Camel Newcastle City Hall 1979
The last time I saw Camel in concert was in 1979 at Newcastle City Hall. By this time the late Peter Bardens had left the band, and had been replaced by two keyboard players. I remember wondering how the band would survive the departure of such a key founder member, and was a little unsure whether to go along to the concert this time around. However a few of us did go along, and the band performed as consistently as ever. 
The tour was to promote the new album “I Can See Your House from Here”, which was quite controversial as a result of its cover which features a crucified astronaut looking down on the earth. I haven’t seen Camel since 1979, although versions of the band have toured up until 2003; with Andy Latimer at the helm. Andy’s poor health has restricted Camel activity in recent years, however the good news is that the Camel website suggests that a new album is under development. Setlist from the London show of the tour: Echoes; Unevensong; Song within a Song; Neon Magic; Rhayader; Rhayader Goes to Town; Migration; Rainbow’s End; Wait; Ice; Hymn to Her; Announcement; Who We Are. Encore: Your Love Is Stranger Than Mine; Never Let Go
Posts Tagged ‘rock’
27 Jul
Camel Newcastle City Hall 1979
26 Jul
Michael Chapman: a Fully Qualified Survivor
Michael Chapman gigs in the 1970s
Michael must have spent the whole of the 1970s gigging up and down the country. I recall seeing him support several major touring artists: Emerson, Lake and Palmer; Focus and Camel come to mind, but I’m sure there were several others. I also recall going to see him as headline act at Newcastle Mayfair one Friday night around 1975 or 1976. Pretty sure he had a full band with him that night, featuring Keef Hartley on drums, and Rick Kemp on bass. Danny Thompson also often played with Michael, on acoustic double bass. If you haven’t heard any of Michael’s material, listen to his first album Rainmaker, or the Fully Qualified Survivor album, both of which are classics. Michael continues to play to this day, and is another guy who I really must catch up with and go and see again. I always enjoyed seeing him in the 70s, his guitar playing is as strong as his songs and his soulful voice.
25 Jul
Camel Newcastle City Hall 1978
Camel Newcastle City Hall 1978
Support Michael Chapman
I was back in the City Hall again in 1978 to see Camel, with support from Michael Chapman. This tour was to promote the Breathless album, and the set included tracks from the new album, as well as a medley of tracks from the Snow Goose album. I remember being quite pleased to hear the Snow Goose material. This was to be the last tour with founder Peter Bardens in the line up. 
Support Michael Chapman seemed to be gigging constantly throughout the 70s. I must have seen him support many different artists. Michael deserves a separate mention: I’ll blog on him tomorrow. Setlist: Earthrise; Unevensong; Song within a Song; The Sleeper; Summer Lightning; Tell Me; La Princesse Perdue; Skylines; Echoes; Never Let Go; One of These Days I’ll Get an Early Night; Lunar Sea. The Snow Goose Medley: Rhayader Goes to Town; Sanctuary; The Snow Goose; Flight of the Snow Goose; Preparation; Dunkirk; Epitaph; La Princesse Perdue; The Great Marsh. Encore: Air Born
24 Jul
Camel Newcastle City Hall 1977
Camel Newcastle City Hall 1977
I didn’t get fully into Camel until after their breakthrough Snow Goose album. I’m not sure why I didn’t pick up on them earlier; I did see them at the Reading Festival in 1974 and 1976 but they weren’t fully on my concert-going radar until 1977, when a group of us went to see them at Newcastle City Hall. This tour was in support of Rain Dances, which was their fifth album. 
Although I always enjoyed seeing Camel in concert, I was never as familiar with their material as I was with that of contemporaries like Yes and Barclay James Harvest. My recollections of Camel are of a progrock band with excellent musicianship; and sets which were largely instrumental, and quite orchestral in nature. My other recollection was that I sometimes confused them in my own mind with Frampton’s Camel, who I saw supporting Humble Pie around the same time. Setlist: First Light; Metrognome; Unevensong; Rhayader; Rhayader Goes to Town; Preparation; Dunkirk; Fritha Alone; La Princesse Perdue; Tell Me; Song within a Song; Skylines; Highways of the Sun. Encore: Lunar Sea; Rain Dances. Encore 2: One of These Days I’ll Get an Early Night; Never Let Go
23 Jul
Dr John The Sage Gateshead 22 July 2012
SummerTyne Americana Festival 2012
Dr. John and The Lower 911 featuring Jon Cleary
Plus support Phantom Limb
Dr John took to the stage around 8.45pm last night to close the SummerTyne Americana Festival 2012 at the Sage Gateshead. The Sage was buzzing with crowds who were taking in the music which was taking place in all three halls, and on the concourse. Dr John’s concert was the highlight of the weekend (for me anyway!) and took place in the larger Hall 1. I had been preparing myself for the gig by playing my old vinyl copy of his 1969 debut lp, Gris Gris, which introduced Malcolm John “Mac” Rebennack, Jr to the world as Dr John The Night Tripper. Gris Gris combines voodoo rhtyhms with psychedelic rock and New Orleans R&B, and features the song I Walk on Guilded Splinters which had been covered by many artists including Humble Pie and Marsha Hunt. Today Dr John retains some of that image, taking to the stage with his voodoo walking stick, dressed in a sharp blue suit, wearing a cap and his hair hanging in a plat at the back. 
