On 13th October, I was lucky enough to attend a spectacular performance by Squeeze at the Newcastle City Hall. Celebrating their 50th anniversary, the band delivered a powerhouse show packed with timeless hits and fan favourites.
The Squeeze website announced: “UK Tour starts next Friday. First, a big thank you to everyone who came out to see us this past month in the USA and Canada. The gigs were electric, and we had an absolute blast. A very big thank you as well to Boy George, his band and crew, and our own indispensable crew for making it all possible. No rest for the wicked, though, as we kick off another two months of shows across the UK, starting in Sheffield next Friday, 4 October along with our special guest Badly Drawn Boy.” Picture courtesy of City Hall website.
I have seen Squeeze at least eight times prior to this. The first time was when they were supporting Eddie and the Hot Rods at Newcastle City Hall in 1978. I wrote at the time “By 1978 The Hot Rods had enjoyed chart success with Do Anything You Wanna Do and had released their second album Life on the Line. They returned to the City Hall with another strong supporting line-up of Radio Stars and Squeeze. Radio Stars had supported the Hot Rods at the City Hall the year before, so we were already acquainted with the mad antics of Andy Ellison, and their great song Dirty Pictures.”
“Squeeze were new to the scene and were the first band on the bill at this concert. Squeeze had just released their first album and single: “Take Me I’m Yours” and there was a buzz about them, but this was before the massive hits “Up the Junction” and “Cool for Cats”, which followed in 1979. This was the original line up of Squeeze, featuring Chris Difford, Glenn Tilbrook, and Jools Holland. I remember making a point of getting to the gig early to see Squeeze and Radio Stars. Eddie and The Hot Rods were great as usual, super high energy rock n roll. Another fun night. Both support bands were excellent, and it was clear that Squeeze had a big future ahead of them.”
The first time I saw Squeeze was when they were supported by Wreckless Eric at Newcastle Mayfair in 1980. I’d seen Squeeze supporting Eddie and the Hot Rods, The Tubes, Dr Feelgood, The Police and at the Reading Festival, but this was the first time, and only time, I saw them as a headline act.
This was the classic Squeeze line-up featuring Chris Difford, Glenn Tilbrook, and Jools Holland. Squeeze had just released their third album Argybargy and had already made the UK top 20 four times, with their first single “Take Me, I’m Yours” which reached No 19 in 1978, the excellent “Cool for Cats” and “Up the Junction”, both of which reached No. 2 in 1979 and their most recent release at the time, “Another Nail in My Heart”, which made No. 17 in January 1980.
Support came from the crazy Wreckless Eric, whose most well-known song is the wonderful “Whole Wide World”. Squeeze were a great live act who produced a clutch of perfect pop songs; my favourite is “Up The Junction” which is just pure class. I have missed many opportunities to see them since, including several at Newcastle City Hall and the Glasshouse Gateshead. Big mistake.
Squeeze have always been experts in blending catching melodies with razor sharp storytelling and this evening was a testament to their enduring legacy. From the opening chords to the final encore, the energy in the hall was electric and the band took the audience on a journey through their incredible 5-decade career. Support came from Badly Drawn Boy who warmed the crowd up with a set of excellent songs. I was very glad that I arrived early enough to see him.
The Squeeze set list was nothing short of a greatest hits compilation, starting strong with “Black Coffee in Bed” and flowing effortlessly into tracks like “Up the Junction” and “Cool for Cats”. Fans were on their feet, singing along at the top of their voices. One of the standout moments of the night was the performance of “Labelled with Love” a ballad that highlights the band’s knack for weaving vivid narratives throughout their music. It was also a treat to hear some newer tracks, proving that Squeeze continue to create music which resonates with audiences today. My favourite was, as always, “Up The Junction” and it was great to see them return, at the very end, to the very start with “Take Me I’m Yours”. Happy days.
The chemistry between the band was as evident as ever, their harmonies perfectly in sync and their stage banter making it clear how pleased they were to still be going, 50 years on. They showcased the depth of their catalogue with a performance that was both nostalgic and refreshingly lively. It was more than just a celebration of the past, it was a reminder how their music has stood the test of time, still sounding as fresh and relevant as it did decades ago.
Setlist: Black Coffee in Bed; Footprints; Is That Love; Up the Junction; One Beautiful Summer; Someone Else’s Heart; In Quintessence; Departure Lounge; Some Fantastic Place; If I Didn’t Love You; Pulling Mussels (From the Shell); Another Nail in My Heart; Annie Get Your Gun; You Get the Feeling; Trixie’s Hell on Earth; Goodbye Girl; Cradle to the Grave; Slap & Tickle; Tempted; Cool for Cats; Labelled With Love; Hourglass; Take Me I’m Yours.
Chris says of his new tour: “My new songs written with Boo Hewerdine tell a story of celebration; 25 years writing lyrics and playing on stages big and small. A journey I look back on with great fondness and gratitude. I can’t wait to climb back on stage and perform. Although I have been shy in the past I now find myself feasting on the here and now deep within the shell-like of your ear. I will be joined on stage by Melvin Duffy on his pedal steel and together we will deliver an evening of warm and, I hope, funny stories. Melvin’s playing is outstanding and I feel so lucky to have him as my sideman, he cries over the songs and always makes them sound amazing. “Not Only But Also is not just a look back on 50 lyrical years, it’s a journey that asks, ‘What Happened?’ – What happened to all those years and mates I grew up with before I formed a band? I hope you enjoy this new show for 2023.”
