Status Quo Newcastle City Hall 24th September 1973 Hello!
I was rapidly becoming a big Status Quo fan. I’d bought “Piledriver”, played it endlessly and was trying to learn the riffs to “Paper Plane”, “Big Fat Mama”, and “Don’t Waste My Time”. In September 1973 Quo released their 6th album “Hello!” which consolidated their success and went to No 1 in the UK chart. “Hello!” was the first of four Quo albums to top the UK Albums Chart, and the first album on which the group wrote all the songs (along with Bob Young the group’s roadie and harmonica player). Keyboard player Andy Bown played on “Forty-Five Hundred Times”. This was Andy’s first appearance on a Status Quo album, and he was of course soon to become a permanent member of the band. They hit the singles chart twice between “Piledriver” and “Hello”; first with “Mean Girl” which was an old song released by their previous label Pye, and reached No 20, and then with their trademark song “Caroline” which also appeared on “Hello!” and reached #5. This was the group’s first single to reach the UK top five. The relentless gigging continued (as it always has, and does to this day) and in September Status Quo went out on tour yet again to promote “Hello”. I saw them at Newcastle City Hall on 24th September 1973. This was the 8th time I had seen Status Quo within a couple of years. The concert was, as always, a triumph or rock and boogie, with Francis Rossi cracking on with us all as if we were his best mates. Quo were like that, just ordinary lads playing straightforward, no nonsense rock’n’roll. No airs and graces, no deep meaning to the songs. We all respected that, and just “got it” immediately and completely. 
The relentless touring up and down the country, with the gaps between tours of the city halls filled with club and festival appearances, the attitude, the approach, the authenticity, all forged a bond between Status Quo and the fans and created a loyalty that is, for many, still there to this day. Mick Rossi quietly became Francis Rossi some time in 1973. The Spring (Piledriver) programme lists him as “Mick”, while in the Autumn (Hello!) programme he is “Francis”. Support for the tour was the excellent blues band Savoy Brown, fronted by KIm Simmonds on guitar (who remains with the band to this day), and at the time, featuring the great Jackie Lynton on vocals. Jackie has a long association with Quo. His own band, the Jackie Lynton band, supported them on tour a couple of years later, and he used to announce them, his being the famous voice that says “Is there anybody out there that wants to rock? Tonight..Live..We have the No 1 rock’n’roll band in the land..Will you welcome the magnificent Status Quo!…” (cue Juniors Wailing) at the start of the Live album, recorded at Glasgow Apollo.
Typical setlist of the period: Junior’s Wailing, Someones Learning, In My Chair, Claudie, Roll over lay Down, Big Fat Mama, Railroad, Don’t waste my time, Caroline, Roadhouse Blues, Mean Girl, Bye Bye Johnny.
Posts Tagged ‘heavy rock’
16 May
Status Quo Newcastle City Hall 24th September 1973 Hello!
5 May
Saxon Newcastle City Hall 1980, 1981 and 1982
Saxon Newcastle City Hall 1980, 1981 and 1982
I saw Saxon on three more occasions at Newcastle City Hall. The first was on 1th December 1980 on the “Strong Arm of the Law” tour. From the programme: “Hi there , this is Biff writing a few lines to tell you what’s happened since we last saw you. As you may know “Wheels of Steel” went silver and I was very proud to receive my silver disc. We are now becoming successful in other countries round the world and we owe all this to you, our British fans. I hope you like the new album and tour..Have a listen to “Heavy Metal Thunder” – it’s dedicated to YOU!”. I’ve just done as Biff suggested and watched a clip of Saxon playing “Heavy Metal Thunder” live at the time. Biff plays the rock star part to a T, long locks flailing about, and great silver spandex trousers. A solid slab of heavy metal rock. “Strong Arm of The Law” was Saxon’s third studio and was released only four months after “Wheels of Steel” charted at No. 11; these guys were on a roll. The song I remember most from the new album, and which I enjoyed seeing them play live was “Dallas 1 PM”, which was written about the assassination of John F. Kennedy. Support on the tour was Limelight, a rock band from Mansfield. Limelight had a strong following in the North East clubs at the time. 