His six piece band featured Jon Cleary, who is a New Orleans style R&B headliner in his own right, on keyboards and occasional guitar. The rest of the band included saxophone, trombone, bass, guitar, and drums. The stage was set with Dr John’s organ and grand piano taking centre stage alongside each other, a stool between them, allowing the Dr to quickly switch between keyboards, and to play both at the same time, which he did once or twice. The set was much more R&B and blues, than voodoo, although flashes of the latter crept in at times, as did New Orleans Mardi Gras. Dr John’s band is just excellent, with each musician great in their own right, and each getting the chance to solo. 
The lady trombone player was particularly outstanding. I recognised some, but my no means all of the songs, and was impressed by Dr John whose singing and playing were just superb. The Dr is a real cool dude, who led his band through a set of songs which would be at home as much in a smokey New Orleans bar, as in a concert hall. The set included his “hit” song Right Place, Wrong Time, and a series of standards, for example: St James Infirmary, Let the Good Times Roll, Making Whoopee. A great set, although I was disappointed that he didn’t play I Walk on Guilded Splinters. I had to leave during the encore to pick Laura up. Setlist included (I have missed a few that I didn’t recognise): Locked down; Down the road; I been Hoodood; Right place wrong time; Let the good times roll (Dr John on guitar); St James Infirmary; Jon Cleary song; Ice Age; Big shot; Making whoopee; Now that you got me; That’s life?; Revolution; Goin’ back to new Orleans; Mardi Gras day. Encore: Such a Night
22 Jul
Elvis Costello Sunderland 1980; Newcastle 1981 and 1982
Elvis Costello Sunderland Mayfair 1980
Very few of the top punk and new wave bands came to Sunderland, as most bands tended to call at Newcastle and/or Middlesbrough for their North East gigs. So when a punk act did come it was a big event. My 1981 the old Sunderland Locarno (or “Mecca” as it was more commonly known) had been renamed The Mayfair, taking the same name as its Newcastle counterpart. Sunderland Mayfair regularly featured heavy rock acts, and one or two punk / new waves bands also crept on to the schedule. The place was absolutely jam packed for Elvis Costello. I remember being down the front on the dance floor and being squashed and pushed all over the place. 
The next time I saw Elvis was a year later in 1981, when he was back at the City Hall. Elvis was incredibly prolific in the early years of his career. By the end of 1981 he had released 6 albums and 17 singles, and the vast majority had climbed high in the charts; an incredible achievement. This meant that he has a vast catalogue of songs to choose from in concerts, and his sets just got longer and longer over the years, often featuring in excess of 30 songs, which is some going, and certainly set him aside from many of his punk contemporaries. His shows were a great mix of high energy new wave, catchy jangly pop, beautiful moving ballads, with a classic cover thrown in every now and then. 
Costello was back at the City Hall a year later, at the time of the Imperial Bedroom album. 
The last time that I saw Elvis at Newcastle City Hall was some thirty years ago, in 1982. Support that evening came from The Bluebells, who were to hit the charts with Young at Heart a couple of years later. I saw Costello at Live Aid at Wembley Stadium, and then lost touch with his work. Reflecting back on these gigs has made me realise just how good he is, and I’ve promised myself that I will make every effort to see him when he comes to the Sage Gateshead in 2013.
21 Jul
Elvis Costello Newcastle City Hall 1979
Elvis Costello Newcastle City Hall 1979
Support Acts: Richard Hell; John Cooper Clarke
Elvis Costello was back at the City Hall in early 1979 fronting a great triple bill, with Richard Hell and the Voidoids and John Cooper Clarke as support acts. I’d seen Richard Hell as support for the Clash at Newcastle Poly, and John Cooper Clarke popped up quite often as a support act in those days. Both acts were well worth watching, of course. Richard had been a member of Television and, briefly, the Heartbreakers, and was known at the time for his signature tune “Blank Generation” and for “inventing’ ripped, safety-pinned shirts. John Cooper Clarke was a revelation in those early punk days. His rapid, caustic humour delivered in that greater Mancunian drawl always went down well with the Geordie crowd. Songs (are they songs?) such as “I Don’t Wanna Be Nice”; “Psycle Sluts 1&2” and “(I Married a) Monster from Outer Space” stick in my mind even to this day. 