And a journey and a feast of songs and stories it was. Chris was in a jovial mood telling many stories of how we grew up on a council estate in South London, became a skinhead and attended reggae nights at the local Palais as a teenager. Then he discovered progressive rock and became a Hawkwind fan. He was even lucky enough to attend the first Glastonbury festival witnessing an early morning set by David Bowie and a great performance by Hawkwind. Magic.
The stories went on, to include tales of meeting Sting, Bono and Jon Bon Jovi when Squeeze were supporting them, or vice versa. We all laughed along with him as he joked about their massive success compared to that of Squeeze. Now, come on Chris you haven’t done too badly after all! The show was in two sets with a short interval in between. Along with Chris’ wonderful stories we were also treated to songs which comprised all of the well-known Squeeze chart hits and some of Chris’ solo material, which was equally engaging. Chris sang, among others, the big hit singles “Up the Junction” (my favourite), “Cool for Cats” and “Is That Love?” (another particular favourite of mine).
Chris was accompanied by, I assume, the aforementioned Melvin Duffy who played a Fender Telecaster, rather than a pedal steel guitar as promised by Chris above. Whatever, his guitar was excellent and he, like the audience, could not stop laughing along with Chris’ stories.
Setlist: Set1: Take Me I’m Yours; Unk; What Happened; Pulling Mussels (From the Shell); I Lived for Each Moment; Slap & Tickle; Tempted
By 1978 The Hot Rods had enjoyed chart success with Do Anything You Wanna Do, and had released their second album Life on the Line. They returned to the City Hall with another strong supporting line-up of Radio Stars and Squeeze. Radio Stars had supported the Hot Rods at the City Hall the year before, so we were already acquainted with the mad antics of Andy Ellison, and their great song Dirty Pictures. Squeeze were new to the scene and were the first band on the bill at this concert. Squeeze had just released their first album and single: Take Me I’m Yours and there was a buzz about them, but this was before the massive hits Up THe Junction and Cool For Cats, which followed in 1979. 
This was the original line up of Squeeze, featuring Chris Difford, Glenn Tilbrook, and Jools Holland. I remember making a point of getting to the gig early to see Squeeze and Radio Stars. Eddie and The Hot Rods were great as usual, super high energy rock n roll. Another fun night. The more I think back to these gigs, the more I realise how much fun we had, and how great the late 70s were. There were gigs going on most nights of the week, and some great new bands to see, all hungry for success and playing vital rock n roll. Eddie and the Hot Rods are another band who have reformed recently and are still out their playing clubs up and down the country. They are supporting Status Quo on some of the dates of their QuoFestive Christmas tour, unfortunately this doesn’t include my own local gig. I must make a point of going to see them next time I get the chance. 
So Wilko was gone and Gypie Mayo was in. I had big doubts as to whether this could work. Wilko was a class act, and would be very hard to follow. The chemistry between Lee and Wilko was obvious, they worked together so well. It could never be the same again. So we went along to see; and it worked. All credit to Gypie Mayo for taking this on and making it work, but work it did. Apparently Gypie only had a week to learn the set before going out on this tour. He kept his own style, and didn’t try to imitate Wilko, but he and Lee worked together and the Feelgoods continued to rock, just as they had before. 
Support for the 1977 tour came from the very excellent Mink DeVille, who hit the charts around the same time with “Spanish Stroll”. We went along to the City Hall early to make sure we caught their set; this was one gig where we gave the bar a miss. Will DeVille was a cook guy and warmed the crowd up well for our session in the Dr’s surgery. 
Dr Feelgood often seemed to choose a strong support act to open for them. The support in 1978 was Squeeze, who are another class act. I think support in 1979 came from Red Beans and Rice. 
After 1979, the Feelgood’s North East gigs were in smaller venues than the City Hall, such as Durham University and Redcar Coatham Bowl. By 1981 there had been more change and Gypie Mayo had left then band, to be replaced by Johnny Guitar. I saw that line up at the Rock on the Tyne festival which took place over the 1981 August Bank Holiday weekend. This was the start of several more line up changes, which have gone on until this day. 
I saw Dr Feelgood once more, at Newcastle Mayfair in 1987. I’ll blog on that gig shortly. Its easy to forget just how great Dr Feelgood were in the 70s, particularly as a live act. Without the Feelgoods we may not have had punk, and things just wouldn’t have been the same. I spent some great nights with these guys. 
Bryan Adams was at the height of his success at the time of this concert in 1992. He’d just had a mega hit with Everything I do. Although that particular songs is not one of my favourites, some of his others songs, and especially Summer of 69, are great. A packed Gateshead Stadium gave him a great reception that night. Setlist: House Arrest; Kids Wanna Rock; Hey Honey – I’m Packin’ You In!; Can’t Stop This Thing We Started; Is Your Mama Gonna Miss Ya?; Cuts Like a Knife; It’s Only Love; Touch The Hand; Heaven; Lonely Nights; (Everything I Do) I Do It for You; Run to You; When the Night Comes; Somebody; There Will Never Be Another Tonight; B-Stage: C’mon Everybody; She’s Only Happy When She’s Dancin’; Encore: Summer of ’69; Diana; Straight from the Heart. 
The concert also sported strong support acts in Squeeze, Extreme and Little Angels. Little Angels are a heavy rock band who come from just down the coast, in Scarborough. I can’t recall seeing them, and probably arrived after they played. I do remember seeing Extreme, and made a point of making sure I saw them. Although they are also primarily heavy rock, there best known song is the classic ballad More Than Words, which had been a hit just the year before this gig. Squeeze have some top songs and got the crowd singing along. This is the only time I’ve seen Bryan. I’m not a fan, really, and haven’t felt the need to see him again, although he has returned to the region several times, playing the Arena, Gateshead Stadium again two years later, and a recent unplugged show at the Sage.
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