Jethro Tull War Child tour Newcastle Odeon November 1974
Jethro Tull returned to Newcastle in November 1974, during the tour to promote the War Child album. Support for the tour was all-girl band Fanny. This time Tull had graduated to playing the massive Odeon theatre, which hosted a number of gigs in the early 70s and had a slightly larger capacity to that of the City Hall. Ian Anderson and co were at their pomp best at the time, and this album and tour saw them returning to straight songs after the concept albums Thick as a Brick and Passion Play. 
The single from the album was Bungle in the Jungle, which was quirky but also pretty catchy. If I remember correctly, Jeffrey Hammond-Hammond did a nifty version of (How Much Is) That Doggie in the Window? during the concert, and the band was accompanied by a string quartet. This was classic Tull at their best. Setlist: Minstrel in the Gallery; Wind Up; A Passion Play (excerpt); Thick as a Brick; My God (including Flute Solo with Bouree); Cross-Eyed Mary; (How Much Is) That Doggie in the Window?; Skating Away on the Thin Ice of the New Day; Wond’ring Aloud; Ladies; War Child; Sealion; Bungle in the Jungle; Aqualung; Back-Door Angels; Locomotive Breath; Hard-Headed English General; Back-Door Angels (reprise)
Posts Tagged ‘blues’
21 Jul
Jethro Tull War Child tour Newcastle Odeon November 1974
20 Jul
Jethro Tull Sunderland Top Rank 1972
Jethro Tull Sunderland Top Rank 1972
There is a story surrounding this gig. You won’t find it listed in any of the Tull gig histories on the internet, but it definitely took place, and I remember it well. I first heard of this gig directly from the local promoter Geoff Docherty. I was in the Rink (or Sunderland Top Rank to give it is formal name) buying tickets for another event, and Geoff was in there ay the same time. “I’ve got Jethro Tull coming in a few weeks time” he said. Now I already had a ticket to see Tull play at the City Hall in early 1972, as part of the tour that they were doing to promote their new lp Thick as a Brick (TAAB). The tour was already advertised, and the only North East date was the City Hall concert, so an extra Sunderland date prior to the tour didn’t seem very likely. But sure enough, posters advertising the gig with support Tir Na Nog soon appeared outside the Rink, and I bought tickets with a group of mates. Gigs at the Rink at that time tended to be on a Sunday night, and I think that was the case for this concert. The gig was obviously a warm-up for the TAAB tour. I returned my ticket for the City Hall (they would let you do that in those days, as long as they could sell it on), as I didn’t fancy seeing the band twice within a few days (big mistake, as it turned out). 
The night of the Sunderland gig came, and it was excellent. It was great to see Tull play in a relatively small ballroom venue, and I was right down the front, straight in front of Ian Anderson. The place was full, but not too packed. But the gig wasn’t quite what I had expected. First Tir Na Nog didn’t play. They were support for the main TAAB tour, but weren’t at this gig. And the other surprise was the set itself. I was expected an early run through of the Thick as a Brick album, but what we got that night was a Jethro Tull favourites set, which was great, but it also meant that I never got to see TAAB played live in its entirity until recently. The strange thing was the band had the stage set up ready for the TAAB show, with the telephone there ready to ring, but they didn’t perform any of the album. Anyway it was a great gig. Looking back I should have made the effort to go along to the City Hall as well. Not sure why I didn’t. Maybe it was sold out by that point, not that that usually stopped me. Oh well, writing this blog sometimes unearths regrets that I have about gigs that I missed, but hey ho such is life :). The line up of the band had changed since the last time I saw them with Barriemore Barlow replacing Clive Bunker on drums. Thanks to John for the scan of his poster and to Doug for the photograph of Ian Anderson, which he took at Newcastle City Hall some years after this gig.
