“Before there was carolling, there was wassailing, where seasonal songs were exchanged for money, food and ale.” Such is the world of Eliza Carthy and Jon Boden. Eliza comes with impeccable folk pedigree credentials. She is, of course, the daughter of Martin Carthy who many now look up to as the father of British folk, having inherited the title from the late great Ewan MacColl. I have been lucky enough to see Martin Carthy twice, once many years ago when he was a founding member of Steeleye Span and they supported Jethro Tull in 1971 and more recently at the Durham Launderette.
She is also the daughter of Norma Waterston, of the famous Waterston family, who also pioneered British folk. Like her parents, she is a collector of stories and travels the country singing traditional folk songs and seeking out the original versions, sometimes meeting the descendants of the original songwriters. So, the evening was a beautiful blend of traditional Christmas songs sung by Eliza and Jon, each of them sometimes playing violin and accordion.
The Fire Station was suitably decked out in Christmas lights and nice bright Christmas trees on the stage. This resulted in Eliza and Jon performing in front of a full house and in a wonderful Christmas venue. The songs all blended in, aided by a pint of Guinness before the show and a double Jack Daniels during the interval. I do remember “In The Bleak Midwinter” and the closing song dedicated very appropriately to Shane McGowan “Fairytale of New York”.
A very appropriate and pleasant run-up to Christmas performance by two performers who carry on the great tradition of British folk. Jan and I both enjoyed our pre-Christmas evening and our first experience of Eliza and Jon. Many thanks to Jan for the photographs and to Chris and Elaine for helping us manoeuvre the site.
From The Fire Station site: In November/December 2023, Eliza Carthy and Jon Boden combine their considerable talents and reputations within the UK folk scene, for the first time ever touring as a duo for a nationwide wassail across key venues. Presenting seasonal, traditional material on a stage decorated for the occasion, they will take audiences back to some of the oldest songs in the English canon, telling Christmas tales, spreading good cheer and lighting up the darkest days of the year, ahead of Christmas Day itself.”
Jon Boden: “One half of Spiers & Boden, lead singer of the mighty Bellowhead and with his own successful career as a soloist and with Jon Boden & The Remnant Kings and Jon Boden & The Remnant Strings, Jon has been a major name in English folk music for over twenty years with more BBC Folk Awards than any other artist. Add in a performance in the Hollywood movie About Time, his role singing/playing the theme tunes of both the BBC Radio 2 Folk show and The Archers, and his place as a respected singer songwriter for both theatre and the folk scene, with his soon-to-be-released the third and final album, ‘Last Mile Home’, in his post-apocalyptic trilogy, Jon is a musical force to be reckoned with. Jon, together with John Spiers, also did a stint in The Ratcatchers, the backing band for Eliza Carthy in the mid-noughties, so has a long association and friendship with Eliza that has led naturally to this very special show.”
‘The stand out performer of his generation’ – The Guardian
‘Alone, Boden still has the energy of a twelve piece band’ – EDS Magazine
Eliza Carthy: “Twice nominated for the Mercury Prize and winner of innumerable other accolades over a 20 year career, Eliza has performed and recorded with a diverse array of artists including, Paul Weller, Rufus and Martha Wainwright, Patrick Wolf and Bob Neuwirth. Eliza grew up immersed in the world of traditional music. She still divides her time between touring and recording with her legendary parents, Martin Carthy and Norma Waterson as well as engaging in numerous pioneering solo and band projects. Eliza has co-presented the BBC Radio 3 World Music Awards, been a regular guest-presenter on the BBC Radio 2 Mark Radcliffe Show and has made many appearances on BBC TV’s ‘Later…with Jools Holland’.
‘Eliza Carthy is one of the figureheads of the English folk revival.’ – Evening Standard
‘Brave and anything but predictable’ – **** The Guardian
(courtesy of the Union Chapel website, and venue in London in which Eliza and Jon performed earlier in the year)
Apologies for all the quotations this time but I wanted to be sure of my folk facts!
