The Tubes Newcastle City Hall 17th June 1981
Come 1981 and The Tubes were back at the City Hall again. This time they had turned full circle, had become businessmen and were wearing suits. They had just released their 6th album “The Completion Backward Principle”, which was a concept album presented as a motivational business document. The album received good reviews, and featured much more poppy, accessiblem songs than their previous albums. “A favorite of many Tubes fans, this is a unique album in their catalog in that it married their quirky songwriting and stage persona with a commercial appeal. The breakout that the band had been searching for with their backs to the wall had finally arrived” (from Wikipedia). The album was a success and the band went out on a world tour to promote. 
The stage show was based around the album concept, and featured many of the new songs. We were, of course, also treated to old favourites including “Mondo Bondage” and “White Punks on Dope” which was reserved for the encore. This was much more of a straight theatrical show, and although enjoyable, it lacked the amateur crazinesh of their first UK concerts.
Setlist (something like): A Matter Of Pride; Think About Me; Amnesia; Mr. Hate; Attack of the Fifty Foot Woman; Smoke (La Vie En Fumer); Mondo Bondage; Don’t Want to Wait Anymore; Sushi Girl; Talk to Ya Later; Tubes World Tour.
Encore: Let’s Make Some Noise; White Punks on Dope
This was the last time that I saw the Tubes.
Posts Tagged ‘concert’
8 Nov
The Tubes Newcastle City Hall 17th June 1981
7 Nov
The Tubes Newcastle City Hall 13th May 1979
The Tubes Newcastle City Hall 13th May 1979
Two years on since The Tube blew us all away with a crazy visual onslaught, they were back on tour in the UK again. This time they had a concept album to play and show to us all. “Remote Control” was based around the concept that “TV is King” and was produced by Todd Rundgren. The show featured the new album and old favourites with all the crazy stage antics that we had come to expect from these guys. This time The Tubes played two shows in one night, I went to the late show with a bunch of mates. A fun show, but for me it was beginning to feel more like a musical theatre show than a rock show. Still, it was all worth while just to get the chance to see along with Fee on “White Punks on Dope”.
Support came from the excellent Squeeze.
Setlist (something like): Getoverture; Turn Me On; TV Is King; Be Mine Tonight; Don’t Touch Me There; No Mercy; Only the Strong Survive; I Want It All Now; What Do You Want From Life; No Way Out; Telecide; Love’s a Mystery (I Don’t Understand); Tubes World Tour; Stand Up and Shout; White Punks on Dope (The Who’s Baba O’Riley and The Kids are Alright featured as encores at some shows)
“We’re white punks on dope
Mom & Dad moved to Hollywood
Hang myself when I get enough rope
Can’t clean up, though I know I should
White punks on dope
White punks on dope”
(White Punks on Dope, The Tubes, 1975)
6 Nov
The Tubes Newcastle City Hall 6th November 1977
The Tubes Newcastle City Hall 6th November 1977
This was a gig like no other. The Tubes were virtually unknown in the UK, but stories of their crazy OTT stage show were gradually creeping over from the USA. This was the band to out-shock, out-punk, and out-do everyone else, and outrage the general population at the same time. So when “The Toobs” came over for a tour of UK theatres and concert halls we just had to see them. We had tickets for Yes, with Donovan support, at Glasgow Apollo on the same night, but we sold them to friends, as we couldn’t pass on the chance to see this.
Video screens all over the place, dancers, 50ft stacks, lots of props and each song a new concept and the chance for the band to play new roles. So many highlights. You couldn’t take it all in. And just when you thought the Tubes had been as outrageous as they could possibly be, the next song is even crazier, wilder, and more obnoxious.
Alpha male Fee Waybill and the gorgeous Re Styles dueted on’Don’t Touch Me There’ from a motorbike. Fee Way strapped Styles between two video monitors to perform some ‘MondoBondage’. The band become the punk parody “Johnny Bugger and the Dirtboxes”. Waybill threatens us all with a chain saw while singing “I Saw Her Standing There”. For the end of the show Waybill became Quay Lewd, the ultimate glam rock star complete with three feet high platform shoes, and led us all through a crazy rendition of “White Punks on Dope”.
