Joe Satriani Newcastle City Hall 29th May 1990
Joe Satriani was inspired to pick up the guitar at age 14 when he learnt of the death of Jimi Hendrix and is “one of the most technically accomplished and widely respected guitarists to emerge in recent times.” (Greg Pato, AllMusic bio). A group of us went to see Joe Satriani when he appeared at Newcastle City Hall in 1990, shortly after he had released his highly successful third album “Flying In A Blue Dream”. I recall a set of super ace virtuoso guitar work, largely instrumental, although I believe Joe did sing on a couple of numbers. His work is heavily influenced by themes from science fiction with titles like “Surfing with the Alien” and “The Mystical Potato Head Groove Thing”. “When he was just a little-biddy boy, ace widdlist Joe Satriani used to have weird dreams, dreams where he was flying around in “this blue colour” which coulda been “sky or space or water”. Hmmm, weird huh? But wait, it gets weirder… he’s still having them, has a new LP out called Flying In A Blue Dream featuring ‘The Mystical Potato Head Groove Thing’ ” (Steffan Chirazi, Kerrang!, 1989)
Posts Tagged ‘blues’
19 Jun
Joe Satriani Newcastle City Hall 29th May 1990
16 May
Status Quo Newcastle City Hall 24th September 1973 Hello!
Status Quo Newcastle City Hall 24th September 1973 Hello!
I was rapidly becoming a big Status Quo fan. I’d bought “Piledriver”, played it endlessly and was trying to learn the riffs to “Paper Plane”, “Big Fat Mama”, and “Don’t Waste My Time”. In September 1973 Quo released their 6th album “Hello!” which consolidated their success and went to No 1 in the UK chart. “Hello!” was the first of four Quo albums to top the UK Albums Chart, and the first album on which the group wrote all the songs (along with Bob Young the group’s roadie and harmonica player). Keyboard player Andy Bown played on “Forty-Five Hundred Times”. This was Andy’s first appearance on a Status Quo album, and he was of course soon to become a permanent member of the band. They hit the singles chart twice between “Piledriver” and “Hello”; first with “Mean Girl” which was an old song released by their previous label Pye, and reached No 20, and then with their trademark song “Caroline” which also appeared on “Hello!” and reached #5. This was the group’s first single to reach the UK top five. The relentless gigging continued (as it always has, and does to this day) and in September Status Quo went out on tour yet again to promote “Hello”. I saw them at Newcastle City Hall on 24th September 1973. This was the 8th time I had seen Status Quo within a couple of years. The concert was, as always, a triumph or rock and boogie, with Francis Rossi cracking on with us all as if we were his best mates. Quo were like that, just ordinary lads playing straightforward, no nonsense rock’n’roll. No airs and graces, no deep meaning to the songs. We all respected that, and just “got it” immediately and completely. 
The relentless touring up and down the country, with the gaps between tours of the city halls filled with club and festival appearances, the attitude, the approach, the authenticity, all forged a bond between Status Quo and the fans and created a loyalty that is, for many, still there to this day. Mick Rossi quietly became Francis Rossi some time in 1973. The Spring (Piledriver) programme lists him as “Mick”, while in the Autumn (Hello!) programme he is “Francis”. Support for the tour was the excellent blues band Savoy Brown, fronted by KIm Simmonds on guitar (who remains with the band to this day), and at the time, featuring the great Jackie Lynton on vocals. Jackie has a long association with Quo. His own band, the Jackie Lynton band, supported them on tour a couple of years later, and he used to announce them, his being the famous voice that says “Is there anybody out there that wants to rock? Tonight..Live..We have the No 1 rock’n’roll band in the land..Will you welcome the magnificent Status Quo!…” (cue Juniors Wailing) at the start of the Live album, recorded at Glasgow Apollo.
Typical setlist of the period: Junior’s Wailing, Someones Learning, In My Chair, Claudie, Roll over lay Down, Big Fat Mama, Railroad, Don’t waste my time, Caroline, Roadhouse Blues, Mean Girl, Bye Bye Johnny.
7 May
Santana and Earth, Wind & Fire Newcastle City Hall 15th September 1975
Santana and Earth, Wind & Fire Newcastle City Hall 15th September 1975
This was a strong double bill of two quite different bands. Disco funk legends Earth, Wind and Fire opened the show. They had just released the album “That’s the Way of the World” and were massively successful in the USA, if less well known in the UK. I remember them having a big show, with lots of people on stage, and the highlight was a revolving drum kit (you had to see it to believe it 🙂 ). Santana had a lot to follow with such a strong opening act, but Carlos and the band rose to the occasion playing a set that included favourites like Black Magic Woman, Samba pa ti and Soul Sacrifice. The tour came between Santana’s sixth album “Borboletta” and their seventh “Amigos”. I recall that the concert was sold out and Marie and I went along without tickets. We managed to get two single seats, and spent the evening watching the concert standing at the back of the hall. 