Elvis Costello had kept on turning out those classic hit singles in the year since his last City Hall performance. “Oliver’s Army”; “Accidents Will Happen” and “Radio Radio” were all new to the set this time around. The set was much longer with two extended encores. I’ve just played last song “part Girl” on Youtube to remind myself how great Elvis was in those days. I must also mention Elvis’ band The Attractions, who were a very important part of his sound. Local guy Bruce Thomas played with Paul Rodgers in the 60s, and I saw him several times in the very under-rated band Quiver. The other members were Steve Nieve on piano and Bruce Thomas (whoo I’d previously seen with Chilli Willi and the Red Hot Peppers) on drums. Setlist: Goon Squad; Hand In Hand; Oliver’s Army; (What’s So Funny ‘Bout) Peace, Love And Understanding?; Green Shirt; The Beat; Accidents Will Happen; Lip Service; This Year’s Girl; Lipstick Vogue; Watching The Detectives; Big Boys; You Belong To Me – including a line from The Last Time; Pump It Up. Encore 1: (I Don’t Want To Go To) Chelsea; Mystery Dance; Radio, Radio. Encore 2: No Dancing; Party Girl
20 Jul
Unveiling of Alan Hull memorial plaque Newcastle City Hall 19 July 2012
Unveiling of Alan Hull memorial plaque Newcastle City Hall 19 July 2012 
A Newcastle City Memorial Plaque was unveiled today outside Newcastle City Hall to celebrate the life of Alan Hull, who died in 1995. Lindisfarne played at the City Hall over 100 times, and their Christmas concerts were part of the annual festivities for many of us during the 70s and 80s.
I was aiming to go along to the unveiling this morning, but was in a meeting at work which ran late, so I missed the actual unveiling. I did, however, make it through just in time to catch the end of a short set by Ray Jackson. Ray performed after the unveiling, on a small stage set up outside the entrance to the City Hall. A crowd of around 100 had gathered outside the City Hall for the occasion. Ray Jackson and the band, which consisted of Ray, Dave Hull Denholm and Ian Thomson on double bass, played: All Fall Down; Clear White Light; Lady Eleanor; Fog On The Tyne.
I spent some time today running through my own memories of Alan Hull and Lindisfarne. Things I remember are; Sitting at the back of the City Hall stage in the early 70s watching Lindisfarne take the crowd through songs from the first couple of albums; everyone singing along; we can swing together. Clear White Light; the encore; Sunderland Rink, standing on chairs with a group of friends from school; at the back of the ballroom; everyone just mental; we sang and sang. Standing with a group of mates; on top of our home made shack/tent; at the Lincoln Festival 1972; Lindisfarne were one of the highlights of the weekend. Going to the Alan Hull solo concert at the City Hall in the mid 70s; he played lots of songs from his solo lps; Pipedream and Squire. Marie and I singing along to Run From Home; standing on a table; a packed Redcar Coatham Bowl; 1978; the single high in the charts. Lots of Christmas concerts at the City Hall. There were many more highlights, but the one memory which really sticks in my mind is Alan standing centre stage alone, spotlight on him, at the City Hall singing Winter Song. Just beautiful. “When Winter’s shadowy fingers first pursue you down the street; And your boots no longer lie about the cold around your feet; Do you spare a thought for summer whose passage is complete; Whose memories lie in ruins and whose ruins lie in heat; When winter….. comes howling in.”
19 Jul
Elvis Costello Newcastle City Hall March 1978
Elvis Costello Newcastle City Hall March 1978
Support Mickey Jupp
I’d seen Elvis Costello on the Stiff tour, and was really into his early singles and his image. He quickly graduated to playing concert halls, and this was the first of many times that he has played at Newcastle City Hall. His success was pretty rapid, and that clutch of early singles is impressive. Within a year he had delivered two ace albums and the singles Less Than Zero, Alison, Red Shoes, I don’t want to go to Chelsea, and Watching the detectives. Amazing when you think of it. His image then was very distinct; a strange nurdy mix of Buddy Holly, Hank Marvin, and yet still very cool. On stage he was sharp, stuttering, passionate and totally enthralling. I really enjoyed seeing Elvis Costello in the late 70s and early 80s, and haven’t been to see him for some time. I missed his recent visit to Newcastle, but note that he is returning to the region next year to play at The Sage Gateshead, and have promised Laura that we will go along this time. Reminiscing about my early Elvis concert experiences has made me realise just how great he was, and I am sure still is, so I look forward to see him next year. I’ll post a few more recollections on early Elvis gigs over the next few days. Setlist: Waiting For The End Of The World; No Action; This Year’s Girl; Night Rally; (The Angels Wanna Wear My) Red Shoes; Hand In Hand; Less Than Zero; The Beat; Lip Service; (I Don’t Want To Go To) Chelsea; Pump It Up; Lipstick Vogue; Watching The Detectives; You Belong To Me; Mystery Dance; Miracle Man
18 Jul
The Clash Newcastle City Hall 1982
The Clash Newcastle City Hall 1982
Support: Nod The Geordie Poet (?!)
The Clash returned to Newcastle in 1982 to play two nights at The City Hall. By this time The Clash were starting to disintegrate. Topper Headon had left to be replaced by Terry Chimes, and it was the beginning of the end for the band. They had just released Combat Rock. Although my ticket shows the gig as having taken place in May 1982, all of the gig listings show the gig as actually being in July 1982. I guess the tour must have been rescheduled. I remember a group of us went along to the gig, and that we were sitting pretty close to the front. I don’t think the venue was full. I remember the gig being ok, but not on the same level as earlier Clash gigs that I’d seen. This was the last time I saw The Clash.
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