Archive for the ‘Hawkwind’ Category

Kin Festival Thornley Hall Farm Durham 10 August 2024

Northern Kin Festival has been running for several years now. From the website:  “created by a dedicated team of live music enthusiasts, determined to bring more live music to the North East, and a festival that truly represents this wonderful area, Northern Kin is perfect for lovers of Folk, Blues, Rock, Ska, Punk, Pop, Prog, Indie, Soul and much more, with an eclectic mix of the finest live music and a few musical surprises thrown in for good measure. There’ll be more than 40 bands and artists on 3 big stages, with lots of things to see and do, all in a beautiful rural setting, that is completely secure for all campers and a friendly atmosphere, for all ages.”

I attempted to go to the festival last year, but we arrived at the site only to be told that it was very muddy, and they advised us not to try and enter as they were having to tow cars out of the mud with tractors! The organisers kindly refunded our money. This year Kin Festival moved to a new site and one of my favourite bands of all time, Hawkwind were headlining Stage Two of the event. The Waterboys, another favourite band of mine were headlining Stage One so sadly I had to choose between the two bands. I decided to follow my long-time heroes Hawkwind and head for Stage Two.

The walk from the taxi drop off point to the festival tents was quite long and bumpy, but nonetheless Jan and I soon located the tent which housed Stage Two. We had timed our arrival to catch Hawkwind. Luckily for us we were soon up on the wheelchair platform and in time to see some of Cast’s set.

Cast were formed in Liverpool in 1992 by John Power (vocals, guitar) and Peter Wilkinson (bass) after Power left The La’s and Wilkinson’s former band Shack had split. Now I regret never having seen The La’s as I love their song “There She Goes” so to catch their descendant band Cast was a bonus. Indeed, Noel Gallagher of Oasis once described watching Cast live as being like a “religious experience” (from Wikipedia). Cast sounded really good, with the obligatory Liverpool twang.

Anyway, after a short break, Hawkwind took to the stage. Now, Hawkwind were one of my favourite bands in the early 70s. I have seen them many times over the years from the days, before they hit the charts with “Silver Machine”, and Stacia danced naked with them on stage. Recent Hawkwind publicity material guides us through their complex history: “One of England’s most enduring hard rock bands, Hawkwind were formed in London during the late ’60s, just as art rock was coming into its own. Though lesser known than contemporaries like Pink Floyd, the band is widely hailed as one of space rock’s early pioneers, thanks to seminal albums like 1973’s live opus Space Ritual.

Their potent mix of psychedelia, prog, straight-ahead hard rock, and lyrics steeped in science fiction — particularly the themes and imagery of author Michael Moorcock, who also became a member at various points — and drug effects helped define Hawkwind and separate them from the competition. The group’s history has been marked by a series of confusing lineup changes, as members began an almost revolving-door relationship with the band virtually from the outset. Throughout their many decades and incarnations, founding guitarist Dave Brock has remained Hawkwind’s chief steward, while notable players like Lemmy and Ginger Baker have also enjoyed stints with the band.”

As you will have gathered from the above, the line-up has changed many, many times over the years, the one constant being bandleader Dave Brock. Well, Captain Brock led his family through a selection of Hawkwind tracks old and new including favourites:  “Spirit of the Age”, “Spirit of the Age” and “Silver Machine”. This was a very different Hawkwind to the one I witnessed only a few months earlier at Newcastle City Hall. On that occasion Dave Brock took a backseat in some of the songs and was not present for the encore (I believe it was said that he was backstage having a cup of tea). They also did not perform “Silver Machine” that night, so I was delighted to see it return to the set this time. Also, Dave Brock was very much up front leading the band through a classic Hawkwind performance, like only they can deliver at a festival. The light show was outstanding, and the choice of songs was also excellent.

