Nick Cave Sage Gateshead 29th April 2015
Nick Cave is a dark moody man. His performances are unique experiences in which devotees lose themselves in an intense communion with the man himself. Part preacher, part demon, part artist; part cowboy; part balladeer; the rich diversity of a Cave performance can only be understood by those who have experienced it. Laura is a fan, and I am becoming one. There is so much to take in, so difficult to categorise. The solution is to give up trying to figure out whether the music is rock, country, soul, punk or pop. Does it matter? The influences are many; I can see and hear Elvis, Iggy, Johnny Cash, Screaming Lord Sutch, P J Proby, the Pistols, Tom Waits. He commands the stage, beckoning audience members to come close, touch him. He sings directly to them, so close to some that his face is almost touching theirs. Captivating, spell-binding, crazy, frightening, the guy has no fear, there are few boundaries. Another astounding performance complete with a series of extended encores.
Setlist: Water’s Edge; The Weeping Song; Red Right Hand; Brompton Oratory; Higgs Boson Blues; Mermaids; The Ship Song; Babe, You Turn Me On; From Her to Eternity; I Let Love In; Love Letter; Into My Arms; Up Jumped the Devil; Black Hair; The Mercy Seat; Jubilee Street
Encore 1: We No Who U R; Wide Lovely Eyes; Breathless; God is in the House; And No More Shall We Part; Jack the Ripper; the Lyre of Orpheus
Encore 2: Push the Sky Away.
Posts Tagged ‘gig’
19 May
Nick Cave Sage Gateshead 29th April 2015
18 May
Eric Clapton Royal Albert Hall London 14th May 2015
Eric Clapton Royal Albert Hall London 14th May 2015
Support: Andy Fairweather Low & the Low Riders
Going to see Eric Clapton is like visiting an old friend. You know what to expect; an evening of quality music, great guitar solos, a few ballads and the blues. No surprises. Eric is 70 and is celebrating the occasion with a residency at his favourite venue, the Royal Albert Hall. His old mate Andy Fairweather Low offered friendly support and warmed us all up with a class set of blues, and solo and Amen Corner hits including “Reggae Tune”, “Wide Eyed and Legless” and “(If Paradise Is) Half as Nice”. After a short interval, Clapton wandered on stage and the birthday party started. We even sang “Happy Birthday” to him. High points were some of the best solos I’ve seen him play, a great version of “Crossroads”, “Can’t Find my Way Home” with bass player Nathan on vocals and an excellent version of “You are so Beautiful” with Paul Carrack singing. Yes, I would have liked to see him play “Sunshine” or “Badge” and the electric (rather than the unplugged) version of “Layla”; but then you can’t always have what you want. And this was Eric’s birthday, and his party, so of course it was fine that he played just exactly what he wanted to play. The programme told me that this could be the last time. My guess is that Eric won’t be able to resist playing again now and then. Hope so. Happy birthday E C.
Spent the night at David’s and then up at 5.45am to catch the early train back “up north”.
Band lineup: Eric Clapton – guitar, vocals; Chris Stainton – piano, keyboards; Paul Carrack – organ, keyboards, vocals; Nathan East – bass; Steve Gadd – drums; Michelle John & Sharon White – backing vocals
Set list: Somebody knocking; Key to the highway; Pretending; Hoochie coochie man; You are so beautiful (Paul Carrack vocals); Can’t find my way home (Nathan East vocals); I shot the sheriff; Driftin’; Nobody knows you when you’re down and out; Tears in heaven; Layla; Before you accuse me; Wonderful tonight; Let it rain; Crossroads; Little queen of spades; Cocaine
Encore: High time we went (Paul Carrack vocals, with guest Andy Fairweather Low)
10 May
Pink Fairies The Cluny Newcastle 26th April 2015
Pink Fairies The Cluny Newcastle 26th April 2015
The Pink Fairies were the ultimate late ’60s and early ’70s anarcho, underground, left-wing hippy revolutionaries. Alongside the Edgar Broughton Band and Hawkwind they forged an uncompromising anti-establishment path and made some beautiful noisy rock’n’roll which paved the way for punk, new wave and (maybe) grunge. I was a big fan in the ’70s and was lucky enough to see them live on a number of occasions. My favourite songs were “When’s the Fun Begin?” and their version of “Walk Don’t Run” which twisted the surf guitar of the Ventures through 180 degrees to produce a freak-out psych classic. Well the Pink Fairies are back. Or at least some of them are. The 2015 line-up consists of original Fairies Russell Hunter (drums) and Duncan Sanderson (bass) along with Andy Colquhoun (who fronted an ’80s incarnation of the band) on guitar, Jacki Windmill on wild red hair and crazy vocals and second drummer George Butler. There may be no Twink, no Paul Rudolph, no Larry Wallis; but the new Fairies maintain the spirit of the original band and, as I witnessed last week, remain true to the loud noisy musical ethos, complete with extended psych freak-out guitar solos courtesy of Andy and loud drums courtesy of Russell and George.
