Siouxsie and the Banshees Middlesbrough 13th Oct 1977, Durham 15th April 1978 & Newcastle 30th Oct 1978
The Banshees stood out from the rest of the punk bands in their style, their attitude, and the mysterious, somewhat discordant, dark noise that they made. There was an air of danger about them, depth, mysteriousness, and Siouxsie herself was stunning, a force of nature, a revelation.
I first saw the Banshees supporting Johnny Thunders and the Heartbreakers at Middlesbrough Town Hall on 13th October 1977. Marie and I turned up early specifically to see Siouxsie. The venue was far from full, and this was a raw, ramshackle, Banshees; still feeling their way and learning their craft. But you could see that there was something different and special about them. The uniqueness of their music, Siouxsie’s style and arrogance, their image, all shone through the amateurishness. Siouxise was full of edge that night, fearless, and obviously out to shock. She was dressed in a see-through net top, a leather cap and looked just great. She commanded the stage with crazy dancing and goose stepping. The band were very young at the time and looked it; this was the first and best line-up of the Banshees; with Sioux on vocals, Severin on bass, Kenny Morris on drums, and John McKay on guitar, before they released their first landmark album “The Scream”. I can’t be certain what they played that night, but remember being impressed. I am pretty sure they played Metal Postcard, Carcass, T Rex’s 20th Century Boy (Souxsie announced the song “From one Carcass to Another” which I remember clearly as I thought it pretty bad taste at the time, as Bolan had died just a few weeks before), Love in a Void, The Lords Prayer, and Helter Skelter. For me they were the best band of the night and I went on to see them many more times over the next few years.
The next time I saw them was at a packed Durham University Dunelm Ballroom on 15th April 1978. By now the Banshees were a proper band, a major force. The venue was packed, the crowd crazy, the Banshees loud and intense and Siouxsie pure electric magic. The evening was spoilt by trouble and fights. There was a scary edginess in the air. As we left the venue we faced a massive line of skinheads blocking the ramp leading out to the street. “We hate punks!”…mass brawls….the police soon arrived. We ran to the car and made a swift, and lucky, escape.
The Banshees first single Hong Kong Garden was released in August 1978, they were soon in the charts, and then went out on a full UK tour of major concert halls. I saw them at Newcastle City Hall on 30th October 1978. Support was Spizz Oil (did Spizz really wear a helmet and keep hitting himself on the head, or did I dream that?), and the original Human League. The concert was sold out, and the music and the performance were joyous, swirling, challenging and totally engaging. From the first crashing, discordant opening bars of Helter Skelter, through the majestic pop of Hong Kong Garden, to the closing song The Lord’s Prayer, Siouxsie had us all totally captivated. Thinking of the punk bands that I saw live at the time; The Pistols were raw, powerful, important and vital; The Clash were rocky, political, fast, furious and “meant it”, The Jam were sharp, smart, and poppy; and The Damned were simply crazy, madcap, laugh. But the Banshees were different, daring, challenging, uncompromising, and produced sounds that came from somewhere dark, adventurous, rhythmic and yet uplifting. As you might have gathered; I was a big fan.
Based on published setlists, it is likely that the Banshees set at the City Hall was something like this: Helter Skelter; The Staircase (Mystery); Mirage; Metal Postcard (Mittageisen); Jigsaw Feeling; Switch; Hong Kong Garden; Nicotine Stain; Suburban Relapse; Overground; Pure; The Lord’s Prayer. Encore: Love in a Void
“Hong Kong Garden; Tourists swarm to see your face; Confucius has a puzzling grace; Disoriented you enter in; Unleashing scent of wild jasmine.” (Hong Kong Garden, Siouxsie And The Banshees, 1978)
More about the Banshees tomorrow.