The next time I saw Saxon was on 21st October 1981. This was the “Denim and Leather tour”. Denim and Leather was their fourth studio album, released in 1981 and was the last album with the classic line, as drummer Pete Gill left the band due to a hand injury. It is also seen as the last of their three classic albums (along with Wheels of Steel and Strong Arm of the Law). Following its release Saxon stopped making albums for over a year, and concentrated on looking for success in the USA. Support came from American heavy rock band Riot. From the programme” “Denim and Leather. The two words were made from each. Like bread and butter. Salt and pepper. Gin and topic. Simmons and Stanley. They fit together as snug and neat as an expertly carpentered mortice and tenon joint. They roll over the tongue with ease, like the phrase “And incidentally music lovers” from Fluff Freeman’s lips. And they’re destined to become as much a part of heavy metal’s frenzied folklore as the expressions “mayhem merchant”, “titanic powerchord” and “flashbomb fever”. [Yeah, terms I use every day 🙂 ]. Denim and leather are old friends. And the older, more frayed, scraped, battered and tattered the better. Combined, the two materials make up a uniform to be reckoned with, a Kerrang! kostume more meaningful then the DM’s and Sta-Prest of the cropped-tops; more relevant that the tablecloths and Jolly Rogers….of the ephemeral futurists. Look at the Hammersmith hordes. The multitudinous Mancunians. Cower before the Bristil Battalion. The Glasgow garrison. There’s an army out there and the battledress is the same. Leather jacket, studded, patched with motorcycle brand names, once dark and supple, now cracked and turning brown. Or denim jacket, embroidered, faded, grubby, stiff and stained with the sweat of 100 hothouse holocausts. And the jeans, greasy with engine oil, wearing through all the knees, ill-fitting and overlong…..Heavy Metal, after all, is a mass experience, an enjoyment to be shared, not selfishly guarded, not confined to bleak bedsit seclusion…Some people will never understand but we relish being..An army of thousands surrounded by lights. And we have the power to proclaim that…Nobody stands in our way!” Apologies for reproducing so much from the programme here, but I feel that it sums up the mood of the time, and is very much “of the period”. 
Saxon were back at the City Hall on 17th September 1982. There was no new studio album to promote, but they had just released a live album “The Eagle has Landed” which was also the title of the tour. The cover of the tour programme shows Biff standing victorious on the Donington stage, facing a massive crowd of denim and leather, the famous tyre in the background. Support for the 1982 tour were Cheetah, a rock band fronted by two girl vocalists. The live albums contains the following tracks, which give a feel for Saxon concert sets at the time: Motorcycle Man; 747 (Strangers in the Night); Princess of the Night; Strong Arm of the Law; Heavy Metal Thunder; 20,000 Ft.; Wheels of Steel; Never Surrender; Fire in the Sky; Machine Gun; And the Bands Played On; See the Light Shining; Frozen Rainbow; Midnight Rider; Dallas 1PM; Hungry Years.
Part of the attraction of Saxon was the working class, Northern, nature and work ethic of these guys. They were living the dream, living their life through rock, and using as an escape from the pits and the factories which may otherwise have been their future. This was, I am sure, part of the reason they were so successful in the North East. The audience identified with them, it was as if they were looking at themselves on stage, and living out their fantasies and dreams through Biff and the guys.
I saw Saxon once or twice more at Monsters of Rock festival, but haven’t seem them again since those days. They continue to gig and have recently returned to the public eye, in part due to a TV programme in which Harvey Goldsmith helped them relaunch their career.
Another one for my ever-growing list of bands to see again, at least once more.