Getting back to our taxi was something of an adventure. The ground had obviously been muddy earlier in the weekend and Jan and I bounced our way over bumpy terrain and rocks which made the journey across the fields somewhat scary. We even had two strong guys holding each side of my wheelchair to make sure I didn’t topple over! Nonetheless, nothing could spoil a great event with another opportunity to see one of my all-time favourite bands. Roll on Kin 2025.

Many thanks to Jan for the photographs, for braving the bumpy ride across the site with me and Chris for manipulating the site.

Hawkwind Setlist: Arrival in Utopia; Frozen in Time; Lost Chances; Underwater City; Assault and Battery; The Golden Void; Levitation; Contemplation; Psi Power; Spirit of the Age; Silver Machine

Hawkwind & Son of Man Newcastle City Hall 5 April 2024

hawk240The evening started with a massive and welcome surprise. Jackie, my carer for the evening, enquired of the steward “what time does the concert finish and is there a support act?” I was so pleased and surprised when she returned and said “there is a support act and they are called Son of Man”. Well, the reason I was so pleased was this. Many moons ago I was a massive fan of the band Man who were a Welsh band often compared to the Grateful Dead. I saw Man many times over the years including concert appearances at the City Hall in the early to mid 1970s. Indeed they were one of the first bands I saw at the City Hall in early 1971, supporting the Flaming Groovies. I also saw them perform at several festivals.

hawk242Man continued through various line – up changes, the one constant being the excellent guitarist Micky Jones. When Micky sadly passed away, his son George took on the mantle of lead guitarist and the band continued with original bass player Martin Ace and long-time keyboard player Phil Ryan. I saw this version of the band at the New Roscoe pub in Leeds and they were excellent.

hawk244Somewhere along the road, there was a split in the band. Bass player Martin Ace continued his version of the band, inheriting the name Man while Micky Jones’ son George Jones formed his own version of the band Son of Man. Confusing or what! And it was this band, the one and only Son of Man, who were supporting Hawkwind. Fantastic! Particularly as they normally play around Wales and this was my first chance to experience them. A blast from the past.

hawk243George has assembled a great band around his fantastic guitar playing, including an excellent vocalist. They played music from their latest album and also some Man favourites including “Spunk Rock” and “Bananas” which has the amazing lyric: “I like bananas, because they’ve got no bones; I like marijuana, because it gets me stoned”. He even mentioned that the last time one of the songs was played in the City Hall was when Man performed there alongside John Cipollina from the legendary Quicksilver Messenger Service. I remember that particular concert well! And you can probably find a review on my blog somewhere. A great start to the evening.

hawk245Could things get better? Yes of course they could. Hawkwind were also one of my favourite bands in the early 70s. I have seen them many times over the years from the days, before they hit the charts with “Silver Machine”, and Stacia danced naked with them on stage. The current tour publicity material guides us through the complex history of Hawkwind: “One of England’s most enduring hard rock bands, Hawkwind were formed in London during the late ’60s, just as art rock was coming into its own. Though lesser known than contemporaries like Pink Floyd, the band is widely hailed as one of space rock’s early pioneers, thanks to seminal albums like 1973’s live opus Space Ritual, and its 1974 studio follow-up In the Hall of the Mountain Grill.

hawk247Their potent mix of psychedelia, prog, straight-ahead hard rock, and lyrics steeped in science fiction — particularly the themes and imagery of author Michael Moorcock, who also became a member at various points — and drug effects helped define Hawkwind and separate them from the competition. The group’s history has been marked by a series of confusing lineup changes, as members began an almost revolving-door relationship with the band virtually from the outset. Throughout their many decades and incarnations, founding guitarist Dave Brock has remained Hawkwind’s chief steward, while notable players like Lemmy and Ginger Baker have also enjoyed stints with the band.”

hawk246As you will have gathered from the above, the line-up has changed many, many times over the years, the one constant being bandleader Dave Brock. Well, Captain Brock led his family through a selection of Hawkwind tracks old and new including favourites: “The Psychedelic Warlords Disappear in Smoke”, “Spirit of the Age” and “Brainstorm”. No “silver machine” and Dave Brock took a backseat in some of the songs and was not present for the encore (I believe it was said that he was backstage having a cup of tea) but, hey, who cares, this was still Hawkwind at their best.

hawk248A marvellous evening spent with two fantastic hippie/psychedelic bands. It doesn’t get much better than this. Many thanks to Jackie for the photographs and to Chris for manipulating the site.