Posts Tagged ‘classic rock’
27 Aug
Siouxsie and the Banshees Middlesbrough 13th Oct 1977, Durham 15th April 1978 & Newcastle 30th Oct 1978
26 Aug
The Smiths Newcastle Mayfair 17th July 1986
The Smiths Newcastle Mayfair 17th July 1986
This was the last time I saw the Smiths, and is also the concert which I remember the least, in terms of their performance. What I do remember is that the gig was quite violent, with a lot of heckles and some trouble in the crowd on the ballroom flood. A few guys down at the front were throwing pint glasses (some full of p*** I think) at Morrissey. At times quite a lot of beer and p*** was thrown on stage, and there was a lot of spitting, which Morrissey (quite rightly) didn’t take kindly to. During the last encore “Hand In Glove”, Morrissey was spit on again. This time he had enough, and he left the stage, leaving the band to finish the song by themselves.
Support came from the Stockholm Monsters, a band from Burnage in Manchester who recorded for Factory Records and were produced by Peter Hook.
Setlist: Bigmouth Strikes Again; Panic; Vicar In A Tutu; Frankly, Mr. Shankly; There Is A Light That Never Goes Out; Ask; I Want The One I Can’t Have; Never Had No One Ever; Cemetery Gates; The Boy With The Thorn In His Side; Is It Really So Strange?; Shakespeare’s Sister; Stretch Out And Wait; That Joke Isn’t Funny Anymore; The Queen Is Dead
Encore: I Know It’s Over
Encore 2: (Marie’s The Name) His Latest Flame/Rusholme Ruffians; Hand In Glove
25 Aug
Great British Rhythm & Blues Festival Colne 24th August 2014 Eric Burdon, Roy Young & Jim Diamond
Great British Blues Festival Colne 24th August 2014 Eric Burdon, Roy Young & Jim Diamond
This year The Great British Rhythm and Blues Festival celebrated its 25th Anniversary. The festival takes place each year in the village of Colne, Lancashire and this year featured another set of great blues and R&B atcs including Eric Burdon, Lucky Peterson, Eric Sardinas, Otis Grand, Mike Sanchez, Andy Fairweather Low, The Yardbirds and Dr Feelgood. I went over last night to see Eric Burdon, who is a hero of mine and doesn’t play that often in the UK these days.
I arrived in time to catch Jim Diamond, who played an acoustic set on the international stage, which is in Colne Municipal Hall. Jim was accompanied by guitarist Gareth Mouton, and sang a set of great soul covers, and his own songs including “I Won’t Let You Down” and “Hi Ho Silver”. He went down well with the crowd, and seemed genuinely bowled over by the reception.
The Muni was packed by the time Eric Burdon came on stage. Everyone wanted to see Burdon, and rightly so. There was a short delay while the band sound-checked, and the crowd were starting to get restless, with a few slow hand claps. The sound was soon sorted and Eric took to the stage, looking and sounding great. Burdon has become one of our great legendary bluesmen, still playing some 50 years since he first started singing the blues. His American band are hot and tight and have an excellent ’60s psych/beat feel to them.
And they were very loud; I was standing right next to the speaker stack to the left of the stage, and my ears are still ringing this morning as I write this. Eric’s set was a mix of classics from his times with the Animals, War and solo material. Great versions of “Don’t Bring Me Down”, which was the opener, and “It’s My Life”. They closed with, of course, “House of the Rising Sun” and were called back for one more, which was John Lee Hooker’s “Boom Boom”.
I stayed to watch some of Roy Young’s set, but left before the end (it was close to midnight when he started his set, and I had a two hour drive home). Roy is a true legend, and has only recently returned to playing UK concerts. He started singing and playing rock’n’roll piano in the late ’50s, and performed in Hamburg with the Beatles in the early ’60s. He then joined Cliff Bennett and the Rebel Rousers, formed his own band, and went on to record with David Bowie, playing piano on “Young Americans” and “Low”. I remember seeing the Roy Young Band on the Old Grey Whistle Test in the early ’70s and planned to go and see him at Peterlee Argus Butterfly, but never made it, for some reason. His style is very much in the mould of Jerry Lee Lewis and he plays fine authentic rock’n’roll, they started with “Slow Down” and had the crowd dancing and jiving.