PS Just noticed that I was pretty close down front for all these gigs. That explains why my hearing is starting to fail these days….Has anyone ever taken a case against a group of bands for hearing loss ? 🙂
PPS Another memory entered my head today. I recall seeing Saxon play at West Cornforth (Doggy) club one night, it must have been in 1979. I think they were still billed as Son of a Bitch, but had changed their name to Saxon by the time they played the gig. They were awesome (and LOUD) in a small workingmens’ club. I still don’t know why they call West Cornforth “Doggy” 🙂
3 May
Saxon “Wheels of Steel” Newcastle City Hall 21st April 1980
Saxon “Wheels of Steel” Newcastle City Hall 21st April 1980
From the 1980 tour programme:
“Saxon. The name immediately conjures up visions of swashbuckling macho men who rape and pillage at every opportunity. Well, Saxon the band may not rape, but if anybody’s ever been to one of their concerts then they will know that the pillage bit is not that far from the truth. They’re the archetypal getcha rocks off head down no nonsense (mindless?) boogie band, hitting harder than a punch in the gut with a slab of concrete.”
Get the idea? Very much of its time and some of the language certainly wouldn’t seem acceptable these days. But this was the era of the dawn of the NWOBHM (New Wave Of British Heavy Metal) and Saxon came along riding high from deepest Yorkshire (Barnsley to be precise) with their brand of heavy rock.
I first saw Saxon when they were called Son of a Bitch and played regularly in a “before the match” spot at the Boliermakers club. It was obvious then that these guys were a pretty tight rock band and they built up their own following in the North East clubs. Some of my mates were pretty heavily into them at the time. The next thing we knew; they had rebranded themselves as Saxon and were appearing as support for major bands, such as Motorhead. 
Then they hit the big time, and were appearing on Top of the Pops playing “Wheels of Steel”. This all happened quite quickly. I remember going along to the City Hall gig, which was part of their first major tour, and wondering how many people would be there. It was pretty full, as a I recall, and Saxon delivered a solid set of heavy metal rock’n’roll. There are some damn fine rock tunes on the “Wheels of Steel” album including, as well as the title track, “747 (Strangers in the Night)”, which was a favourite of mine at the time, and “Suzie Hold On”. “Wheels of Steel” was Saxon’s second album and is recognised as their best work. It received positive reviews at the time; Eduardo Rivadavia said: “the album’s songs positively gleam with a bright, metallic sheen similar to that exhibited by the chrome eagle hoisting a motorcycle wheel on its iconic cover.” Support for the City Hall show was heavy rock band Lautrec.
Saxon were, at the time: Biff Byford (vocals, big hair, leather jacket and lycra trousers); Graham Oliver (guitar); Paul Quinn (guitar); Steve Dawson (bass); and Pete Gill (drums). I remember one of the guitarists had his guitar attached to his belt buckle and would spin it around and around, which looked pretty impressive. Biff was the main man, however, and had good rapport with the North East crowds who warmed to his Yorkshire humour.
Setlist: Motorcycle Man; Still Fit to Boogie; Freeway Mad; Backs to the Wall; 747 (Strangers in the Night); Rainbow Theme; Frozen Rainbow; Wheels of Steel; See the Light Shining; Judgement Day; Bap Shoo Ap; Street Fighting Gang; Stallions of the Highway; Suzie Hold On; Stand Up and Be Counted; Machine Gun.