The next time I saw Santana they were special guests for Bob Dylan at St James Park Newcastle, on 5th July 1984. Santana’s set at this massive open-air gig was Touchdown Raiders; Spirit; By the Pool; Samba pa ti; Breaking Out; Gypsy Queen; Incident at Neshabur; Waited All My Life; Two Points of View; Brotherhood; Savor; Who Loves You; Open Invitation; She’s Not There; Europa (Earth’s Cry, Heaven’s Smile); Right Now.
6 May
Santana Newcastle City Hall November 22nd 1972 early (6.30pm) show: Exclusive Northern appearance
Santana Newcastle City Hall November 22nd 1972 early (6.30pm) show: Exclusive Northern appearance
John and I went to see Santana at Newcastle City Hall on November 22nd 1972. The band played two shows at the venue that evening, and we went to the early show which was at 6.30pm. John’s memories of the gig: “As I recall Santana were not frequent visitors to the UK and this was one of the earliest times they played in the North East in the post-Abraxas period. They played two shows, with no support and it was my birthday. At that time Carlos was heavily influenced by John Mahavishnu and was moving in a more jazz/fusion-influenced direction than the heavily percusive sounds of the first two albums. I believe at the beginning of the set he said “A moment of meditation for Devadip” which was the name given to him by his guru Shri Chimony. Apparently it means “The lamp, light and eye of God”. This change in musical direction caused considerable tension within the band and precipitated a number of line up changes. I remember really enjoying the gig and I think they played most of Side 1 from the Caravanserai album – “Waves Within”, “Look up (to see whats coming down)”, “Just in time to see the sun”, “Song of the wind” and “All the Love in Universe”. Funnily I don’t remember if they played “Black Magic Woman” or “Oye Como Va”. I never saw the band again but have great memories of this show.”
My memories of the gig are also of an enjoyable concert. I’m pretty sure that they also played “Samba Pa Ti”. Their visit covered only two UK cities, Newcastle and Manchester, as part of their 1972 European tour (not sure how it could be an “Exclusive Northern appearance” when they also played Manchester 🙂 ; but maybe it was at the time the tickets were printed). Santana had just released their fourth album Caravanserai, and as John says it was a sharp departure from his critically acclaimed first three albums. We were all familiar with Santana at the time because of their excellent storming performance of “Soul Sacrifice” in the “Woodstock” film. By the time John and I saw Santana and his band in Newcastle their musical style had changed considerably from the band we all saw and loved in “Woodstock”. I recall being quite surprised by the difference, which was moving the music closer to that which John McLaughlin was pursuing in his Mahavishnu Orchestra. Santana’s exquisite guitar playing shone out, as it always does, to this day. I also remember that Slade were performing at Sunderland Top Rank that evening, with Thin Lizzy and Suzi Quatro as support acts. As we returned home after the Santana gig, which will have bee finished by 8.30pm to allow for the late show, we could see people entering the Rink (aka Top Rank) for the Slade gig.
A setlist from three days later at a concert in Switzerland shows Santana as having played the following songs. I would suspect the Newcastle set is likely to have been similar to this one: Going Home; A-1 Funk; Every Step of the Way; Samba pa ti; Look Up (To See What’s Coming Down); Just in Time to See the Sun; Incident at Neshabur; Bambele; Stone Flower; Waiting; Castillos de arena; Free Angela; Earth; Se a Cabo; Savor; Toussaint L’Overture
23 Apr
Paul Rodgers Newcastle City Hall 12th October 2006
Paul Rodgers Newcastle City Hall 12th October 2006
I have already written about Paul Rodgers as a solo artist, as a member of Free, as a member of Bad Company and as a member of Queen. He remains, without a doubt, one of our finest blues and soul voices. He has stayed true to the blues and his roots; and he looks as fit, and sings as well, today as he did in the early ’70s when I first saw him perform live with Free. Rather than write about Paul again, I have reproduced the words of a letter which Rodgers had written to Paul Kossoff, a copy of which is included as a handwritten note in the 2006 tour programme. I found it today when I opened the programme.
“Dear Koss. When we were kicking around London together back in ’68 talking about the group we were going to form, who would have thought it would turn out this way. DVDs, digital even videos were a thing of the future. We loved the blues. Driving round town in your mini listening to B B King’s “Live at the Regal”, Albert King’s “Born Under a Bad Sign”, Hendrix and Cream. I remember us laughing when they turned us away from restaurants because our hair was too long.