Every year Ian Anderson (who is now to all effects 
After a short taxi ride to Durham station, Elaine, Jan and I joined a train to York. We then had a short walk over the cobbled streets of this lovely city to arrive at The Minster where an extremely long queue of attendees weaved its way around the historic cathedral. We soon found our way to the accessible entrance and, beating the massive queue, made our way into the building. Jan and I had seats close to the front, while Elaine should have been seated quite a few rows behind us. However, and quite fortuitously, her seat had been removed to allow space for the sound desk. The extremely helpful staff at the Minster quickly located her right next to ourselves. I purchased a Jethro Tull Christmas concerts T-shirt on our way into the venue.
I have seen Jethro Tull many times over the years since 1971 at Sunderland Empire, and they are always fantastic in performance, however these Christmas concerts are very special indeed. The lineup of the band has changed many times and is now essentially Ian Anderson with a group of ever-changing musicians, some of whom have accompanied him for several years, some joining more recently. The current line-up is: Ian Anderson – vocals, flute, acoustic and electric guitar, other instruments (the only original member); bass player David Goodier and keyboard player John O’Hara who have both been with Ian since 2007; drummer Scott Hammond who joined the band in 2017 and recent recruit guitarist Joe Parrish who joined in 2020.
Master of ceremonies for the evening was a clergyman named George who was parading around the building resplendent in top hat, frockcoat, cod – please complete with flashing lights, twirling a lovely silver headed cane. He was happy to pose for a picture. Throughout the performance he was dancing and tripping around the Minster across the stage and into the audience. The concert started with a blessing from the Minster cleric and a very fitting performance of “God bless ye merry gentlemen” performed by Jethro Tull, largely instrumental, with Ian taking the lead on flute.
The first guest was a very welcome surprise, none other than 
The final set concluded with more Christmas songs, Loyd rejoining for a 1977 punk classic (which to my shame I did not recognise) and “I believe in Father Christmas” in memory of the sadly missed Greg Lake who had been a guest at a previous Ian Anderson Christmas concert. A very fitting lovely tribute. Marc rejoined to sing the Soft Cell classic “Say Hello, Wave Goodbye” which brought back memories of seeing them in Kirklevington country club (the Kirk) and which was apparently a favourite haunt of his in the late 1970s and early 1980s. Marc was also a secret progressive rock fan when at school so he led Jethro Tull in a rocking rendition of their hit single “The Witch’s Promise”. Fantastic
The end was, as expected, “Aqualung”, followed by “Locomotive Breath” with Marc back to assist with the vocals on a great rendition of the latter Jethro Tull song. And then we made our way out of the Minster into the cold York evening, down to the Tap public house in the station. After a swift drink and a sandwich purchased from the Sainsbury’s Direct in the station, we were back on the train to Durham and then in our taxi home. I was in my bed for 1 AM tired but in the knowledge I had experienced something very special.
Many thanks to Jan for the photographs, Elaine for joining us for the evening and Chris for assisting with the post. A good time was had by all. Apologies for any errors which are entirely my own!
support to Robin Williamson, formerly of the wonderful Incredible String Band, some time ago. Since then, they have clearly built up their own following and this was clearly evident by the number of people who turned out to see them in the large hall of the Glasshouse. In fact, it was very full for their performance.
For some reason I always try and compare bands I witness to other artists. In the case of Lanterns on the Lake I found this quite difficult to do. This band perform exquisite music which crosses many genres: folk rock, progressive rock and indie rock. They are all of these, and more. Do they remind me of Any other bands? Fairport Convention perhaps? Curved Air? Neither of these really. Lanterns on the Lake have their own sound, and have built up a very strong fan base. They are, of course, a local band who hail from Newcastle.
