Posts Tagged ‘music’

Robin Trower Stockton Arc April 7th 2015

Robin Trower Stockton Arc April 7th 2015
trowertixRobin Trower pursed his lips, sucked in his cheeks, closed his eyes, gave that familiar grimace and squeezed sounds out of his Strat that only Trower can. The wah wah peddle rose slowly to prolong those chords, and the unique blend of rock, funk and soul that has become Trower’s trademark kept a packed Arc enthralled. Robin Trower celebrated his 70th birthday a few weeks ago, and he continues to tour and record. This was the first time I’ve seen Trower live for a few years and his band has reverted to the familiar power trio format that he favoured throughout the 1970s, and returning to that format seems to have injected renewed power and energy. trowerflyer
Robin has a new album, and the set includes songs from the new release along with those old classics he just has to play. Why, he even takes lead vocals on a few of the tracks, his deep, raspy voice adding a bluesy edge to the songs, and reminding me a little of Tony McPhee and the Groundhogs.
I was standing close to the front and was totally mesmerised by his performance; the guy is playing as fluidly as ever. And the band is strong and powerful with a young bass player from the James Dewar school of soulful voices. Highlights of the night were, for me, the old familiar tunes. “Bridge of Sighs” never fails to impress, and “Day of the Eagle” rocks the same as it always did. The first encore was the track that first got me into Trower’s music; “Too Rolling Stoned”. Excellent. Support came from Joanne Shaw Taylor whose blues rock set won over a lot of new fans.IMAG0924
Setlist: Somebody Calling, Rise Up Like the Sun, See My Life, Daydream, Lady Love, Something’s About to Change, Day of the Eagle, Bridge of Sighs, Confessin’ Midnight, The Turning, Not Inside – Outside, Little Bit of Sympathy
Encore: Too Rolling Stoned, For Earth Below

Many thanks to Mitch for his photo of Robin and band

The End

The End
the-endWell I’ve done it. I started this project sometime in 2009; blogging sporadically when I went to see a band. At the end of 2011, I decided to cover all of the concerts I have attended , and started blogging every day on 1st January 2012, using my ticket stubs and programmes as a guide. I then worked through each band/act (roughly) alphabetically; I finally got to the letter “Z” a week or so ago.
Over the years I’ve written about many great bands from different genres; ranging from ABBA to Z Z Top, covering Led Zeppelin, Pink Floyd, the Who, Bob Dylan, the Rolling Stones along the way. In total I have written 1,387 posts about 1,352 bands or acts. During the year 2014, my blog was viewed 94,488 times by 44,627 visitors; each visitor averaging 2.12 views. My top 25 bands (the ones I have written about, and hence seen, the most) are: Status Quo, The Who, Yes, Genesis, Lindisfarne, The Groundhogs, Wishbone Ash, Hawkwind, Uriah Heep, Eric Clapton, The Rolling Stones, Bob Dylan, Jethro Tull, Elton John, Roy Harper, Thin Lizzy, Slade, Deep Purple, Penetration, Rod Stewart (including The Faces), Rory Gallagher, Roxy Music, Queen, The Hollies and U2.
Looking back I realise that my early posts are not as well presented, nor as detailed as the more recent ones. I have definitely got better at doing this over the years. There are also many inconsistencies (which now annoy me; but there you go … I should have planned and designed this project more carefully at the outset). I wish I had been more precise and consistent in the categorisation of bands and the way that I have recorded dates, venues, ticket prices, setlists etc. Some times I have included more than one concert in a post; depending on my interest in the band, or how important I think they are. For “major” artists like The Stones, The Who and Dylan, I have written about every single concert I attended. So in the case of The Stones the blog statistics tell me I have seen them 17 times, and likewise the statistics say that I have seen The Who 22 times. Actually, however, there are some duplicate posts (e.g. I have written a post on the Who at Live Aid, and then also written a separate post on the Live Aid event itself, which also mentions the Who). I think I have actually seen The Who 19 times and the Stones 12 or 13 times. The blog tells me that I have seen Status Quo 31 times, and the total is actually close to 50; I combined some concerts because there were so many. Sadly, this makes it difficult to use the blog as any sort of database of concerts, or to get any precise measures out of it. One day I may go back and try to recategorise things, to make it all consistent, but that would be a big job. For now, to be honest I’ve become a little tired of doing it, and I am looking forward to a little rest from my blogging activities.
Many thanks to all of you who have followed me and encouraged me on this journey. Thanks to those who commented along the way; particularly Mitch and Neil, Jeff, Dawn, Hockey and Tony. Thanks to Mitch for sending me many great images from some of the concerts, and providing setlists. Thanks to John for reminding me of some of the gigs we went to many years ago, and for providing insights into rock’n’roll in the USA. Thanks to Norm and Will for having better memories than me and keeping me right about some of the gigs. Its frightening how poor my memory is becoming. Thanks to Doug for help on Jethro Tull and to Ian, Dave, Terry, Pete, Gilly and all the other people who came to see bands with me over the years. Still some bands out there to see. And thanks to Marie, Ashleigh, David and Laura for coming on family outings to concerts over the years. Oh, and thanks to WordPress for providing a great platform on which to do this. And apologies if I have forgotten to mention anyone; my memory really is going ….
I’ve enjoyed writing about the concerts. It has forced me to try to remember the details. Where there was a gap (and there often was), the internet has been amazing in helping me find reviews, setlists and line-ups of the time. Sometimes I had to guess things; often I got things wrong. The exercise has reminded me of some great concert experiences, and allowed me to create a record which I can refer to, and remind myself of happy happy days and great bands. I’m not even going to try to think about which was the best concert, or the best band. They have been so many great experiences 🙂
I am now going to spend some time thinking of what to do with this blog, now that it is finished. I did think of converting it into a book, but I’m not sure that would work. What I would like to do is to use it as the basis of a lecture course on the history of rock music, or more precisely perhaps, the history of rock performance. I’m going to spend a little time thinking about how I might pursue that particular avenue.
I will of course, continue to blog as and when I go to concerts. So this isn’t really the end, just another chapter to the blog.
Thanks again. Time for a rest, at least for a few days …