Totally amazing. We were all blown away. 🙂 🙂
Support came from Wire (Dot Dash 🙂 )
Reviews of the time were ecstatic. “The Tubes are a spectacle unlike any other. They present a relentless onslaught of humour, outrage, parody, idiocy, music and costume – a feast for the senses.” (Paul Rambali, NME)
“It’s nothing short of magnificent. The only words you can use are ones like sensory overkill. The act doesn’t leave you alone. One moment it’s the band in white intern coats playing straight techno-rock. Then it’s a dance troupe on the lam from Star Wars, and then there’s the punk pastiche. Except, pastiche or not, The Tubes can cut harder and deeper than 90%s of the new wave.” (Mick Farren, NME).
Set list (based on the live lp recorded during the 1977 London concert run at Hammersmith): Overture; Got Yourself a Deal; Show Me a Reason; What Do You Want from Life; God-Bird-Change; Special Ballet; Don’t Touch Me There; Mondo Bondage; Smoke (La vie en Fumér); Crime Medley (starting with a siren and including themes from Dragnet, Peter Gunn, Perry Mason & Untouchables); I Was a Punk Before You Were a Punk; I Saw Her Standing There; Boy Crazy; You’re No Fun; Stand Up and Shout; White Punks on Dope.
The Tubes were Fee Waybill (front man extraordinaire, crazy guy & vocals), Bill Spooner (guitar), Michael Cotten (synth), Mingo Lewis (percussion), Prairie Prince (massive drum riser and kit), Roger Steen (guitar), Vince Welnick (keyboards), Rick Anderson (bass) and Re Styles (vocals, dance and many unspeakable things with Fee).
I saw the Tubes again in 1978, at the Knebworth Festival sharing a bill with Frank Zappa and Peter Gabriel. I’ll save that one for when I come to write about Zappa. The Tubes were back at the City Hall again in 1979 for the ‘Remote Control’ tour, with support from Squeeze. I’ll write about that gig tomorrow.
5 Nov
10cc Newcastle City Hall 1978 & 1980
10cc Newcastle City Hall 1978 & 1980
I saw 10cc on two further occasions. The first was at Newcastle City Hall on their 1978 tour. This was at the time of the “Bloody Tourists” album and the massive No. 1 single, the reggae-tinged “Dreadlock Holiday”. There was one change to the line-up with Duncan McKay (ex Cockney Rebel) replacing Tony O’Malley on keyboards. “Dreadlock Holiday” was 10cc’s last hit. In 1979 Eric Stewart was seriously injured in a car crash, which set the band back.
Stewart: “It flattened me completely. I damaged my left ear, I damaged my eye very badly. I couldn’t go near music. I couldn’t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time, for about six months. 
And the momentum of this big machine that we’d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way. The Sex Pistols, The Clash, lots of things like that. So by the time I was fit again to play, I think we’d just missed the bus. It’d gone. And whatever we did after that, we got a few tickles here and there and we could continue touring forever on the strength of the past hits, but it didn’t feel right again, we just didn’t have that public with us.”
In 1980 10cc released their seventh studio album “Look Hear?, which reached No.35 in the UK album charts. Two singles were taken from the album: “One Two Five” and “It Doesn’t Matter at All”, but both failed to chart. I saw the band for the last time at Newcastle City Hall on their 1980 tour.
10cc continued to deliver the goods live, and I enjoyed the 1978 and 1980 concerts. But the band’s popularity was declining and they split in 1983. Gouldman puts it thus: “Really, after ’78 things went downhill for us. I don’t know what it was.”
Typical 10cc setlist from 1980: L.A. Inflatable, The Wall Street Shuffle, One Two Five, I’m Mandy Fly Me, Lovers Anonymous, How’m I Ever Gonna Say Goodbye, Good Morning Judge, From Rochdale to Ocho Rios, Art for Art’s Sake, It Doesn’t Matter at All, The Things We Do for Love, Don’t Send We Back, Dreadlock Holiday, Feel The Benefit (Pt.1-3), I’m Not in Love, Rubber Bullets, Life Is a Minestrone, Roll Over Beethoven
Graham Gouldman currently fronts a new line-up of 10cc which also features former members Rick Fenn and Paul Burgess.