Setlist: Brainbox Pollution; Arrival in Utopia; Till I Found You; The Psychedelic Warlords (Disappear in Smoke); Lost Chances; Underwater City; Assault and Battery; Golden Void; Psi Power; The Beginning; Spirit of the Age; Frozen in Time; Brainstorm. Encore: You’d Better Believe It

Hawkwind Sage Gateshead 20th October 2018

Hawkwind returned to the Sage with a fantastic show which only they could produce. hawks tix2This extravaganza had everything a Hawk fan such as myself could dream of; the band played a set of classy psychedelic rockers which spanned their entire career coupled with a new concept album The Road to Utopia, an orchestra conducted by super Womble Mike Batt and return of their old friend and my own hero, Arthur Brown. What more could an old, knackered, true Hawk connoisseur ask for?

So we took our seats (me literally, as the Sage kindly removes a seat to make space for my wheelchair); carer Hannah and I for this never to be forgotten Hawk experience. For me, this was one in a long series of experiences of both Hawkwind and Arthur Brown concerts; for Hannah it was her first experience of both (and she had also never heard any of the music of either performers). The concert began with an expanded, extended, dynamic version of “Assault and Battery”; a song which once seemed new to me and now has earned its place as a true Hawkwind classic. Captain Brock remains at the helm, as always, but gone is long time band member Mr Dibs; the Hawkwind family continues to change over time, but the spirit and the soul of the band remains as true to its psychedelic roots as ever. arthur brown

The orchestra added a new dimension to the songs. This, complemented by excellent lighting effects, a laser show and a backdrop displaying a Futurescape of the road to Utopia, made for an experience on a different level to previous Hawkwind concerts.

Arthur Brown was as manic as ever, his booming operatic voice taking the songs to a new level. His narrative to “Sonic Attack” gave the song new relevance in an age where we were about to be thrown into a world with a future as unknown as ever before. His costume changes were as bizarre as always, the long staff returned to be banged on the stage floor and his silver foil hat and cape was my favourite. We sat transfixed Hannah (yes she loved it) and I; the whirring, swirling sounds weaving their magic around us. The encores were “Spirit of the Age”, “Hymn to the Sun” and (of course) a tremendous, thundering, majestic closing song “Silver Machine”. Mesmerising. Video

Setlist: Assault and Battery; The Golden Void; Shot Down in the Night; Paradox; We Took the Wrong Step Years Ago; The Black Corridor; The Watcher; Sonic Attack; Damnation Alley; Zarozinia; Intro the Night; Down Through the Night; Have You Seen Them; Arrival in Utopia. Encore: Spirit of the Age; Hymn to the Sun; Silver Machine.

 

Hawkwind Sage Gateshead 18th April 2016

I have been a great fan of Hawkwind for many many years, since I first saw them in the early 1970s. I followed the band throughout the 1970s and 1980s, but foolishly lost faith in my Hawk heroes during the 1990s, but returned to the fold around 20 years ago and have seen them several times ever since. In recent years I have tried to catch every visit they make to the North-East of England.hawkwind_pic_1294320474-1380x269
On this occasion they turned up in the glorious surroundings of the Sage Gateshead, in the larger Hall, Hall 1, and the downstairs area was almost full. These days, the band is led by original member Dave Brock and the psychedelic warlords usually take us through a set which draws from throughout their back catalogue of psycho beat favourites. However, this time things are different and we were treated to a new album and a new concept.