Eric Burdon Setlist: Don’t Bring Me Down: When I Was Young; Don’t Let Me Be Misunderstood; Water; Spill the Wine; Black Dog; Before You Accuse Me; I Believe To My Soul; Bo Diddley Special; We Gotta Get Out of This Place / River Is Rising; It’s My Life; House of the Rising Sun
Encore: Boom Boom
24 Aug
The Smiths Newcastle City Hall 24th March 1985
The Smiths Newcastle City Hall 24th March 1985
This was, along with their incendiary performance on the Red Wedge tour, the best time I saw the Smiths. The tour was to promote their second album “Meat Is Murder”, and this time they called at Newcastle City Hall. The venue was pretty full, but I don’t think it was sold out. Support came from fellow Manchurians James, who were being touted as the “next big thing”. The Smiths came onstage to the music of Prokofiev’s “Romeo And Juliet” which was played at very high volume and accompanied by flashing strobe lights. The performance also used video of animals being slaughtered during “Meat Is Murder”. I had a seat close to the stage, and was surrounded by fans going completely crazy; fans were climbing over each other to get close to Morrissey and the first three rows of seats collapse under the scrum. as people had been clambering over the chairs to get closer to their hero. At one point in the concert Morrissey threw his shirt out into the audience; it landed quite close to me, but I had no chance of getting hold of it, a few guys started fighting over it; the shirt was torn to shreds. Morrissey was encouraging fans to come down to the front. The http://www.johnnymarrplaysguitar.com site quotes him as telling the fans “Come on don’t be afraid…..Don’t be afraid of the bouncers, they’re outnumbered”. “Shakespeare’s Sister” had just been released, and was introduced as their new single. I remember watching Johnny Marr, and realising that night just how incredible a guitarist he was.
A great gig from a band who at the time seemed to be unstoppable. Sadly two years later it would be all over.
The tour programme featured pools winner Viv Nicholson on the front cover (see picture). Morrissey had become fascinated by Viv, who had famously won the pools and went ahead to “Spend, Spend, Spend” it all, squandering the money on cars and high living, until she was eventually declared bankrupt.
Setlist: William, It Was Really Nothing; Nowhere Fast; I Want The One I Can’t Have; What She Said; Hand In Glove; How Soon Is Now?; Stretch Out And Wait; That Joke Isn’t Funny Anymore; Shakespeare’s Sister; Rusholme Ruffians; The Headmaster Ritual; Still Ill; Handsome Devil; Meat Is Murder
Encore 1: Miserable Lie
Encore 2: Heaven Knows I’m Miserable Now; Barbarism Begins At Home
23 Aug
The Smiths Newcastle Mayfair 7th March 1984
The Smiths Newcastle Mayfair 7th March 1984
I was late getting into the Smiths. They had been in the charts with “This Charming Man” and “What Difference Does It Make?” and were soon to release “Heaven Knows I’m Miserable Now”. There was a buzz about this band and the press were beginning to hail them as the “band of the moment” (Max Bell, The Times, 24 February 1984 in a review of a Smiths gig at the Lyceum, London). Bell went on to explain: “six months ago this Mancunian four-piece were breaking out of the club circuit. On Sunday they packed the Lyceum Ballroom with an air of reverential expectancy.” Bill Black (Sounds, November, 1983) declared the Smiths “a band verging on greatness”.
By the time I had decided I should go and see the Smiths, their concert at Newcastle Mayfair had been completely sold out for weeks. Still, I thought I’d try and get in, so I wandered along to the Mayfair ballroom on the night of the gig, only to find a massive queue outside the venue, waiting for the doors to open. I wandered up and down the queue shouting “anyone got a spare ticket” and soon scored one for face value. After a short wait the doors opened and we made our way down the stairs into the ballroom. The area on the dance floor around the stage was soon completely packed. I stayed up on the balcony, wandering around. Support came from Red Guitars, who were a left wing indie rock band from Hull. Their first single “Good Technology” was a minor hit.
