Posts Tagged ‘music’

Wishbone Ash Wylam Brewery Newcastle 19 September 2023

wish0I just checked my blog entries and it tells me that I have seen Wishbone Ash more than 30 times since 1972. To be honest I think that is a somewhat conservative estimate. Anyway, I always enjoy seeing this band so the opportunity to catch them again could not be passed up. The Wylam Brewery is a lovely building situated within Exhibition Park Newcastle. It still operates as a brewery as well as a concert venue and a very successful venue for weddings. You drive up a little road into the park, past a little lake and up to the majestic hall.

wishbonelivedatesThis tour is entitled the Live Dates tour, commemorating 50 years of their live albums of the same name. I run into an old friend and fellow blogger Peter. Lovely to meet you Peter. We chat and realise that we were both at the same concert in 1973 at Newcastle City Hall when the Live Dates album was first recorded. I could not resist going back and reproducing my memories of 50 years ago. See below.

wishbonetix1974Wishbone Ash were back touring the UK in June 1973, and recorded a double live album at concerts in Croydon Fairfield Halls, Reading University, Portsmouth Guildhall and Newcastle City Hall, using The Rolling Stones Mobile Recording Studio. I attended the Newcastle gig, during which three tracks: “Warrior”, “Blowing Free” and “Throw Down the Sword” were recorded for the album. We didn’t know about the recording until we got into the City Hall. We could see a couple of mikes hanging from  the ceiling (aah, such was the technology in those days). Then it was announced over the PA, to a big crowd cheer, that they were going to be recording the show for a future live album. The place was packed and the capacity crowd gave Wishbone Ash a tremendous reception, cheering before and after each song, all of us hoping that our voices might be heard on the lp.
Set list from 1973: The King Will Come, Warrior, Throw Down The Sword, Ballad Of The Beacon, Rock N Roll Widow, Everybody Needs A Friend, The Pilgrim, Blowin’ Free, Jail Bait, Doctor, So Many Things To Say, Baby What You Want Me To Do, Phoenix.
Encores: No Easy Road, Where Were You Tomorrow, Lady Whiskey.

wish 23 1So, roll on 50 years and I am treated to a set which is very similar to that of the momentous 1973 Newcastle City Hall concert. Wishbone Ash start with “Real Guitars Have Wings” before moving swiftly back in time to the Argus album and a particular favourite of mine “The King Will Come”. The rest of the first set is very similar to the original, and even includes the old blues standard, originally by Jimmy Reed, “Baby What You Want Me to Do”.

wish 23 4The second set comprises further classics including another particular favourite “Jail Bait”. They close with the epic “Phoenix” a track which I used to think was too long, but I have grown to love over the years. The encore moves us forward a few years to another favourite of mine “Living Proof”. A great selection of songs.

wish 23 5 As often is the case, there are some omissions from the original 1973 set which would have added to the delight of the evening: “No Easy Road” and a track that is rarely featured in their live shows “Where Were You Tomorrow”. You can’t have everything. Hopefully it won’t be long until they return to the north-east. Happy days and 6 nights of concerts in a row. A night of rest before I start again!

wish 23 6Setlist: Set One: Real Guitars Have Wings; The King Will Come; Warrior; Throw Down the Sword; Rock ‘n Roll Widow; Ballad of the Beacon; Baby What You Want Me to Do.

Set Two: The Pilgrim; Blowin’ Free; Jail Bait; Lady Whiskey; Phoenix

Encore: Living Proof; Persephone.

Public Image Ltd The Fire Station Sunderland 18 September 2023

pil0Evening 5 out of a crazy run of 6 concerts in 6 nights. I haven’t done this since before my accident and it is a marathon and a test of stamina for me and my carers! The final evening is Wishbone Ash and I will report on that very soon 🙂
Anyway this is something I couldn’t miss out on. Another audience with John Lydon and this time in my hometown of Sunderland in the wonderful new venue that is The Fire Station.

PIL6I go back a long way with John, to the days when he was Johnny Rotten and I first saw Sex Pistols in a pub in Whitby in 1976. He was exciting, outspoken, challenging and exhilarating then and he remains so today. That evening in Whitby, and the following year in Scarborough Penthouse club, opened up my eyes to an alternative view of music.

PIL 3Then a few years later I travelled to Manchester Belle Vue to see an early performance of his new band Public Image Ltd. That evening was another revelation and shock to the system. Pistols fans in the audience did not know how to take on this new music that we were presented with that night. John was screaming over what sounded like a discordant noise. This was at the time of the first Public Image single and album.PIL 5
So, John, you have been responsible for opening up my eyes to new music throughout your career. The latest version of Public Image is as uncompromising as ever. The Fire Station is completely sold out and I am sat at the back of the hall looking over a standing crowd in front of me. John stands front centre stage at a lectern, almost preacher – like, delivering his sermon to the masses.