4 Nov
10cc Newcastle City Hall 2nd June 1977
10cc Newcastle City Hall 2nd June 1977
Must all good things come to an end? In 1976 the perfect pop group that had been 10cc split into two halves. Eric Stewart and Graham Gouldman continued with the pop band that was 10cc, while Godley and Creme went their own way as a duo to work on a project that started with promoting their new gadget the “Gizmotron”, and eventually evolved into the triple LP set Consequences (1976), an adventurous and innovative concept album. The “Gizmotron” (see image) was a device which fitted over the bridge of an electric guitar, and contained six small motor-driven wheels attached to small keys. When a key was pressed, the Gizmotron wheels produced endless sustain, allowing the guitar to sound like the string section of an orchestra.
Godley explained: “We left because we no longer liked what Gouldman and Stewart were writing. We left because 10cc was becoming safe and predictable and we felt trapped.” Stewart saw it this way: “I was sorry to see them go. But we certainly did fall out at the time. I thought they were crazy. They were just walking away from something so big and successful….The collective dynamite of those four people, four people who could all write, who could all sing a hit song. In one band.”
Was this the end of 10cc? It was certainly difficult to imagine how they could continue with the loss of two key founding members. But continue they did, although to be truthful, things would never be the same. The band continued at first as a three piece with Stewart and Gouldman continuing to work with drummer Paul Burgess. They recorded a new album “Deceptive Bends” which reached No. 3 in the UK charts and also featured two excellent hit singles, “The Things We Do for Love” and “Good Morning Judge”. Stewart: “I was out to prove also that we could write a hit album without Kevin and Lol … we did!”
In June 1977, 10cc set out on tour to promote “Deceptive Bends” with a new band consisting of Stewart, Gouldman, Burgess with guitarist Rick Fenn, keyboardist Tony O’Malley and additional drummer Stuart Tosh. The tour called at Newcastle City Hall for two sold out shows. The change of line-up has not diminished their popularity; indeed if anything 10cc were more popular than ever. It was a great show, with the hits and album favourites all performed faultlessly; however I felt that the new band lacked the depth and versatility of its predecessor. Support for the 1977 tour was Irish singer songwriter David McWilliams who hit the charts in the 60s with the great quirky psych-tinged classic single “Days of Pearly Spencer”. We decided to forego the delights of the City Hall bar, especially to watch McWilliams who didn’t let us down and performed “Days of Pearly Spencer” although I don’t think he used a megaphone for the chorus and hence didn’t quite recreate the sound of the original. Thanks to Mitch for the photo which he took at 10cc’s 1976 Newcastle concert.
3 Nov
10cc Newcastle City Hall 20th April 1976
10cc Newcastle City Hall 20th April 1976
“I’m Not In Love” is a masterpiece. Simple as that. That song propelled 10cc from being a clever pop band to the realm of massive stardom. Built around a simple story by Eric Stewart, the arrangement and especially the choral backing which featured multiple overdubs of the voices of Stewart, Gouldman, Godley and Creme singing a single note and creating a lush 256-voice “virtual” choir, was just unlike anything else we had heard before. It was played everywhere and soon moved to the well-deserved No 1 spot in the UK single charts. Released in May 1975, “I’m Not in Love” was 10cc’s second No 1.
Eric Stewart: “I looked at Graham, and I said that song’s a hit, you know…..I rang them [the record company]..
I said come and have a listen to what we’ve done, come and have a listen to this track. And they came up and they freaked, and they said, ‘This is a masterpiece. How much money, what do you want? What sort of a contract do you want? We’ll do anything.’ On the strength of that one song, we did a five-year deal with them for five albums and they paid us a serious amount of money.”