In their own words: ‘Of course we enjoy every gig we play on tour but it always leads up to the most special night of them all – our hometown show. The Glasshouse has been a big part of our journey as a band. We’ll be looking forward to that Friday night in December, playing songs new and old and sharing it with the people who have been on this journey with us since the very beginning’
Lanterns on the Lake have just released a new album Versions of Us. About the album: “The nine songs on Versions of Us are existential meditations examining life’s possibilities, facing the hand we’ve been dealt and the question of whether we can change our individual and collective destinies. Each song’s journey is matched beautifully by the band’s performances. The grumbling, staticky synths of “Rich Girls” cede to an ascending, spine-tingling bridge of sinuous guitar and bass.
“Vatican” pivots on a bluesy, midnight-black riff from ever-inventive Paul Gregory and a muted bassline from Bob Allan on a song about love’s quiet reliability. “Real Life” hares down from the traps, aquaplaning on the surface tension of its fuzzing guitars and chiming central hook – a blast of indie rock on an album full of musical high-watermarks for the band.”
Front person Hazel Wilde is lead singer, guitarist and keyboard player. She provides wonderful meandering vocals soaring upward at times and searing across the loud chords and solos of her electric guitar. For this tour the band feature two drummers, one being none other than Radiohead’s Philip Selway. The remainder of the band are bass player Bob Allen who thrashes and bashes away at his instrument throwing it to the ground at the end of the concert, guitarist Paul Gregory and Angela Chan who plays electric violin reminiscent of Darryl Way from Curved Air (at least in my prog rock mind).
An excellent introduction to a new band that I thoroughly enjoyed seeing. Do check about if you get the chance. Thanks to Elaine for the photographs and Chris for manipulating the site.
It is quite a few years since I last saw the human dynamo that is 
The Glasshouse website proclaimed Suzi thus: “Influential. Unstoppable. Timeless rock legend. A Suzi Quatro concert is a high-octane rock extravaganza; commanding the stage with her signature leather jumpsuit and rockstar attitude. Backed by her band, she rips through beloved retro hits as well as new material with her raspy vocals and searing bass lines. Quatro’s lively performance and rapport with fans create an electrifying experience celebrating one of music’s pioneering female rebels.” Well, I can’t argue with that.
I arrived in little late after a hospital visit to see my mam who is not so well at the moment. This meant I missed some of the first set. Suzi had no support act and performed two sets with a short interval. Sadly, I missed her singing “Stumblin’ In” which is one of my favourite songs. Never mind I saw her close the first set with a lovely quiet song on which she accompanied herself on piano and a great cover of Neil Young’s “Rockin’ in the Free World”. During the interval a double Jack Daniels went down just nice and relaxed me ready for the second half of the show.
Suzi returned complete with leather catsuit and performed a rocky set of her own hits and some great covers. She explained that she has recently released an EP on which she has covered some of her favourite songs. Up on the screen behind her was a picture of Suzi in the early 1970s just as I remember. Fantastic. So we got “Can the Can”, “Devil Gate Drive”, “If You Can’t Give Me Love” and returning to covers, a great version of Credence Clearwater Revival’s “Bad Moon Rising” and the final encore was a beautiful rendition of Eagles “Desperado”. Suzi can still rock out with the best of them. Everyone was up on their feet and enjoying one of the best female rock stars I have ever seen.
Many thanks to Joanne for the photos and Chris for navigating the site for me.
Set Two: Motor City Riders; I Sold My Soul Today; Bad Moon Rising; She’s in Love With You; Overload; Too Big; Glycerine Queen; Can the Can; Devil Gate Drive.
“
His music is I suppose (and how would I know at my age?) Indie Rock. He has catchy pop songs, a full backing band who gave him a rocky edge and a rapidly growing Sunderland following. He is also very ambitious. “Thank you for having me at the Fire Station for two nights, how about next time I come to Sunderland Empire and we try and sell that out? And how about the Stadium of Light? No I could not sell that out yet but maybe in the future?” Tom says to the audience. He clearly has these venues in his sight. And why not? Newcastle has Sam Fender, Middlesbrough has James Arthur and maybe the time is right for this guy to be the Sunderland equivalent. You get the feeling the crowd is willing this to happen.