The Smiths started with “Hand in Glove”, Morrissey sporting hearing aids, and a bunch of gladioli hanging from his back jeans pocket. There was some trouble in the crowd, and a few guys were spitting at Morrissey which caused him to stop singing a couple of times. Overall, however the audience gave the band a great reception, with the Smiths returning for two encores. When they came back on stage for the encores Morrissey was carrying huge armfulls of gladioli which were showered upon the crowd. This was the Smiths at their best, performing songs which have become classics. I remember everyone singing along to “This Charming Man” particularly the line “I would go out tonight, But I haven’t got a stitch to wear”. Happy days.
Setlist: Hand In Glove; Heaven Knows I’m Miserable Now; Girl Afraid; This Charming Man; Pretty Girls Make Graves; Still Ill; This Night Has Opened My Eyes; Barbarism Begins At Home; Back To The Old House; What Difference Does It Make?
Encore: Reel Around The Fountain
Encore 2: You’ve Got Everything Now; Handsome Devil
22 Aug
Scorpions Newcastle City Hall 15th April 1982
Scorpions Newcastle City Hall 15th April 1982
Scorpions singer Klaus Meine had some throat problems in 1981 which required surgery on his vocal cords. At the time there were doubts about whether he would ever sing again. The band were working on their next album, Blackout at the time and their friend Don Dokken (later to front his own band Dokken) was brought in to sing with them in rehearsals. Meine made a full recovering and returned to record the album, with Dokken’s background vocals also remaining on several tracks. Blackout was released in 1982 and went on to become Scorpions best selling album to date, eventually going platinum. Meine’s voice was as strong as ever and response to the album was excellent. The Blackout album produced three singles: “Dynamite”, “Blackout”, and “No One Like You”.
Scorpions toured in 1982 to promote Blackout. The tour was originally set for February, but was postponed until April (hence the hand written date change on my ticket) possibly because of Klaus’ health problems and the resultant delays to the album’s completion. The tour called at Newcastle City Hall and I attended the first night.
Support for the UK tour was Wolf, a NWOBHM band from Carlisle, previously known as Black Axe. I can’t pretend to recall Wolf, but I found a review of their album Edge of the World on the Metal-Archives.com website, which suggests that they were a really good metal band: “a powerful, and utterly amazing NWOBHM album; this one basically serves as a testament to how strong a caliber of music can be made using the “standard NWOBHM sound.”….this is absolutely essential NWOBHM that every fan of the genre needs to get….. Stunning”.
Another great heavy metal gig. It was a long time until I saw Scorpions again, when they were special guests for Judas Priest a few years ago.
Setlist: Blackout; Loving You Sunday Morning; Always Somewhere; Make It Real; Coast to Coast; Don’t Make No Promises (Your Body Can’t Keep); We’ll Burn the Sky; Holiday; Another Piece of Meat; Lovedrive; He’s a Woman – She’s a Man; Is There Anybody There?; Dynamite; No One Like You; Can’t Live Without You
Encore: The Zoo; Steamrock Fever
Encore 2: Now!
21 Aug
Scorpions Newcastle City Hall 7th October 1980
Scorpions Newcastle City Hall 7th October 1980
Scorpions were on a roll. Only five months after their last visit to Newcastle they were back at the City Hall, this time for two nights. In fact, they were so popular that, as well as playing two concerts at the City Hall, they also played one night at Newcastle Mayfair ballroom, bringing their show to the Friday heavy rock night. All three nights sold out, pretty good going for a band that was playing tiny clubs a few years before. I attended the first City Hall concert, which was on 7th October 2010, and was another great gig. Support came from US Southern boogie band Blackfoot.
From the tour programme: “The Scorpions is mentioned in one breath with giants such as Led Zeppelin, Aerosmith, Ted Nugent and AC/DC. They are one of the best bands that I know and they sure play incredible music. 
The Scorpions are the first German band to go on a real world tour. …The stage was their school. They rose from faith in themselves.”
“The ladder we climbed, we built ourselves. Each single step was made with hard work, desperation and confidence, and we know it will last” Rudolf Schenker.
Schenker was 100% correct. Scorpions success did indeed last. Shortly after this tour they went into the studio to record their next album “Blackout”, which was to be their most successful to date. And who could have predicted that, over 10 years later, they would be high in the UK singles chart with their No 2 hit, the classic heavy rock ballad “Wind of Change”?