PIL 4The set comprises many familiar and favourite songs: “Albatross”, “Poptones” from the first album; the singles “This Is Not a Love Song” and “Death Disco “, and “Flowers of Romance”. The sound comes across in waves as John and his band weave a strange aural cacophony which reverberates around the hall. For the encore we are treated to the first single “Public Image” and closer “Rise”, to which we all sing along; everyone is dancing in front of me. A great night spent with a familiar face and voice in a lovely new Sunderland venue. One more night to go! Thanks to Chris for the photographs.

PIL 2Setlist: Penge; Albatross; Being Stupid Again; Poptones; This Is Not a Love Song; Death Disco; The Room I Am In; Flowers of Romance; Memories; Car Chase; The Body; Warrior; Shoom.

Encore: Public Image; Open Up; Rise.

Deacon Blue Utilita Arena Newcastle 17 September 2023

decon 0Deacon Blue are a band I have meant to go and see for some time, but to my shame, I have never actually made the effort to do so. When I saw that they were playing at Newcastle Arena I decided It was time to put things right and go along and see what they were like in concert.

From the Newcastle Arena website: “Thirty-five years since their debut single, Dignity, and millions of record sales since, Deacon Blue are digging out all their old 45s – the Top 10s, the favourites, the sing-a-long rarities – and heading on tour, stopping off at Utilita Arena Newcastle.

DEACON1Vocalist and songwriter Ricky Ross is raring to go on this celebration of Deaon Blue’s brilliant and loyal fans, roaring the Caledonian gospel from the South Coast to the Uplands. He said:  “We’ve decided to play a Greatest Hits show with a difference,” he says. “Yes, we intend to play all (or nearly all) the old 45s, but we also want the first half of the evening to be an intimate acoustic performance, the band gathered round the piano with acoustic guitars and whatever Dougie decides to hit. We’ll play some album tracks and reinterpret a few favourites from the back catalogue. We’ll take a short break then come back and make a lot of noise. We hope you can be part of that noise.

DEACON 5Ricky Ross, co-vocalist Lorraine McIntosh, Dougie Vipond (drums), Jim Prime (keyboards), Gregor Philp (guitar) and Lewis Gordon (bass) will breathe new life into well-loved songs.”

The 10,000 capacity arena was 90% full and everyone was in a party mood. Deacon Blue performed two sets; the first acoustic and the second electric with a short interval in between.
I was surprised how many songs I recognised. During the first set they played a great acoustic version of their hit single “Chocolate Girl” which is one of my favourite tracks. They also performed a great version of Burt Bacharach’s “I’ll Never Fall in Love Again”. A great start to the evening.
DEACON 3Time for a quick whiskey before the second half. The second half was a massive singalong for the crowd with everyone joining in with all the songs, many of which I recognised. I had not realised how many hits this band has had. Of course, even I recognised and sang along to “Real Gone Kid” and, during the encore “Dignity”. I really enjoyed the concert.
I was pleased that I finally got to see Deacon Blue. I bought a signed biography of singer Ricky Ross to remind me of a lovely evening. Thanks to Elaine for taking the photographs.

DEACON BOOKSetlist: Set 1: Acoustic: Queen of the New Year; S.H.A.R.O.N.; Chocolate Girl; I Will and I Won’t; Cover From the Sky; A New House; I’ll Never Fall in Love Again; All Over the World.

Set 2: Electric: The Hipsters; Will We Be Lovers; Wages Day; Bethlehem Begins; Your Town; Loaded; Is There No Way Back to You; When Will You (Make My Telephone Ring); City of Love; Real Gone Kid; The Believers; Your Swaying Arms; Raintown; That’s What We Can Do.

DEACON SIGNEDEncore: Peace Will Come; Dignity; Fergus Sings the Blues; Keep Me in Your Heart

Lindisfarne The Fire Station Sunderland 16 September 2023

lin tix 23Another night spent with another great band. Tonight it is local heroes Lindisfarne. From the Fire Station website: “We’re delighted to welcome the legendary 70’s folk-rock pioneers Lindisfarne to Sunderland, with a classic five-piece line-up of long-time members fronted by founder-member Rod Clements on vocals, mandolin, fiddle and slide guitar. With a repertoire of unforgettable songs like “Meet Me On The Corner”, “Fog On The Tyne”, “Lady Eleanor” and “Run For Home”  and a reputation for live performance second to none, Lindisfarne’s power to galvanise festival and concert audiences remains undimmed and is guaranteed to get the crowd on their feet and singing along.”