So 100 or so old-timers and a few modern hippy hipsters congregated in the Cluny on a Sunday to see what joyful noise the Pink Fairies 2015 could produce, and whether they could still corrupt our youth and try to overthrow our government. Laura accompanied me to this fun event. We were not disappointed. This wasn’t musical perfection by any means (and it wouldn’t be the Fairies if it was) but it was great raw, loud, rock’n’roll with rambling psych guitar straight from early ’70s Ladbroke Grove courtesy of the West Coast of the USA. I recognised most of the songs ;although I wasn’t sure what the opener was. The second song was “Do It” which was the B side of their (non) hit single “The Snake. This was followed by “War Girl” with manic vocals by Jacki. Then Russell took the mike and came forward to the front of the stage while the rambling discords of “When’s the Fun Begin” built to a crescendo. Wonderful. The Fairies then took us to the Larry Wallis era for the punky “Police Car”, followed by “Waiting for the Ice Cream to Melt”. Then it was right back to the start and the Velvet’s “Waiting for the Man”; a song the Fairies have been covering since their early days, followed by another old Fairies favourite; their cover of the Beatles “Tomorrow Never Knows” which was a pretty extreme discordant cacophony; by now Laura was confused. Then followed a couple of new songs; “Naked Radio” and “Skeleton Army”. The last number was Pink Fairies classic “Uncle Harry’s Last Freak Out”; Duncan told us the story of the drug bust in Ladbroke Grove which led to the song. “Last Freakout” descended into a lengthy jam, as it always used to. And then they were gone. We lingered a little hoping for an encore (I wanted to see them play “Walk Don’t Run”) but left after it began to look like they weren’t coming back. The ’70s underground lives on. Peace man.
4 May
UFO Newcastle Academy 25 April 2015
UFO Newcastle Academy 25 April 2015
UFO 2015 are Phil Mogg (vocals and original, and only constant, member since 1969), Andy Parker (drums, and also a member of the original band in 1969), Paul Raymond (joined in 1976, and a veteran of 60s bands including Plastic Penny and Chicken Shack), Vinnie Moore (guitar and a new guy, who has only been with UFO for 12 years) and Rob De Luca (bass since 2008). The downstairs area of Newcastle Academy was packed with a mix of rock fans from the older generation and a good smattering of younger rockers. Good to see that these guys still attract a cross section of discerning music fans. They start with “We Belong to the Night” from their 1982 Mechanix album, which I am not that familiar with, and is a great opener. Phil Mogg looks and sounds great, and the rest of the band are rocking from the word go. Like many fans, I’ve come primarily for the classics, and I haven’t got long to wait. Four songs in and “Lights Out” hits us right between the eyes. The modus operandi seems to be thus: a classic UFO rocker, then a couple of new or less well known songs, followed by another classic. The great songs keep coming: “Only You Can Rock Me” (the guy to my left is shouting “Turn It Up”; which I definitely agree with), “Love to Love” (that one has always been one of my favourites; I’m a sucker for ballads), and “Rock Bottom” closes the show. We all know what is coming. You can’t have a UFO gig without “Doctor Doctor” and this one is no different. The young girl to my right (she can’t be more than 20) goes crazy, playing air guitar and shaking her head like it might just come off. “Shoot Shoot” send us on our way. The old guys really are the best, you know. A great gig. Only two things could have improved it. More volume (the guy on my left was right). And I miss Pete Way. Don’t get me wrong, the new bass player is fine, and couldn’t have done any better, but for me Pete Way was the soul of this band. Hope he’s ok. He hasn’t been so well, but I read that he is alright now and working on a solo album.
