley on bass, Don Airey on keyboards, and the legend Carmine Appice (Beck, Bogert and Appice; Vanilla Fudge) on drums. Ozzy had morphed into a werewolf, and the show was even more theatrical. I saw the show again as part of the 1984 Monsters of Rock festival at Donington where Ozzy joined a bill headed by AC/DC and also featuring Van Halen; Gary Moore; Y&T; Accept; and Mötley Crüe.
Ozzy setlist from Donington 1984: I Don’t Know; Mr. Crowley; Over the Mountain; Rock ‘n’ Roll Rebel; Bark at the Moon; Revelation (Mother Earth); Steal Away (The Night); Suicide Solution; Centre of Eternity; Flying High Again; Iron Man; Crazy Train; Paranoid
Two years later I saw Ozzy again; back at Newcastle City Hall on 12th February 1986. Support came from US rockers Ratt. A new tour and yet another line-up: Ozzy; Jake E Lee remaining on guitar; Phil Soussan on bass; the late Randy Castillo on drums (who went on to join Motley Crue) and John Sinclair on keyboards. The tour was in support of The Ultimate Sin album. From the programme: “”Ozzy Osbourne is still the reigning madman of rock’n’roll. He’s still an intense performer who often pushes himself too far……The music’s great, the band is hot and we’re ready to take on the world”.
Setlist: O Fortuna; Bark at the Moon; Suicide Solution; Never Know Why; Mr. Crowley; Shot in the Dark; I Don’t Know; Killer of Giants; Thank God for the Bomb; Flying High Again; Secret Loser; Iron Man; Crazy Train; Paranoid.
This was the last time I saw Ozzy live until the current Black Sabbath tour. Ozzy’s visits to the UK became less and less frequent as he concentrated on the US. I did have a ticket to see him at Newcastle Arena 10 years or so ago, but the concert was cancelled as Ozzy was not well at the time. Ozzy is a great heavy rock singer, and a crazy and compelling front man whose stage presence is as powerful today as it ever was.
16 Jan
Ozzy Osbourne Blizzard of Ozz September/October 1980
Ozzy Osbourne Blizzard of Ozz September/October 1980
When Ozzy left Black Sabbath in 1979 I honestly thought it could be the last we saw of him. Sure; he was a great, mad front man in Sabbath, but I really didn’t see him as a solo act. Ozzy always struck me as crazy, fearless, yet almost child-like. He fitted well within the Sabbath context, and as part of a group; but on his own? How wrong I was. No-one could have predicted just how successful his career would turn out to be. But it was obvious from the first time I saw him in concert and heard him play his new songs that Ozzy was going to be OK, more than OK in fact. The new album had some great tracks in “Crazy Train”; “Goodbye to Romance”; and “Mr. Crowley”, and he included Sabbath favourites “Iron Man”; “Children of the Grave”; and “Paranoid” in the live show, so how could he not be great. Oh, and Randy Rhoads was a simply incredible guitarist, just as good as his legend suggests. The tour called at Newcastle City Hall, Newcastle Mayfair and Sunderland Mayfair. Now this is another one of those gigs that has tested my memory; which has been playing tricks on me again. Now in my mind I went to see Ozzy at the City Hall concert; but I can’t find a ticket for that show, and I always keep them. I do have a programme so I know that I did see Ozzy that year, and on that tour, and I can definitely remember it was shortly after the Blizzard of Oz album was released. I can only conclude that I must have gone to the Sunderland Mayfair gig, and I either paid at the door or tickets were collected on the way in. I’m learning just to accept things like that now; I can’t always remember details fully these days, and it’s no good dwelling on them or trying to figure it out; it just drives me nuts 🙂 . The line-up of Blizzard of Ozz was Ozzy (of course) on vocals, the late and truly great guitarist Randy Rhoads; Bob Daisley from Rainbow on bass, Lee Kerslake fom Uriah Heep on drums and local lad Don Airey on keyboards (replaced by Lindsey Bridgewater for the tour). Support came from those excellent Welsh rock heroes Budgie.