This time the concept was: “Hawkwind present The Machine Stops Tour – A live concept show from their new studio album based on the sci-fi classic. E.M. Forster’s dystopian vision of the future is brought to life in classic Hawkwind style through a spectacular array of music, lights, dance and visual effects. Join the legendary Lord of space Rock Dave Brock and Hawkwind on their journey from the surface of this world, to the centre of the next…with time for a few old favourites along the way. ” (Tour promotional information). forster

“”The Machine Stops” is a science fiction short story by E. M. Forster. After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster’s The Eternal Moment and Other Stories in 1928. In 1973 it was included in The Science Fiction Hall of Fame, Volume Two. The story, set in a world where humanity lives underground and relies on a giant machine to provide its needs, predicted technologies similar to instant messaging and the Internet.” (Wikipedia).

I was a bit unsure as to how much I would enjoy the show, given everything was new to me. However the concept and the visuals supported a set of new songs which flowed together well, and I thoroughly enjoyed the new show. I was pleased to hear my old favourite “Silver machine” as the final encore. All in all, this was another great concert by Hawkwind.hawk tix

Setlist: All Hail the Machine; The Machine; Katie; King of the World; In My Room; Thursday;    Synchronised Blue; Hexagone; Living on Earth; The Harmonic Hall; Yum Yum; A Solitary Man; Tube;    Lost in Science; Orgone Accumulator; Utopia. Encore: You’d Better Believe It; Silver Machine

Hawkwind 50th anniversary tour York Grand Opera House 11th November 2019

Time passes so quickly. It seems only a glimpse of an eye and yet it is so many years ago since I first saw Hawkwind. There I was. A young boy, running to the front of Newcastle City Hall to pick up Joss sticks and copies of International Times magazine and give them out to the crowd. They had been handed to me by, I think, Nik Turner. I sat mesmerised with my old buddy John watching swirling lights and listening to strange psychedelic beats while a naked Stacia danced in front of us. A few months later I was in Sunderland Locarno experiencing the Space Ritual tour. Happy happy days. hawkwind ticket
So I had to go to this one. 50 years of Hawkwind; still led by our Captain, David Brock and still mesmerising us with that pounding, swirling beat that only these psychedelic warlords can provide. The nearest date was in the splendid York Grand Opera House, a venue I have visited before to see Blackmore’s Night.
The trip to York was a bit of an adventure with a taxi ride to Durham station, a train to York and then a taxi to the venue. This all worked well and Lisa and I arrived at the venue in plenty of time. We had a drink in the Ken Dodd bar (the Opera House was apparently his favourite venue) and waited for the concert to begin. Our seats were close to the front, with me in my wheelchair at the end of the row. Although we were at the end we had quite a good view of the stage. Support came from The Blackheart Orchestra whose enchanting, dark tunes set the scene and the tone for the evening. After a short interval, Hawkwind took to the stage and delighted us with a set drawn from across their full 50 year career. The current line up of Hawkwind contains leader and original member Dave Brock,IMG_0623 hawk 1 longtime drummer Richard Chadwick, Old friend and wizard Tim Blake on keyboards and theremin, along with (relatively) new members Niall Hone on bass and Magnus Martin on guitar and keyboards. So we are treated to some of my favourite Hawk tunes including “Spirit of the Age”, “Born to Go” and of course “Silver Machine.” For the encore we wind back 50 years to the first album and “Hurry on Sundown.” Then another of my all-time favourites “Master of the Universe”, by which time we are on our way out, panicking and waiting for the taxi with 10 minutes to go for our train. The taxi arrives just in time! Then it’s a quick dash along the platform in York station, having navigated lifts down and back up again, and two friendly guys are waiting with a ramp to get me back onto the train. Although they are arguing a little as neither have been “trained to use the new ramp!” They managed to use it and we take our seats on the train for the short ride back up to Durham, where our friendly Station taxis guy awaits us. A short ride to pick up Chris and I am helped back to bed after experiencing another wonderful night with my hawk heroes. Happy days are here again. 🙂IMG_0622 hawk 2

Setlist: Motorway City; Flesh Fondue; Last Man on Earth; The Song of the Gremlin; Born to Go; 65 Million Years Ago; In the Beginning; Spirit of the Age; The Fantasy of Faldum; Silver Machine; Assault and Battery; The Golden Void; Right to Decide. Encore: Hurry On Sundown; Master of the Universe; Welcome to the Future.