Setlist: We Belong to the Night; Fight Night; Run Boy Run; Lights Out; The Killing Kind; Venus; Only You Can Rock Me; Burn Your House Down; Cherry ; Love to Love; Messiah Of Love; Makin’ Moves; Rock Bottom
Encore: Doctor Doctor ; Shoot Shoot
PS the image (which I may have used before, and hence you may have seen before) is of a signed copy of the classic UFO lp Phenomenon, which I picked up at a car boot sale for 50p many years ago. Who knows if the signatures are real, put they look pretty real to me and I like to think that they are.
20 Apr
P P Arnold & Chris Farlowe @ Solid Silver ’60s Show The Sage Gateshead 19th April 2015
PP Arnold & Chris Farlowe @ Solid Silver ’60s Show The Sage Gateshead 19th April 2015
I promised myself some time ago that I wouldn’t go to any more ’60s shows. Too much singing and clapping along to cover versions of great tunes, which often lack the power and energy of the originals. Too many bands with hardly any, or no, original members. But this show featured two artists, who remain true to the soul of the ’60s, and remain artists; namely P P Arnold and Chris Farlowe. What the hell, promises are made to be broken. So along I went to the Sage, making sure to arrive early as both my heroes featured in the first half of the show.
The evening was opened by the New Amen Corner who, although don’t seem to feature any original members of the Amen Corner, are a class act of excellent musicians with a strong ’60s heritage, and play authentic versions of old classics. They are also providing backing to both P P Arnold and Chris Farlowe on this tour. Tonight they played “Bend Me, Shape Me” and the Turtles “Eleanor” before welcoming PP Arnold to the stage. After an embarrassing false start during which New Amen Corner played the intro to “Angel of the Morning” several times and PP didn’t arrive on stage as expected …. she finally did join us, and apologised explaining that she was waiting back stage and hadn’t heard her call. PP is the mod ace face soul sister, who arrived in the UK as an Ikette backing Ike and Tina Turner on a Stones’ tour, and was then asked by Mick Jagger to stay on and become a solo artist. She then formed a strong bond with Steve Marriott and the Small Faces, and performed with them on classics like “Tin Soldier”. This lady has class. She started with “Angel of the Morning”, and then sang Steve Wonder’s “Uptight.” Great stuff. Next she talked about how she recorded with the Bee Gees, singing “To Love Somebody” which PP covered on one of her albums. 
The next song was “If You Think You’re Groovy” which was written for her by Steve Marriott and Ronnie Lane; I think the Small Faces also backed her on the single. She dedicated the song to Marriott and the rest of the Small Faces. “River Deep, Mountain High” was dedicated to Tina Turner, who started PP off on her career. PP was suffering from a bad cold and was drinking ginger and honey to help her throat, but still sounded great. She then explained how after the Stones tour Mick Jagger invited her for a walk in Regents Park where he “made a proposition to her”. The “proposition” was of course to become a solo artist and join the new Immediate record label which was being launched by Andrew Loog Oldham, the Stones’ manager, and which also featured Chris Farlowe and the Small Faces. This was as way of introduction to her first hit single, which was Cat Steven’s “The First Cut is the Deepest”. Excellent.
PP was then joined by Chris Farlowe for a duet of “Private Number”, introducing Chris as “the Voice”, and demonstrating the high regard in which he is held by fellow artists. Chris then launched into a set of soul and R’n’B classics: “Giving it Up for your Love”, “Stand By Me” were first. He then introduced a new song “Don’t Want to Love You Anymore” before performing “Handbags and Gladrags” as only Chris Farlowe can. Marriott featured again, as Chris dedicated “All or Nothing” to the legend. There was one song left that just had to be sung; he finished with a great rendition of “Out of Time” (No. 1 for Chris in 1966).