“When my foots on the throttle there’s no looking back, I leave the motor tickin’ over when she’s back on the track, I’ve got a 68 Chevy with pipes on the side, You know she’s my idea of beauty, that’s what I drive. She’s got wheels, wheels of steel!…(Wheels of Steel, Saxon, 1980)
26 Apr
Spirit Reading Festival August 1978 and Newcastle Mayfair 31st July 1981
Spirit Reading Festival August 1978 and Newcastle Mayfair 31st July 1981
My first memories of Spirit are of hearing the track “Fresh Garbage” on the excellent 1968 CBS sample lp “The Rock Machine Turns You On”. The song is quite strange with a psychedelic feel to inn, and some disconcerting changes of tempo. The next time I ran into the band was when I saw them live at Reading Festival in 1978. By this time Spirit were a three-piece featuring front man Randy California on (amazing) guitar, vocals and Moog, Ed Cassidy on drums and Larry “Fuzzy” Knight on bass. California was an awesome guitarist and a big Hendrix fan, and the set comprised a few Hendrix covers (“Hey Joe”, “All Along the Watchtower” and “Wild Thing”) along with some Spirit classics (“Mr Skin”, “Nature’s Way”). Ed Cassidy was a power house drummer, and was also Randy’s step-father. He was much older than the other two guys, and will have been 55 at the time of the Reading gig. Spirit played between Lindisfarne and The Motors, on the early Saturday evening. Status Quo headlined the Saturday night, playing after The Motors. Spirit played a storming set, and got a good reaction from the crowd.
Setlist from Reading: Hey Joe; Looking Down; Animal Zoo; Mr Skin; All Along The Watchtower; Wild Thing; Nature’s Way; Like A Rolling Stone; My imagination.
I saw Spirit once more, at a gig at Newcastle Mayfair in 1981. I think I also saw Randy California supporting Ian Gillan at the Mayfair in 1979. The 1981 tour was to promote the Potato Land album. The album, whose full title is “The Adventures of Kaptain Kopter & Commander Cassidy in Potato Land” (I assume Randy California ia Kaptain Kopter), was originally recorded by Randy California and Ed Cassidy during 1973/74. A concept album, interspersed with dialogue, it was not released until 1981 through Line Records. The line-up of the band at the Mayfair was California, Cassidy, Liberty on bass and George Valuck on keyboards. 
The ballroom was half-full, and the set was similar to the Reading set, mixing Hendrix material, with old Spirit songs, and a few from the Potato land story. The programme contains a comic featuring the Adventures of Kaptain Kopter and Commander Cassidy in Potato Land complete with great graphics and a blank page on which you were invited to “Draw your own Potato Man”. I also seem to remember buying a badge which had a picture of a potato man on it, but I’m not sure what happened to it.
23 Apr
Paul Rodgers Newcastle City Hall 12th October 2006
Paul Rodgers Newcastle City Hall 12th October 2006
I have already written about Paul Rodgers as a solo artist, as a member of Free, as a member of Bad Company and as a member of Queen. He remains, without a doubt, one of our finest blues and soul voices. He has stayed true to the blues and his roots; and he looks as fit, and sings as well, today as he did in the early ’70s when I first saw him perform live with Free. Rather than write about Paul again, I have reproduced the words of a letter which Rodgers had written to Paul Kossoff, a copy of which is included as a handwritten note in the 2006 tour programme. I found it today when I opened the programme.
“Dear Koss. When we were kicking around London together back in ’68 talking about the group we were going to form, who would have thought it would turn out this way. DVDs, digital even videos were a thing of the future. We loved the blues. Driving round town in your mini listening to B B King’s “Live at the Regal”, Albert King’s “Born Under a Bad Sign”, Hendrix and Cream. I remember us laughing when they turned us away from restaurants because our hair was too long.
The first time we jammed together when you showed up with drummer Andy Borenius at my gig with Brown Sugar; you came right up to the stage and said ” I want to get up and jam” and I said “Do you have a guitar?” and you said “Yes I have a Les Paul out in the car”. And I said “Woa this is Finsbury Park man, you need to bring it straight in here or it’ll be gone”. We played B B King’s “Four in the Morning”, “Every Day I have the Blues” and “Stormy Monday Blues”. People came up after and said “You know, time stood still”.
For me in many ways time has stood still since because we made such timeless music.
Thanks for the heart wrenching solo in “Come Together in the Morning”. Thanks for the laughs. Thanks for doing all the driving – you were an excellent driver. Thanks for being a great friend and apologies if we somehow let you down.