19 Jul
Jethro Tull Sunderland Empire March 1971
Jethro Tull Sunderland Empire March 1971
Jethro Tull are a special band to me. They are one of those bands I grew up with. I was heavily into them in the early 70s, as were many of my mates, and Stand Up was an album that we listened to again and again. I remember marvelling at Ian Anderson on Top of the Pops, his mad crazy eyes staring at me through the TV, and his eccentric garb shocking my parents. Their early singles were classics. My favourites were The Witches Promise, Teacher and Sweet Dream. I first saw Jethro Tull in concert at Sunderland Empire on 20 March 1971, the day after their classic album Aqualung was released.I was 14 years old at the time. Early gigs are very important in shaping musical tastes for the rest of your life, and this one certainly did that for me. Tull played two shows at the Empire that evening, and I decided to go along to the late show with a few mates. We felt very grown up, being allowed to go to the “late” show, and felt sure that the band would play better at the second concert. We had good seats in the “slipper” to the left of the stage. Support for the gig was Steeleye Span, a newly formed folk-rock band, who delivered a pretty good set. But we were there to see our heroes Jethro Tull. By this relatively early point in their career, their line-up had already changed several times, and was Ian Anderson on flute and vocals, Martin Barre on guitar, Clive Bunker on drums, John Evan on keyboards and Jeffrey Hammond-Hammond on bass. I think they started with Nothing is Easy, and the set featured a number of Tull favourites, and some tracks from the Aqualung album. We were just blown away by Jethro Tull that night, and by Ian Anderson in particular, who is one of the most charismatic performers, and was at the height of his craziness in those days. And so started a lifelong obsession with this band. I have seen them quite a few times since that gig, and watched their line-up and their musical style change over the years. But in those days in the early 70s so many years ago for me and a group of mates, Jethro Tull were legends and were one of the bands that we returned to again and again. Published setlist from a gig in 1971: Nothing Is Easy; Aqualung; With You There to Help Me; By Kind Permission Of; Sossity: You’re a Woman; Reasons for Waiting; My God; Cross-Eyed Mary; Wind Up; Locomotive Breath; Hard-Headed English General; Wind Up (reprise)
14 Jul
The Rolling Stones Hyde Park July 13th 2013
The Rolling Stones Hyde Park July 13th 2013
When I walked out of the O2 in London in August 2007 after seeing The Rolling Stones at the end of the Bigger Bang tour I really thought I had seen them for the last time. Even I, as a life long Stones fan, couldn’t have imagined that they would be back five years later and that they would deliver a series of concerts which would easily match, and in some ways eclipse, their concert tours of the 70s and 80s. But as David and I walked out of Hyde Park last night I felt I had seen them do just that. In whatever way you measure it this 50 and Counting tour has been a massive success and the Stones legacy remains intact, nay enhanced, by the stunning performances that Jagger and co have delivered. I have had the privilege of attending three shows on the tour: the opening night at the O2 last November, their overwhelmingly successful Pyramid stage debut at Glastonbury a couple of weeks ago and the last night (for now? 🙂 ) of the tour in London’s Hyde Park, their home town and the setting for their iconic show of 1969.
I took the train down to London on Saturday afternoon and met David at Marble Arch at 6pm. I was staying at the Cumberland hotel just over the road. We had a drink in the hotel bar and then wandered over to the park. Jake Bugg was on stage as we made our way in through the crowds. The weather was hot, almost unbearably so; in fact this was the hottest day of the year so far. I’d been invited by Barclaycard to try out their new contactless wrist band which I had loaded with £20 to spend in the park. We spotted the Barclaycard Unwind stand and wandered over to ask which food outlets accepted payment through my wristband, and how we could access the Unwind bar. The lady assured us that most food stalls took it and directed us towards the bar which was behind the stage. Now our tickets were cheap (£100 ! 🙂 ) standard GA which didn’t actually allow access to the bar or the areas close to the stage. Still we followed her directions, and walked through a couple of gates without being challenged and ended up in the backstage bar and with access to the Tier 2 area close to the stage. Result! We had a burger and a coke each which just about used up the money on my wristband and found a spot to watch the Stones.
The Rolling Stones hit the stage around 8.30pm with Start Me Up. One thing struck me about the crowd last night. I would say the majority were in their 20s or 30s. Sure there were some old guys like me but not too many. And everyone knew all the songs and sang along and danced. This was much more a Stones crowd than at Glastonbury and you could feel the difference. The sound, the visuals and the atmosphere were all much better. No guest, but what we did get were Ruby Tuesday and Emotional Rescue, both of which I haven’t seen played for some time. For me the highlight of this tour has become Paint It Black along with Gimme Shelter and Sympathy For The Devil; but Ruby Tuesday was equally stunning last night with the whole place signing along. 