The first time we jammed together when you showed up with drummer Andy Borenius at my gig with Brown Sugar; you came right up to the stage and said ” I want to get up and jam” and I said “Do you have a guitar?” and you said “Yes I have a Les Paul out in the car”. And I said “Woa this is Finsbury Park man, you need to bring it straight in here or it’ll be gone”. We played B B King’s “Four in the Morning”, “Every Day I have the Blues” and “Stormy Monday Blues”. People came up after and said “You know, time stood still”.
For me in many ways time has stood still since because we made such timeless music.
Thanks for the heart wrenching solo in “Come Together in the Morning”. Thanks for the laughs. Thanks for doing all the driving – you were an excellent driver. Thanks for being a great friend and apologies if we somehow let you down.
See you again one day. Always your friend. Paul”
This was yet another great concert by Paul Rodgers. The set drew from his entire career, and included songs from Free, The Firm, and Bad Company along with a few blues standards. Support came from Paul’s son, Steve Rodgers.
Typical setlist from the 2006 tour: I’ll Be Creepin’; The Stealer; Ride on a Pony; Radioactive; Be My Friend; Warboys (A Prayer For Peace); Feel Like Makin’ Love; Bad Company; I Just Want To See You Smile; Louisiana Blues; Fire and Water; Wishing Well; All Right Now. Encore: I’m a Mover; The Hunter; Can’t Get Enough. Encore 2: Seagull
31 Mar
Terry Reid Sage Gateshead 25th November 2005
Terry Reid Sage Gateshead 25th November 2005
Aretha Franklin once famously said: “There are only three things happening in England: the Beatles, the Rolling Stones and Terry Reid.” Terry Reid, he of the Superlungs, he who turned down the job in Jimmy Page’s New Yardbirds soon-to-be Led Zeppelin, he of the amazing soulful voice. Just listen to some of his early stuff: “Stay with me baby”, “Bang Bang”, “Rich Kid Blues”, “Hand don’t Fit the Glove” and “Season on the Witch”. The guy just oozed passion, and sang on the edge, squeezing every inch of his soul through his performance. His voice and performance in the mid to late 60s matched that of other great rock and soul singers of the time such as Steve Marriott, Robert Plant, Eric Burdon and Joe Cocker. Terry Reid was someone who I’d always wanted to see in concert. I never got to see him in the early days, and he decamped to the USA in the early 70s, and became a very infrequent visitor to his home country. However, in 2005 he came over to play Glastonbury, and started to gig over here again. He has continued to come over every year or so since. I finally got to see Terry play at The Sage Gateshead in 2005. 
I was really looking forward to the gig, wondering how a modern Terry would approach his songs. The performance was interesting to say the least. Terry seemed the worse for wear, and must have had (more than) a drink or two before he took to the stage. At times he seemed close to falling over. The performance veered from the shambolic to the brilliant. Some of the audience gave up on Terry early in the set, and a few demanded their money back (yes it was that shambolic at times). I think they were given a refund, and they left during the first half of the set. Those of us who stayed were treated to an honest, passionate, right-on-the-edge performance of a man who still has charisma and sings with a passion, authenticity and honesty that is seldom seen. I understand that several of his performances of this period were of a similar nature, but recent reports that I have read suggest that he is in better shape these days.
15 Mar
Uli Roth and Pallas Newcastle City Hall 21st May 1983
Uli Roth and Pallas Newcastle City Hall 21st May 1983
Uli Roth obviously has fond memories of Newcastle City Hall. When I last saw him in concert, at The Office in South Shields a year or so ago, the City Hall was facing possible closure, and Uli told us that we must not let it happen: “get a petition; do something, you can’t let it close, that hall is one of the most beautiful in your country”. Well Uli, we did. The City Hall gained a reprieve, and continues to host rock concerts. From the Newcastle Journal: “Newcastle’s under-threat City Hall has been saved from closure after the city council announced it would not axe 100% of its arts budget…Plans to remove the City Hall from the council’s books were met with strong opposition. Around 11,000 people, both online and on paper, signed a petition against the move, started by the North East Music History group.” Anyway, back to Uli Roth. Uli formed his band Electric Sun after leaving the Scorpions in the late ’70s. 
