A Stream of Memories: please bear with for this blog entry. The afternoon and the brought back lots of memories. I will ramble through them here.
The Beatles. We started the afternoon by playing old Beatles albums. I used to have a stack of the original LPs. In the 1980s I would go to car boot fairs. Every Saturday and Sunday morning I would get up around 5 AM and drive to a car boot fair to get there really early, in the dark with a torch, to pick up bargains. I would alternate which fair to attend: Sedgefield Racecourse, Redcar Racecourse, Stockton Racecourse, Blaydon Rugby club, Wetherby Racecourse; and many others, I visited them all; sometimes more than one in a morning. I could pick up Beatles albums for 50p or £1.
I would buy every one I saw and I ended up with multiple copies of each album. So I had 5 copies of Sergeant Pepper, 7 copies of Please Please Me, 6 copies of The White Album, and so on. I gave family members full collections of all the albums and singles. I sold some on eBay. I am busy collecting a full set again on eBay, so that I have a set downstairs to play on my retro record player. I have sets upstairs but I can’t get to them in my wheelchair so I leave them intact and I start again!
I know this is crazy, but it is the madness of being a hoarder. Anyway, to get the point, Jan my carer and I were playing two albums: Hard Days Night and Beatles For Sale before leaving for the concert. I started thinking; without the Beatles where would we be? Would they be any pop and rock as we know it? Would there be any Waterboys? Anyway we left for the concert with “Babies in Black” and “I’ll Cry Instead” ringing through my head. Magic.
Newcastle City Hall. Returning to a magic place that I used to frequent throughout the 1970s. I remember seeing the Rolling Stones, David Bowie as Ziggy, Pink Floyd, The Who, Led Zeppelin, T Rex, Queen, Mott the Hoople and many others there. Happy days. Great to be back in the old venue. A sentiment I will return to later.
Newcastle Tiffany’s. The last time I saw the Waterboys was around 1985, when “Whole of the Moon” was in the charts. It was at Newcastle Tiffany’s, an old Mecca nightclub which was a great venue where I witnessed many great concerts: Altered Images when “Happy Birthday” was number 1 in the charts, Cocteau Twins, and many others. Happy days, lots of memories.
Limerick. My friend Ciaran, who I collaborate with at the University of Limerick, reminded me how great the Waterboys are live and encouraged me to go and see them. I have great memories of visiting the University of Limerick and drunken nights with too much Guinness and Irish whiskey at Durty Nellys public house (which I think may be the oldest pub in Ireland?) next to Bunratty Castle. Happy hazy memories.
The Waterboys. Re-familiarising myself with a classic rock band. I had forgotten how great Mike Scott and his band were and are. They were simply magic. Mike Scott is the consummate front rock man. Cowboy hat, tight jeans and winklepicker boots. So cool. And the influences are clear. Celtic tunes from his home country Scotland. Mythology and songs about his life. The Stones, Bob Dylan, Springsteen and many other classic rockers. Yet Scott draws together all of these influences to produce his own Celtic rock ‘n’ roll. The City Hall was packed, almost full, and everyone was up for it. The show was in two sets, each set was high-energy rock. Scott has changed the lineup of the Waterboys many times over the years. The current line– up is: Mike Scott (Vocals, Guitar, Piano); Brother Paul (Keyboards); James Hallawell (Keyboards); Aongus Ralston (Bass) and Eamon Ferris (Drums).
Surprisingly, for me anyway, the current band does not include violin which was central to the sound of many of the Waterboys better known songs. Instead, the Waterboys now comprise two keyboard players, who take the lead on many of the songs. One guy to the left of the stage is dressed in tight crushed velvet plum coloured flares (which he changes into tight white/black striped trousers during the interval), with a long coat and long flowing white hair to match. He plays a swirling 1960s style Hammond organ, pushing it backwards and forwards and running his fingers up and down the keyboard. He also comes to front of stage and plays a guitar keyboard (the same sort as Edgar Winter uses). He is a real showman and a great asset to the band. The other keyboard player is dressed in very smart mod gear with a natty hat to match. He concentrates on playing excellent electric piano. And Mike is front stage snarling, spitting out the songs and playing great see-through Perspex guitar, acoustic guitar and a selection of wonderful instruments.