Setlist for the tour was: I Don’t Know; You Lookin’ at Me Lookin’ at You; Crazy Train; Goodbye to Romance; Mr. Crowley; Suicide Solution; Iron Man; Children of the Grave; Steal Away (The Night). Encore: Paranoid
15 Jan
Oasis, Metro Radio Arena, Newcastle, 13th July 2005
Oasis, Metro Radio Arena, Newcastle, 13th July 2005
The next time I saw Oasis was at Newcastle Arena in July 2005. They were on tour to promote their album “Don’t Believe the Truth” and called at Newcastle for two nights; Tuesday 12th July and Wednesday 13th July. The rest of the tour saw them selling out massive stadiums: three nights at the City of Manchester Stadium, two nights at Milton Keynes National Bowl and shows at Hampden Park, Glasgow and Southampton Rose Bowl. So the Newcastle concerts were small gigs in comparison and tickets sold out immediately. I went to concert on the second night at the venue.
It was a red hot summer night and the place was jam packed. The heat in the arena was stifling, and Oasis came on stage to one of the biggest roars I’ve ever heard. I was with David; we had standing tickets, and managed to get ourselves right into the thick of the crowd; everyone around us was going totally crazy. Oasis, and Liam in particular, were on excellent form. This gig was so much better than the first time I saw them at the Reebok Stadium; it wasn’t that the band were playing any better, but the sound was much clearer, louder and the atmosphere in the middle of the arena was much more exciting than it can ever be when you are standing up on the terraces at the back of a stadium. The set included the hits and tracks from the new album. They closed with an excellent version of the Who’s My Generation, showing their classic rock roots. Great stuff.
Jonjo McNeill summed it up well in a review of the time: “every single person in that room was part of the band tonight, every single one a Rock N Roll Star, and that’s why Oasis will always be the Best Band in the World to me” (Jonjo McNeill, PennyBlackMusic, 2005).
Setlist: Turn Up the Sun; Lyla; Bring It on Down; Morning Glory; Cigarettes & Alcohol; The Importance of Being Idle; Little By Little; A Bell Will Ring; Acquiesce; Songbird; Live Forever; Mucky Fingers; Wonderwall; Champagne Supernova; Rock ‘n’ Roll Star. Encore: Guess God Thinks I’m Abel; The Meaning of Soul; Don’t Look Back in Anger; My Generation (The Who cover)
14 Jan
Oasis Reebok Stadium Bolton 15th July 2000
Oasis Reebok Stadium Bolton 15th July 2000
I came late in terms of getting to see Oasis in concert. They came up during a time that my gig going was at a low point, and it wasn’t until 2000 that I finally got to see them. By then I had missed (and regretted doing so) their massive Knebworth gig, so I was pretty keen to see what the Gallagher brothers were like live. When they announced their next tour, I bought tickets immediately for their (relatively) home town gig at Bolton Reebok football stadium. Marie and I travelled across to Manchester by train, staying at the Midland hotel, and taking the train across to Bolton. We arrived just in time to catch some of the first support act, which was ex-Smiths Johnny Marr’s new band the Healers. Next up were Shaun Ryder and his Manchester heroes the Happy Mondays. Both went down well with the home crowd and warmed everyone up for the main attraction.
This gig came shortly after the Gallagher brothers had one of their bust-ups which resulted in Noel walking out of the European leg of the Standing On The Shoulder Of Giants world tour, and the scrapping of French tour dates. The tour tcontinued with a stand-in for Noel, but luckily the brothers had made it up by the time the tour reached the UK. Oasis opened their set with Don’t Let It Out, and played for around 90 minutes, featuring all of their well known songs. We were up in the stands to the left of the stage, and the sound wasn’t great up there, but Oasis were still impressive.
However, my most enduring memory of the day comes from the journey back to Manchester. We left during the encores in the hope of getting a headstart before the massive crowds rolled out onto the trains. The station was walking distance from the Stadium. We got onto the platform without any problem, and stood waiting for the next train. And we waited and waited, as more and more people piled onto the platform. Soon the station was completely packed to the extent people were in danger of being pushed onto the tracks. Eventually a train arrived and everyone piled on. I’ve never been on such a packed train; it was so full you couldn’t move at all, with people up on tables and every inch of space taken; to the extent it was dangerous and pretty frightening. The short journey from Bolton to Oxford Road seemed to take forever. How we managed to squeeze our way out of the carriage I don’t know. Marie lost a shoe in the process and I literally had to pull her out of the carriage. She wasn’t in too good a mood travelling back the next morning with only one shoe 🙂 Very bad organisation, which left a bad taste after what was, otherwise a great gig.