Other memories ……

Other memories
il_570xN.500152569_3ounI’m now at the end of my project and tomorrow I’ll do a final summing up and reflections on the whole thing. But today I wanted to cover some of the bands that I have missed along the way. These are bands that I have seen, but for one reason or another I haven’t written about; mostly because I didn’t have a programme or a ticket stub to remind me of seeing them, so they sadly got lost during my (largely) alphabetically driven journey. In fact, I could probably have continued posting for a few more weeks, covering these acts, but I had to call a halt at some point. The truth is my memories of these gigs are scant, and I would have found it difficult to construct a post for each one. Most of them were/are very fine bands so apologies for not including them as a post of their own; but as I say, I had to draw a line under this project somewhere, and today is it!
So ….. I also have memories of seeing:
Cozy Powell’s Hammer who hit the charts with “Dance with the Devil” and featured Bernie Marsden (guitar), Clive Chamen (bass), Don Airey (keyboards) and Frank Aiello (Bedlam) on vocals. Cozy Powell again in Bedlam who were a great, loud and really heavy band with Dave Ball (ex Procol Harum) on guitar.
The great and legendary Geno Washington (“Hipster Flipsters, Finger Poppin’ Daddies”) playing to a sadly pretty small audience at Kirklevington Country Club some time in the ’70s.
The Saints (Australian punk band, known for “Stranded”) at Seaburn Hall Sunderland.
The Passions, around the time of “I’m in Love with a German Film Star”, at Middlesbrough Rock Garden around 1981.
Southern Comfort (“Woodstock”), but I think after Iain Matthews had left.
Bell ‘n’ Arc featuring the awesome Graham Bell on vocals, and also with local heroes John Turnbull, Mick Gallagher, Kenny Craddock and Alan White..
Great prog acts like T2 who released the legendary album “It’ll All Work Out in Boomland”, Ginhouse and the carzy Principal Edwards Magic Theatre.
Pere Ubu with the enigmatic David Thomas at Newcastle University, around the time of “The Modern Dance”.
Elephants Memory (they were one John Lennon’s backing bank in the USA) at Sunderland Mecca.
Dirt, Poison Girls and Rubella Ballet at Sunderland Bunker.
The awesome England, from Cumbria with the great Olli Alcock, who played a twin neck and was a simply incredible guitarist, and is still playing around Cumbria (someone I should really try and see again). They released a self-titled limited private issue album in the ’70s; I found a signed copy at a car boot 10 years or so ago; bought it for 50p and sold it on though eBay for £100! Result. Wish I’d kept it actually.
Ducks Deluxe at the Marquee Club in London; I think England may have been support. One of our party got incredibly drunk and an ambulance was called; we spent the night in the local hospital.
The Pleasers who were a heavily early ’60s Beatles influenced power pop act, who were around in the late ’70s and were amazing.
Trapeze featuring Glen Hughes (and after he left), a few times. A very under-rated band.
Steve Tilston in the bar at Sunerland Poly.
Great support acts like A Band Called O, Byzantium, SNAFU and Sassafras.
The truly awesome Flying Hat Band featuring Glen Tipton before his days with Judas Priest. I remember standing right in front of Glen, totally knocked out by his guitar skill.
Guilty pleasure. The Rubettes around the time of “Sugar Baby Love” wearing the caps and co-ordinated suits: amazing! Showaddywaddy: great teddy boy suits and rock n roll that going everyone dancing. Hot Chocolate; I was a fan of their early hits; “Love is Life” and “Emma” in particular; they gigged loads in the early ’70s and I saw them many times.
The Nashville Teens (Tobacco Road) on a double bill with the Downliners Sect; great R’n’B.
The rock n roll revival act Wild Angels featuring the little bundle of energy Mal Gray.
So apologies to all those acts for not devoting a day and a blog post to them, and to all the other bands I have seen and forgotten to list; and there will be lots of them…..
Tomorrow I’ll do a summing up and reflect on my project, to finally draw it to a close.