LIND7And apologies for any repetition from a previous blog entry about Lindisfarne. My only excuse is that I have a run of concerts and many blog entries to write this week! “Their first hit, the Clements-penned “Meet Me on the Corner”, paved the way for their classic Fog on the Tyne to become the UK’s top-selling album of 1972. Lindisfarne’s unforgettable songs, powerful live performances and unpretentious style led to worldwide success and an enviable reputation as festival favourites, and the annual Christmas concerts they presented in their native Newcastle became the stuff of legend.

LIND5The original band finally called it a day in 2003, but now Lindisfarne are back with a classic five-piece line up of long-time members fronted by original founder-member Rod Clements (vocals, mandolin, fiddle, slide guitar) and Alan Hull’s son-in-law Dave Hull-Denholm (vocals, guitars). “ Other members are: Steve Daggett (vocals, keyboards, acoustic guitar and harmonica) who has been in the band since 1986; Ian Thomson (electric and double bass) a member since 1995 and Paul Smith (drums) who joined more recently in 2021.”

LIND4The concert was in two sets with a short interval between them. Lindisfarne play all the old favourites and do them 100% justice. Rod Clements is a quiet yet charismatic front man who introduces many of the songs. Dave Hull-Denholm performs his father-in-law’s songs with the reverence they deserve and his vocals sound very much like Alan Hull. Steve Daggett sings quite a few of the songs and again does justice to the Lindisfarne repertoire. So in the first set we get great tunes such as the enigmatic, melodic early classic “Lady Eleanor”. Other favourites are “Road to Kingdom Come” and “January Song”.

magic in the airThis year’s tour focuses on the album Magic in the Air. This is a live album (see image of my copy) which contains all of the band’s well known songs. So the second set contains many more tunes that I recognise including a wonderful, atmospheric performance of the much underrated “Dingley Dell”. This brings back lovely memories of seeing Lindisfarne at Newcastle City Hall on the Dingley Dell tour. I went both nights as there were different supports each night and I was a fan of each band: Stackridge and Genesis! Happy days.

LIND FLYThen, my particular favourite which still makes the hair stand up on the back of my neck: Dave performing “Winter Song”. Soon we are into the hits: “We can Swing Together”, “Fog on the Tyne” and “Meet me on the Corner”, followed by the massive hit Lindisfarne reunion song “Run for Home”. And the closer, yes it had to be “Clear White Light”. I am transported back to the first time I saw Lindisfarne in the City Hall sandwiched between headliner Van der Graaf Generator and new up-and-coming band Genesis. All for 25p as I recall! Happy days

A great night spent with a great local band. Wonderful.

PP Arnold The Arc Stockton 15 September 2023

pptxI remember seeing PP Arnold on Top of the Pops in the 1960s, singing Cat Stevens’ “The First Cut Is the Deepest” and Chip Taylor’s “Angel of the Morning” (Chip also wrote “Wild Thing”, made famous by The Troggs). Since then I have followed her career and witnessed her perform several times including as part of a 60s package tour, with Small Faces, as a backing vocalist for Roger Waters and probably other times lost in my memory somewhere. Last night carer Jackie and I travelled to the lovely venue Stockton Arc to see PP Arnold in concert.

pp1Something I wasn’t aware of, and that Jackie discovered while researching her background, was that she first came over to the UK as one of Ike and Tina Turner’s Ikettes, on a package tour supporting the Rolling Stones. This lady has a long career and is to be much respected.

pp3PP started her set with a song dedicated to her mentor Tina Turner: “River Deep, Mountain High” and so we were off to a great start of another great concert. She has just released a new album, so her set consisted of old favourites, collaborations and tracks from her latest record. I recognised a number of the songs, but many were unfamiliar to me. PP was supported by a group of excellent musicians and her voice, rhythm and soul remain undiminished.

pp4The lady is 76 years young and looks just great! She explained that she was once a backing singer for Eric Clapton in the days that he was forming Derek and the Dominoes. This led into a song that they were performing at the time: Traffics’ “Medicated Goo”. She then sang a song which she has performed with the great Steve Marriott and Small Faces in the late 60s. She made reference to rehearsing Small Faces’ “Tin Soldier” for future performances. Now that would be something to see. If you get the chance look up her performance of the song with Steve Marriott and Small Faces on YouTube. It is simply incredible.ppbook
PP also performed a song by someone who is an ardent admirer of Steve Marriott, Paul Weller. Next was a great performance of another classic, the Bee Gees’ “To Love Somebody”. She closed the show with the aforementioned “Angel Of the Morning”. Excellent..

ppsigSoon she was back for an encore, closing with “The First Cut Is the Deepest”, telling us that Cat Stevens wrote the song for her personally.Many thanks to Jackie for buying me a signed book (see image) for my birthday present 🙂

Setlist (something like this): River Deep, Mountain High; Though It Hurts Me Badly; Baby Blue; Everything’s Gonna Be Alright; Different Drum; I Believe; Medicated Goo; I’m a Dreamer; Shoot the Dove; (If You Think You’re) Groovy; To Love Somebody; Angel of the Morning.