From the Fire Station site: “Fresh off the back of a wave of support for his latest single “Little Bits”, which found airtime on BBC Radio 1, Radio X, and Absolute Radio, as well as on air support on Sunday Brunch, MTV Gonzo, and MOTD X, Sunderland’s Tom A. Smith has now returned to announce the details behind his latest collection ‘EP3’, alongside the euphoric new single “Weirdo”.
‘EP3’ will follow an incredible whirlwind of live performances throughout the last year, including being selected by Elton John to join him at his British Summer Time show at Hyde Park, appearances at Glastonbury, Barn On The Farm, F1 British Grand Prix at Silverstone, and opening Leeds Festival to more than 6000 music fans. He was also announced as Apple Music’s Up Next artist for September and Amazon Music’s Breakthrough Artist of the month. Having already played a ton of gigs throughout the last two years, including supporting Courteeners, Miles Kane, Martha Hill, Vistas, Blondes, The Pale White, Eliza and The Bear, Gang of Youths, whenyoung, Cat Empire, and Sunset Sons, as well as shows at The Great Escape, Stockton Calling, Sound City and Neighbourhood Weekender, Tom A. Smith looks set to continue his busy live schedule throughout 2023 as well.”
“There’s an age-old rule about working for 10,000 hours before you truly master something. Now, we can’t verify if that’s true or not, but prodigal songwriter Tom A. Smith must surely have clocked up 10,000 hours before he was even in his teens.” – CLASH
The crowd was a mixture of (mainly) young people, and a smattering of older fans and (I assume) members of his family. I bought his tour T-shirt which was sold to me by a couple of lovely friendly ladies who could be family members? Jan and I both really enjoyed it and we are now official Tom A Smith fans. Thanks to Jan for the photos and to Chris for helping me with the entry. This guy seems to be on an up and coming trajectory. And all credit to him.
After a pleasant journey on the train to London and a lovely glass of red along with a bacon butty, I arrived at my hotel with my friendly assistants Jan and Elaine. This was followed by a short stay in the hotel, we were up and out again on our way to the O2 by taxi across London. We arrived at the O2 and took advantage of my O2 priority to spend a little time in the O2 blue room.
Time for a couple of drinks and then pizza and chips for me, and hamburger and chips for Jan and Elaine, and we were off to our seats on the wheelchair platform of the O2 with a perfect view of the proceedings. We were all looking forward to seeing 
This truly was a celebration of Madonna’s music and career with multiple costume changes and some fantastic stage settings including Madonna coming down from the ceiling in a cage. There was also a heavy element of what you might call sensationalism and potentially shocking material involving Madonna gyrating with male, female and gender fluid dancers and at one point, dressed as a nun during “Like a Virgin” with images of Jesus on the cross behind her.
This all added to a fantastic performance by a veteran artist. It is many years since I have seen Madonna in concert: once in London’s Earls Court arena with my late wife Marie, once in Manchester Arena with my son, David and more recently (if you can call 2025 recently) for a short set during Live 8 in London’s Hyde Park. All of these performances were tremendous. Madonna is 1 of a small group of ultimate show people who always deliver sensational, challenging performances. When you go to a Madonna concert you know that you will be treated to a party atmosphere and lots of fun! And this concert was no exception.
Bob the Drag Queen opened the concert as a master/mistress of ceremony dressed as Marie Antoinette (resembling Madonna’s “Vogue” 1990 MTV Video Music Awards performance). Throughout the show, dancers appear wearing recreations of a myriad of outfits originally wore by Madonna, representing many of her reinventions. Bob the Drag Queen returned at the end to close the show alongside Madonna herself. Two of Madonna’s six children also joined her on stage, including one who played magnificent piano and another who sang with her, representing her as a mother and celebrating her family.