The final act in the first half of the show was ’60s stars the Merseybeats with their familiar trademark Gibson Firebird guitars, and featuring original members Bill Kinsley and Tony Crane. These guys had some hits, and some great songs “back in the day”. Their set was: “Just a Boy from Liverpool”, “Wishin’ and Hopin'” (No.13, 1964), “Hey Baby” (introduced as a favourite back in the days of the Cavern lunchtime spots), “Don’t Turn Around” (No. 13, 1964), a cover of Del Shannon’s “Runaway”, the Everly’s (“their is only ever one duo”) “Let it Be Me”, “Singing the Blues”, and “I Think of You” (No. 5, 1963). They closed with “Sorrow”, which they recorded as the Merseys (reached No.4 in 1966) and which was covered by David Bowie (No. 3, 1973). The Merseybeats returned for an encore of “Hi Ho Silver Lining”.
I’d had my ration of ’60s nostalgia for the evening, so left after the first half, missing Mike Pender’s Searchers and Billy J Kramer (sorry).
The old ones can still be the best (at least they seem so; to an old guy like me 🙂 ).
14 Apr
Robin Trower Stockton Arc April 7th 2015
Robin Trower Stockton Arc April 7th 2015
Robin Trower pursed his lips, sucked in his cheeks, closed his eyes, gave that familiar grimace and squeezed sounds out of his Strat that only Trower can. The wah wah peddle rose slowly to prolong those chords, and the unique blend of rock, funk and soul that has become Trower’s trademark kept a packed Arc enthralled. Robin Trower celebrated his 70th birthday a few weeks ago, and he continues to tour and record. This was the first time I’ve seen Trower live for a few years and his band has reverted to the familiar power trio format that he favoured throughout the 1970s, and returning to that format seems to have injected renewed power and energy. 
Robin has a new album, and the set includes songs from the new release along with those old classics he just has to play. Why, he even takes lead vocals on a few of the tracks, his deep, raspy voice adding a bluesy edge to the songs, and reminding me a little of Tony McPhee and the Groundhogs.
I was standing close to the front and was totally mesmerised by his performance; the guy is playing as fluidly as ever. And the band is strong and powerful with a young bass player from the James Dewar school of soulful voices. Highlights of the night were, for me, the old familiar tunes. “Bridge of Sighs” never fails to impress, and “Day of the Eagle” rocks the same as it always did. The first encore was the track that first got me into Trower’s music; “Too Rolling Stoned”. Excellent. Support came from Joanne Shaw Taylor whose blues rock set won over a lot of new fans.
Setlist: Somebody Calling, Rise Up Like the Sun, See My Life, Daydream, Lady Love, Something’s About to Change, Day of the Eagle, Bridge of Sighs, Confessin’ Midnight, The Turning, Not Inside – Outside, Little Bit of Sympathy
Encore: Too Rolling Stoned, For Earth Below
Many thanks to Mitch for his photo of Robin and band
4 Apr
Other memories ……
Other memories
I’m now at the end of my project and tomorrow I’ll do a final summing up and reflections on the whole thing. But today I wanted to cover some of the bands that I have missed along the way. These are bands that I have seen, but for one reason or another I haven’t written about; mostly because I didn’t have a programme or a ticket stub to remind me of seeing them, so they sadly got lost during my (largely) alphabetically driven journey. In fact, I could probably have continued posting for a few more weeks, covering these acts, but I had to call a halt at some point. The truth is my memories of these gigs are scant, and I would have found it difficult to construct a post for each one. Most of them were/are very fine bands so apologies for not including them as a post of their own; but as I say, I had to draw a line under this project somewhere, and today is it!
So ….. I also have memories of seeing:
Cozy Powell’s Hammer who hit the charts with “Dance with the Devil” and featured Bernie Marsden (guitar), Clive Chamen (bass), Don Airey (keyboards) and Frank Aiello (Bedlam) on vocals. Cozy Powell again in Bedlam who were a great, loud and really heavy band with Dave Ball (ex Procol Harum) on guitar.
The great and legendary Geno Washington (“Hipster Flipsters, Finger Poppin’ Daddies”) playing to a sadly pretty small audience at Kirklevington Country Club some time in the ’70s.
The Saints (Australian punk band, known for “Stranded”) at Seaburn Hall Sunderland.
The Passions, around the time of “I’m in Love with a German Film Star”, at Middlesbrough Rock Garden around 1981.
Southern Comfort (“Woodstock”), but I think after Iain Matthews had left.