Encore: Life Is but Nothing; The First Cut Is the Deepest

Graham Nash The Glasshouse, Gateshead 14 September 2023

nashtxA new name for a familiar venue. The Sage is now officially relaunched as the Glasshouse International Centre for Music. Apparently the Sage accounting software company will be sponsoring a new arena to be built at the back of the venue; hence the need for a name change. As a supporter of the venue, I was invited to a small drinks get-together prior to the show, which was a lovely touch and a great start to an evening with one of my all-time heroes, Graham Nash. So, mine was a glass of red, carer Jan’s was a glass of white and my friend Norman’s was a cool beer.

nashpsWe were welcomed to the event by the Director of the Sage/Glasshouse (I will have to get used to this new name) which was a nice touch. I met, John Lyons, a photographer who had travelled from London for the event. He took a lovely photograph of me and we promised to keep in touch. Please do have a look at John’s website.nash4
It was soon 8 PM and Graham was due on stage. This evening he performed two sets, each one comprising a mix of songs from his extensive back catalogue including tracks by the Hollies, Nash solo, Crosby, Stills & Nash and Crosby, Stills, Nash & Young. So he started with one of my favourites “Wasted on the Way”. A great start to a lovely evening. Then Graham explained that his old friend Alan Clarke, of Hollies fame, had recently decided to record a solo album and asked Graham to accompany him on some tracks. This was followed by the Hollies “Bus Stop” (my favourite Hollies song), “for Alan”.

nash3Then another classic: “Marrakesh Express”, followed shortly by one of my favourite songs, this time a Nash solo track “Military Madness”. After a few more songs, Graham closed the first set with a cover of his friend Stephen Stills’  “Love The One You’re With”. Time for a swift whiskey.

Graham Nash sings well, looks sprightly and is still going strong at 81 years old! He is accompanied by a guitarist and pianist, both excellent musicians with great pedigrees. Long may he continue entertaining us. The second set contains more solo songs, the lovely “Cathedral” which he explains was written after a LSD fuelled trip in the back of a Rolls-Royce after travelling to (and into) Winchester Cathedral via Stonehenge (as you do).

nash5Then “Just Before I Go” a song apparently written as part of a wager, which Graham won. His friend bet that he could not write a song before he left and, of course, he did so. He finishes with “Our House” telling the story of how the song was written when he had just returned home to the house which he shared with Joni Mitchell. For the encore the three musicians perform a lovely a cappella version of Buddy Holly’s “Everyday”. The closing number is another classic “Teach Your Children”.nash1
Two omissions which would have made the concert even more perfect: “Chicago” and the Hollies’ “King Midas in Reverse” which he seems to have performed at other shows on the tour. Anyway, you can’t have everything in life these days.

nash0Bought a signed copy of the lyrics to “Teach Your Children”. Wonderful.
On the way out I run into my old friend Pete. We go back a long way. In fact we travelled together to the incredible Crosby, Stills, Nash & Young concert at Wembley Stadium in 1974. Is it really almost 50 years ago Pete? Where did the time go? Happy days. Many happy memories. Thanks again Graham.
I am planning on attending a marathon of concerts over the next few days, so apologies if my blog entries are not as comprehensive or as speedily produced as normal 🙂

Set list (something like this): Set 1: Wasted on the Way; Bus Stop; Marrakesh Express; Find the Cost of Freedom; Military Madness; A Better Life; Buddy’s Back; Right Between the Eyes; To the Last Whale… Critical Mass/Wind on the Water; Love the One You’re With.

Set 2: Sleep Song; Cold Rain; Long May You Run; Golden Days; 4 + 20; Cathedral; Just a Song Before I Go; Our House.

Encore: Everyday; Teach Your Children

Dark side of the moon Centre For Life Planetarium Newcastle 24 August 2023

dark 2Last week I was invited to attend this event at the Centre For Life in Newcastle. The press release below will explain why I was invited and also the great experience I had!

