Mike Oldfield Newcastle City Hall 22nd May 1980 and 11th September 1982
“Tubular Bells” was a massively popular album in the mid 70s, and a big favourite of mine. It is an important and groundbreaking album which broke new ground for progressive/classical rock music, helped to establish Virgins records, and received further recognition when the opening was used in the 1973 film The Exorcist (I still have the nightmares about Regan :)), introducing the work to a broader audience. The nearest I got to seeing a live performance of Oldfield’s magnum opus was a concert at Newcastle City Hall which featured a film of Mike and friends performing “Tubular Bells”, accompanied by live performances by Gong and Hatfield and the North; a concert which I have already blogged on. Mike Oldfield was quite reclusive at the time and didn’t tour until the late 70s. 
By 1980, when his “In Concert” tour called at Newcastle City, Mike was moving to a more pop-oriented style and was including covers and songs on his albums. He had also hit the singles chart with “Portsmouth”. The tour was in promotion of the “Platinum” album, which is the fifth album by Oldfield, and was released in 1979 on Virgin Records. His earlier albums were, of course, “Tubular Bells” (1973), “Hergest Ridge” (1974), “Ommadawn” (1975) and “Incantations” (1978). The tour featured the whole of the “Platinum” album and selections from his previous releases, including “Tubular Bells”, which is what we all wanted to hear.
Setlist: Platinum Parts 1 to 4; I Got Rhythm; Punkadiddle; Incantations Parts 1 to 4; Tubular Bells Parts 1 and 2; Guilty; Ommadawn Part 1; Blue Peter; Portsmouth; Polka; Radetzky Marsch; Blaydon Races.
Musicians: Mike Oldfield (guitar, keyboards, vocals), Peter Naphtali Lemer (synths and keyboards), Mike Frye (percussion), Tim Cross (keyboards), Pete “Bimbo” Acock (saxes), Nico Ramsden (guitar), Hansford Rowe (bass), Benoit Moerleb (vibrophone), Wendy Robert (vocals), Pierre Moerlen (drums and percussion).
A couple of years later Mike was back on tour again, this time to promote the “Five Miles Out” album (1982). In the interim he had also released “QE2” (1981).
Setlist: Tubular Bells Part 1; In High Places; Etude/Recuerdos De La Alhambra; Platinum Parts 1 and 2; Conflict; Ommadawn Part 1; Incantations Part 4; Hergest Ridge Part 2; Taurus II; Five Miles Out; Mount Teidi; Orabidoo.
Mike’s band was more compact this time: Mike Oldfield (guitar, keyboards, vocals), Tim Cross (keyboards), Tim Renwick (guitars and bass), Pierre Moerlen (drums and percussion), Maggie Reilly (vocals), Devra Robitaille (keyboards, guitar and vocals).
This was before the release of the great “Moonlight Shadow” which is a classic track. Both concerts were excellent, featuring perfect renditions of Oldfield’s intricate music, much credit for which must go to his backing musicians.
Posts Tagged ‘gig’
8 Jan
Mike Oldfield Newcastle City Hall 22nd May 1980 and 11th September 1982
7 Jan
Orange Juice The Soul Kitchen The Bier Kellar Newcastle 22nd Feb 1982
Orange Juice The Soul Kitchen The Bier Kellar Newcastle 22nd Feb 1982
The Soul Kitchen promoted many gigs in the early 80s featuring, among others, Scottish bands from the Postcard label, and upcoming local ats such as Prefab Sprout and Hurrah! Soul Kitchen was a moving night club, with took up residence at various venues around Newcastle. It also spawned Kitchenware records which currently has Editors, Prefab Sprout and others on its rosta. This gig was by Orange Juice, and was held at the Bier Keller, which was, as the name suggests, a German style beer house in the 70s (and the scene of lots of drunken nights). It later became Dingwalls and then Rockshots. Orange Juice came from the Postcard stable, and were on the brink of chart success at the time of this gig. This gig was before they released their second album “Rip It Up”, and the single of the same name, which was a hit in the following year. I’m sure I remember also seeing them at the time of “Rip It Up”; I think I went to see them again in the same venue the following year, by which time the Bier Keller was Dingwalls. What I do recall is a great jangly pop band who moved closer to disco/funk and added deeper bass and synth; particularly on “Rip It Up”. Line-up: Edwyn Collins – guitar, vocals; Malcolm Ross – guitar; keyboards; David McClymont – bass guitar; Zeke Manyika – drums.