Bell ‘n’ Arc featuring the awesome Graham Bell on vocals, and also with local heroes John Turnbull, Mick Gallagher, Kenny Craddock and Alan White..
Great prog acts like T2 who released the legendary album “It’ll All Work Out in Boomland”, Ginhouse and the carzy Principal Edwards Magic Theatre.
Pere Ubu with the enigmatic David Thomas at Newcastle University, around the time of “The Modern Dance”.
Elephants Memory (they were one John Lennon’s backing bank in the USA) at Sunderland Mecca.
Dirt, Poison Girls and Rubella Ballet at Sunderland Bunker.
The awesome England, from Cumbria with the great Olli Alcock, who played a twin neck and was a simply incredible guitarist, and is still playing around Cumbria (someone I should really try and see again). They released a self-titled limited private issue album in the ’70s; I found a signed copy at a car boot 10 years or so ago; bought it for 50p and sold it on though eBay for £100! Result. Wish I’d kept it actually.
Ducks Deluxe at the Marquee Club in London; I think England may have been support. One of our party got incredibly drunk and an ambulance was called; we spent the night in the local hospital.
The Pleasers who were a heavily early ’60s Beatles influenced power pop act, who were around in the late ’70s and were amazing.
Trapeze featuring Glen Hughes (and after he left), a few times. A very under-rated band.
Steve Tilston in the bar at Sunerland Poly.
Great support acts like A Band Called O, Byzantium, SNAFU and Sassafras.
The truly awesome Flying Hat Band featuring Glen Tipton before his days with Judas Priest. I remember standing right in front of Glen, totally knocked out by his guitar skill.
Guilty pleasure. The Rubettes around the time of “Sugar Baby Love” wearing the caps and co-ordinated suits: amazing! Showaddywaddy: great teddy boy suits and rock n roll that going everyone dancing. Hot Chocolate; I was a fan of their early hits; “Love is Life” and “Emma” in particular; they gigged loads in the early ’70s and I saw them many times.
The Nashville Teens (Tobacco Road) on a double bill with the Downliners Sect; great R’n’B.
The rock n roll revival act Wild Angels featuring the little bundle of energy Mal Gray.
So apologies to all those acts for not devoting a day and a blog post to them, and to all the other bands I have seen and forgotten to list; and there will be lots of them…..
Tomorrow I’ll do a summing up and reflect on my project, to finally draw it to a close.
3 Apr
Z Z Top Rocking the Castle, Donington 17th August 1985
Z Z Top Rocking the Castle, Donington 17th August 1985
Line-up: ZZ Top; Marillion; Bon Jovi; Metallica; Ratt; Magnum; Tommy Vance (DJ)
Donington 1985 became “Rocking the Castle” rather than “Monsters of Rock”, presumably because the line-up was a little more mixed than the usual heavy metal fare. Z Z Top returned to the festival after playing third on the bill a couple of years earlier. They were joined by a strong clutch of bands including Bon Jovi and Metallica, both of whom who would go on to be headliners in their own right. It was a beautiful hot day; one of the best Donington festivals I attended, in terms of the weather. Don’t remember much about Magnum or Ratt, although I have always been a fan of Magnum. Metallica seemed very thrash metal to me at the time; they hadn’t yet developed the subtlety that was to come later. Bon Jovi were amazing; you could just tell that they were going to be massive. 
At some point during the afternoon the Z Z Top car flew over the crowd, carried by a helicopter; this resulted in a massive cheer, and a hail of bottles and cans, none of which (luckily) managed to get high enough to touch the limo. This was the era of the can fight…. Marillion were the hit of the day, and went down really well with the crowd. They were at the tipping point of their career, having just released “Misplaced Childhood” and with major chart hits “Lavender” and “Kayleigh”. But the day belonged to boogie kings Z Z Top who were one of the biggest acts on the planet at the time, and effortlessly tore the place up with those classic songs, tongue in cheek humour, and unique style. Classic.
Z Z Top setlist: Got Me Under Pressure; I Got The Six; Gimme All Your Lovin’; Waiting For The Bus; Jesus Just Left Chicago; Sharp Dressed Man; Ten Foot Pole; TV Dinner; Manic Mechanic; Heard It On The X; I Need You Tonight; Pearl Necklace; Cheap Sunglasses; Arrested For Driving While Blind/Hit It Quit It; Party On The Patio; Legs; Tube Snake Boogie; Can’t Stop Rockin’; Jailhouse Rock; La Grange; Tush.