I said I would return to the subject of loving Newcastle City Hall as a great venue. Mike Scott: “it is great to be back at the old City Hall. I have played the Sage many times, and it is a lovely venue, but it is a long time since I played the City Hall. It is good to be back here and to say “hello Newcastle” (big cheer) again” (or something like that). I don’t know many of the songs, “Fisherman’s Blues” stands out and is fantastic. “Ladbroke Grove” tells the story of Mike’s early years living in London, “It Was Over” relates the tale of an early schoolboy crush, “Piper at the Gates of Dawn” is a spoken word extract from Wind in the Willows and sounds quite mystical, appropriate and magical. Springsteen’s/Patti Smith’s “Because the Night” is mixed with a Scott song “The Pan Within”.
They return for an encore and finish with “The Whole Of the Moon” and everyone is up on their feet, singing and dancing. Mental note: go and see the Waterboys every time I can in the future. Thank you so much Ciaran for tempting me to go. It was great advice. Happy days. Thanks to Jan for the photos. I bought a lovely signed poster on the way out.
Setlist (something like this): Set 1: Where the Action Is; Glastonbury Song; How Long Will I Love You; Ladbroke Grove; A Girl Called Johnny; This Is the Sea; All Souls Hill; When Ye Go Away; Blackberry Girl; Because the Night / The Pan Within.
Set 2: A Rock in the Weary Land; Fisherman’s Blues; And a Bang on the Ear; It Was Over; Medicine Bow; Be My Enemy; Piper at the Gates of Dawn; Long Strange Golden Road.
Encore: Medicine Jack; The Whole of the Moon.
I have been meaning to go and see 
The press release for the new tour announced: “Lloyd Cole will release a new album, ‘On Pain’, on 23rd June ’23 on the earMUSIC label. ‘On Pain’ is Lloyd’s twelfth album as a solo artist and features eight new Lloyd Cole songs, four of which are co-written by Commotions founding members Blair Cowan and Neil Clark, who also perform on the record. The album is produced by Chris Merrick Hughes and was recorded in Lloyd’s attic studio The Establishment.” Lloyd is now based in the USA and this tour is to promote the new album.
Our friendly taxidriver took us right to the door, which was handy as it was pouring down with rain. We took our seats close to the front with a great view, just in time for the show to begin.
Set 1. Lloyd took to the stage, dressed very smart, entirely in white, alone with his acoustic guitar. His songs spanned his career, from his days with the Commotions, through to his latest album. This guy has a massive back catalogue and also a massive fan base. The theatre was almost full. Gradually, band members joined him, including a guitarist, keyboard player and a drummer. The keyboard player, Blair Cowan and guitarist Neil Clark have been with Lloyd since the early Commotions days.
By the end of this set, the full band was on stage and the performance had morphed from acoustic to electric. The songs were unfamiliar to me, but very pleasant. I was trying, in my mind, to categorise his music but found it difficult to do so: melodic, pleasant, perhaps with a smattering of country? Whatever, I enjoyed listening to these songs for the first time. At the end of the set, I was greeted by two former colleagues and we had a good chat about rock music and concerts attended. I also met a new fellow concert goer and her husband. I passed them my card which has the address of this blog. I do hope you have found my blog and can read this. Hello! (I love to find new subscribers). Time for a double Jack Daniels and ginger. Very appropriate and lovely.
I perused the merchandise stand but there were no T-shirts to buy. There was a tempting lyric sheet which the guy on the stand promised that Lloyd would be signing after the show. I held off buying one, and decided to wait and see when the concert ended and if there was still time to purchase one then.
Set list (something like this): Undressed; Mr. Malcontent; My Other Life; No Blue Skies; Night Sweats; Minor Character; Violins; Blue Like Mars; Mister Wrong; Pay for It; Perfect Skin; Wolves; Perfect Blue; The Flipside; Myrtle and Rose; Like Lovers Do; The Idiot; Brand New Friend; Forest Fire; The Young Idealists; Mainstream
There was no better band than 
And great songs: “Fool’s Gold”, “White Honey”, and the show-stopping reggae-tinged “(Hey Lord) Don’t Ask Me Questions”; it still makes the hairs on the back of my neck stand up just thinking about being at a gig with the entire audience singing along “Hey Lord; Don’t Ask Me Questions”. There was just no-one to touch them on a good night; power, passion, rhythms, rock, dancing, and Graham Parker on fire in terms of his singing and his overall performance. See my programme from the distant past.