Monsters of Rock Donington Status Quo 21st August 1982

Monsters of Rock Donington Status Quo 21st August 1982
Line-up: Status Quo, Gillan, Saxon, Hawkwind, Uriah Heep and Anvil
quoknebworthThis was the third Monsters of Rock festival, and the second time I went to the event. I drove down with my mate Dave, and we had a great time. It was a strong line-up of hard rock bands with Status Quo topping the bill, and a clutch of great support acts in Gillan, Saxon, Hawkwind, Uriah Heep and Anvil. Tommy Vance was DJ and compere for the day. Highlights for me were Hawkwind, Uriah Heep and Quo. Saxon were quite successful at the time and represented the NWOBHM, and Gillan seemed to gig constantly during that period, and was always good fun, playing a few Purple classics alongside his own material.quodoningtonUriah Heep were fronted by new(ish) singer Pete Goalby, alongside long time Heepsters Mick Box, and Lee Kerslake. Their set included classic tracks like Stealin’, The Wizard, July Morning, Gypsy and Easy Livin’. It seemed strange to me to see them so low down on the bill. Both Heep and Hawkwind would have had headline status a few years earlier. Hawkwind’s set feautured Brainstorm, Angels of Death, Urban Guerilla, Psychedelic Warlords, and of course Silver Machine and Master Of the Universe. Their ever-changing line-up at this time included Dave Brock, Huw Lloyd Langton, Harvey Bainbridge and Nik Turner. Both great bands. But the day rightly belonged to Quo, who were worthy headliners. We pushed our way right down the front for their set. This show is often rated as not one of Quo’s best, but I enjoyed seeing them headlining a festival again, and thought they were pretty good. There were some problems with the sounds, with some parts of the crowd reporting that they couldn’t hear Quo very well, but I think this depended on where you were placed in the field. This was the first time I saw the band with Pete Kircher who replaced John Coughlan on drums. Quo were celebrating their 20th anniversary as a band.
Status Quo setlist: Caroline; Roll Over Lay Down; Backwater; Little Lady; Don´t Drive My Car; Whatever You Want; Hold You Back; Rockin All Over The World; Over The Edge; What You´re Proposing; Dirty Water; 4500 Times; Big Fat Mama; Don´t Waste My Time; Roadhouse Blues; Rain; Down Down; Bye Bye Johnny.