Z Z Top Rocking the Castle, Donington 17th August 1985

Z Z Top Rocking the Castle, Donington 17th August 1985
zztopdoningtontixLine-up: ZZ Top; Marillion; Bon Jovi; Metallica; Ratt; Magnum; Tommy Vance (DJ)
Donington 1985 became “Rocking the Castle” rather than “Monsters of Rock”, presumably because the line-up was a little more mixed than the usual heavy metal fare. Z Z Top returned to the festival after playing third on the bill a couple of years earlier. They were joined by a strong clutch of bands including Bon Jovi and Metallica, both of whom who would go on to be headliners in their own right. It was a beautiful hot day; one of the best Donington festivals I attended, in terms of the weather. Don’t remember much about Magnum or Ratt, although I have always been a fan of Magnum. Metallica seemed very thrash metal to me at the time; they hadn’t yet developed the subtlety that was to come later. Bon Jovi were amazing; you could just tell that they were going to be massive. ZZ-Top-RockingCastleAt some point during the afternoon the Z Z Top car flew over the crowd, carried by a helicopter; this resulted in a massive cheer, and a hail of bottles and cans, none of which (luckily) managed to get high enough to touch the limo. This was the era of the can fight…. Marillion were the hit of the day, and went down really well with the crowd. They were at the tipping point of their career, having just released “Misplaced Childhood” and with major chart hits “Lavender” and “Kayleigh”. But the day belonged to boogie kings Z Z Top who were one of the biggest acts on the planet at the time, and effortlessly tore the place up with those classic songs, tongue in cheek humour, and unique style. Classic.
Z Z Top setlist: Got Me Under Pressure; I Got The Six; Gimme All Your Lovin’; Waiting For The Bus; Jesus Just Left Chicago; Sharp Dressed Man; Ten Foot Pole; TV Dinner; Manic Mechanic; Heard It On The X; I Need You Tonight; Pearl Necklace; Cheap Sunglasses; Arrested For Driving While Blind/Hit It Quit It; Party On The Patio; Legs; Tube Snake Boogie; Can’t Stop Rockin’; Jailhouse Rock; La Grange; Tush.
Two days to go ……