From Wikipedia: “The Celebration Tour is a two-hour-plus set with multiple-costume-change and more than 30 songs. The show was separated into five different sections: Uptown, Downtown, Midtown, East and West “grids”. According to tour creative director Lewis James, the stage and show also serves as an archive of her life, celebrating her fans, and is a “continuation of her legacy” more than just a biography.”
After the show we had a good discussion about how fantastic this performance was and how career spanning it had been. We also discussed some of the sensationalism which we agreed to differ on! It is fair to say that we all had our own individual views on this aspect of the concert. Nonetheless we all greatly enjoyed it and thought it was absolutely wonderful and well worth the trip to London.
It seemed no time at all before I was back in my hotel, off to sleep, back up again and we were on the train on our way home. A sausage baguette was lovely this time and before I knew it I was back in my own house ready for a rest and further shows in a few days which I will report on soon.
Setlist: Act I: It’s a Celebration; Nothing Really Matters; Everybody; Into the Groove; Causing a Commotion; Burning Up; Open Your Heart; Holiday.
Act IV: Ballroom; Vogue; Human Nature; Crazy for You.
It has taken me a few days to recover and reflect upon my 4th experience with Madonna. This was stunning, sensational in many ways, challenging and thought-provoking, resulting in much discussion with Jan and Elaine for days to come after the concert. Many thanks to Elaine for taking the photos, Jan for accompanying me, and Chris for manipulating the site as usual.
These Boyz Make Big Noize! 
Then a concert at Newcastle City Hall around 1974 when they were at the height of their fame, lots of Noddy Holder top hats and screaming girls, followed by a Whatever Happened to Slade concert at the City Hall where shock horror Dave Hill appeared with a bald head and massive earrings. Next an appearance at Middlesbrough Rock Garden, filled with skinhead fans who went crazy and the band were somewhat down on their luck, followed by an iconic appearance at the Reading Festival where they replaced Ozzy Osbourne at short notice and once again triumphed with the rock crowd, resulting in them becoming heavy rock heroes for several years.
And finally some concerts again at the City Hall and Sunderland Polytechnic. Happy days. Throughout these years they were always a fantastic live act, very loud and much more of a rock band than you would expect. You had to see them to believe it. They were literally one of the best live acts I ever had the pleasure of witnessing.
The concert was opened with support act 
After a short interval during which I purchased a lovely red Slade Alive T-shirt which features the logo from the album of the same name which I bought when it was released in 1972 and played it again and again. It contains the live stage show of Slade in 1971/72 which included a lot of covers like opening song Ten Years After’s “I Hear You Calling”, the Loving Spoonful’s “Darling Be Home Soon” and the closer for which they turned the volume up to 11 Steppenwolf’s “Born to Be Wild”. Magic. If you haven’t yet heard the album I fully recommend it to you.
The current line – up of Slade is quite different to the last time I saw them. As well as the concerts I have mentioned above, I have also seen the new line – up of Slade a few times, including a show for the fan club at London’s KOKO nightclub. Each time they have been great but tonight was a revelation. This time the frontline consists of Dave Hill centrestage, standing aloft on a speaker cabinet, flanked on either side by bass guitarist/violinist to his left and keyboard player to his right.
All three of them sing together and along with Dave’s guitar cranked right up to as LOUD as possible they recreate the sound of the original band. They were absolutely deafening and delivered many of the hits from throughout the band’s career. They finished of course with “Merry Christmas Everybody” complete with Santa hats. Fantastic. Elaine, Jan and I all really enjoyed it. This was the best time I have seen them for many years. Of course it is not the original line – up, but Dave Hill and the boys do a great job.