Pink Floyd’s iconic album ‘The Dark Side Of The Moon’ is 50 this year and you can experience the music and stunning visuals in Life’s planetarium in October. The show combines breath-taking views of the solar system and beyond, played out to 42 minutes of The Dark Side Of The Moon. NSC Creative have led the visual production efforts, working closely with Pink Floyd’s long time creative collaborator Aubrey Powell from Hipgnosis.”

Life Science Centre Media Press Release

4 September 2023

Journey to the Dark Side of the Moon takes Floyd fan on a unique trip down memory lane.

darkOne of the first music fans in the world to hear tracks from Pink Floyd’s iconic Dark Side of the Moon album, enjoyed an out of this world trip down memory lane at Life Science Centre (Life), Newcastle.

To mark the 50th anniversary of Pink Floyd’s iconic album, Life is hosting a memorable experience in the centre’s planetarium, where audiences can enjoy breath-taking visuals of the solar system and beyond, set to tracks from The Dark Side of the Moon.

Fisheye-still-from-The-Dark-Side-of-the-Moon-Planetarium-Show-3-1536x1024As a 15-year-old, Peter Smith saw Pink Floyd play at Newcastle City Hall in 1972, when the band first played tunes that would feature on the classic album a year later. At the time the album was provisionally entitled “Eclipse”.

People at these early performances were amongst the first to hear what were to become the timeless tunes that millions know and love.

And the dedicated Floyd fan was delighted to revisit the album over 50 years later at Life.

Fisheye-still-from-The-Dark-Side-of-the-Moon-Planetarium-Show-1536x1024The 66-year-old Sunderland University emeritus professor said: “I can remember it was a really impressive gig – it was played in quadrophonic sound, with speakers around the hall, and I had never heard anything like it before.

“Since then, I’ve seen Pink Floyd a number of times, including the Dark Side of the Moon tour in 1973, and I jumped at the chance to hear these tracks again.

“I felt completely immersed in the show at Life and the sound quality of the production was fantastic – it was a very special and unique experience.”

DARK_SIDE_LIFE

The spectacular full-dome planetarium production is set to 10 tracks from the album, with Pink Floyd’s creative director Aubrey Powell, who was behind the famous artwork for the legendary album cover, working closely with NSC Creative to set the tracks to the visuals.

Life’s planetarium uses the most advanced technology available to give ultra-rich, high-resolution visuals providing a truly immersive experience and the show has proved to be a sell-out success, prompting Life to add a number of new dates to meet demand.

Linda Conlon, Chief Executive of Life said: “This unique planetarium show is really igniting interest and it is a very fitting way to celebrate the legacy of this classic album through a new approach.

Fisheye-still-from-The-Dark-Side-of-the-Moon-Planetarium-Show-4-1536x1024“We have heard some really nostalgic stories from visitors who have shared a range of personal memories they have of the album – it definitely seems to have resonated with a lot of people.”

A pay bar is available on the evening and for more information on dates, including Christmas shows, and tickets, which are £20, go to life.org.uk/dark-side-moon

If any other visitors to the Dark Side of the Moon planetarium show have a personal story to share, they can contact info@life.org.uk.

Many thanks to the centre for life for letting me use the images on my blog entry

Ozrik Tentacles the Crescent York 18 August 2023

ozric0 - CopyAnother trip to the lovely community venue the Crescent, York. I feel alive and alert again after a short period without any concert experiences. Our friendly taxi driver takes us (me, and carers Jan and Joanne) to Durham station, and an equally friendly passenger assistance guy is waiting with the ramp to get me onto the train to York.

ozric1At the other end another passenger assistant is waiting with a ramp and I am quickly on the platform. No sooner said and we are snug in the York Station Tap for a swift drink (mine is a large red, thank you) before the short walk to the Crescent. The venue is already full.

ozric5I must admit, and to my shame, I am not very familiar with the music of Ozrik Tentacles. But I have read about their connections with Gong, the alternative music scene, the free Stonehenge festivals, Glastonbury and other similar events. Imagine some sort of mash – up of Hawkwind, Gong, Steve Hillage, psychedelic rock, trance, dance and space rock and you are getting there.

ozric7The mainstay of the band is guitarist Ed Wynne who is well practised in Steve Hillage glissando guitar which he plays to great advantage alongside another guitarist, a flute player and a keyboard player. Add throbbing drumbeats, liquid lens 60s/70s light shows and lots of crazy dancing by the crowd and you get the picture.