Graham Parker and the Rumour gigged relentlessly from 1976 on, and I saw them lots of times. My old ticket stubs tell me I was at gigs at Newcastle City Hall on 23rd March 1977 with Southside Johnny as support, 17th November 1977 (my late wife Marie’s birthday, she agreed to come along although she wasn’t a fan, and a drunken guy behind us spilled a bottle of Newcastle Brown Ale all over her head, I was never forgiven for that night), 5th March 1979 and 5th April 1982 (by that point the Rumour had departed and the concert was Parker solo). I also remember a great gig at Newcastle Poly and seeing Parker as part of the supporting bill for Bob Dylan at his massive Blackbushe concert. There were probably others which escape my fading memory.
So, it is time to see Graham Parker again. This time at my local venue, 
At the outset of his career, his albums crackled with pub rock energy, snide witticisms, and perceptive insights, earning him a devoted following of fans and critics, who lavished praise on his debut, 1976’s Howlin’ Wind, recorded with the Rumour, his backing band of pub rock all-stars. After delivering Squeezing Out Sparks in 1979, which was a smash with critics and won him a larger audience in the United States, Parker courted a crossover career with solo projects such as 1982’s Another Grey Area and 1985’s Steady Nerves before settling into a cult following in the late ’80s and continuing to garner critical acclaim as his music mellowed but his lyrical perspective stayed sharp.”
Today Graham is once again surrounded by excellent musicians including old friend and legendary guitarist Martin Belmont, who I first saw in Ducks Deluxe in the Marquee club, London in 1974. He then became, of course, a member of the Rumour. Graham is no longer the angry young man but he is still a very soulful singer and yes, he still reminds me of Van Morrison. The set comprises songs new and old, many drawn from Parker’s latest album. But we also get treated to “Hey Lord, Don’t Ask Me Questions” and everyone sings along. As part of the lengthy encore Graham performs an exceptional version of Sinatra’s “That’s Life”. He really has mellowed in his later years. Finally, we are back to old favourites “Boogie Shoes” and “Soul Shoes”. Sadly, although someone in the crowd shouts for it, no “Fool’s Gold”. I can’t have everything. Still excellent after all these years.
Setlist: Ancient Past; Nothin’s Gonna Pull Us Apart; Under the Mask of Happiness; Last Stretch of the Road; Music of the Devil; It Mattered To Me; If it Ever Stops Raining; Hotel Chambermaid; Black Lincoln Continental; Get Started. Start a Fire; Lost Track of Time; Sun Valley; Back to Schooldays; (Hey Lord) Don’t Ask Me Questions; Since You Left Me Baby.
It was 1966. I was 9 years old and my parents took me to London for a week, to “see the sights”. It was so exciting to visit the capital as a youngster. We had a full, packed agenda of activities that my dad planned for us. Madame Tussauds, The Planetarium, London Zoo, Buckingham Palace, the Tower of London, Ken Dodd and the Diddymen at the Palladium and a visit to the trendy, fab, gear (using the terminology of the time) clothes shops of Carnaby Street.
There were probably others I have forgotten. Running through my head were songs of the time: “She Loves You” by the Beatles, “Satisfaction” by the Rolling Stones, “Dedicated Follower of Fashion” by the Kinks and “Bus Stop” by 
I have been lucky enough to see The Hollies many times over the years from the Alan Clarke days, through his replacement the Move’s the late Carl Wayne incarnation of the band and for the last 20 years “new boy” Peter Howarth as front man. They remain great to this day. The only original members remaining are drummer Bobby Elliott and guitarist Tony Hicks (a very underrated guitarist in my view). Bobby sits at the back providing the foundation for the music and Tony plays impeccable electric guitar, banjo (particularly on “Stop, Stop, Stop”) and electric sitar.
And yes he still looks as young as ever. The rest of the musicians include Ray Styles on bass, formerly of Mud, providing excellent accompaniment to the vocals, led by Peter Howarth who now has gelled to become an integral part of the band. With the Hollies it was always about the harmonies, great songs, and great vocals. And that still remains the case today.
So, another encounter with an old favourite who, as expected, delivered an evening of great hits. I knew every song and so many memories, including that visit to London, ran through my head. This group was the soundtrack of my youth and into the early 1970s.