Reading Festival 26th – 28th August 1977

Reading Festival 26th – 28th August 1977
reading1977prog1Reading 1977 was notable for a couple of reasons. First, the line-up finally (and sadly in my view) lost all traces of the festival’s jazz and blues roots. Instead we had lots of classic rock, with a (small) smattering of punk and new wave. Although 1977 was the year of punk, it was another year before the new music finally started to make its mark at Reading. And second, the main feature of the 1977 festival was MUD. Lots of it. Possibly the worst I have ever seen at a festival. It had been raining heavily for weeks before, which resulted in most of the site becoming a quagmire with rivers of mud, and a large mud lake right in front of the stage. Wellies were at a premium and were being sold for incredible prices in the town.
Friday’s line-up: Staa Marx; S.A.L.T; Woody Woodmansey’s U Boat; Kingfish; 5 Hand Reel; Lone Star; Uriah Heep; Eddie and the Hot Rods; Golden Earring.
A strange mix of bands on the first day. Woody Woodmansey’s U Boat (ex Bowie’s Spiders from Mars) closed their set with Suffragette City. A highlight for me was Uriah Heep; now with John Lawton on vocals. Heep were always one of my favourite bands, and still are; I was a little sad to see them third on the line-up; they would have headlined a few years earlier. Lone Star were also good; showing lots of promise at the time, and Eddie and the Hot Rods went down well with the crowd. Golden Earring closed the day with a strong performance (Radar Love!).
Saturday’s line-up: Gloria Mundi; Krazy Kat; No Dice; George Hatcher Band; Ultravox!; Little River Band; John Miles; Aerosmith; Graham Parker and the Rumour; Thin Lizzy.
I remember being impressed by Ultravox!; this was the early version with John Foxx on vocals. Aerosmith seemed a big band to feature third on the bill, drew a large crowd, and were excellent. “Dream On” from those days remains a favourite song of mine. But the stars of the day were Graham Parker (the whole crowd sang along to (Hey Lord) Don’t Ask Me Questions) and of course, headliners Thin Lizzy. Lizzy were massive at the time and played a classic set including: Jailbreak; Dancing in the Moonlight; Still in Love With You; Cowboy Song; The Boys Are Back in Town; Don’t Believe a Word; Emerald and closing with The Rocker as encore. A good way to spend a Saturday night.
reading1977Sunday’s line-up: Widowmaker; The Motors; Tiger: The Enid; Blue; Racing Cars; Wayne County and the Electric Chairs; Hawkwind; Doobie Brothers; Frankie Miller; Alex Harvey.
The Enid were a big Reading favourite and Robert Godfrey got the tired crowd going with versions of classics like The Dambusters March. The Motors and Widowmaker got the day off to a good start. Steve Ellis had left Widowmaker by this point and had been replaced by John Butler, and they still featured that crazy showman Ariel Bender. Tiger featured the excellent guitarist Big Jim Sullivan (I used to love watching him play on the Tom Jones show in the ’60s), and Blue had some neat songs (try listening to “Little Jody”) and deserved bigger success. They were fronted my ex-Marmalade Hughie Nicholson. Racing Cars went down well with the crowd; this was the year that they had a massive hit with “They Shoot Horses Don’t They?” Wayne County was greeted by a hail of cans from a tired and twitchy crowd who didn’t take well to his punk songs, including the classic “If you don’t want to F**k me, F**k Off! Hawkwind were OK, as were the Doobies and Frankie Miller, but we were all there to see Alex Harvey. SAHB played the usual set and Alex told his quirky stories: Faith Healer; Midnight Moses; Gang Bang; Last of the Teenage Idols; Giddy-Up-A-Ding-Dong; St. Anthony; Framed; Dance to the Music. Alex hadn’t been well and this was their first gig for a few months. It was good to see them, but it wasn’t one of their best performances, and sadly it was the last time the band would play together. The end of an era.
By Sunday many people had given up and left because of the atrocious conditions. Poor John Peel tried to keep the crowd amused, partly be starting the famous “John Peel’s a C***” chant which continued into the next few years.
One final note. I had been to see The Sex Pistols play at Scarborough Penthouse club the night before the festival, and I was still buzzing with the memories of that gig. It had opened my eyes to the raw energy of punk, and that, coupled with the mud and awful conditions at Reading, meant I didn’t enjoy the weekend as much as usual. And just to make the experience complete, the alternator on my car packed in on the way back up the M1, and the car finally ground to a halt somewhere near Nottingham. After a wait of an hour or so, a kind AA man towed us back to Barnard Castle, where we waited (a few hours) for another AA relay van to pick us up and take us home. We arrived back after midnight on Monday, tired, hungry and very muddy, soggy and scruffy….the joys of festival going. Happy Days 🙂