See you again one day. Always your friend. Paul”
This was yet another great concert by Paul Rodgers. The set drew from his entire career, and included songs from Free, The Firm, and Bad Company along with a few blues standards. Support came from Paul’s son, Steve Rodgers.
Typical setlist from the 2006 tour: I’ll Be Creepin’; The Stealer; Ride on a Pony; Radioactive; Be My Friend; Warboys (A Prayer For Peace); Feel Like Makin’ Love; Bad Company; I Just Want To See You Smile; Louisiana Blues; Fire and Water; Wishing Well; All Right Now. Encore: I’m a Mover; The Hunter; Can’t Get Enough. Encore 2: Seagull
13 Apr
Ratt Invasion of Your Privacy World Tour ’85/’86
Ratt Invasion of Your Privacy World Tour ’85/’86
I found a programme for Ratt’s “Invasion of Your Privacy” ’86/’86 world tour in my collection, but I couldn’t find a ticket stub to match. My conundrum was soon solved however, when I realised that I’d seen Ratt down the bill at Donington Monsters of Rock in 1985 and as support for Ozzy Osbourne on 12th February 1986 at Newcastle City Hall. Ratt were very much on their way upward at the time, and must have had their own tour programme, either at Donginton or alongside Ozzy’s merchandise. I have already written about the Ozzy gig, but I didn’t say much about Ratt. As I have a programme to feature here, I figured I should write a little about the band.
Ratt are an American hard rocking band, and were instrumental in the formation of the early ’80s Los Angeles glam metal scene, often referred to as the ‘Sunset Strip’ sound. Like their friendly rivals Mötley Crüe, Ratt’s sound fused pop hooks with the metal ethos along with big hair, and over the top on-stage performances and (on- and off-stage) behaviour. Ratt continue to tour and record today despite several hiatuses and many lineup changes. They were formed and led by vocalist Stephen Pearcy; at the time I saw them the line-up included Warren De Martini and Robbin Crosby on guitars, Bobby Blotzer on drums and Juan Croucier on bass. The tour programme describes Ratt as having “wiry energy”, “desperate rightness” and an attitude which guitarist Crosby calls “gladiator land-gyspies; cement pirates” [whatever that might be 🙂 ]. It tells me that the band went from “sleeping on the floor of a converted garage in Los Angeles, their pillows nestled against their Marshall amps” to massive success with their debut album “Out of the Cellar” and that “we’re finally out of the cellar and into your living rooms. Ratt cannot be exterminated”.
Ratt are little mentioned these days, with much of the publicity and credit for the scene going to Mötley Crüe, who perhaps did out-do them in terms of outrageousness. However, Ratt were without doubt a formidable force at the time, and their shows were glorious celebrations of what is possible if you take pop and glam sensibilities and align them with the values, volume, approach and craziness of heavy metal. Their concerts were something to be experienced, and Ozzy must have found it difficult to follow them on that stage some nights.
Ratt’s line-up has changed a lot over the years; however they are now back to more or less their classic formation with Stephen Pearcy, Warren De Martini, Bobby Blotzer and Juan Croucier all once again in the fold. They are joined by Carlos Cavazo on guitar.
Setlist from 1986: Dangerous but Worth the Risk; Give It All; Wanted Man; In Your Direction; Never Use Love; Walkin’ the Dog; You Think You’re Tough; Lay It Down; You’re in Love; Sweet Cheater; Round and Round
PS Ratt made a big noise and had big hair, so I figured I’d use a bigger than usual image of their tour programme for my post today. Rock on.
5 Apr
Celebrating Jon Lord The Royal Albert Hall 4th April 2014
Celebrating Jon Lord The Royal Albert Hall 4th April 2014
I am sitting on the 07.00 train from Kings Cross to Newcastle as I write this. Last night I spent the evening with a group of musicians, from the worlds of both classical and rock, and fans who had travelled from around the globe to celebrate the music of Jon Lord. The event was held in the majestic Royal Albert Hall, a venue in which Lord performed many times, and where he premiered his concerto for group and orchestra with Deep Purple some 45 years ago.