Next time 10cc came to Newcastle they played two nights at the City Hall. The concerts were originally scheduled to take place on the 9th and 10th February 1976, however they were rescheduled (I don’t recall why) and actually took place on 19th and 20th April. Both nights were completely sold out. I went to the second night, Chas and Dave were support.
Would they play “I’m Not In Love”? Could they recreate the sound live? Actually yes they did play it, with the help of some technical trickery (probably tapes) and pretty good it sounded too. A great gig with pure class songs; as well as “I’m Not In Love”, other live favourites were “One Night in Paris”, the wonderful “I’m Mandy Fly Me”, “The Second Sitting For The Last Supper” and of course “Rubber Bullets” which would often close the proceedings.
I saw 10cc a few months later at Knewborth, with 100,000 or so others, when they supported the Stones. There was a long delay before 10cc came on stage, apparently there were some technical problems. The sound was a bit rough for the first few songs of their set, but soon picked up. They went down well, but were a little too mainstream pop for a Stones and festival crowd. We then had an even longer wait, on a cool June night, for the Stones. happy days.
Setlist for the City Hall: Art For Arts Sake, Silly Love, Lazy Ways, Rock ‘n’ Roll Lullaby, The Worst Band In The World, Second Sitting For The Last Supper, Old Wild Men, Iceberg, Don’t Hang Up, Headroom, Ships Don’t Disappear In The Night Do They?, The Sacro Iliac, I’m Mandy Fly Me, I Wanna Rule The World, Wall Street Shuffle.
Encores: I’m Not In Love, One Night In Paris, Rubber Bullets.
Setlist at Knewborth: One Night in Paris; The Worst Band In The World; Good Morning Judge; Silly Love; Don’t Hang Up; Old Wild Men; The Wall Street Shuffle; Neanderthal Man – Run Baby Run; Ships Don’t Disappear In The Night (Do They)?; I’m Mandy Fly Me; The Second Sitting For The Last Supper; I’m Not In Love.
Encore: Rubber Bullets
Thanks to Mitch for his photo of Eric Stewart which he took at the City Hall at this concert.
2 Nov
10cc Newcastle City Hall 17th September 1974
10cc Newcastle City Hall 17th September 1974
The first time I saw 10cc was at the Reading festival in 1974, followed by this concert at Newcastle City Hall. This was the original, and classic, line-up featuring Eric Stewart on guitar and vocals, Graham Gouldman on bass and vocals, Lol Creme on guitar, keyboards and vocals, and Kevin Godley on drums and vocals. Additional drummer Paul Burgess was also a regular feature on their concert tours. 10cc had been in the charts a few times with singles including “Donna” and “Rubber Bullets”, which I thought were great pop songs. They had released two albums “10cc” and “Sheet Music”. They seemed to be the perfect pop band, with every clever, intricate arrangements which were sort of Brian Wilson meets Elvis meets Frank Zappa, blending Doo wop, rock’n’roll, art rock and pure pop. They were all accomplished musicians, with an excellent pedigree.
10cc played the Friday night of Reading in August 1974, following Camel, and playing before headliner the Sensational Alex Harvey Band. The Saturday was headlined by Traffic and Sunday by Focus. From the Reading programme: “10cc – a band of talent from old hits. Remember the Mindbenders and Groovy Kind of Love? And later, do you remember Hotlegs and a one-off bockbuster hit Neanderthal Man? Then, going back a bit, do you remember the Yardbirds’ hits For Your Love, and Heart Full of Soul, then Hollies’ successes Bus Stop and Look Through Any Window and even Herman’s Hermits’ hit No Milk Today? What may you ask is all this leading up to? Answer – 10cc [Eric Stewart was of course in the Mindbenders and Graham Gouldman wrote all those hits]…..
a band that doesn’t rely on volume, themselves recorders of many an interesting and witty hit record…[but Godley and Creme were just as an important part of the 10cc sound and] invented a new musical instrument – the Gismo – an extension to the guitar which produces a rich orchestral sound.” The Reading set was slick, professional and we all sang along to Rubber Bullets. They were perfect for warming up the crowd for Alex.