Z Z Top Newcastle City Hall 23rd November 1983

Z Z Top Newcastle City Hall 23rd November 1983
zztopcityhalltixThose sharp dressed Z Z Top dudes moseyed on down to Newcastle City Hall on 23rd November 1983 to give us a taste of real Texan boogie. The beards were long yet carefully groomed (respect 🙂 ), the stetsons were big and grand with the widest brims you had ever seen, and the relentless boogie was ….. well it was relentless. They rocked, they boogied, the City Hall shook, and they rocked and boogied some more.
Z Z Top had just released their eighth studio album, “Eliminator”, and they were hot and on the toppest of top forms. “Eliminator” sold 10,000,000 copies and remains their most successful album. The car from the cover of the album roared onto the stage at the end of the concert. Just perfect.
Wow is the only word for it.
zztopprogSetlist was something like this: Got Me Under Pressure; I Got the Six; Waitin’ for the Bus; Francine; Sharp Dressed Man; Ten Foot Pole; TV Dinners; Manic Mechanic; A Fool for Your Stockings; Dust My Broom; Pearl Necklace; Cheap Sunglasses; Beer Drinkers and Hell Raisers; Just Got Paid; Arrested for Driving While Blind; Party on the Patio; Tube Snake Boogie; Jailhouse Rock; La Grange; Tush. I took the set list from a published setlist for the “Eliminator” tour. Surely they must have played “Gimme All Your Lovin'”?
Z Z Top were, and are, Billy Gibbons, Frank Beard (the one without the beard) and Dusty Hill. Support came from Australian band Wendy and the Rocketts.
Three days to go ….

Local heroes: Brass Alley & Lucas Tyson

Local heroes: Brass Alley & Lucas Tyson
hartrockrecordI couldn’t finish my blog project without saying a few words about these two bands.
Brass Alley and Lucas Tyson (along with Beckett who I have already covered in earlier posts) were arguably the top North East bands in the early ’70s, playing in ballrooms and clubs around the region.
Brass Alley were a heavy rock band with a bluesy edge, fronted by singer Dave Ditchburn and featuring Barry Alton (guitar), Frankie Gibbon (bass), and Howard Martin (drums). They were heavily influenced by Free, and always included a few Free covers in their set. I saw them loads of times at Sunderland Locarno (Mecca), Newcastle Mayfair, in several working mens’ clubs and supporting touring acts at the City Hall. I remember that they had, for a short period, a Sunday night residency at Sunderland Top Rank. I can picture us all now, standing on the tables chanting for “The Hunter”; which was their encore at the time. The guitarist would do a great instrumental version of the “Theme from Exodus”.
Lucas Tyson were a much more guitar-oriented band fronted by the excellent, Hendrix-influenced, Pete Barclay. Pete played a Fender Strat, made heavy use of wah-wah and fuzz, and was a guitar hero for many of us young guys. I also saw Lucas Tyson play at Sunderland Mecca, Newcastle Mayfair, Sunderland Poly, and at the City Hall. Pete would do great Hendrix covers (“Voodoo Chile”, I think) and other guitar-led tracks. I remember seeing them support Edgar Broughton one night at the Mecca, when they played an awesome version of the Floyd’s “Astronomy Domine”.
Brass Alley and Lucas Tyson both feature on the single pictured above. I still have a copy and it’s a gem of early ’70s rock psych. The 45 EP features four tracks: “Daylight Child” by Lucas Tyson https://www.youtube.com/watch?v=57TSW5w1j6s&list=PLRBjLK_SZFghJcBolYpCMkTVt9L60TtCv&index=1 ; “The Hobo Song” by Yellow; “Pink Pills” by Brass Alley https://www.youtube.com/watch?v=DeR7xmNupF8 and “I Know You Well” by Trilogy. The single was released to promote Hart Rock, a 1971 rock festival held at Hartlepool football ground which featured these four local bands, plus others and was headlined by Arrival and Beggars Opera.
Four days to go.