As we arrived in the hall, we were greeted by two large video screens on either side of the stage, showing images of Jon. I had a seat on the arena floor, a few rows from the front, to the left of stage centre. A great view.
The evening had been organised by The Sunflower Jam on behalf of the Jon Lord Fellowship for cancer research. The Sunflower Jam is a charity led by Jacky Paice (wife of Ian Paice and twin sister of Jon Lord’s wife Vicky Lord), which organises annual events at the Albert Hall.
The event started promptly at the advertised time of 19.30 with our host Bob Harris welcoming us and introducing the concert. This was an evening of music, celebration and emotion, which started with Ian Paice accompanying his sister-in-law Vicky Lord on stage, for Vicky to say a few words about Jon. The first half of the concert was devoted to Lord’s solo and orchestral compositions and featured the Orion Orchestra conducted by Paul Mann, and our house band of the evening of Murray Gould, Neil Murray, Jerry Brown, Paul Wichens and Nigel Hopkins. The first piece was “Durham Awakes” from the “Durham Concerto” featuring Kathryn Tickell on Northumbrian pipes. This was followed by Steve Balsamo on vocals and Anna Phoebe on violin accompanied by Mickey Moody on guitar, performing “All Those Years”. 
Then Miller Anderson gave a moving reading of “Pictured Within”. This was followed by Rick Wakeman leading the band in music from “Sarabande” and Margo Buchanan singing “One From The Meadow”. Finally, the first half of the concert closed with Jeremy Irons elegant reading of Thomas Hardy’s “Afterwards”, accompanied by Paul Mann on piano. There was a lot of material that I wasn’t familiar with in the first half of the show; it was good to experience something new and different, performed perfectly and beautifully by a group of musicians who were all there to celebrate the diversity of Jon Lord’s compositions. Bob Harris returned and told us that after the interval “we are going to rock” 🙂 It was 20.45.
The second part of the evening started at 21.10 with Joe Brown, ever the cheeky cockney, who entertained us with a few quips and then introduced Paul Weller. Mod Weller took us back to the ’60s performing two tracks from Jon’s first band The Artwoods. These were fine slabs of Motownish white soul R’n’B: “Things Get Better” and “I Take What I Want”. Great stuff.
Next we were treated to a couple of Paice, Ashton and Lord songs “Silas & Jerome” and “I’m Gonna Stop Drinking” led by the amazing vocalist Phil Campbell, and great blues guitar of Bernie Marsden. Phil is a relatively new vocalist from Scotland and is straight out of the mould of Rod Stewart/Joe Cocker/Chris Robinson. Just perfect wild raucous singing and the right amount of rock’n’roll swagger. Check him out. The high point of the evening (so far). Steve Balsamo and Sandi Thom then performed a beautiful version of the haunting classic “Soldier of Fortune”.
Nothing could have prepared any of us for what came next, which was an amazing performance by Bruce Dickinson and particularly Glen Hughes. They started with “You Keep On Moving”, which was great enough, but then they took the roof of the place with an incendiary version of “Burn”. Everyone on their feet, the two of them sparring vocally, both out-singing each other with their tremendous outstanding vocal ranges. Sorry for all the superlatives, but it was that good. A hall full of old guys punching the air and rocking. 
Hughes was incredible. It took me back to the time I saw Purple Mk III on the Burn tour. I was struck that night (can it really be 40 years ago?) by Hughes’ over the top performance and his soulful soaring vocals. Last night he was strutting and stalking around the stage, bass aloft, wrestling ever ounce of soul and emotion out of his voice. I have never seen a performance like it; at times he was on his knees, tears running down his cheeks. Yes it was over the top, but you just knew that the guy went out last night determined to deliver the performance of his life, and that he felt and meant every word of it. Electric, and a privilege to experience. Glen Hughes closed this segment of the show with “This Time Around”, which he explained was the only song he wrote with Jon Lord.