4 Jan
John Otway & Wild Willy Barrett in concert in the late ’70s and early ’80s
John Otway & Wild Willy Barrett in concert in the late ’70s and early ’80s
One of the many good things about the emergence of punk and new wave in the late 70s was that it allowed a series of fresh and, in some cases maverick, artists to break through and kick start their career. Many of the bands and singers who were bracketed in with the scene were not truly punk, but they shared a sense of enthusiasm, passion, energy and craziness with the movement. John Otway, accompanied by his partner in madness, Wild Willy Barrett, was one such act. Otway is one of the most authentic performers I have ever seen. He can’t sing well in any traditional sense of the word, and his stage act was at times, bizarre to say the least. But there was always an honesty about his performance; with Otway what you saw was what you got, and he would always put 110% into a gig. It was a manic performance on The Old Grey Whistle Test in 1977 which propelled John Otway & Wild Willy Barrett to success. 
The single “Really Free” was popular at the time, and I saw him on several occasions including a gig at Maxwells club in Tynemouth (15th March 1978), Reading Festival (August 1978), The Cooperage Newcastle (16th July 1980) and Sunderland Poly Wearmouth Hall (17th January 1981). I think I may also have seen them asa support act at the City Hall (perhaps for Madness in late 1980?), but can’t be sure. The gig that sticks in my mind most of all is the performance at Maxwells (note miss-spelling of “Barrett” on the ticket). Maxwells was (it doesn’t exist anymore) a club along the coast in Tynemouth and hosted a few gigs at the time, the most notable being this one, and an appearance by Siouxsie and the Banshees. Otway was on top form that night; simply buzzing, manic and crazy. The place was packed; punk was really starting to take off in the North East, and there was lots of beer being thrown about, and some spitting at the stage. John took it all in his stride; winding us all up between songs and at one point he ran around the venue, chasing a guy who had been spitting at him. 
My favourite songs at the time were “Really Free” (of course) and his truly unique and amazing version of Bob Lind’s “Cheryl’s Coming Home”. I must also mention John’s companion, Willy Barrett. He would stand quietly alongside Otway, playing a beat up guitar that looked home-made, a silent foil to John’s madness. The other gig that I’ll mention is the Cooperage concert, which I remember for another reason. By 1980 Otway was looking for another hit record, and devised a cunning plan. At the time only certain selected shops counted towards the charts and although their identity was meant to be kept secret, the record companies worked out where the shops were. Otway decided to do a tour of towns where the shops were, and announced that you were only allowed to come and see the gig (for free) if you bought a copy of the single. It certainly worked; I remember loads of us queuing outside the Cooperage, each of us holding our copy of “DK 50/80”; I still have mine somewhere. 
From the programme: “You may have asked yourself on the way to the gig, if you are in your right mind traipsing down the road clutching a single. That I cannot answer, but what you are doing is taking part in something that is unique and will probably be part of rock history.” Indeed; and well said Otters. Also from the programme: “To cut the costs of touring the Otway/Barrett party will be staying in tents on local camp sits, hiring biy scouts for road crew etc.”
The record managed to reach the lower region of the single charts.
John Otway continues to perform up and down the country and retains a sizable cult following. He has tried a series of stunts over the years; which has seen him hit the charts again with “Bunsen Burner” (he wanted a new hit for his 50th birthday in 2002), play and fill the Albert Hall, and most recently premier “Otway the Movie” at a full red carpet event at the Odeon Leicester Square. The guy’s ingenuity knows no end.
2 Jan
The Only Ones Redcar Coatham Bowl 15th October 1978
The Only Ones Redcar Coatham Bowl 15th October 1978
I’ve just played “Another Girl, Another Planet” to remind myself how great The Only Ones were. The Only Ones were led by singer and guitarist Peter Perrett along with guitarist John Perry, drummer Mike Kellie (ex-Spooky Tooth) and bassist Alan Mair. I saw the band twice, at this great gig at Redcar Coatham Bowl and at Newcastle City Hall, as support for Television. The Only Ones were a strange and unique mix of punk and psych, with Perrett looking (a little) and sounding (a lot) like Syd Barrett. Their best known song “Another Girl, Another Planet” even has the line “I look ill, but I don’t care about it” which just about summed it up. Peter Perrett went on to develop a well-publicised drug habit, and disappeared from the public eye for many years. In recent years The Only Ones have reformed, and have been playing concerts again.