Uli is a charismatic and flamboyant character who developed his own guitar style. Technically excellent, and a massive influence on many of today’s players, he blends the blues with indian and classical influences, and this; coupled with showmanship and virtuosity, make him a unique guitar player. He is also massively influenced by Jimi Hendrix. This show at Newcastle City Hall was recorded and segments of it appear on the 2006 DVD release Historic Performances. I remember being totally stunned by his playing, and the epic nature of his songs. Support came from the excellent Pallas, who had just released their first single “Paris is Burning”. I picked up a copy of their fanzine “The Sentinel” (pictured here) at the concert. Pallas were one of the few bands flying the prog-rock flag in the early ’80s, when that particular genre had become very unfashionable in the wake of punk, and the New Wave Of British Heavy Metal.
5 Mar
Ultimate Rhythm and Blues show Sage Gateshead 4th March 2014
Ultimate Rhythm and Blues show Sage Gateshead 4th March 2014
The Zombies, The Yardbirds, The Animals, Maggie Bell, Dave Berry
A great concert with a host of acts from the 60s. Much more enjoyable than I expected. Two things stick in my mind from last night, and will be the themes of my blog entry today. The first is the subject of authenticity and the question “when is a band not a band?” (if you see what I mean 🙂 ), and the second is just how powerful a performer Maggie Bell is.
First up were The Animals and Friends which features original Animals drummer John Steel, keyboards player Mickey Gallagher (who replaced Alan Price in 1965), Danny Handley on guitar and Pete Barton on bass and lead vocals. Now you have to admire Pete Barton, he is an amazing front man, and has a growling, powerful voice which actually matches and rivals the original vocals of Eric Burdon. He also has the unenviable position of not only taking the position of the powerhouse Burdon, but also making announcements like “We’re going back to the Club A’Gogo” and introducing songs from 1964 (when he was actually 2 years old at the time). Amazingly, he pulls it all off and leads the band in authentic (there’s that word) renditions of all those great songs: We Got To Get Out Of This Place, Don’t Let Me Be Misunderstood, and of course House of the Rising Sun. So although on the one hand, this version of the Animals features only one original member, on the other hand, the spirit and passion remains true to the roots of the ’60s band, and the performance comes over as authentic, true to the rich legacy and is delivered with passion and humility. A great start to the evening.
The Animals were joined first by Dave Berry, who has replaced Spencer Davis on the tour, as Spencer is not well at the moment. I wondered at first whether Dave would fit well with this bill. In my mind I link him with the ’60s revival package pop tour, rather than a R&B package. But, as Dave reminded us, his roots lie in the Sheffield (and UK) R&B scene in the early ’60s, and he geared his short set towards this. He sang a few R&B classics and finished with an excellent version of “The Crying Game”. His performance was professional and slick, and he came over as a pretty cool guy.
Now when I was a young teenage kid, I stood a few feet in front of Maggie Bell and Les Harvey at Sunderland Locarno at a Stone the Crows gig. My mate and I were totally blown away by her voice and her performance that night. The lady simply oozed the blues, and sang with a passion and authenticity which came from deep in her soul. Now I haven’t seen her since the ’70s and wasn’t expecting what I saw last night. Maggie was simply sensational in every way. Much better than I could have hoped. Her voice remains strong, her performance electrifying, and she looks great. She sang a few blues classics including I’d Rather Go Blind, and finished with a an amazing duet with Pete Barton (by now I was starting to really admire that guy) of P J Proby’s “Hold Me”. I’d forgotten that Maggie hit the charts with a version of this on which she dueted with B A Roberston. Stunning.
After a short interval, next up was the latest line-up of the Yardbirds. Again the subject of authenticity comes to mind. This line-up features original drummer Jim McCarty and, back in the band after 50 years (!), original guitarist Top Topham who was in the band in the very early years and was replaced by Eric Clapton. The rest of the line-up are all relatively new: Ben King on lead guitar, Andy Mitchell on vocals and mouth harp, and David Smale on bass. Original rhythm guitarist Chris Dreja has recently left the band because of ill health. Like The Animals, this line-up remains true to the roots of the music and delivered pretty flawless versions of all those classics; “For Your Love”, “Heart Full of Soul”, “Over Under Sideways Down” “Shapes of Things” and an amazing version of “Dazed and Confused” (I’d forgotten that this was a Yardbirds song which Page took with him into Zeppelin).
The evening closed with a performance by the Zombies, who remain pretty authentic in that they feature two of the main originals in Colin Blunstone (vocals) and Rod Argent (keyboards, or was in “organ” in those days? 🙂 ). The Zombies took us through all the hits, including Argent’s Hold Your Head Up, Blunstones’ Say You Don’t Mind, and the classis Time Of the Season. The closed the evening with She’s Not There. Great stuff.