Finally it was left to Deep Purple to close the evening, which they did with great style performing a short set of “Uncommon Man”, “Above And Beyond”, “Lazy” (with Bentley Kline on violin sparring with Don Airey on keyboards), the beautiful blues of “When A Blind Man Cries”, the cooking rhythms of “Perfect Strangers” and closing with (what else) a rocking “Black Night” with all of us singing along. Then everyone joined Purple on stage for an encore of “Hush”. Lots of “Nah Nah Nah Nah”s from the stage and the floor. It just doesn’t get much better. For over three and a half hours we were well reminded just how great a musician, composer and man Lord was. RIP Jon Lord.
The Performers
Host: Bob Harris
Deep Purple: Ian Gillan (vocals), Steve Morse (guitar), Ian Paice (drums), Roger Glover (bass), Don Airey (keyboards).
The Orion Orchestra conducted by Paul Mann.
House band: Murray Gould – guitar, Jerry Brown – drums, Neil Murray – bass, Paul Wichens – keyboards, Nigel Hopkins – piano.
Guests: Miller Anderson – vocals, Steve Balsamo – vocals, Joe Brown – jokes and cockney twang, Margo Buchanan – vocals, Phil Campbell – vocals, Bruce Dickinson – vocals, Nick Fyffe – bass, Glenn Hughes – vocals/bass, Bentley Kline – violin, Paul Mann – piano, Bernie Marsden – guitar, tMickey Moody – guitar, Anna Phoebe – violin, Sandi Thom – vocals, Kathryn Tickell – Northumbrian pipes, Rick Wakeman – keyboards, Paul Weller – vocals/guitar
Postscript
It was truly an amazing night. However, I have to say that I came away feeling a few things were missing. First, Blackmore and Coverdale. Now we all knew Blackmore was never going to attend, but some of us lived in a vain hope that past issues might have been forgotten, and that he may have made an appearance. On the other hand, it is of course up to him how he wishes to remember Lord, and his new song in Jon’s memory sees a return to his old style. I understand Coverdale couldn’t make it; again a big miss. I also expected to hear some of the “Concerto”, particularly given the occasion and the venue. A strange omission. And finally I had hoped for “Child in Time”. I know Purple don’t play it any more, but a version by the house band with a guest vocalist might have been possible. Sorry to niggle about what was an incredible event.
The images are all photographed from the concert programme.
27 Mar
Rush Newcastle Arena 5th October 2007
Rush Newcastle Arena 5th October 2007
27 years since they last graced a Newcastle stage, Rush were back and playing at Newcastle Arena. I went along with Laura and a group of mates. Saw a lot of old familiar faces; everyone had turned out to see this band again. This was a very slick and professional show, as befits a band with such a long and strong pedigree. One thing that I hadn’t bargained for was just how many albums had been released since I last saw Rush in concert. My memories were of those late 70s gigs, and I knew all of the songs from those days, but had heard very little by Rush since then. Hence almost all of their set was completely new to me. I only recognised “Spirit of the Radio” and “Tom Sawyer”. This was a long show, featuring two sets and drew from across their back catalogue (but not enough early songs from me. I didn’t think I’d ever see Rush, and that they wouldn’t play Xanadu; but there you go 🙂 ). A lesson learned. It is worth investing the time to get to know a band’s material before going to see them in concert. None the less I enjoyed the concert. 
This was the last time that I saw Rush. They have been back to Newcastle since this gig, but it clashed with another concert for me (I think I was in Manchester seeing Rogers Waters perform The Wall). Rush are hinting at a world tour next year. It’s about time I saw them again. And if I do, this time I will listen to their material before I go to the gig.