One Step Beyond! The nutty boys returned with a triumphant performance at Newcastle Arena. The arena was absolutely crammed, fully sold out and everyone was in the early Christmas spirit and ready to party with 
First up were support 
But the warmup was not finished. Between bands an excellent DJ appeared spinning some cool sounds including the original “Tainted Love” by Gloria Jones, a big northern soul favourite from a lady who went on to become Marc Bolan’s girlfriend and was driving the car during the tragic accident which led to the star’s untimely passing; Desmond Decker’s classic “the Israelites” and closing with David Bowie’s “Rebel Rebel”. The crowd were singing along and dancing to every tune. Well done Mr DJ.
Next up Madness. I swear that at least half of the crowd were wearing Fez hats as featured in their song “night Boat to Cairo”. From the word go, everyone was dancing around going completely nuts! I have never seen the floor of the arena so crammed. The set was a mixture of hits and songs from their new album Cest La Vie, which focuses on petty crime as was illustrated by the fantastic visuals on the screens above and behind the band. The visuals, actually, were amazing adding much to the experience.
We were treated to all the hits: “Our House”, “Embarrassment”, “The Prince”, “One Step Beyond”, “My Girl” and many, many more. One particular song brought back embarrassing memories. The song in question is “It Must Be Love” which was, of course, written by the great Labi Siffre. Many years ago I was out with Marie, my late wife who was at the time my girlfriend. It was a Friday night and there was no particularly exciting band appearing at Sunderland Mecca or Newcastle Mayfair so we decided to, on the off chance, drive through to Newcastle Polytechnic to see who was appearing at that venue.
When we arrived I asked at the door “Who is on tonight?” Labi Siffre they replied. “Oh no I said I have just seen him at Sunderland Empire (supporting Linda Lewis I believe) and he is so boring!” Well I turned round and facing me was none other than Labi Siffre himself. It was one of those moments when you hope the ground will open up and swallow you. I didn’t know what to say so just paid my money and we went in to the concert, which was actually very good and he was not boring at all! Looking back he was an excellent singer/songwriter and I still feel awful about my comment that evening.
People were dancing up and down the wheelchair ramp in front of us. The encores completed with the aforementioned “Night Boat to Cairo”. Elaine, Jackie and I all agreed that it was a tremendous performance by a band of consummate professionals. Magic.
Many thanks to Jackie for the images, Elaine for joining in the fun and Chris for assisting me in completing this entry.
Update 26 March 2024. Just bought myself a copy of Ian Broudie’s book which is entitled “Tomorrow’s Here Today”. A nice signed copy courtesy of Waterstones. I thought I would add it to this blog entry (see images).
Two bands that I have never seen before. However, on checking (on this blog) I discovered that I saw 
From the tour proportion material: “With the force of a Boston wrecking ball, EXTREME swing between unapologetic fits of fret-burning hard rock and intimately introspective balladry. This dynamic affirms the iconic multiplatinum Beantown quartet—Gary Cherone (vocals), Nuno Bettencourt (guitar), Pat Badger (bass), and Kevin Figueiredo (drums) – as one of rock’s most unpredictable, undeniable, and unbreakable groups whose songs course through the very fabric of popular culture.“
“They’re the rare band whose music has appeared in an actual cult series a la Bill & Ted as well as the Netflix juggernaut “Stranger Things.” They’ve sold 10 million records, topped the Billboard Hot 100 at #1, packed major venues on multiple continents, memorably performed at the Freddie Mercury Tribute Concert in London, and regularly average over 5 million monthly listeners on Spotify. However, their dynamic approach hits harder than ever on their 2023 full-length offering, Six.”
Notwithstanding that excellent buildup of Extreme this was very much a double headliner concert. It is one of the very few occasions where I have seen the venue absolutely heaving for the “support act”. 
Extreme. This is exactly the most appropriate name for this band. Everything about them was extreme! Very loud. Hard rock. Amazing vocals. Excellent screaming screeching guitar solos. Again, like Living Colour, Extreme mash up a selection of styles: heavy rock, ballads, rap and funk. Anyone who went along expecting all their music to be in a similar vein to their best known track “More Than Words” would have got a great big shock. For that particular song the singer Gary Cherone and guitarist Nuno Bettencourt sat on small stools centre stage and had all the crowd singing along.