Oh and a mention for Doom and Gloom which is fitting in well and has become a favourite of my friend John. I voted for Street Fighting Man on the Stones website and was pleased to see them play it. You just can’t fault this band. They really are at the top of their game at the moment; Jagger is so fit and so confident; Keith is so cool and yep he does fluff some riffs now and then but hey he is Keef and he is allowed to now; anyway Ronnie more than makes up for any of Keith’s shortcomings and shines through as the musical backbone of the band along with Charlie who is just Charlie and who actually said Hello to the crowd last night. Oh and I can’t forget to mention Mick Taylor who must feel like the luckiest guy in the world right now and who pushed the band to greater heights in Midnight Rambler, which has also become a highlight of the tour. Which ever way you look at it this is the greatest rock band in the world. No question. As David and I left the park, the riff from Satisfaction still ringing in our ears my wondering started again. Could this be the last time? This time I think not.
Setlist: Start Me Up; It’s Only Rock ‘n’ Roll (But I Like It); Tumbling Dice; Emotional Rescue; Street Fighting Man; Ruby Tuesday; Doom and Gloom; Paint It Black; Honky Tonk Women; You Got the Silver (Keith); Happy (Keith); Miss You; Midnight Rambler (with Mick Taylor); Gimme Shelter; Jumpin’ Jack Flash; Sympathy for the Devil; Brown Sugar. Encore: You Can’t Always Get What You Want (with choir); Satisfaction
Thanks to David for the photographs
2 Jul
The Rolling Stones Glastonbury Festival 2013
The Rolling Stones Glastonbury Festival 2013
We are still recovering from this year’s Glastonbury festival. The weather at the weekend was super, and Marie, David, Laura and I had a great time at the festival. For me the highlight was, without a doubt, the first appearance of the Rolling Stones at Glastonbury. I so wanted them to live up to the occasion, and by and large, they did. Their set had a few small changes from the gig that I attended at the O2 London last November. Anticipation for this gig was high, and the expectation of the festival crowd was pretty high. The Stones came on stage just after 9.30pm on Saturday night, opening with Jumping Jack Flash. Jagger was a bundle of energy strutting about the stage; Keith was Mr Cool chugging out those familiar riffs. We were sitting on a viewing platform towards the back, and the sound was clear but it just wasn’t loud enough. It did improve as the set progressed, but didn’t reach full volume. I heard later that some of the speakers near the rear of the field weren’t working. Nevertheless, this was a great opener and the crowd was completely up for it. The field was rammed; I’ve never see a place so full; I wonder how many people were watching Chase and Status on the Other Stage. Next up was It’s Only Rock ‘n’ Roll, followed by Ronnie’s electric sitar signalling the start of Paint It Black. This song has become one of my favourites. The screens showed black and white images of the band; very sixtiesish. Wonderful; it just doesn’t get any better. Then we were into Gimme Shelter; Jagger trading lines with Lisa Fischer who did an excellent job. The next song was a surprise. Mick explained how he had spent Friday night visiting Shangri La and watching the Artic Monkeys (yeah right, Mick, sure you did) and then met a “Glastonbury Girl”, which was the title of the next song. Actually it was a reworked version of their 1968 song Factory Girl, with the lyrics changed to match (“offered her my luxury yurt” ! :)). A nice touch which went down well with the crowd, and although a little tacky was a pretty good song. Wild Horses followed and then a new track Doom and Gloom, which I’m sort of getting to like now. Then Jagger introduced Mick Taylor for Can’t You Hear Me Knocking. Don’t get me wrong, this was an excellent Stones performance, but it was around this point that I began to wonder what some of the crowd were making of it. Sure Stones fans would love it, but I sensed the majority of the crowd didn’t know (or care) who Mick Taylor is, and had never heard these songs. Still the crowd reaction remained strong and positive. Anyway next up was Honky Tonk Women which everyone sand along to. By this point I realised that we weren’t going to get any special guest; but hey who cares, this was Glasto and the Stones. Then Keith got his turn to lead on a couple of songs which were You Got the Silver and Happy. Mick returned for Miss You, and was joined by Mick Taylor for Midnight Rambler. This one took me back to Knebworth in 1976 (but, again, I would guess the majority of the crowd didn’t know it). Then we got another surprise. Mick announced that they were going to play a track from Their Satanic Majesties and the band launched into 2000 Light Years from Home. This was, apparently, the first time the Stones have played this for more than 20 years. The screens showed some great psychedelic liquid lens effects. Amazing. We were on the home run now. Sympathy for the Devil was next, and at this point the metallic phoenix perched on the top of the pyramid stage started to flex its wing and rise from its slumber. Start Me Up, Tumbling Dice and Brown Sugar completed the main set. For the encore, the band returned to play You Can’t Always Get What You Want, accompanied by the same choir as at the O2 gig. Satisfaction was the very last song with everyone singing along and Jagger being the ultimate showman. Excellent. The Stones nailed it and showed why they remain at the top of their game some 50 years after they started classic british rock. Was it good? Yes of course. I can think of only two areas that could have been improved. First the sound and the volume at the back of the field wasn’t as good as it might have been. And second I thought for a Glasto crowd a few more hits would have really slayed everyone. But then you really can’t always get what you want. David and I will see them again at their second Hyde Park gig on 13th July. I can’t wait.