1 Jan
Gilbert O’Sullivan Newcastle City Hall 16th February 1978
Gilbert O’Sullivan Newcastle City Hall 16th February 1978
Moving on to the letter “O”; I guess this concert could be categorised as a guilty pleasure. I’ve seen Gilbert O’Sullivan only once in concert, at Newcastle City Hall in early 1978. By then he had hit the charts several times with songs such as “Nothing Rhymed”, “Alone Again (Naturally)”, (both beautiful, classic pop tunes), “Ooh-Wakka-Doo-Wakka-Day” :), “Clair”, and “Get Down”. The concert featured all of those hits and more, and was an enjoyable evening seeing a true craftsman sing some fine songs. Pop/rock band Wilder were his backing band. Wilder consisted of Bill Cuthbert on guitars, Richard Houghton on bass, Neil Carter on guitar and keyboards (Carter went on to work with UFO and Gary Moore), and Stuart Heeley on drums. Before joining O’Sullivan Wilder had been touring themselves, playing clubs and universities, and supporting various major acts (I’m sure I saw them supporting someone, but can’t remember who). The tour also featured two backing singers who were sisters: Doreen and Irene Chanter 🙂 . During the tour Gilbert also recorded a BBC television special for “Sight & Sound”. I found a flyer in my programme for a band called “Ofanchi” who I suspect were the support act. The programme starts with an alarming honest note, very different from the sort of publicity material that I usually find: “Gilbert O’Sullivan knows that he has to pick himself up off the floor and come out fighting. Every record he has put out these last 18 months has flopped and suddenly the one-time hit-maker is on the defensive.” He had just released an album “Southpaw” in the hope of regaining his (previously mega) success; the programme goes on to say: “Failure could doom him to showbusiness’s vast outer space.” 
The programme was right in terms of hits; Gilbert featured in the UK top 20 once more when “What’s In A Kiss?” reached No. 19 in 1980. However, he has continued to record and recently started to tour again, and remains popular and successful. He had a well publicised dispute with his manager and record company over royalties. Eventually, in May 1982, the court found in O’Sullivan’s favour, describing him as a “patently honest and decent man”, and awarded him £7 million in damages. The programme shows Gilbert to be a private, shy man who: “does not drink alcohol or smoke…never swears..he walks to church on a Sunday because he has never learned to drive the three cars he owns.” In recent years O’Sullivan has been enjoyed a resurgence in success, and people are starting to reevaluate his songs, and realise how great a writer he is. Morrissey has sung “Nothing Rhymed” in concert, and on a recent visit to Dublin, Gilbert played to sell out crowds for almost a week at the Olympia Theatre. Another artist for me catch again next time he visits (which he has done a couple of times recently). Oh, and tickets for that concert in 1978 cost all of £1 (!). We were sitting at the back in the cheap seats, but nonetheless I am sure prices of concert tickets have risen to silly prices these days, way out of line with inflation. I’m going to do an analysis one day.
31 Dec
Gary Numan Newcastle City Hall 1983, Warriors Tour, and 1984, Berserker tour.
Gary Numan Newcastle City Hall 27th September 1983, Warriors Tour, and
4th December 1984, Berserker tour.
Gary Numan’s retirement from live performance didn’t last and in 1983 he was back on tour, playing again at the City Hall to promote the Warriors album. This saw a departure from his previous style, with the involvement of several other notable musicians, including Bill Nelson, and other influences, including jazz. The album was not as successful as his previous releases, and is recognised as the beginning of a decline, including by Numan himself: “I thought that by getting in some of the best players and singers around I could make the albums more ‘musical,’…..What I actually did was progressively bury the very style that my fans had enjoyed….. I swamped my own performances in huge layers of backing vocals. ….with Warriors I was lighting the fires of what came close to being my funeral…”. The show was still good, and included all ofmthe usual favourites (and a long set), but I must admit that I was beginning to lose faith a little. Support came from Tik and Tok.