Time for a quick Jack Daniels and back to our seats at the rear of the hall for the second part of the concert. The opener was a lesser-known song, but another favourite of mine “The Day That Curly Billy Shot Down Crazy Sam McGee” followed by more classics “Yes I Will” and here it comes….the one and only “Bus Stop”. My evening was complete already. But the hits kept coming: “I’m Alive” (their only number 1 single), “The Baby” which was recorded during a period when Alan Clarke left the band for a short hiatus and was replaced by singer Mikael Rickfors, the Bruce Springsteen song “Sandy”, the tale about a belly dancer in a nightclub and a drunken evening which precedes “Stop, Stop, Stop” and then onwards to the closing songs “He Ain’t Heavy, He’s My Brother”, “The Air That I Breathe” and the closest The Hollies ever got to rock ‘n’ roll “Long Cool Woman in A Black Dress”. Another wonderful evening spent in the majestic 
Setlist: Set A: King Midas in Reverse / I Can’t Let Go; Jennifer Eccles; Sorry Suzanne; On a Carousel; Gasoline Alley Bred; Magic Woman Touch; Weakness; Here I Go Again; I Can’t Tell the Bottom From the Top; We’re Through; Just One Look; Stay; Look Through Any Window.
I just checked my blog entries and it tells me that I have seen 
This tour is entitled the Live Dates tour, commemorating 50 years of their live albums of the same name. I run into an old friend and fellow blogger Peter. Lovely to meet you Peter. We chat and realise that we were both at the same concert in 1973 at Newcastle City Hall when the Live Dates album was first recorded. I could not resist going back and reproducing my memories of 50 years ago. See below.
Wishbone Ash were back touring the UK in June 1973, and recorded a double live album at concerts in Croydon Fairfield Halls, Reading University, Portsmouth Guildhall and Newcastle City Hall, using The Rolling Stones Mobile Recording Studio. I attended the Newcastle gig, during which three tracks: “Warrior”, “Blowing Free” and “Throw Down the Sword” were recorded for the album. We didn’t know about the recording until we got into the City Hall. We could see a couple of mikes hanging from the ceiling (aah, such was the technology in those days). Then it was announced over the PA, to a big crowd cheer, that they were going to be recording the show for a future live album. The place was packed and the capacity crowd gave Wishbone Ash a tremendous reception, cheering before and after each song, all of us hoping that our voices might be heard on the lp.
So, roll on 50 years and I am treated to a set which is very similar to that of the momentous 1973 Newcastle City Hall concert. Wishbone Ash start with “Real Guitars Have Wings” before moving swiftly back in time to the Argus album and a particular favourite of mine “The King Will Come”. The rest of the first set is very similar to the original, and even includes the old blues standard, originally by Jimmy Reed, “Baby What You Want Me to Do”.
The second set comprises further classics including another particular favourite “Jail Bait”. They close with the epic “Phoenix” a track which I used to think was too long, but I have grown to love over the years. The encore moves us forward a few years to another favourite of mine “Living Proof”. A great selection of songs.
As often is the case, there are some omissions from the original 1973 set which would have added to the delight of the evening: “No Easy Road” and a track that is rarely featured in their live shows “Where Were You Tomorrow”. You can’t have everything. Hopefully it won’t be long until they return to the north-east. Happy days and 6 nights of concerts in a row. A night of rest before I start again!
Setlist: Set One: Real Guitars Have Wings; The King Will Come; Warrior; Throw Down the Sword; Rock ‘n Roll Widow; Ballad of the Beacon; Baby What You Want Me to Do.
Evening 5 out of a crazy run of 6 concerts in 6 nights. I haven’t done this since before my accident and it is a marathon and a test of stamina for me and my carers! The final evening is Wishbone Ash and I will report on that very soon 🙂
I go back a long way with John, to the days when he was Johnny Rotten and I first saw Sex Pistols in a pub in Whitby in 1976. He was exciting, outspoken, challenging and exhilarating then and he remains so today. That evening in Whitby, and the following year in Scarborough Penthouse club, opened up my eyes to an alternative view of music.
Then a few years later I travelled to Manchester Belle Vue to see an early performance of his new band 
The set comprises many familiar and favourite songs: “Albatross”, “Poptones” from the first album; the singles “This Is Not a Love Song” and “Death Disco “, and “Flowers of Romance”. The sound comes across in waves as John and his band weave a strange aural cacophony which reverberates around the hall. For the encore we are treated to the first single “Public Image” and closer “Rise”, to which we all sing along; everyone is dancing in front of me. A great night spent with a familiar face and voice in a lovely new Sunderland venue. One more night to go! Thanks to Chris for the photographs.