Setlist: Lovedrive; Don’t Make No Promises (Your Body Can’t Keep); Loving You Sunday Morning; We’ll Burn the Sky; Animal Magnetism; The Zoo; Holiday; Lady Starlight; Always Somewhere; Pictured Life; In Trance; Steamrock Fever; Can’t Get Enough
20 Aug
Scorpions Newcastle City Hall 13th May 1980
Scorpions Newcastle City Hall 13th May 1980
Scorpions released their seventh studio album “Animal Magnetism” in March 1980, and returned to the UK in May 1980 to promote it. I saw them at Newcastle City Hall on 13th May. Support came from excellent local rock band Tygers of Pan Tang. The Tygers were formed in 1978 by Robb Weir (guitar) who recruited Brian Dick (drums), Rocky (bass), and Jess Cox (vocals). By 1980 they had built a local following, and were staring to break nationally as part of the NWOBHM, and were busy recording their debut album `Wild Cat` which was released later in the year.
Scorpions were now well and truly established in the UK as a fully fledged member of the heavy metal rock fraternity, and a packed City Hall gave them the customary rowdy reception, reserved for metal heroes.
This was another great performance, and a powerful rock double bill. “Loving You Sunday Morning” remained by favourite Scorpions song. Their new album “Animal Magnetism” was OK, but on reflection it isn’t one of their beat. It was sandwiched between the excellent “Lovedrive”, which was the album that broke them through in the UK and gave them their first succees, and “Blackout” which would follow a year or so later, and would be Scorpions most successful record release. Still there was no stopping them live, where they were a real force to be reckoned with.
Scorpions setlist: Lovedrive; Don’t Make No Promises (Your Body Can’t Keep); Loving You Sunday Morning; We’ll Burn the Sky; Animal Magnetism; The Zoo; Holiday; Lady Starlight; Always Somewhere; Pictured Life; Make It Real; He’s a Woman – She’s a Man; Another Piece of Meat; Robot Man; In Trance; Steamrock Fever; Can’t Get Enough
My ticket for this gig is particularly creased….we were reasonably close to the front..not sure if that says anything about how hot, loud and wild it was 🙂
19 Aug
Scorpions Newcastle City Hall 19th May 1979
Scorpions Newcastle City Hall 19th May 1979
I first saw German heavy metal band Scorpions in 1979 at Newcastle City Hall. Scorpions visited the UK several times between 1975 and 1979, playing in small clubs up and down the country, and by 1979 they were starting to build a considerable following, large enough to fill concert venues like the City Hall. They had just released their sixth studio album “Lovedrive”, which many fans believe to be their finest hour, showcasing their classic heavy metal formula which mixed some of the hardest, sharpest metal tracks with melodic ballads. After a few years in the wilderness, partly due to the arrival of punk rock, heavy rock was starting to reemerge in the form of the NMOBHM (New Wave Of British Heavy Metal) and bands like Def Leppard and Iron Maiden. Scorpions no doubt benefited from the renewed interest in heavy rock, plus their former member, and ace guitar hero, Michael Schenker had just rejoined the band, which also helped to increase their popularity. The line-up was Klaus Meine (lead vocals), Rudolf Schenker (rhythm guitar, and Michael’s older brother), Francis Buchholz (bass), and Herman Rarebell (drums).