22 Jun
Tom Jones Newcastle Arena 2000
Tom Jones Newcastle Arena 2000
I’ve only ever seen Tom Jones once in concert, at Newcastle Arena in November 2000. I have, however, always rated him as a great R&B vocalist, and have all his early 1960s albums on vinyl. I went along to see Tom with Marie and we arrived late for this gig, as earlier in the evening we went along to see Laura perform at a school concert. There was no support; with Tom performing two sets, and we arrived during the interval, missing his first spot. Tom is at his best when he is singing the blues and those great 60s hits, such as Green Green Grass of Home, Its Not Unusual, and Delilah. 
Setlist was something like: Turn on Your Love Light; Burning Down the House; Ain’t That a Lot of Love; With These Hands; Delilah; She’s a Lady; Hard to Handle; Sometimes We Cry; Motherless Child; Flat Broke And Boosted; Shakey Ground; If I Only Knew; Mama Told Me Not to Come. Interval. Set Two: Give Me One Reason; I’m Never Gonna Fall In Love Again; Walking In Memphis; Green, Green Grass of Home; What’s New Pussycat?; You Can Leave Your Hat On; Midnight Hour; Hold on, I’m Coming; It’s Not Unusual. Encore: Are You Gonna Go My Way; Kiss; Sexbomb. Tom was in great voice and the crowd (mainly ladies of a certain age) all sang along and had a great time. The gig seems like yesterday, although it was thirteen years ago. Tom, of course, continues to perform and is as popular as ever. I’ll be watching him and Team Tom on the voice tonight 🙂
15 May
Eric Clapton Manchester Arena May 14th 2013 Fifty Years Further On Up The Road
Eric Clapton Manchester Arena May 14th 2013
Support from Gary Clark Jr
Great performance by Eric Clapton last night at Manchester Arena. The set was a mix of classics from throughout his career, featuring electric and acoustic sets and some great guitar work. I arrived at the Arena just after 7.30pm and Gary Clark Jr was on stage. Not wanting to disturb people, I watched some of his set from the back of the massive arena. His style was similar to Clapton and he delivered a pretty good set of blues songs to a full arena. His set was short and after a quick break Clapton was on stage just after 8.30pm. The short break gave me a chance to slip into my seat. I’d bought a ticket a couple of days before the show when some new tickets were released and managed to score a spot in the front middle block, ten rows from the stage. Its some years since I’ve been so close to the front at a Clapton show. Eric’s band is excellent, and features Paul Carrack this time around, and some excellent slide guitar from Greg Liesz. My own view is that Clapton has been on great form for several years now. His show represents the blends of style that he has engaged with over the years, from the blues guitar with which he made his name, through acoustic country/folk, and with a smattering of the secret crooner that has crept through over the years. Thinking of the latter (Eric the crooner that is) I remember the first time I saw Clapton at Hammersmith in 1974 he opened with Chaplin’s Smile, which I thought very strange at the time. Since then he has played quite a few standards, including tracks like The Folks That Live on the Hill, and Goodnight Irene, both of which feature on his latest album Old Sock. Now ten years ago, I would have cringed at hearing Clapton sing those songs. But now they have become some of the my favourites. I am not sure if it is because I am older, or because Eric has mellowed into an older jazz/blues singer; its probably a bit of both. But I drove down to Manchester listening to Old Sock, and really enjoyed it. Goodnight Irene featured in last nights set, and sounded just great. I’ve even got used to the acoustic version of Layla, and hold on I actually really like it! Highlights for me were a great version of Badge, which now returns to the song after the strange sudden ending which I always felt wasn’t quite right since I first heard in when I bought Goodbye Cream on the day it came out; Blues Power, a great song that I had all but forgotten, Crossroads, and closer Cocaine. Peter Kay (!) came on stage for the encore, encouraging us to shout for more, and joining Clapton for Sunshine of Your Love, playing a mock guitar made out of two shovels (which he played behind his head and with his teeth) and singing a couple of verses. Great stuff! Oh and I haven’t really mentioned Eric’s guitar playing! Actually it was excellent; probably not as full on as it used to be, and second guitarist Doyle Bramhall II takes quite a few of the solos (and he too is also excellent), but when Eric did turn it up as he did during Badge, Crossroads and the classics his playing was as great as I had ever seen. Indeed he was using tone, distortion, volume and wah wah to great effect and more than I have seen for some time. I was sharp out of the arena during the last song (sorry Eric, but I did have a 130 mile home, and it was getting of for 11pm) into the car park and off across the M62 and up the A1. I was back at 1am. A great gig from a true master who just gets better and better.. 