Setlist 1983: Sister Surprise; Warriors; Remind Me to Smile; Metal; This Prison Moon; Down in the Park; Films; She’s Got Claws; Love Needs No Disguise; I Die: You Die; Love Is Like Clock Law; The Iceman Comes; The Rhythm of the Evening; This Is My House; I Am Render; War Songs; My Centurion; The Tick Tock Man; We Take Mystery (To Bed);Cars; Are ‘Friends’ Electric?; Tracks; We Are Glass
I saw Gary Numan once more, when he returned to the City Hall in 1984 to promote the Berserker album. The Berserker Tour featured a “high-tech Roman temple” stage set to complement Numan’s white leather jacket/white make-up/blue-hair look. A double-album, White Noise, was recorded live at the Hammersmith Odeon show in December 1984. Support was from Hohokam, who were on Numan’s own label.
Setlist 1984:Berserker; Metal; Me! I Disconnect From You; Remind Me to Smile; Sister Surprise; Music for Chameleons; The Iceman Comes; Cold Warning; Down in the Park; This Prison Moon; I Die: You Die; My Dying Machine; Cars; We Take Mystery (To Bed); We Are Glass; This Is New Love; My Shadow in Vain; Are ‘Friends’ Electric?
30 Dec
Gary Numan Farewell concert Wembley Arena 27th April 1981
Gary Numan Farewell concert. Wembley Arena 27th April 1981.
It was 1981, and after a short two year career, and massive success, Gary Numan took us all by surprise by announcing his retirement from live performance. A massive farewell concert was scheduled to take place at Wembley Arena in April. I was due to speak at a conference in London around the same time; in fact Gary’s farewell concert was set to take place the night before the conference was due to begin. So I extended my stay, booked a room in a small B&B in Wembley, and bought a ticket for the show. The concert was initially scheduled for one night, but extended to three to satisfy the demand from fans to see Gary Numan one more time. The show was a big spectacular event, with the lavish sort of stage show that I had come to expect from Gary Numan. The stage set took two months to construct and cost Numan around £150,000. Wembley Arena was full of Numanoid lookalikes who gave him a great send-off. 
Fans were crying and throwing red roses and teddy bears on stage for Gary. The concert featured all the hits and well known songs, and was an emotional event for everyone present. Support came from Nash the Slash and Shock, a music/mime/dance/pop group featuring Tim Dry, Barbie Wilde , Robert Pereno, LA Richards, Sean Crawford and Carole Caplin. Shock were very much part of the new romantic scene, performing at The Haçienda and The Blitz Club. When they broke up Tim and Sean became the double act Tik and Tok and Carole famously went on to become a lifestyle advisor to Cherie Blair.
Setlist: This Wreckage; Remind Me to Smile; Moral; Me! I Disconnect From You; Conversation; The Aircrash Bureau; Airlane; M.E.; Everyday I Die; Films; Remember I Was Vapour; Trois Gymnopédies (First Movement); She’s Got Claws; Cars; I Dream of Wires; I’m an Agent; The Joy Circuit; I Die: You Die; Cry the Clock Said; Tracks; Down in the Park; My Shadow in Vain; Please Push No More; Are ‘Friends’ Electric?; We Are Glass.
At the end of the show Numan said “this has been the greatest two years I’ve ever had, thank you”, and then he was gone. But, like all of the best retirements 🙂 it didn’t last for long, and a couple of years later he was touring again.
29 Dec
Gary Numan Newcastle City Hall 1979 and 1980
Gary Numan. Newcastle City Hall 21st September 1979, and 29th September 1980
It was May 1979 and Gary Numan and his band Tubeway Army seemed to come out of nowhere. I remember seeing this strange, scary guy singing “Are ‘Friends’ Electric?” on Top of the Pops, and being fascinated by both his image and his music. Numan had, actually, already released an album and a few 45s, before he hit No 1 in the UK singles chart with “Are ‘Friends’ Electric?” and No 1 in the lp chart with “Replicas”. “Are ‘Friends’ Electric?”, was very different from anything else around at the time, and a million miles away from the fast punk music that most bands of the time were producing, and which had influenced Gary Numan to start out in the business. 