Setlist: Penge; Albatross; Being Stupid Again; Poptones; This Is Not a Love Song; Death Disco; The Room I Am In; Flowers of Romance; Memories; Car Chase; The Body; Warrior; Shoom.
Another night spent with another great band. Tonight it is local heroes 
And apologies for any repetition from a previous blog entry about Lindisfarne. My only excuse is that I have a run of concerts and many blog entries to write this week! “Their first hit, the Clements-penned “Meet Me on the Corner”, paved the way for their classic Fog on the Tyne to become the UK’s top-selling album of 1972. Lindisfarne’s unforgettable songs, powerful live performances and unpretentious style led to worldwide success and an enviable reputation as festival favourites, and the annual Christmas concerts they presented in their native Newcastle became the stuff of legend.
The original band finally called it a day in 2003, but now Lindisfarne are back with a classic five-piece line up of long-time members fronted by original founder-member Rod Clements (vocals, mandolin, fiddle, slide guitar) and Alan Hull’s son-in-law Dave Hull-Denholm (vocals, guitars). “ Other members are: Steve Daggett (vocals, keyboards, acoustic guitar and harmonica) who has been in the band since 1986; Ian Thomson (electric and double bass) a member since 1995 and Paul Smith (drums) who joined more recently in 2021.”
The concert was in two sets with a short interval between them. Lindisfarne play all the old favourites and do them 100% justice. Rod Clements is a quiet yet charismatic front man who introduces many of the songs. Dave Hull-Denholm performs his father-in-law’s songs with the reverence they deserve and his vocals sound very much like Alan Hull. Steve Daggett sings quite a few of the songs and again does justice to the Lindisfarne repertoire. So in the first set we get great tunes such as the enigmatic, melodic early classic “Lady Eleanor”. Other favourites are “Road to Kingdom Come” and “January Song”.
This year’s tour focuses on the album Magic in the Air. This is a live album (see image of my copy) which contains all of the band’s well known songs. So the second set contains many more tunes that I recognise including a wonderful, atmospheric performance of the much underrated “Dingley Dell”. This brings back lovely memories of seeing Lindisfarne at Newcastle City Hall on the Dingley Dell tour. I went both nights as there were different supports each night and I was a fan of each band: Stackridge and Genesis! Happy days.
Then, my particular favourite which still makes the hair stand up on the back of my neck: Dave performing “Winter Song”. Soon we are into the hits: “We can Swing Together”, “Fog on the Tyne” and “Meet me on the Corner”, followed by the massive hit Lindisfarne reunion song “Run for Home”. And the closer, yes it had to be “Clear White Light”. I am transported back to the first time I saw Lindisfarne in the City Hall sandwiched between headliner Van der Graaf Generator and new up-and-coming band Genesis. All for 25p as I recall! Happy days
A new name for a familiar venue. The Sage is now officially relaunched as 
We were welcomed to the event by the Director of the Sage/Glasshouse (I will have to get used to this new name) which was a nice touch. I met, John Lyons, a photographer who had travelled from London for the event. He took a lovely photograph of me and we promised to keep in touch. Please do have a look at John’s 
Then another classic: “Marrakesh Express”, followed shortly by one of my favourite songs, this time a Nash solo track “Military Madness”. After a few more songs, Graham closed the first set with a cover of his friend Stephen Stills’ “Love The One You’re With”. Time for a swift whiskey.
Then “Just Before I Go” a song apparently written as part of a wager, which Graham won. His friend bet that he could not write a song before he left and, of course, he did so. He finishes with “Our House” telling the story of how the song was written when he had just returned home to the house which he shared with Joni Mitchell. For the encore the three musicians perform a lovely a cappella version of Buddy Holly’s “Everyday”. The closing number is another classic “Teach Your Children”.
Bought a signed copy of the lyrics to “Teach Your Children”. Wonderful.
We go back a long way, you and I Kevin. I have seen you perform in many different incarnations over the years and you always come over as 100% authentic. Your influences were always clear: Geno Washington and the Ram Jam band, and witnessing Geno in the 60s and 70s in clubs in Birmingham. Jackie Wilson and sweet soul music straight from the heart. Chairman of the Board, their song “Give Me Just a Little More Time” and in particular their lead vocalist.