Matthias Jabs (lead guitar) also featured on “Lovedrive” and played guitar when Michael Schenker was indisposed, which happened several times during their early 1979 concert dates. Schenker was suffering from alcohol abuse, was not well enough to play some of the dates, and ultimately left Scorpions in mid 1979 to form his own Michael Schenker Group. I remember being surprised just how great Scorpions were, and at how strong their fan base already was. The concert sold out quickly and the Newcastle fans gave the band an amazing reception. I didn’t know any of the material at all but was blown away by the power and hard edge of their music. My memory tells me that Michael Schenker did play the City Hall gig, but I can’t be certain. I know that he pulled out of several of the gigs around that time, with Matthias Jabs having to step in, often as short notice. My favourite song from “Lovedrive” is “Loving You Sunday Morning”
Harry Doherty reviewing “Lovedrive” for Melody Maker, in 1979: “now that the new wave has been institutionalised and tamed by the establishment, heavy metal is once more basking in a glorious and celebrated comeback, a feast that will presumably last until the next fad surfaces – when HM will promptly revert to its underground role. But in the current blaze of recognition, look out for a powerful and, as far as Britain is concerned, relatively new heavy metal band, Scorpions”
Support on the 1979 dates came from Terra Nova, a short lived group was formed in 1979 by former Manfred Mann’s Earth Band members Chris Slade and Colin Pattenden.
In August 1979 Scorpions replaced Thin Lizzy as Saturday night headliners at the Reading festival, at two days notice. Scorpions acquitted themselves well, and went down a storm with the Reading heavy metal crowd, particularly considering that everyone was expecting to see Thin Lizzy.
It is likely the setlist at the City Hall was something like this: Pictured Life; Backstage Queen; We’ll Burn the Sky; Loving You Sunday Morning; Lovedrive; In Trance; Always Somewhere; Life’s Like a River; Fly to the Rainbow; He’s a Woman – She’s a Man; Another Piece of Meat; Top of the Bill; Robot Man; Steamrock Fever; Can’t Get Enough
Their setlist at Reading was shorter: Backstage Queen; We’ll Burn the Sky; Loving You Sunday Morning; Lovedrive; Always Somewhere; He’s a Woman – She’s a Man; Another Piece of Meat; Robot Man
17 Aug
Slade Newcastle City Hall 18th December 1981
Slade Newcastle City Hall 18th December 1981
The last time I saw the original Slade line-up live in concert was at Newcastle City Hall on 18th December 1981. Slade were where they should be, performing to sold out concert halls up and down the country. It was great to see them back at the City Hall, Slade were very clearly enjoying themselves, and it being close to Christmas festivities, of course they played that song. We were a few rows from the front, and my ears were ringing for days afterwards.
Slade played a couple of more times in the north east, at Newcastle University in 1982, and on 17th December 1983 at Durham University. It is possible that I was at the Durham gig, but without a ticket or programme I can’t be sure. I do have vague memories of seeing Slade there, but I think it may have been in the 1970s. On 18th December 1983, the night after playing in Durham Slade played the Royal Court Theatre, Liverpool, which was to be the original band’s last ever full UK show. A UK tour was scheduled for 1985, but was cancelled.
The front cover of the tour programme shows Slade on stage at Reading in 1980. The concert was recorded and released as the live album “Slade on Stage”. Reviewing the album, Kerrang said: “Watching Slade live is one of the most exhilarating experiences known to mankind. 
Its a completely over the top manic and raucous package, delivered at a pace that makes even Kiss seem like old men. So pin back your ears, reinforce your walls and listen to Noddy Holder bellowing through 10 gems including ‘Take Me Bak ‘Ome’ and ‘We’ll Bring The House Down’. Some light relief is supplied by ‘Everyday’. What are you waiting for? Go Out and buy it now.”
Setlist: Rock and Roll Preacher; When I’m Dancin’ I Ain’t Fightin’; Take Me Bak ‘Ome; Till Deaf Do Us Part; M’Hat, M’Coat; Everyday; A Night to Remember; Lock Up Your Daughters; Gudbuy T’Jane; We’ll Bring the House Down; Get Down and Get With It
Encore: Mama Weer All Crazee Now; Cum on Feel the Noize; Merry Xmas Everybody; Born to Be Wild
That concludes my Slade memories, which I’ve enjoyed writing. Looking back makes me realise just how great a rock band Slade were, and how important they were to me.
I’ve seen the “new” Slade a couple of times recently, and may go to see them again one day. They put on a fun show, but it just isn’t the same without Noddy and Jim (sorry Dave and Don). Now a reunion of the original band would be something to see 🙂 but I guess that’s not going to happen.
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