ozric6I can’t pretend to have known the songs but the music is enticing, enthralling and encapsulating. Magic. And no drugs (they wouldn’t mix well with my medication anyway). Our view is not great as the venue is, quite appropriately admittedly, standing although Jan and Joanne do manage to sneak a couple of chairs in from the bar. We all enjoy the experience and I look forward to seeing the band again, this time with Gong as support in Newcastle next year.

ozric3A short wet walk up to the station and I have a chat with a guy from Newcastle who I last spoke to at the Cluny and another new friend from Northallerton. We all share notes on progressive rock band experiences. Great crack. Hope you both read this blog entry. Soon another friendly face helps me up a ramp onto the train and, as if by magic, the same happens at the other end. Thank you passenger assistance.

ozric2Our friendly taxi chariot awaits and whisks us back home in no time at all. I watch Coronation Street on recording and then drift off to sleep. Another fun time had by all. Many thanks to Jan and Joanne for the pictures and to Ozrik Tentacles for a hippie, trippy evening. It was almost the 1970s all over again 🙂

ozric8Ozric Tentacles are: Ed Wynne: Guitars / Keyboards; Silas Wynne: Keyboards; Brandi Wynne: Bass; Tim Wallander: Drums; Saskia Maxwell: Flutes.

Setlist (based on published previous set lists it could have been something like this; but then maybe not!): Eternal Wheel; Blooperdome; Sliding and Gliding; Kick Muck; Lotus Unfolding; Dub Jam; Sploosh!; Jellylips.

The Ozrik Tentacles logo/image is from my ticket

Martin Turner (Wishbone Ash) The Cluny Newcastle 4 August 2023

I was due to see this concert back in March but sadly as announced by Martin Turner and The Cluny at the time: “It is with great regret and disappointment that we have to announce that Martin Turner’s show at The Cluny, Newcastle tonight is being postponed due to illness. As those who have attended recent shows may be aware, for the past week Martin has struggled bravely with throat / voice problems following a heavy cold and has continued performing shows the best as he could so as not to let fans, venues and promoters down. However, this morning he has woken up feeling extremely weak and with other added medical symptoms, and is simply in no condition to perform at all this evening. Martin truly regrets the obvious disappointment this will cause, particularly as the tour, celebrating the 50th anniversary of Wishbone Ash’s Live Dates double album – had been going extremely well with many sold out dates and delighted audiences everywhere.  As long-time supporters will know Martin has very rarely cancelled or postponed shows due to personal illness across his career to date.“

But roll on 6 months to August and the concert was rearranged. The Cluny was ram packed for this show by Martin Turner, founder member of Wishbone Ash. I must say that I don’t particularly like to swear allegiance to either version of Wishbone Ash. I enjoy seeing Wishbone Ash with Andy Powell; a band I have seen many times over the years and Andy is to be applauded for keeping the Wishbone Ash flag flying high. Martin, on the other hand, has put together a band of excellent musicians to recreate the original sound of Wishbone Ash as close to the albums as possible. So, I am happy for both bands to coexist and to have the opportunity of experiencing two different views of Wishbone Ash. Andy has kept the band going and transformed them into a rockier, louder format. Martin, on the other hand, attempts to recreate the original sound.

Coincidentally, the evening before I had been watching an online streaming of a tribute concert for the great John Wetton, featuring Rick Wakeman, Laurie Wisefield, Roger Chapman, Mel Collins and many others. I saw John many times over the years including when he was a member of Family, Uriah Heep, Wishbone Ash and UK. During the show Martin Turner appeared on video, apologising for his nonappearance at the event. He went on to explain that he was in the North rehearsing for the start of his new tour, which commenced in Newcastle the following evening.

 

Roll on 24 hours and Martin opened the evening at the Cluny explaining how he regretted not being able to attend the John Wetton tribute event because he was up in Newcastle. He said he did consider postponing the concert but realised it would not be right to do so, as it had already been postponed once before. Still, he explained his thoughts were with John Wetton and his family, and his many memories of the guy.

 

This tour is billed as the 50th anniversary of the Live Dates album. Now another coincidence. I am pretty sure that some of the Live Dates album was recorded at Newcastle City Hall, a concert which I attended. I remember well how they announced that they were recording the concert for a future live album. There were microphones situated around the venue to record the sound from various vantage points. At the time we will very excited that we were going to be on a live album. Of course, I bought the album and still have a copy to this day. Sadly, I sold my record collection some years ago in foolishness. I have since rebuilt it all via car boot fairs, charity shops, vintage vinyl fairs and eBay.