A month or so later I saw 10cc at the City Hall, which was another great gig. Support came from Julian Brook who had released an album “Portrait”. (Note. Who on earth were Robbers Dog, as mentioned on the flyer? 🙂 )
In 1974 a 10cc setlist would be something like his: Speed Kills, Sand In My Face, Donna, Oh Effendi, Waterfall, Silly Love, Headline Hustler, The Wall Street Shuffle, Worst Band in the World, The Dean and I, Rubber Bullets.
However the best was yet to come. In May 1975 10cc released “I’m Not In Love”.
I saw 10cc a few more times over the next few years, and will write about those gigs over the days to come.
1 Nov
Tygers of Pan Tang Newcastle City Hall 13th May 1981 & Newcastle Mayfair 3rd Sep 1982
Tygers of Pan Tang Newcastle City Hall 13th May 1981 & Newcastle Mayfair 3rd Sep 1982
The Tygers of Pan Tang were formed in Whitley Bay. For readers who are not from the North East, Whitley Bay is a seaside town. close to Newcastle upon Tyne. The original Tygers line-up was Robb Weir (guitar), Rocky (bass), Jess Cox (vocals) and Brian Dick (drums). They released the single “Don’t Touch Me There” in 1979 and the album “Wild Cat” in 1980. I saw the original band several times at gigs in the north east; I think at their old stomping ground The Rex Hotel in Whitley Bay, and possibly at the Old 29 and/or the Mecca in Sunderland. I also saw them supporting Magnum at Redcar Coatham Bowl and The Scorpions at Newcastle City Hall. John Sykes (later of Thin Lizzy) joined the band during 1980; soon afterwards Jess Cox left and was replaced by Jon Deverill.
The new line-up recorded their second album “Spellbound” and went out on a headline tour to promote it. 
I won a competition in a local paper and as my prize received a clutch (I think it was 6 or 8!) tickets for the City Hall gig, a sweatshirt, a copy of the new “Spellbound” album and some badges. Result 🙂 ! So I played my prize to get to know the songs ready for the gig. A group of us met in Steels club on the night of the concert and drove through to the City Hall in a couple of cars, clutching our free tickets (note the ticket stamped “COMPLIMENTARY”. Support came from Magnum (a bit of an about turn, as the Tygers had supported them just a year earlier) and Alcatraz, who I can only assume were a NWOBHM band and not to be confused with Alkatraz (a Man spin-off band who I had seen a few years earlier) or Alcatrazz (a band formed in 1983 by vocalist extraordinaire Graham Bonnet, guitar ace Yngwie Malmsteen and ex-Maiden drummer Clive Burr). 
The City Hall wasn’t full for the gig, but the Tygers performed a set of class metal, fronted by the powerful front trio of Jon Deverill who stood stage front open shirted, mane of long hair, confidently and powerfully screaming the vocals, John Sykes who was already a rock star in his head and you just knew it to watch him, and founder and guitar anchor Robb Weir. They released a great version of “Love Potion No 9” around the same time. John Sykes left shortly afterwards the tour to join Thin Lizzy, and was replaced by Fred Purser from Penetration, which is the line-up I saw at the Mayfair in 1982. The Tygers were one of the better bands to emerge from the NWOBHM genre. Robb Weir fronts a reformed Tygers to this day.
PS. I’ve just found this great flyer, in a pile of things in my room. It shows bands coming to Newcastle Mayfair (Rock on Friday!) in 1980: Vardis, Quartz, Anglewitch and Tygers of Pan Tang (with special guest DJ Alan Robson 🙂 ). All very NWOBHM. It also advertises “Forthcoming attractions in October: 5 Giants of the rock world: Gillan, The Scorpions, Cheap Trick, Motorhead, AC/DC. Tickets on sale now!” Happy days.