From a review of the time: “Oasis just know how to rock an entire stadium. The entire crowd rocked when ‘Supersonic’ played, they jumped when ‘Cigarettes and Alcohol’ played, they laughed when Liam spoke, they reminisced about Knebworth when ‘Live Forever’ and ‘Champagne Supernova’ oozed from the giant speakers. You could see the atmosphere it was that rich.” Reblogged from: http://www.ciao.co.uk/OASIS_Bolton_Reebok_Stadium__44759
Setlist: Go Let It Out; Who Feels Love?; Supersonic; Shakermaker; Acquiesce; Step Out; Gas Panic!; Roll With It; Stand By Me; Wonderwall; Cigarettes & Alcohol; Don’t Look Back in Anger; Live Forever. Encore: Hey Hey, My My (Into the Black) (Neil Young cover); Champagne Supernova; Rock ‘n’ Roll Star
13 Jan
Orchestral Manoeuvres in the Dark live 1979 to 1983
Orchestral Manoeuvres in the Dark live 1979 to 1983
I first saw Orchestral Manoeuvres in the Dark on 21st September 1979 when they supported Gary Numan on tour at Newcastle City Hall. This was the original two piece band featuring Andy McCluskey on vocals and bass and side-kick Paul Humphreys on vocals and keyboards. Oh, and not to forget “Winston”, their friendly four track tape-recorder, on backing tracks. My memories are of crazy (or cool; all depending upon your point of view) dancing by Andy and that great first single “Electricity”. 
This was before the release of their eponymous first album in early 1980. OMD hit the chart big-time later in 1980 with the very catchy “Enola Gay”; an anti-war song entitled after the plane which dropped the bomb on Hiroshima on 6 August 1945, during the final stages of World War II. By the time they played Newcastle Polytechnic on 18th November 1980, OMD were massively popular and tickets sold out immediately. By now Andy and Paul had augmented the OMD line-up with the addition of Martin Cooper (saxophone) and Malcolm Holmes (drums). This tour was to promote Organisation which was their second album, and support came from Fatal Charm. The students union ballroom was packed to the walls that night; and the band got a great reception, with “Enola Gay” and “Electricity” being stand-outs. Exactly one year later to the very day, on 18th November 1981, OMD were headlining at Newcastle City Hall on the Architecture & Morality tour, to promote their their third album. Support came from Random Hold. 
I saw the band once more, on 23rd April 1983, when they returned to the City Hall as part of their the Dazzle Ships tour (to promote their fourth album). Support came this time from the Cocteau Twins, featuring the beautiful voice of Elisabeth Fraser. The Cocteau Twins were on the cusp of success at the time (this was just before the release of “Pearly Dew Drops Drop”). The classic four-piece OMD line-up split in the late ’80s, and they reunited in 2005.
A setlist from the 1981 tour: Architecture & Morality; The Romance Of The Telescope; Sealand; Pretending To See The Future; Messages; Almost; Mystereality; Joan of Arc; Motion And Heart; Joan of Arc (Maid of Orleans); Statues; Souvenir; New Stone Age; Enola Gay: Bunker Soldiers; Electricity. Encore: She’s Leaving; Julia’s Song; Stanlow.
12 Jan
The Reading Festival 11th – 13th August 1972
The Reading Festival 1972
I first went to the Reading Festival in 1972 (is it really over 41 years ago 🙂 ?), and continued to go every year until 1980. I missed 1981 as it clashed with a local “Rock on the Tyne” Festival, and have never returned, although I did think of doing so on several occasions. I’m aiming to reflect on one year each week for the next few weeks, starting today with my first Reading experience.
I’d already been to the Lincoln Festival in May 1972 so I felt, as a 15 year old, I was already a hardened festival goer. I didn’t know anyone who wanted to go to Reading, so decided to go along myself. My parents weren’t keen on my idea of hitching so I agreed to go by train. The festival took place over the weekend of August 11th to 13th, 1972 starting on Friday afternoon. For some reason I decided to get the train down to London early on the Thursday night, arriving around midnight. Having nowhere to spend the night I took a tube to Piccadilly Circus and found an all-night cinema. It was showing Elvis films all night; I paid my money and sat close to the front. The cinema was quite empty, the audience was a few couples, some Elvis fans and several people alone like me, and just looking for somewhere to spend the night. I don’t recall which films were shown, I think there were six, and I’m pretty sure one was “Kid Galahad” (which, by the way, is a good movie), and I think another may have been “Fun in Acapulco” and “Girls, Girls, Girls” (not so good). I emerged, very tired, from the cinema in the early hours of the morning, and went across London to get the train to Reading. I didn’t have a ticket for the festival, so when I arrived I joined the queue and bought a weekend ticket. In those days it was all about seeing the bands, so I stayed in the queue to get a good spot in front of the stage. All I had taken was a sleeping bag; no tent; no change of clothes (I told you that I thought myself a hardened festival goer).