From the promotional material: “Relive the musical revolution of 1964 as the chart-topping stars of the 1960s, including The Zombies, The Animals, The Yardbirds, Dave Berry and Maggie Bell perform some of their greatest hits. This amazing line-up have collectively, over 50 years, delivered 37 hit records and held chart-topping positions for more than 300 weeks.”
25 Feb
The Pretty Things and Arthur Brown Newcastle Tyne Theatre 5th October 2002
The Pretty Things and Arthur Brown Newcastle Tyne Theatre 5th October 2002
When I was a kid, way back in 1968, I received some record vouchers as part of my Christmas present. Now lps were precious items in those days; I went to the local record shop and spent ages choosing which discs to spend my vouchers on. In the end I chose “Prophets Seers and Sages, the Angels of the Ages” by Tyrannosaurus Rex and “Crazy World of Arthur Brown”. Both good choices. A few months later I came across and bought a copy of The Pretty Things’ “S F Sorrow” in a second hand shop. I played those albums constantly on our new home stereo system. The Arthur Brown lp had such wonderful prog tracks as “Spontaneous Apple Creation”, “Child of My Kingdom” and (of course) “Fire” and “Fire Poem”, featuring Arthur’s manic soaring vocals and the late great Vincent Crane’s rich swirling Hammond organ. And S F Sorrow simply amazed me; with its rich mix of great pop hooks, R&B, and psych. “Baron Saturday”, “She Says Good Morning” and “Loneliest Person” were my favourite tracks.
I first got to see Arthur Brown live around 1973 at a Kingdom Come gig in Sunderland Polytechnic Wearmouth Hall. That concert was spectacular, and unlike anything I’ve ever see before or since. The show started with Arthur being tied to a large wooden cross in a simulated crucifixion, featured a massive brain being chased around the hall by the pope, and concluded with Arthur being dragged from stage in a straitjacket.
The first time I saw The Pretty Things live was at Sunderland Locarno, in January 1973. Their set at the time drew heavily from S F Sorrow and also included some of their classic 60s R&B singles. Phil May had the longest hair I had ever seen, and remains to this day one of our best rock vocalists and front men. I saw them a few times after that gig, supporting touring acts at Newcastle City Hall; once with Status Quo, and with a few other bands; exactly who I don’t remember, maybe Bad Company.
So some 30 odd years later, this gig at the Tyne Theatre teamed up two of my favourite acts. Arthur was as crazy and powerful as ever, and the Pretty Things played much of S F Sorrow, featuring a line-up which reunited many of the original band members. Arthur also joined The Pretty Things for a couple of songs. Arthur signed my ticket with a weird hippy third eye, and Phil May and the rest of The Pretty Things signed a reissue copy of S F Sorrow which was on sale at the venue. A great night. Oh and David came along with me and became a fan of Arthur and The Pretty Things that night 🙂
18 Feb
Jimmy Page Newcastle City Hall 23rd November 1988
Jimmy Page Newcastle City Hall 23rd November 1988
Support from Dare.
In 1988 Jimmy Page released his solo album Outrider, which featured guest musicians included Chris Farlowe, who sang on a number of tracks, Robert Plant, who sang on one track, John Miles (sang on two tracks) and John Bonham’s son Jason on drums. Jimmy subsequently went out on tour with a band featuring John Miles (vocals and guitar), Durban Laverde (bass) and Jason Bonham (drums). The tour was relatively short, luckily he called at Newcastle City Hall. Jimmy reflected on the album and tour afterwards: “Outrider’s all right. It’s demo-like compared with those overproduced albums that came out at the time. It didn’t do very well — doesn’t matter — but I did tour. I was playing music on that tour going right back to The Yardbirds. Jason [Bonham] was the drummer on that tour.” Jimmy’s set included tracks from Outrider, Zeppelin classics, songs by his previous band (with Paul Rodgers) The Firm, and back to his Yardbirds days for Train Kept a Rollin’. 
It was a great concert; we had seats looking down on the stage, but a pretty good view nonetheless and it was amazing seeing the guitar maestro so close up. Jimmy did the full bit; violin bow; theremin, and classic Zep solos. Great stuff. Setlist: Who’s to Blame; Prelude; Over the Hills and Far Away; Wanna Make Love; Writes of Winter; Tear Down The Walls; Emerald Eyes; Midnight Moonlight (including excerpts from White Summer, Black Mountain Side and Kashmir); In My Time of Dying; City Sirens; Someone To Love; Prison Blues; The Chase; Dazed and Confused; Wasting My Time; Blues Anthem (If I Cannot Have Your Love …); Custard Pie; Train Kept A-Rollin’; Stairway to Heaven (instrumental version).
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