Setlist (something like): Hello Old Friend; My Father’s Eyes; Tell The Truth; Gotta Get Over; Black Cat Bone; Got to Get Better in a Little While; Come Rain or Come Shine (Paul Carrack on lead vocals); Badge. Acoustic set. Driftin’ Blues; Goodnight Irene; It Ain’t Easy (Paul Carrack on lead vocals); Layla; Tears in Heaven; Nobody Knows You When You’re Down and Out; Lay Down Sally. Back to Electric. Blues Power; Love in Vain; Crossroads; Little Queen of Spades; Cocaine. Encore: Sunshine of Your Love (with Peter Kay on crazy guitar); High Time We Went. Band: Doyle Bramhall II – guitar; Greg Leisz – pedal steel guitar; Chris Stainton – piano, keyboards; Paul Carrack – organ, keyboards; Willie Weeks – bass; Steve Jordan – drums; Michelle John – backing vocals; Sharon White – backing vocals.
9 May
Iggy Pop Newcastle City Hall September 1977 and Redcar Bowl
Iggy Pop Newcastle City Hall September 1977 and Redcar Bowl
My writing takes me to the letter “I” and I’m going to start by reflecting on my memories of Iggy Pop in concert. I’ve already written, when I covered David Bowie, about seeing Iggy at Newcastle City Hall with Bowie on keyboards in 1977. I’d also seen Iggy on the TV (was it on the Whistle Test?) throwing himself into the crowd and spreading peanut butter all over his torso at a late 60s gig in the USA. I’d read the reviews of his seminal, wild gig at the Kings Cross cinema (and regretted not going). I’d seen the Sex Pistols play the Stooges’ No Fun the year before, so knew a little about the Iggy legend and his impact on punk. The City Hall was barely half full for the Iggy/Bowie gig in March 1977. 
As I recall Iggy was good, but not as wild as usual. He was however back to play to a packed City Hall later in the year and went totally crazy, climbing all over the amps, rolling around the stage, with his trousers coming open. Support was the Adverts, who were also great, featuring TV Smith and Gaye Advert, and playing their singles Gary Gilmore’s Eyes and Bored Teenagers. A few years later I caught Iggy again at Redcar Coatham Bowl (with the Sex Pistols’ Glen Matlock on bass), he was smoking on stage and flicking lit cigarettes into the crowd (how times change…).
Iggy was totally crazy and seemed to have no fear at all in those days. There was always an edge of madness and danger around his gigs; you felt that the guy was totally out of control and that anything could happen. His craziness encouraged the crowd to do likewise with lots of stage invasions. He has taken stage invasion to its extreme in recent years, inviting the entire crowd to come up and join him when he plays No Fun! I found a published setlist from the City Hall in 1977 which seems a little short. I am sure he played more songs than this, including old Stooges favourites: Sixteen; Lust for Life; The Passenger; I Got a Right; Gimme Danger; Success; Fall in Love With Me; Neighborhood Threat; Nightclubbing. I saw Iggy a few more times and will write on those over the next few days.
17 Apr
Johnny Winter Sage Gateshead 16 April 2013
Johnny Winter Sage Gateshead 16 April 2013
This was the first time that I have seen Johnny Winter in concert for almost 40 years. I have only seen him once before, at the New Victoria Theatre in London, with my friend John, when Johnny was in his mid-70s heyday. A lot of water has passed under the bridge since those days, and Johnny and I are both a lot older. I arrived at around 8.40pm at Sage 2, which was set up as a standing venue for this gig, and Johnny was already on stage playing Got My Mojo Working. He was sitting on a stool centre stage, accompanied by a second guitarist, bass and drums. The next song was Ray Charles’ Blackjack, followed by Howlin’ Wolf’s Killing Floor. The majority of the set was classic blues and rock, delivered Johnny Winter style with growling vocals, and some excellent guitar from the man himself. I had wondered if seeing Johnny these days would be a disappointment, but it certainly wasn’t. He may have lost some of the energy and fire in his performance, spending the majority of the set seated, but his playing is as good as ever. He has become an older, respected bluesman, just like the old guys whose songs he covers. Next up was a good rocking version of Bony Moronie. 