Setlist: First Set. Limelight; Digital Man; Entre Nous; Mission; Freewill; The Main Monkey Business; The Larger Bowl; Secret Touch; Circumstances; Between the Wheels; Dreamline. Interval. Second Set. Far Cry; Workin’ Them Angels; Armor and Sword; Spindrift; The Way the Wind Blows; Subdivisions; Natural Science; Witch Hunt; Malignant Narcissism; Drum Solo; Hope; Distant Early Warning; The Spirit of Radio; Tom Sawyer. Encore: One Little Victory; A Passage to Bangkok; YYZ
24 Mar
Rush Newcastle City Hall 24th April 1979
Rush Newcastle City Hall 24th April 1979
Newcastle City Hall. 24th April 1979. Mystical rock gods Rush come down from the skies once again to sing and play songs of gods, mythology and joy to the northern rock fans. We were hungry for music of the highest order, and that hunger could only be satisfied by our three superheroes. For nights the City Hall once again became a magical temple for the music of Rush. The god that is Geddy Lee amazed us with his soaring voice and his sweet bass rhythms. Twin guitar axe hero Alex Lifeson left us speechless, stunned by his virtuosity. And drum master Neil Peart, perched behind the biggest kit ever to grace Olympus drove the band and the rock textures forward. We cheered, we shouted, we sat in awe. We listened, we imagined, we dreamed. We talked about the magic of the event for weeks before, and months after. Support came from Max Webster.
Setlist: Anthem; A Passage to Bangkok; By-Tor & The Snow Dog; Xanadu; Something for Nothing; The Trees; Cygnus X-1 Book II: Hemispheres Parts I to VI; Closer to the Heart; A Farewell to Kings; La Villa Strangiato; 2112 Parts I to VII; Working Man; Bastille Day; In the Mood.
‘To seek the sacred river Alph
To walk the caves of ice
To break my fast on honeydew
And drink the milk of Paradise…’
I had heard the whispered tales of immortality
The deepest mystery
From an ancient book I took a clue
I scaled the frozen mountain tops of eastern lands unknown
Time and Man alone
Searching for the lost Xanadu
Xanadu…..’
(Xanadu, Rush).
23 Mar
Rush Newcastle City Hall 14th February 1978
Rush Newcastle City Hall 14th February 1978
By 1978 Rush has become massively popular with rock fans, and played two sold out shows at Newcastle City Hall on 14th and 15th February, 1978 with support from the Tyla Gang, fronted by ex-Ducks Deluxe “Godfather of Boogie” Sean Tyla. I attended the first night’s concert. From the tour programme: “Rush take approximately eight hours to set up their show for public viewing. It takes sixteen people in total to perform the necessary functions to convert an empty stage into a finely produced performance…..”Xanadu”: Any one who saw the band on the last part of our most recent.. British tour, will perhaps remember this one as having been featured in our show during this time, on the album it forms an eleven minute tour-de-force, and is certainly the most complex and multi-textured piece we have ever attempted. 
It also contains one of Alex’s most emotive and lyrical guitar solo’s, as well as a very dramatic vocal from Geddy….our immediate future is, of course, touring. We will be touring the United States and Canada extensively until February of 1978, when we plan to return to Europe for an extensive six week tour, encompassing all of Great Britain and continental Europe as well. … Our only hope is perhaps to contribute something enjoyable and important to those we meet along the way, and surely there are few things more enjoyable or more important than good music. If that’s all that Rush is, that’s all that we would be.” Rush were, and remain, very different to many other rock bands. They have always succeeded in producing music which is heavy, thoughtful, and musically intricate and perfect, blending elements of classic rock with prog. Their concert in 1978 was astounding, and many of my friends felt it was one of the best things they had ever seen. Setlist: Bastille Day; Lakeside Park; By-Tor & The Snow Dog; Xanadu; A Farewell to Kings; Something for Nothing; Cygnus X-1; Anthem; Closer to the Heart; 2112 Parts I – VII; Working Man; Fly by Night; In the Mood. Encore: Cinderella Man
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