All of these came together and were the influences behind the first 
Soon after seeing you at the Mayfair I was in a marquee on Newcastle Town Moor for some sort of festival. You headlined one night and The Boomtown Rats headlined the other. I attended both nights, on my own as I recall. This was before “Come on Eileen”. I hadn’t seen you since the Mayfair and “Geno” days, so didn’t quite know what to expect. A bunch of rag–a–taggle gypsies came on stage. You were dressed in a tam hat, denim dungarees and surrounded by a band dressed similarly, including a violinist.
What had happened to Dexys Midnight Runners? They had somehow morphed into this strange new gypsy soul band. And the music was so, so very different. The Too Rye Aye album had yet to be released so I was hearing all these new tunes for the first time. You got me again Kevin. I was totally knocked out. I couldn’t wait to get back home and tell my wife and friends about this strange wonderful experience and how Dexys were back, reborn, different yet still magic and soulful. Of course “Come on Eileen” was a massive hit and you went on to further success.
You seemed to disappear from public view and I think, to my shame, I missed a tour. I picked up on you again some years ago at Whitley Bay Playhouse where you performed a whole new concept album based around the breakup between you and your girlfriend. You sang from the heart once again and I thought it was one of the best concerts I have ever witnessed. And so our journey together takes me to last night, Newcastle City Hall, getting soaking wet in the pouring rain and experiencing your new music. The band is now called simply Dexys. Your new album ,“The Feminine Divine” is based around the concept of male/female stereotypes and explores how the character you play transforms from being a stereotypical man to someone who recognises his partner is his Goddess.
He finally becomes submissive to her every whim, allowing her to take control of the relationship. You perform the entire album as the first set of the evening, a brave move which works well. The crowd have clearly come prepared. Many sing along. Everyone loves the new vision, the new Kevin and accepts the new direction. You look well dressed in red with a white sailor–like hat sitting perched on top of your head. After a short interval and a pint of Guinness you return and play a selection of songs from Too Rye Aye including many which are familiar and some less so. They include “Soon”, “Plan B”, “I’ll Show You”, “All in All”, “Until I Believe in My Soul” and of course “Come on Eileen”. Lots of dancing and singing along. Great. You did it again Kevin. For the encore we get more classics and more singalongs in the form of “Geno” and “Jackie Wilson Said”. The closing song is a traditional Irish song “Carrickfergus” which rounds off the evening very appropriately. Another tour, another side of you revealed to us very openly. Still a soul boy at heart. I look forward to the next chapter and the next part of our journey together Kevin.
Another trip to the lovely community venue the Crescent, York. I feel alive and alert again after a short period without any concert experiences. Our friendly taxi driver takes us (me, and carers Jan and Joanne) to Durham station, and an equally friendly passenger assistance guy is waiting with the ramp to get me onto the train to York.
At the other end another passenger assistant is waiting with a ramp and I am quickly on the platform. No sooner said and we are snug in the York Station Tap for a swift drink (mine is a large red, thank you) before the short walk to the Crescent. The venue is already full.
I must admit, and to my shame, I am not very familiar with the music of 
The mainstay of the band is guitarist Ed Wynne who is well practised in Steve Hillage glissando guitar which he plays to great advantage alongside another guitarist, a flute player and a keyboard player. Add throbbing drumbeats, liquid lens 60s/70s light shows and lots of crazy dancing by the crowd and you get the picture.
I can’t pretend to have known the songs but the music is enticing, enthralling and encapsulating. Magic. And no drugs (they wouldn’t mix well with my medication anyway). Our view is not great as the venue is, quite appropriately admittedly, standing although Jan and Joanne do manage to sneak a couple of chairs in from the bar. We all enjoy the experience and I look forward to seeing the band again, this time with Gong as support in Newcastle next year.
A short wet walk up to the station and I have a chat with a guy from Newcastle who I last spoke to at the Cluny and another new friend from Northallerton. We all share notes on progressive rock band experiences. Great crack. Hope you both read this blog entry. Soon another friendly face helps me up a ramp onto the train and, as if by magic, the same happens at the other end. Thank you passenger assistance.
Our friendly taxi chariot awaits and whisks us back home in no time at all. I watch Coronation Street on recording and then drift off to sleep. Another fun time had by all. Many thanks to Jan and Joanne for the pictures and to Ozrik Tentacles for a hippie, trippy evening. It was almost the 1970s all over again 🙂
Ozric Tentacles are: Ed Wynne: Guitars / Keyboards; Silas Wynne: Keyboards; Brandi Wynne: Bass; Tim Wallander: Drums; Saskia Maxwell: Flutes.
Vintagerock's Weblog. 