Much crowd cheering, first finger and little finger salutes, singing along and general craziness. This band were much, much better than I expected. I recognised a few songs particularly the aforementioned “More Than Words” and their other well-known track “Get the Funk Out”. This band wear their influences on their sleeve, playing segments of Queen’s “We Will Rock You” and “Fat Bottomed Girls”. “Cupid’s Dead” was preceded by a short segment of Johnny Nash’s “Cupid”. At the end Gary Cherone clambered up onto the balcony to shake hands with fans upstairs. Marvellous. Great fun.
Elaine really enjoyed it. I think I may be converting her to heavy metal. Jan also enjoyed the show. Many thanks to Elaine for the photographs, to Jan for accompanying us and Chris for manoeuvring the blog site.
Setlist: It (‘s a Monster); Decadence Dance; #REBEL; Rest in Peace; Hip Today; Teacher’s Pet / Flesh ‘n’ Blood / Wind Me Up / Kid Ego; We Will Rock You; Play With Me; Other Side of the Rainbow; Tragic Comic; Hole Hearted; Cupid’s Dead; Thicker than Blood; Hurricane; Midnight Express; Am I Ever Gonna Change; More Than Words; Fat Bottomed Girls / Banshee; Take Us Alive / That’s All Right; Flight of the Wounded Bumblebee; Get the Funk Out.
It is some years since I had the pleasure of seeing China Crisis. I recall seeing them in the 1980s supporting simple minds at Newcastle City Hall and (I think, but can’t be certain) at Redcar Coatham Bowl one Sunday night, when I used to go there regularly in the late 1970s and 1980s.
From the fire station website: “A welcome return to The Fire Station for China Crisis [now how did I miss out on that one?] China Crisis were never your run-of-the-mill 80s pop band. Formed in Liverpool by singer Gary Daly and guitarist Eddie Lundon, they distilled their love of David Bowie and Steely Dan into an exquisitely melancholy post-punk sound that saw them win their just chart rewards. Has there ever been a more wistful Top 10 hit than the charming Wishful Thinking?”
“Their hero Walter Becker – of Steely Dan fame – was so impressed he even became a band member back in 1985, producing and playing on Top 10 album Flaunt the Imperfection, and returning for 1989’s hugely acclaimed Diary of a Hollow Horse. And, all the while, the hits kept rolling in… Christian, Black Man Ray and King in a Catholic Style all made their way into the UK Top 20.”
This tour was billed as the 40th anniversary of their album Fire and Steel and the first half of the evening was spent taking this through this LP (or at least they were LPs in my day) track by track with Gary Daly explaining and discussing the history of each song in a quite comical and entertaining manner. The two main members of the band clearly remain very close friends and the banter between them was extremely funny.
After a short break and time for a pint of Guinness in the Engine Room bar next door, we were treated to a set of greatest hits including the aforementioned “King in a Catholic Style” and “Black Man Ray”. By now everyone was up on their feet dancing and singing along, very much under the direction of Gary. The entire concert was accompanied by some stunning visuals on the screen above the band, taken from video of China Crisis in their 1980s prime. It was interesting to compare the young lads in the video images with the more mature guys standing in front, and talking, to us.
Elaine and I both agreed it was an excellent concert and a great night out. I ran into a few old friends which is always nice and it was good to catch up with people. A lovely evening, with a fun band (much underrated) in a great venue. I was back home and in bed within 30 minutes. Magic. A perfect Saturday night out.
Setlist: Set 1. The album Working With Fire and Steel: When the Piper Calls; Hanna Hanna; Animals in Jungles; Here Comes a Raincloud ; Wishful Thinking; Tragedy and Mystery; Papua; The Gates of Door to Door; The Soul Awakening
Vintagerock's Weblog. 