Writing for Smash Hits in 1979, Cliff White described the song as “a dark, threatening wall of synthesized sound” which “throbbed ominously behind a gloomy song of paranoia and loneliness”. Come September 1979, Gary Numan released his third album “The Pleasure Principle”, dropped the Tubeway Army moniker, and went out on his first national tour, calling at major concert venues up and down the country. The publicity prior to the tour promised a spectacle to match the scifi imagery we had all seen on TV. I bought tickets for Marie, me, Marie’s younger sister and niece to see the concert, which sold out very quickly. We had seats close to the front and were blown away by the concert. The show lived up to all our expectations with great use of stark white lighting, rising towers, and Gary our robotic hero centre-stage making quirky, jerky movements. My favourite songs were “Electric”, “Cars” and “Me! I Disconnect From You”. Gary had a cute little car (like a small dodgem car) which he drove around the stage as he sang “Cars”. Support came from OMD who had recently formed. This was before “Enola Gay”; I’d heard the single “Electricity” (which was played a lot at Middlesbrough Rock Garden at the time) and remember staying out of the bar and watching them just to hear that song. 
Setlist: Airlane; Me! I Disconnect From You; Cars; M.E.; You Are in My Vision; Something’s in the House; Random; Everyday I Die; Conversation; We Are So Fragile; Bombers; Remember I Was Vapour; On Broadway (The Drifters cover); The Dream Police; Films; Metal; Down in the Park. Encore: My Shadow in Vain; Are ‘Friends’ Electric?; Tracks.
Almost exactly a year later and Gary Numan was back on tour again. We saw him again at Newcastle City Hall, sitting about half way back in the hall. Gary had just released the “Telekon” album and the tour was thus called, of course, the “Teletour”. 
The hit singles “We Are Glass” (another great song) and “I Die: You Die” were released that year. The show was quite similar to the 1979 tour, with another lavish stage set, and Gary wearing his trademark black leather boilersuit with interlocking red belts. Support came from Nash the Slash 🙂 , a crazy punk violinist whose entire face was covered in surgical bandages, and wore sunglasses, a white suit and a white top hat! Setlist: This Wreckage; Remind Me to Smile; Complex; Telekon; Me! I Disconnect From You; Cars; Conversation; Airlane; M.E.; Everyday I Die; Remember I Was Vapour; Stories; Are ‘Friends’ Electric?; The Joy Circuit; I Die: You Die; I Dream of Wires; Down in the Park; Tracks; We Are Glass. The next time I saw Gary Numan was at his farewell (! 🙂 ) concert at Wembley Arena in 1981. I’ll write about that event tomorrow.
28 Dec
New Order Sunderland Mayfair 1984, Newcastle Mayfair 1986 & Newcastle Academy 2006
New Order Sunderland Mayfair 15th August 1984
I have a theory that, during the 80s, you could judge the success of New Order by how low Hookie was carrying his bass. Each time I saw the band that bass seemed to slip further down his leg, reaching a point around his knees, where I guess it couldn’t get any lower. I spent the night at the Sunderland gig staring in wonder at Peter Hook and that bass. I swear he was wrestling and fighting with his guitar, as if it had a life of its own, and was trying to escape his clutches. He was definitely becoming a fully fledged rock star; indeed the entire band seemed to exude a level of confidence way above that which I had witnessed on the previous two occasions I saw them. They were riding on a wave of success; Blue Monday had propelled them to another place, and the Mayfair was packed. The ticket it pretty impressive too :). Setlist: Face Up; Thieves Like Us; Age of Consent; Your Silent Face; Sooner Than You Think; ICB; The Village; 5 8 6; Sunrise; The Perfect Kiss; Blue Monday (cue for major dancing).
New Order Newcastle Mayfair 10th September 1986. 
New Order released two albums before I saw them again; these were Low-Life (1985) and Brotherhood (1986). Their set at Newcastle Mayfair in 1986 drew heavily from their most recent release. I recall being disappointed, largely because they didn’t play Blue Monday, and because there were few songs that I recognised at all. This gig certainly wasn’t one of the best times that I have seen New Order, and to be honest I remember little about the gig. I think Hookie’s bass remained at knee height. It was 20 years until I saw them again. Setlist: State of the Nation; Everything’s Gone Green; Way of Life; Angel Dust; Paradise; Weirdo; Confusion; Subculture; Age of Consent; Bizarre Love Triangle; The Perfect Kiss.
Newcastle Academy 11th Oct 2006. 