Backhouse Park concerts Sunderland Summer 1974 Jack the Lad, Brinsley Schwarz & Chilli Willi

Backhouse Park concerts Sunderland Summer 1974
brinsleyFor three Saturdays in Summer 1974 a stage appeared in Sunderland’s Backhouse Park and a series of concerts were held. The park was filled with music from a host of local bands and headliners Jack the Lad, Brinsley Schwarz & Chilli Willi & the Red Hot Peppers. Local heroes Saltgrass played at each event and a grand time was had by all.
13th July 1974 Jack the Lad
When Lindisfarne’s split and main songwriter Alan Hull went off to follow a solo career (and eventually reform Lindisfarne with Ray Jackson) the remaining members: Rod Clements, Si Cowe and Ray Laidlaw formed Jack the Lad with their old friend Billy Mitchell. Jack the Lad followed the folk sound of their former band, and in many ways remained truer to their roots, while the new Lindisfarne went down more of a pop/rock road. Jack the Lad live were great fun with a lot of humour, traditional folk and a set full of jigs, reels, singalongs and dancing which went down well on a sunny afternoon in the park.
27th July 1974 Brinsley Schwarz
Brinsley Schwarz were stalwarts of the pub rock scene. This gig came towards the end of their career, and their line-up was Brinsley Schwarz, Ian Gomm, Billy Rankin, Bob Andrews, Nick Lowe and Carlos Luna. They had just released their sixth and final album “The New Favourites of… Brinsley Schwarz” which featured Nick Lowe’s classic “(What’s So Funny ‘Bout) Peace, Love, and Understanding”.
The Brinsleys were heavily influenced by The Band and Eggs Over Easy, had a laid-back country-rock sound, with some catchy poppy songs, and were a great live act, and gave us another great afternoon in the sun. They split in 1975 and Schwarz and Andrews joined Graham Parker & the Rumour; Rankin joined Terraplane, and Nick Lowe joined Dave Edmunds in Rockpile. Lowe of course then went on to have a very successful solo career and “(What’s So Funny ‘Bout) Peace, Love, and Understanding” became a hit for Elvis Costello.
3rd August 1974 Chilli Willi and the Red Hot Peppers
The last of the trio of concerts featured Chilli Willi and the Red Hot Peppers, who were one of the main pub rock groups, and were very popular during the early 1970s. They released three albums and toured as part of the 1975 Naughty Rhythms tour with Dr Feelgood and Kokomo. Their members were Phil “Snakefinger” Lithman, Martin Stone, Paul “Dice Man” Bailey, Paul “Bassman” Riley and Pete Thomas. After they split in 1975 Thomas became the drummer for Elvis Costello, Riley played with Graham Parker; and Stone played with the Pink Fairies.

Country Joe McDonald Sunderland Locarno 8th November 1974

Country Joe McDonald Sunderland Locarno 8th November 1974
countryjoeWe’d all seen him in the Woodstock film:
“Listen people, I don’t know how you expect to ever stop the war if you can’t sing any better than that. There’s about 300,000 of you f**kers out there. I want you to start singing. Come on.”

And then the sing-a-long style bouncing ball followed the lyrics which ran as subtitles along the bottom of the cinema screen.

Well for one night a few years later we had our own little piece of Woodstock in a ballroom in Sunderland.

“Give me an F
Give me a U
Give me a C
Give me a K
Whats that spell? Whats that spell? Whats that spell?
Whats that spell? Whats that spell?”

“And it’s 1, 2, 3, what’re we fighting for?
Don’t ask me, I don’t give a damn
Next stop is Vietnam
And it’s 5, 6, 7, Open up the Pearly Gates
Well there ain’t no time to wonder why
Whoopee! We’re all gonna die.”
(I Feel Like I’m Fixing to Die Rag, Country Joe and the Fish, 1967).

This tour was at the time of his self-titled solo lp (pictured here), so I guess we were treated to tracks from that album, along with old favourites like “Janis” and of course he just had to  lead us all in the “Fish Cheer” and sing “I Feel Like I’m Fixing to Die Rag”. We all sang along.
Don’t think we stopped any war, but we sure had a good time 🙂

Durham Dome Festival 1973 – 1980

Durham Dome Festival 1973 – 1980
chrisjaggerDurham Dome fest took place during the years 1973 to 1980. Several pleasant sunny afternoons and evenings were spent down on the Riverside Race Course in Durham.