The Friday line-up was: Good Habit, Nazareth, Cottonwood, Steamhammer, Jackson Heights, Genesis, Mungo Jerry, Curved Air. The music started at 4pm and there were two stages set alongside each other to make for quick changeovers. I positioned myself close to the front somewhere between the two stages so I had a good view of both. There was a press enclosure right down front, and an area where the Hells Angels would encamp, so you couldn’t get that close to the stage. I got talking to a guy next to me; he was also alone, still at school and a similar age. We stuck together throughout the weekend, keeping each others place in the crowd, and sleeping there on a night in our sleeping bags. This seems crazy now, but hey I was young and just so excited about seeing the bands. You could sleep in the main enclosure in those days; you had to leave in the early morning so that they could clear up and get ready for the next day. Some clearing happened during the night; this didn’t make for a good night sleep as there was a danger that someone stood on you (this happened to me several times). The organisers stopped letting people sleep in the main enclosure a few years later; a punter was run over by a vehicle that was driving around collecting litter….The bands I recall on Friday were: Good Habit (saw them a few times, they used to were monks habits on stage), Nazareth (this was before “Broken Down Angel”; they played a great version of “Morning Dew”); Genesis (Simply amazing. I was a big fan at the time and have written separately about their set which included The Knife, Twilight Alehouse, Watcher Of The Skies, The Musical box, and The Return Of The Giant Hogweed. Classic); Mungo Jerry (got the crowd rocking), and Curved Air (also amazing; It happened today, Backstreet Luv, Sonja Kristina).
The Saturday line-up was: Jonathan Kelly, Solid Gold Cadillac, Man, Linda Lewis, Focus, Edgar Broughton, Jericho, If, Johnny Otis Show, Electric Light Orchestra, The Faces. I watched all of the bands, and also took some time to have a look around the stalls in the arena. I didn’t see any need to venture into town (that would come in later years) and spent the entire weekend within the confines of the festival. The weather was quite warm, sunny with a little drizzle now and then but nothing major, and certainly nothing compared to the rain I experienced at the Lincoln festival earlier in the year. Highlights I can dimly recall now are: Jonathan Kelly (Ballad of Cursed Anna simply wonderful), Solid Gold Cadillac (very jazzy), Man (very long guitar solos; Spunk Rock; great!), Linda Lewis (she looked so tiny on that stage and admitted to being scared), Focus (went down well with the crowd and were one of the successes of the weekend), Edgar Broughton (amazing, I was already a fan. Edgar very unspoken as always. Out Demons Out!!), If (jazzy, great guitarist), Johnny Otis Show (just blogged on them), Electric Light Orchestra (this was a very early performance and one of their first since Roy Wood’s departure. Wasn’t sure what to expect; they were good), The Faces (Rod and the guys on great form, lots of footballs kicked into the crowd, Twisting the Night Away and I’m Losing You were big live favourites of mine at the time).
The Sunday line-up was: Sutherland Brothers, Gillian McPherson, String Driven Thing, Matching Mole, Stackridge, Vinegar Joe, Status Quo, Stray, Roy Wood’s Wizzard, Mahatma Kane Jeeves, Ten Years After, Quintessence. John Peel and Jerry Floyd were comperes for the weekend. Jerry was the regular DJ at the Marquee Club, who organised the festival at the time. I spend much of the weekend chatting about music to the guy that I met on the first day and we struck up quite a friendship. I made a few friend at festivals in those days and would see some people every year but I never ran into this guy again. Wonder where he is now. Highlights of the day were: Matching Mole (featuring Robert Wyatt), Stackridge (“Slark” was a favourite of mine at the time), Vinegar Joe (Elkie just stunning), Status Quo (this was one of the shows that helped them break back. Peel was a big champion of theirs at the time; I think he introduced them as the “Finest rock’n’roll band in the world”, or something like that. They were playing amazing boogie at the time, with Francis giving it some cheeky banter. Someones Learning was a favourite), Stray (excellent, Del in mirror suit), Roy Wood’s Wizzard (pretty good, very retro rock’n’roll. Ballpark Incident had just been released), and Ten Years After (Alvin’s guitar playing was stunning, I’d just seen “Woodstock” and was a big fan). I left as Quintessence’s took to the stage as did many others (TYA were official headliners) to catch the last train to London. The tubes had stopped so I walked across London. I’d missed the midnight train so I spent the night in Kings Cross station.