Two days to go ……
2 Apr
Z Z Top Newcastle City Hall 23rd November 1983
Z Z Top Newcastle City Hall 23rd November 1983
Those sharp dressed Z Z Top dudes moseyed on down to Newcastle City Hall on 23rd November 1983 to give us a taste of real Texan boogie. The beards were long yet carefully groomed (respect 🙂 ), the stetsons were big and grand with the widest brims you had ever seen, and the relentless boogie was ….. well it was relentless. They rocked, they boogied, the City Hall shook, and they rocked and boogied some more.
Z Z Top had just released their eighth studio album, “Eliminator”, and they were hot and on the toppest of top forms. “Eliminator” sold 10,000,000 copies and remains their most successful album. The car from the cover of the album roared onto the stage at the end of the concert. Just perfect.
Wow is the only word for it.
Setlist was something like this: Got Me Under Pressure; I Got the Six; Waitin’ for the Bus; Francine; Sharp Dressed Man; Ten Foot Pole; TV Dinners; Manic Mechanic; A Fool for Your Stockings; Dust My Broom; Pearl Necklace; Cheap Sunglasses; Beer Drinkers and Hell Raisers; Just Got Paid; Arrested for Driving While Blind; Party on the Patio; Tube Snake Boogie; Jailhouse Rock; La Grange; Tush. I took the set list from a published setlist for the “Eliminator” tour. Surely they must have played “Gimme All Your Lovin'”?
Z Z Top were, and are, Billy Gibbons, Frank Beard (the one without the beard) and Dusty Hill. Support came from Australian band Wendy and the Rocketts.
Three days to go ….
1 Apr
Local heroes: Brass Alley & Lucas Tyson
Local heroes: Brass Alley & Lucas Tyson
I couldn’t finish my blog project without saying a few words about these two bands.
Brass Alley and Lucas Tyson (along with Beckett who I have already covered in earlier posts) were arguably the top North East bands in the early ’70s, playing in ballrooms and clubs around the region.
Brass Alley were a heavy rock band with a bluesy edge, fronted by singer Dave Ditchburn and featuring Barry Alton (guitar), Frankie Gibbon (bass), and Howard Martin (drums). They were heavily influenced by Free, and always included a few Free covers in their set. I saw them loads of times at Sunderland Locarno (Mecca), Newcastle Mayfair, in several working mens’ clubs and supporting touring acts at the City Hall. I remember that they had, for a short period, a Sunday night residency at Sunderland Top Rank. I can picture us all now, standing on the tables chanting for “The Hunter”; which was their encore at the time. The guitarist would do a great instrumental version of the “Theme from Exodus”.
Lucas Tyson were a much more guitar-oriented band fronted by the excellent, Hendrix-influenced, Pete Barclay. Pete played a Fender Strat, made heavy use of wah-wah and fuzz, and was a guitar hero for many of us young guys. I also saw Lucas Tyson play at Sunderland Mecca, Newcastle Mayfair, Sunderland Poly, and at the City Hall. Pete would do great Hendrix covers (“Voodoo Chile”, I think) and other guitar-led tracks. I remember seeing them support Edgar Broughton one night at the Mecca, when they played an awesome version of the Floyd’s “Astronomy Domine”.
Brass Alley and Lucas Tyson both feature on the single pictured above. I still have a copy and it’s a gem of early ’70s rock psych. The 45 EP features four tracks: “Daylight Child” by Lucas Tyson https://www.youtube.com/watch?v=57TSW5w1j6s&list=PLRBjLK_SZFghJcBolYpCMkTVt9L60TtCv&index=1 ; “The Hobo Song” by Yellow; “Pink Pills” by Brass Alley https://www.youtube.com/watch?v=DeR7xmNupF8 and “I Know You Well” by Trilogy. The single was released to promote Hart Rock, a 1971 rock festival held at Hartlepool football ground which featured these four local bands, plus others and was headlined by Arrival and Beggars Opera.
Four days to go.
Vintagerock's Weblog. 