The Reading Festival 22nd – 24th August 1975

The Reading Festival 22nd – 24th August 1975
reading75flyerThe Reading Festival hit its peak of success in the mid ’70s, and the 1975 festival sold out in advance. Although the previous years’ festivals that I had attended all seemed pretty full, you were still able to roll up and pay at the entrance. In 1975 the success of the festival and the draw of bands like Yes and Wishbone Ash ensured the site was completely packed, with hardly any room to be found in the campsites and car parks.
Friday line-up: Stella, Judas Priest, Wally, Kokomo, UFO, Dr Feelgood, Hawkwind. Judas Priest were an up and coming heavy rock band and were gigging constantly, as were UFO. Kokomo were a jazz/rock/funk outfit who were very successful during the ’70s. But the big success of Friday (and arguably the entire weekend) was Dr Feelgood, who were a massive hit with the festival crowd; Wilko and Lee being on red hot form. I was with a couple of guys who had recently become big Feelgood fans; “Back In The Night” had just been released and they were constantly singing it in my ear. “All around visible signs of the Doctor’s now-massive popularity – such as the many home-made banners (“Feelgood”, “Wilko” et al), the rapturous reception, the sea-of-weaving arms” (NME, 1975). “When Dr Feelgood stamped off they had within an hour, transformed this alfresco association into a tiny, sweaty, steaming R&B club. Charisma is too weak a word to describe what the Feelgoods had going for them that night.” (Brian Harrigan, Melody Maker, August 30, 1975). Hawkwind were ok, but it was cold, and they found it difficult to follow the Feelgood’s storming set.
readingprog75Saturday line-up: Zzebra, SNAFU, Alberto Y Lost Trios Paranoias, Kursaal Flyers, Thin Lizzy, Alan Stivell, Heavy Metal Kids (billed simply as “Kids” in the programme), Ozark Mountain Daredevils, Supertramp, Yes.
My memories are of Thin Lizzy delivering an excellent set as always; they were gradually building up their own following and would soon break through to become massive; The Heavy Metal Kids being as OTT as ever; and Yes, who were amazing. I must also mention the Kursaal Flyers, who are sadly often forgotten in the history of pub rock; they would hit the charts in the following year with the great pop single: “Little Does She Know” (“I know that she knows that I know she’s two timing me”). Supertramp were on the verge of mega-success; they had hit the charts with “Dreamer” and had a considerable following. I was, and remain, a big Yes fan and their performance at Reading came at a point where the band were at the peak of their success. I recall it being very cold, with epic versions of “Close to the Edge” and “And You and I”, and a great version of “Roundabout” as an encore (very late and off to our tents). A bootleg exists of Yes’ set that night: Sound Chaser; Close To The Edge; And You And I; Awaken; The Gates Of Delirium; I’ve Seen All Good People; Ancient; Long Distance Run Around; Ritual; Roundabout.
reading75Sunday line-up: Joan Armatrading, Babe Ruth, String Driven Thing, Climax Blues Band, Caravan, Soft Machine, Mahavishnu Orchestra, Robin Trower, Wishbone Ash. My memory of Sunday is of Wishbone Ash. Like Yes they were enjoying massive success at the time, and also like Yes they played a set of pure class, with the twin guitars of Andy Powell and Laurie Wisefield soaring through the cool, late Sunday evening.
Our DJs for the weekend were once again John Peel and Jerry Floyd. The weather was cold, with some rain, and the beer can fights were constant throughout the weekend. The festival had always been an organised, carefully planned event, but was becoming even more commercial. The nature of the festival, and its line-up, would transform further in the years which followed; with the emergence of punk and the re-emergence of heavy metal through the NWOBHM (New Wave Of British Heavy Metal). Any elements of the jazz festivals of the 60s had also disappeared.
Thanks to BaldBoris for allowing his image of the festival to be used through the WikiMedia Commons licence agreement.