31 Oct
Twisted Sister Newcastle Mayfair 15th April 1983
Twisted Sister Newcastle Mayfair 15th April 1983
Twisted Sister were crazy, sick, evil, motherf**kas. Going to see Twisted Sister was like going to a military drill, where the sergeant major dressed as a woman, made you swear, and ridiculed you if you didn’t join in and go totally crazy. These guys took all the evil, nasty, vile, scary, bits from Alic Cooper, New York Dolls, Slade, Bowie and The Stones, dragged them through their worst nightmares of Frankenstein and Dracula, and produced a metal band with an attitude and image like we had never seen before. Twisted Sister music was anthems and choruses sung again and again over slabs of loud, crashing, metal. Oh, and by the way they were just great 🙂 Perfect for a loud rock night at the Mayfair.
Lead singer and 110% crazy guy Dee Snider looked like a 6 feet something biker, dressed in drag, with the tightest, most disgusting bright spandex pants, make-up smeared all over his face like he had been out partying all night, and the craziest mane of bright yellow hair. “We are Twisted F**in’ Sister”. “And I am a sick muthaf**ka!” “Are you a sick muthaf**ka?!” “Say it, I am a sick muthaf**ka!” “Hey that f**in’ guy up there isn’t f**in’ saying it! Does he think he is at f**in’ Woodstock?! We ain’t no f**in’ Grateful Dead, maaaan.” “Come on man, f**in’ shout it. I am a sick muthaf**ka!” “”What do we say to f**in’ people who don’t want to f**in’ party seven days a week, 365 f**in’ days a year? We are sick muthaf**kas! We are sick muthaf**kas! We are sick muthaf**kas!” There was no escape.
Snider: “I tap into everything negative in my personality. I think about the things I hate, the things I’m angry about. I let it all out – I curse, scream, roll around – and afterwards, I feel good…. Metal is an outlet for negative emotions – anger, frustration, hostility. There’s always anger, and you need to let it go. You want to punch somebody in the face – Heavy Metal, you punch your fist in the air. You want to stomp on somebody, you stomp on the floor. You want to scream at your parents, you scream into the air.”
Wonderful. No Twisted Sister; no Motley Crue, no Ratt, no Poison.
Setlist: What You Don’t Know (Sure Can Hurt You); Sin After Sin; Bad Boys (Of Rock ‘n’ Roll); Destroyer; We’re Gonna Make It; Tear It Loose; You Can’t Stop Rock ‘n’ Roll; Shoot ‘Em Down; Run for Your Life; I Am (I’m Me); It’s Only Rock ‘n’ Roll (But I Like It); Blaydon Races; Ride to Live, Live to Ride; Under the Blade; Let the Good Times Roll
I saw Twisted Sister later that year at Donington and more recently supporting Alice Cooper.
“We are sick muthaf**kas!”
30 Oct
Toyah Newcastle City Hall 1981 & 1982
Toyah Newcastle City Hall 1981 & 1982
So Toyah became a pop star. She had major chart success with a run of hit singles. First “It’s a Mystery” which was the stand out song on a hit EP. Toyah: “When I first heard ‘It’s a Mystery’ I thought it wasn’t for me….the end of…four brilliant years’ work as a credible rock artist… Because I’d worked from 1977 right up to 1980 and I had an army of followers and I just knew this song wasn’t for them”. This was followed by “I Want to Be Free”. Toyah again: “It resonated with how I felt about my school years.” “Thunder in the Mountains” followed: “I wanted to be Bodicea, set in the future, a woman breaking free… everything I did that year was on the concept of breaking free”.
I saw Toyah on the next couple of tours both of which called at Newcastle City Hall; the Anthem tour on 1st June 1981 and the Changeling tour on 12th July 1982. These were big shows with intricate stage sets, which gave Toyah a platform to run around, playing out her Bodicea fantasy, while she squealed, squawked and screamed her way through the set. Great fun.
The concerts on 17 July and 18 July 1982 at London’s Hammersmith Odeon were recorded for the live double album Warrior Rock: Toyah On Tour.
Setlist from 1982 tour: Good Morning Universe, Warrior Rock, Danced, Jungles Of Jupiter, It’s A Mystery, Castaways, Angel & Me, Brave New World, The Packt, Thunder In The Mountains, We Are, I Want To Be Free, Dawn Chorus, War Boys, Ieya.
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