From local alternative hippy North East zine Mother Grumble, which organised the Durham Dome fests:
“Durham Domefest 1st July 1973
So many people, magical music, listening in the sunshine, smiling, free.
And there was free music.
And there was lite and love.
Riding bureaucratic storms to do this together, so many people helped make this happen, and will again.
Policeman, friends, lovers, strangers all together down at the riverside.
Old folks, young folks, we’re going to grow and grow, help them who can’t come and do another show.
Contact Mother G to plan and build the next one, new faces, new bands
Loudest sound in Durham town, the people can never let the people down.
There are no words, we can all see there, we have all been there, see you next time.
Durham’s first free open air music for the people, by the people – it’s all too beautiful
Meet you at the next one.
And don’t be late.”

The festival would feature a host of local bands playing on a domed stage, with a few name bands joining in. I recall sing Chris Jagger, Jack the Lad, Isotope and Global Village Trucking Company play alongside Arbre, Hedgehog Pie, Steve Brown Band, Village (think they won the Melody Maker contest?) and Raw Spirit. Prefab Sprout played at one of the later festivals, and I read that Supertramp also played at one of the Dome fest, although I don’t recall seeing them. I went to several of the Dome fests, including the first, although I don’t recall which ones I actually attended.
I recall a real buzz about Chris Jagger who turned up unannounced and played on a sunny afternoon. It was at the time of his “You Know the Name but not the Face” lp, which places it around 1973. And pretty good he was too.
The Dome fests were happy friendly events; you would turn up, chat to friends and lie in the sun on the grass by the river, listening to some music. You never knew which bands would play, and that was part of the fun of it. Everything seemed so much simpler. Happy Days 🙂

Pan’s People Sunderland Locarno 1973?

imageTop of the Pops (TOTP) was a big deal when we were kids. We would gather around the television every Thursday night, waiting to see our favourites bands, the latest chart hits and the familiar faces of the DJs. And one very important part of Top of the Pops was Pan’s People. In a world with no MTV and no pop videos, Pan’s People danced to hits when the group or singer was not available to perform on the show. Pan’s People were every young boy’s dream dancing in skimpy outfits and hot pants to the latest chart sounds. Pan’s People joined TOTP in May 1968. By 1970 they became a weekly feature. The original Pan’s People line-up consisted of Louise Clark, Flick Colby, “Babs” Lord, Ruth Pearson, Andi Rutherford and Dee Dee Wilde. Flick Colby stood down from dancing in 1971 to concentrate on choreographing their routines. Andi was replaced by Cherry Gillespie in 1972.
One night, I think it was in 1973 or 1974, Pan’s People paid a visit to Sunderland. It was a midnight to 4am show, and the girls shared the bill with local chart heroes Geordie. I’d been out for a drink with friends and turned up at the Locarno after closing time, around 11pm. We joined a massive queue and waited for the venue to open. I think Geordie were on stage first, but can’t be sure. I also seem to recall that there was a guest Radio 1 DJ, but don’t remember who it was. Pan’s People performed in the early hours of the morning, doing a series of dance routines on the ballroom floor to chart hits of the time. The Mecca was crammed, full of drunken guys cheering at the girls. My memory of the evening is very faint, but I’m sure it wasn’t a dream and that I did really see Pan’s People.
Dee Dee Wilde, dancer: “We got our big break after a couple of us passed auditions for the Go-Jos – Top of the Pops’ original group of dancers. We couldn’t think of a name, but Flick said, “Well, Pan is the god of music and fertility and he has six handmaidens …” So at 4am and bleary-eyed after several bottles of wine we became Pan’s People…..In the glam-rock era, we wore every outfit from beautiful to dreadful….Our sexuality was very tongue-in-cheek – girls next door being a little bit sexy – and people loved that. At the time, we were the most famous group of girls in Britain, the Spice Girls and Girls Aloud rolled into one.”
Babs Powell: “If one or two of the routines were raunchy or teasing, it was because the music suggested it. Mary Whitehouse hated us and later on we had one or two women’s lib protests. We did loads of TV shows, from Frankie Howerd to Happening For Lulu, and gigs all over the country. We did one in Cheshire once on a Thursday night and someone said: “‘Ere! How can you be the real Pan’s People that we’ve just paid to see when you’re on Top of the Pops right now?” Then a big fight broke out at the back of the stage. They hadn’t realised that the programme was filmed on Wednesdays.”
(Pan’s People – Our Story, Signum Books, 2012).