HRH Prog Fest Magna Centre Rotherham 6 April 2013

HRH Prog Fest Magna Centre Rotherham 6 April 2013
magna1 I won free tickets for the Prog fest at the Magna Centre yesterday, and drove down to Rotherham for this event with my mate Norm. The line-up was headed by Hawkwind, and featured a host of other prog-related acts including the Strawbs, It Bites, and Arthur Brown. We arrive at around 5pm just is time to catch Arthur Brown. Arthur is doing a great job of recreating the psych-tinged R&B which featured on his first album. His set is drawn largely from that album, and he fronts a new band of excellent musicians, including a great keyboard player and guitarist. He is also accompanied by a dancer, with whom Arthur engages in some crazy, comical moves. His voice is as strong as ever; the Crazy World lives on. After seeing Arthur and his Crazy World we nipped out to Ben and Jerrys in Meadowhall for a bite to eat, and returned in time to catch the end of It Bites’ set, including Calling All The Heroes.
The Magna centre is an intriguing venue for a rock festival. It is housed in a massive old steelworks, which in its day will have been at the heart of the Sheffield steel industry, and by day it is a visitor attraction showing the history of steelmaking. The festival took up much of Magna over this weekend with some festivals in one taking place: the Prog fest which was the reason for our visit and its companion AOR fest, both organised by HRH. Each festival had two stages: the Prog fest main stage was in the “Face of Steel” and stage 2 was in “Earth”. For the AOR fest the main stage was in the Big Hall, and the second stage was in “Fire”. Signing sessions took place in the “Fuel” restaurant: we headed their after It Bites, lined up and got a flyer signed by some of the members of Hawkwind (sadly Dave Brock did not come along 😦 ).
magna We then found our way to the strange little room, which was “Earth” at the other end of the venue, and watched a little of the acoustic Strawbs, before heading back to the “Face of Steel” for Hawkwind, who opened their set with my favourite “Master of the Universe”. It was really getting cold by now; the size of Magna, with massive high ceilings, means that it is probably impossible to keep warm now, although it will have been red hot in its day when it housed a furnace. Norm and I have experienced how cold it is before, when we went to see Hawkwind ay a fan club event a few years ago on a cold December night. We watched a little more of Hawkwind’s set and then decided to keep warm by moving around and visiting the AOR fest. The Main Hall was packed for Tesla who seemed an intriguing rock band. We then went up to “Fire” where we watched a couple of songs of Estrella. Then it was back round to Hawkwind again, passing “Earth” where Karnataka were playing. Hawkwind finished their set around 11pm with Damnation Alley from the Quark, Strangeness and Charm album. Hawkwind have been playing the entire Warrior at the Edge of Time album on their current tour, with dancers and light show. Apparently the stage at the Prog fest wasn’t big enough for the show, so Hawkwind decided to revert to a standard set. As it was getting late by the time Hawkwind finished and we had a two hour drive home we decided to pass on seeing Martin Turner’s Wishbone Ash and heading for the M1 north. Got home 1am. The festival was fun, but the venue was FREEZING…..

Hawkwind Magna Centre Rotherham December 2006

Hawkwind Magna Centre Rotherham December 200
hawktixmagna This was a private fanclub session for recording of a DVD. I had Hawkwind passport and this enabled me to gain entry. along with my mate Norm. We were told that we had to dress as aliens, but we bottled it, and turned up in our normal gear. Most of the audience were, however, decked out as instructed, which made it an interesting evening. The place was absolutely freezing; you could see your breath in the air! It was a good event, and Hawkwind played well, although I was disappointed that they didn’t play Master of the Universe or Silver Machine. For me, a Hawkwind gig should always feature at least one of those classic songs. We’ll be back at Magna again to see Hawkwind at the Prog festival in April; hope its warmer! I’ve seen Hawkwind a couple of times since then, once at Newcastle Academy and once at their 40th anniversary show in London, but I have already blogged about those gigs, so this is the last of my Hawkwind postings for now. I’ve enjoyed reflecting on Hawkwind, and it has made me realise how important they are as a band. Setlist: Right Stuff; Psychedelic Warlords; Dogstar; Orgone Accumulator; You Know You’re Only Dreaming; Orgone Accumulator; Paradox; Robot; Out Here We Are; Greenback Massacre; Marine Snow; Lord Of Light; Images; Infinity; Hassan-i-Sahba; Space Is Their; Hassan-i-Sahba; Spirit Of The Age; Motorhead