Roll on 20 years and David and I were in Newcastle Academy to see New Order. This was their first visit to the North East since the Mayfair concert of 1986. In the interim the band had released 4 albums including the highly successful Waiting for the Sirens’ Call, which came out in 2005, and was generally recognised as a return to form. Gillian Gilbert left the band in 2001, and was replaced by Phil Cunningham. The rest of the line-up (Bernard Sumner, Peter Hook and Stephen Morris) remained unchanged. Over the 20 year period, there had been long gaps between releases and concerts, with New Order spending a lot of time in America. Their UK shows were mainly restricted to appearances at festivals, a small number of shows in Manchester and some arena concerts elsewhere. As a result, this Newcastle return was hugely anticipated, and tickets sold out immediately they went on sale. The Academy was completely packed; we were on the floor close to the stage and couldn’t move, and the band didn’t let the crowd down. New Order played a long set drawn from across their career, including a handful of Joy Division songs. That night they played with a passion, and seemed to be in a good mood. A great concert. Hookie’s bass still remained at knee height, which was comforting. The ticket price had risen from £5 in 1986 to £32.50 in 2006, which was less comforting. Setlist at Newcastle Academy in 2006: Crystal Regret; Ceremony; Who’s Joe?; These Days (Joy Division); Transmission (Joy Division); Krafty; Waiting for the Sirens’ Call; Your Silent Face; Guilt Is a Useless Emotion; Bizarre Love Triangle; Temptation; The Perfect Kiss; Blue Monday. Encore: Shadowplay (Joy Division); Love Will Tear Us Apart (Joy Division).
Sadly New Order split in 2008, the other members fell out with Peter Hook in a very public manner, and ultimately regrouped without him. Laura and saw their Newcastle Academy concert in 2012, which I blogged about at the time.
27 Dec
New Order Middlesbrough Rock Garden 17th Feb 1981 & Newcastle Mayfair 11th March 1982
New Order Middlesbrough Rock Garden 17th Feb 1981 & Newcastle Mayfair 11th March 1982
On May 17,1980, Ian Curtis committed suicide at his parents home in Macclesfield, leaving the remaining members Bernard Sumner, Peter Hook and Stephen Morris shocked, and with an uncertain musical future. Ultimately they decided to carry on, initially as a three piece and under a new name: New Order. By late 1980 New Order was playing gigs at small venues in their home town Manchester. Their repertoire consisted of new songs, other than “Ceremony” (an unreleased Joy Division song which was played live before Curtis’ death) and “In a Lonely Place” (demoed in the studio). Guitarist Bernard Sumner took on the role of main vocalist and Gillian Gilbert, Stephen Morris’s girlfriend, joined on keyboards. New Order played a couple of concerts in the USA, and started to venture further afield in the UK. I first saw them at a gig at Middlesbrough Rock Garden in early 1981. The concert was reasonably well attended, although by no means sold out. I remember being struck by how different their music was from Joy Division; much more electronic, less dark, few vocals. There was a sense that we were witnessing something very special, and very different from the direction that other new wave bands were going at the time. This was a universe away from the thrash of Warsaw that I had witnessed only a few years earlier. The songs came from their yet to be released first album “Movement”. A bootleg exists of a concert in Glasgow from the same period, which suggests the set at the Rock Garden was probably something like this: In A Lonely Place; Dreams Never End; Truth; Mesh; Procession; ICB; The Him; Cries & Whispers; Senses; Ceremony. My memory (which sadly, is quite often wrong these days) tells me that they also played an instrumental version of Love Will Tear Us Apart, towards the end of their set, possibly as an encore. However, this also seems unlikely, as the song doesn’t feature in any other published 1981 setlists. Having said that, they would sometimes play the old Joy Division classic during the sound check; so who knows?
A year later local promoters The Soul Kitchen (“The Only Fun In Town” 🙂 ) booked New Order (“Dreams Never End”) for a concert at Newcastle Mayfair. By now they were playing several new songs which would appear on their 1983 second album “Power, Corruption & Lies”. The Mayfair was quite full, and I saw a big difference in New Order, compared to their performance at the Rock Garden. This was a much more confident band, more dance, more electronica. Blue Monday and massive success were yet to come, but you could sense that this was an important band. Bernard Sumner was much more of a front man, and Hookie’s bass was slipping further and further down to his knees; they were both forming their own rock star personas. Support (or “Early Entertainment” as the ticket says) came from Scottish band The Wake, who featured a young Bobby Gillespie.
Setlist from Newcastle Mayfair, 1982: In A Lonely Place, Chosen Time, Denial, Ultraviolence, Senses, Leave Me Alone, Hurt, Procession, Temptation.
New Order line-up: Bernard Sumner – vocals, guitar, Peter Hook – bass, Stephen Morris – drums, Gillian Gilbert – synthesizers.
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