 

The Cluny led Jackie, my carer for the evening, and me through a little hatch into the auditorium which holds 300 people and was sold out. It was already full by the time we arrived and the friendly guy led us through and asked people to make way for me in my wheelchair, taking us right down to the front of the stage with excellent view of the proceedings. 15 minutes later, at 8 PM sharp, Martin Turner and his band took the stage. We were immediately transported back to the 1970s and the classic Argos album with marvellous songs including “The King Will Come” (one of my favourites), followed by “Warrior ”and “Throw Down the Sword”. All three are classic Ash songs and Martin and his band delivered them true to the original. Then came another great track “Rock ‘n’ Roll Widow”. Now, I have often wondered what that particular song was about. I hadn’t really taken the trouble to listen carefully to the lyrics. I wrongly assumed that it was about a lady who was left behind while her man was out on the road playing with a band. Martin explained that the song was written by Ted Turner as a result of a concert they did in America where a guy turned up and shot the husband of someone, he had been having an affair with! It’s strange how you sometimes learn something new each time you see a band.

 

While I remember I must mention how impressed I was with Martin who looked well, was dressed incredibly bright and flashy which made him look even better! A bright red jacket and some really colourful trousers. Great gear. And of course, he was playing his usual Gibson Thunderbird bass, standing stage centre, clearly leading the proceedings, flanked on either side by two excellent guitarists who reproduced the twin guitar melodies of Wishbone Ash down to a T. Some great guitar duelling throughout the evening. This was followed by a track “Ballad of the Beacon” from Wishbone Four, which is less familiar to me. Then Martin took us right back to the start, to a song which he used to play with his brother in Torquay in the 1960s when they first formed a band The Empty Vessels with drummer Steve Upton. The song was the blues classic “Baby What You Want Me to Do” a cover of a Jimmy Reed song; Martin revealed that he and his brother preferred the Everly Brothers version. This was followed by another of my all-time favourite tracks, from the first album, the wonderful “Blind Eye”. The first set closed with the epic “Phoenix”, a track which I have grown to love over the years.

 

After a short break Martin returned resplendent in a very smart bright red top. Set Two commenced with yet another classic song “Lady Whiskey” taking me right back into the 1970s again. So many memories of Wishbone Ash at the City Hall, Sunderland Locarno, Newcastle Mayfair, the Lincoln Festival and headlining the Reading Festival. I was chatting to the guy next to me and he saw them at Reading as well! The audience was full of rockers of a certain age singing along with every track. Many wearing old Wishbone Ash T-shirts! “The Pilgrim”, an instrumental from their second album Pilgrimage followed, then another song this time from the Laurie Wisefield period of the band. A memory of a concert in Newcastle Odeon floods back: “F.U.B.B.” (F**ked up Beyond Belief, as I recall) is the tune in question. A song I had almost forgotten follows: “You See Red” and then another favourite, the excellent “Living Proof”. Next is “Blowin’ Free” and we know we are coming towards the end. The encore is, as it always used to be, “Jail Bait”. An excellent close to a wonderful concert reminding me just how great Wishbone Ash were, and continue to be through Martin and his band, and Andy Powell and his version of the Ash.

 

On the way out a guy recognises me and says “Were you at Soft Machine at York?” “Yes of course I was” I answer. It is great to touch base with friends old and new. Thanks to Jackie for taking some great photographs and to the staff in the Cluny for looking after me so well, as is always the case. And finally, thanks to Martin for a great evening.

 

Setlist: Set One: The King Will Come; Warrior; Throw Down the Sword; Rock ‘n Roll Widow; Ballad of the Beacon; Baby What You Want Me to Do; Blind Eye; Phoenix.

Set Two: Lady Whiskey; The Pilgrim; F.U.B.B.; You See Red; Living Proof; Blowin’ Free; Doctor; Jail Bait

The Who Durham Riverside Cricket Ground at Chester-le-Street 19 July 2023

WHO TIK

I am, of course, a massive fan of The Who. They, along with the Beatles, the Rolling Stones and the Kinks epitomise the best of British rock from the 1960s and going into the 1970s. Indeed, during the 1970s The Who were, without doubt one of the best rock bands in the world alongside the Rolling Stones and Led Zeppelin. I have seen The Who 20+ times since 1971 and they remain a major force as a live act.

WHO PROG

Somehow, almost beyond my own hopes, Pete Townshend and Roger Daltrey have managed to continue the life of The Who after the great losses of Keith Moon and John Entwistle, both seemingly irreplaceable. Yet the band continued, partly because of their strong fan base, the connection to mod culture and more importantly because of the tenacious nature and vision of Pete Townshend and Roger Daltrey. So The Who lives on and I am very glad that this is the case.