The band is really tight and the sound was pretty loud, though the mix was a little murky at times. Johnny is clearly a fan of the Stones and the next song he played was Jumpin’ Jack Flash, which he always used to cover in the 70s. The two songs which followed were unfamiliar to me: Lone Wolf and Don’t Take Advantage of Me; which ended with a snippet of Gimme Shelter. Staying with the Stones Johnny took to his feet for It’s All Over Now, which closed the set. There were loud shouts for an encore and Johnny and band were soon back. At this point he strapped on his familiar Firebird guitar and slide and played Dust My Broom, followed by Dylan’s Highway 61 Revisited. A great set of classics played by a true master.
25 Mar
The Black Crowes Manchester Academy 24th March 2013
The Black Crowes Manchester Academy 24th March 2013
This was the first night of the Black Crowes’ “Lay Down with No 13” world tour which sees them taking to the road again after a short hiatus. I’ve only seen the Crowes once before, when they appeared low down the bill at a Donington Monsters of Rock festival (which was headlined by AC/DC) in 1991. My friend John is a massive Crowes fan and goes to see them regularly in the USA, where he lives, and I figured it was about time that I went to see what all the fuss was about. I must admit to being a little nervous about driving to Manchester again, after the difficult drive that Laura and I had across the M62 when we went to see Johnny Marr at Manchester Ritz on Friday. And two long night drives in three days is a bit much for me now. But hey I had a ticket and really wanted to see this band, so I set off around 4pm to make sure that I arrived on time. As it happened the roads were clear and the drive was problem and event free, so I arrived at the venue early at 6.45pm after a short stop off at a service station. I joined a massive queue outside the Academy which is situated in the heart of the University quarter of Manchester. After a short and very cold wait I was in the venue which soon filled to capacity. The Academy is an all standing venue with no public balcony. I made my way to the front of the hall and got myself a spot pretty close to the stage. There was no support act and the Black Crowes came on stage, to a great roar from the crowd, around 8.15pm; shortly after the advertised time of 8pm. I must admit to knowing very little of their material although John gave me a DVD which I’ve watched and enjoyed. The first number was Jealous Again, which seemed familiar, and I recognised some of the better known songs such as She Talks to Angels and Thorn in My Pride. Apart from that much of the rest of the set was unfamiliar to me, but pretty enjoyable none the less. I lasted the first few songs in my spot near the front before I decided to have a coke and take in the view from the back of the hall. Black Crowes’ music shows lots of 70s influences; I could see shades of the Faces, the Stones, Humble Pie, the Allmans and Free in there, which can’t be bad. The band were on great form, with some great guitar work from Rich Robinson and newcomer Jackie Greene (this was his first gig with the band). Singer Chris Robinson has a wonderful soulful rock voice and seemed genuinely pleased to be back in the UK. The crowd, who were a mix of old hippy types and heavy rock fans lapped it up and sang along to many of the songs. There was a short acoustic set in the middle of the show. I enjoyed them as I knew I would, it’s been a long time since I’ve seen an American rock n roll act like this, but I would have liked to know more of the material. I was pleased to see Hard to Handle (which I remember seeing them play in 1991) and Hush as part of the encore. The set was around 2 hours, finishing at approx 10.15pm. I picked up a setlist online this morning, and see that the fourth song was Traffic’s Medicated Goo. To my shame I didn’t recognise it last night. A great gig. Thanks go to John for alerting me to the Black Crowes. The drive back was also uneventful; I got home around 1am. Setlist: Jealous Again; Thick N’ Thin; Hotel Illness; Medicated Goo; Sister Luck; Wiser Time; She Talks to Angels; The Last Place That Love Lives; Whoa Mule; My Morning Song; High Head Blues; By Your Side; Thorn in My Pride; Remedy; Goodbye Daughters of the Revolution; Soul Singing. Encore: Descending; Hard to Handle; Hush; Willin’
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