Monday morning: I was stiff, tired, and scruffy. I got the first train home and went straight to bed 🙂
Wow! that took longer than I thought it would! The scans come from the newspaper style programme which was produced by the Reading Evening Post. The poster (it looks like a cartoon of Leo Lyons from TYA to me?) is from the middle of the programme. Oh and I forgot to mention the “Wally!” chants, which seemed to go on all night.
11 Jan
The Johnny Otis Show featuring Shuggie Otis @ Reading Festival 12th August 1972
The Johnny Otis Show featuring The Three Tons of Joy and Shuggie Otis, Reading 12th August 1972
One of my most enduring memories of the 1972 Reading Festival is seeing the Johnny Otis show. The late Johnny Otis (1921 – 2012) was one of the originators of rock’n’roll, and is often referred to as the “Godfather of Rhythm and Blues”. Otis was a band leader, musician, singer, composer, radio and TV host, author and artist; he was inducted into the Rock Hall of Fame in 1994. He started forming bands after World War II, blending swing with the blues. Otis opened the first nightclub in the world devoted solely to rhythm and blues, discovered many artists including Etta James, and Jackie Wilson, wrote and recorded “Willie and the Hand Jive,” and played drums on Big Mama Thornton’s original recording of “Hound Dog”. Brian Wilson, Frank Zappa, Bob Dylan are all on record as saying that they were influenced by Otis. In the UK he hit the UK charts with “Ma He’s Making Eyes At Me” featuring singer Marie Adams and The Three Tons of Joy, which reached number 2 in 1957.
Johnny Otis is also the father of child prodigy guitarist Shuggie Otis, who joined the Otis Show at a young age. Shuggie was heavily influenced by blues-rock, funk and the music of Sly Stone, Jimi Hendrix, and Love. In 1969, at the age of 15 he featured on Al Kooper’s Super Sessions; he then released his first solo album “Here Comes Shuggie Otis”and played bass on “Peaches en Regalia” on Zappa’s Hot Rats. In 1971 he wrote “Strawberry Letter 23” which was later covered by the Brothers Johnson.
So these guys brought some pedigree to the Reading festival stage in 1972. They appeared on the early Saturday evening coming before ELO and The Faces. The Reading festival originates from the National Jazz Festival and in the early ’70s jazz artists still featured as part of the line-up. For example I remember seeing Chris Barber and George Melly play there in 1973. So Johnny Otis fitted well into that context.
To me, a young kid at the time, The Johnny Otis Show live seemed to come from another age and another world. This was the full US show, featuring Johnny on piano, a big band, Shuggie, and the return of Marie Adams and The Three Tons of Joy. There must have been 20 people on stage at one point. The show took the form of a R&B revue with guest performances by Shuggie, who played a lengthy and amazing guitar solo on “Shuggie’s Boogie”, and Marie Adams and The Three Tons of Joy who sang “Ma He’s Making Eyes At Me” and were simply sensational; the crowd just loved them. They also played “Willie and the Hand Jive”. It was a hot sunny day and The Johnny Otis show matched the mood of the day, and fitted in well with the rest of the heavy and prog-rock line-up, which featured Ten Years After, Curved Air, Status Quo, Genesis, Stray and Edgar Broughton. Johnny Otis must have been in his early 50s at the time, which seemed like he was an “old” guy; its interesting how my concept of “old” has changed as I have become “old” myself 🙂 . Shuggie was of course a young guy; around 18 years old at the time. Shuggie continues to play to this day, and retains a cult following; he returned to the UK a year or so ago and played at Manchester’s Band on the Wall, and the Jazz Cafe in London. His influence is felt through the music of Prince and Lenny Kravitz. These guys are legends, and the Johnny Otis show stays in my mind as something pretty special, the like of which I’ll probably never see again.
PS. I added some photos of a page from the 1972 Reading programme showing Johnny Otis and the Three Tons of Joy.
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