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Another opportunity to see them! I grab it with both hands each time. And this time it was local at Durham cricket ground. Unlike the Rod Stewart concert, the weather held out and Jan, my carer for the evening, and I were pleased that we were not drenched; there had been some rain but thankfully it subsided by the time we reached the wheelchair platform, which gives a good view of the proceedings. As we entered the cricket ground we could hear the sound of UB40 featuring Ali Campbell finishing their set with “Kingston Town” and “Can’t Help Falling in Love”. Sadly, we had just missed him singing “Red, Red Wine”. Nonetheless it was good to hear his voice again.

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This time, The Who were accompanied by quite a large orchestra, similarly to the last time I saw them in Wembley Stadium a few years ago. The performance was in three parts: segments from Tommy with the orchestra, the band performing a “greatest hits” set and finally, the orchestra returned to join The Who in playing segments from Quadrophenia. The concert started at 8:15 PM prompt with the band and orchestra playing a short section from the Tommy overture, quickly moving into “1921” (“is going to be a good year”), then “Amazing Journey” (which is, by the way, still amazing!). We were then taken through further sections of Tommy Including, of course, the wonderful “Pinball Wizard” and closing with “We’re Not Gonna Take It”. The orchestra stayed to back the band for “Who Are You” and finally a track which is finally starting to grow on me; “Eminence Front” sung by Townsend.

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The orchestra left the stage in order for The Who to play a set of great songs from the past. At this point I should mention the band which comprises a selection of great musicians including regulars Simon Townshend (Pete’s brother) and Zak Starkey (son of Ringo Starr). So we roll back to the 1960s and are treated to “The Kids Are All Right”, “Substitute”, “I Can’t Explain” and “My Generation” among others. All of these are classic songs and I can’t say which is my favourite. They all take me back. I recall when either “I Can’t Explain” (their first single, of course) or “Substitute” would open the set during the 1970s. Then they complete this short section with excellent versions of 1970s classics: “Won’t Get Fooled Again” and another great favourite of mine, the lovely ballad “Behind Blue Eyes”.

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Now there was a time when I thought Roger was losing his vocal abilities, but these days his voice sounds as strong as ever. Pete Townshend looks well and still plays some mean guitar; no real arm twirling and certainly no smashing the guitar these days, but you can’t have everything and maybe smashing the guitar would be unseemly at his stage in life. Oh, but Roger still does some great mike swirling during “Won’t Get Fooled Again”.

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Finally, we move into the last segment featuring songs from Quadrophenia including the speed fueled (“out of my head on the”) “5:15” which conjures up images of Phil Daniels as Jimmy on the train to Brighton. Magic. I have come to love Quadrophenia, which I once felt was nowhere near as good as Tommy, having seen The Who perform the opus in full on many occasions. I now understand why many people believe it is The Who’s best work and how it has become a mod classic. To close they perform another favourite “Baba O’Riley”. It is 10:30 PM and a prompt finish right on curfew time.

I bought a couple of programmes (one for me and one for my friend John in the USA, as I often do) and regret not purchasing a set of Zak Starkey drumsticks. However, I correct this omission of judgement by ordering a set online. Many thanks to Jan for taking the photographs. We meander our way out towards our taxi who is waiting for us. One thing I have just remembered.

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During the concert, Pete Townshend reminisces about, when playing in the North-East, staying at a hotel in Gateshead and he can’t remember whether it was named the Three Bridges or the Five Bridges Hotel (I’m pretty sure it was the Five Bridges Hotel). He tells a nice story of how when driving up to Scotland he ran out of money and could not afford to put petrol in his car. He stopped at the hotel, they kindly lent him some cash and he was on his way again. Even though, he admitted, that was after some wild and pretty bad behaviour in the hotel during the 1960s.
Happy days.

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Setlist: With Orchestra: Overture;1921; Amazing Journey; Sparks; The Acid Queen; Pinball Wizard; We’re Not Gonna Take It; Who Are You; Eminence Front

Band Only: The Kids Are Alright; You Better You Bet; Anyway, Anyhow, Anywhere; Substitute; I Can’t Explain; My Generation; Cry If You Want; Won’t Get Fooled Again; Behind Blue Eyes

With Orchestra: The Real Me; I’m One; 5:15;The Rock; Love, Reign O’er Me; Baba O’Riley

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Thank you everyone for your kind comments about my blog. Please keep commenting away. I love to hear others experience of The Who or comments (and even corrections :-)) on my blog entries. Thank you today to Pete Walker for sending me some great pictures from the concert taken by his brother-in-law Jacky Hope. I have included two of the images here. Thanks again Pete and Jacky. Peter

PS you obviously had better seats and a better view than I did on the wheelchair platform!