Morrissey Manchester Arena 28 July 2012
Welcome home Morrissey! Laura and I went to see the great man perform at the vast Manchester Arena last night. We arrived early, had a look at the merchandise, but decided to pass as Laura was looking for any Morrissey vinyl. We also noticed that all the fast food stalls were selling veggie. Morrissey had obviously insisted that no burgers were to be sold. Support came from Kristeen Young, who has opened for Mozza for some time now. Her weird screechy music bemused the audience as it usually does. During the interval the customary video show displayed some choice obscure cuts, several of which we had seen before, and a couple that were new to us. I recognised Shocking Blue, Vince Taylor (who Morrissey must have modelled himself on to some extent), New York Dolls, Bridget Bardot, and a great video of Francoise Hardy travelling through the night lights of a city (London and Soho?) in an open top car singing “All Over the World”; just perfect. And then a taped rant of some of the world’s ills is played across the PA (Adolf Hitler, torture, Nelson Mandella’s imprisonment, cancer, etc, you get the idea) which must have gone on 5 minutes or more, and Morrissey’s onstage early at 8.35pm. The early entrance took the crowd by surprise, and many people were still entering the arena at that point. The screen shows a cheesy picture of Adam West and Burt Ward (60s Batman and Robin). Morrissey was on good form, and in a really good mood: “Wherever you may roam, there’s no place like… Hulme”. He told us that he “hadn’t been invited to the Olympic opening ceremony because my smile is too sincere”. The Diamond Jubilee also got a mention: “How much longer do we have to put up with that moronic family?” The band were all wearing “We Hate William and Kate t-shirts”. The set bore some similarities to last time Laura and I saw him at Middlesbrough, but there have been quite a few changes, including a couple of new songs that Laura and I didn’t know. The Arena was pretty packed with only a few empty seats right up back at the very top. Guitarist Boz was in drag and introduced by Morrissey as Gaynor Tension (whats all that about?). An image of Oscar Wilde with the speech bubble: “Who is Morrissey?” kept popping up. The sound was clear and loud, from where we sat in the arena, although I know others felt that the sound was poor. Great lights, and the band seemed to me to have a much heavier, darker sound this time round. Towards the end Morrissey gave the mike to the crowd, and let a few fans make comment. One guy thanked Morrissey for meeting him in Belgium (I think) and mentioned that he had given Morrissey a T Rex book. 
Morrissey got one guy up on stage, who hugged him; this prompted lots of people trying to get on stage and some crowdsurfing at the front of the mosh pit. Morrissey dedicated the evening to John McBeath, a promoter from Manchester who passed away earlier this year. The image of Adam West and Burt Ward returned at the end. Highlights for me were: Everyday is Sunday; How Soon is Now; Please Let Me Get What I Want, Still Ill, which I don’t think I’ve seen him play since the days of The Smiths. Meat is Murder was quit extended with lots of old video footage of animals being slaughtered. I wonder if this is the same footage that was used on the Smiths’ Meat is Murder tour. It looks pretty similar. The crowd were quite subdued; the reaction wasn’t anywhere near what we’d expected, given this was a homecoming gig and his only British gig this year. Nothing like the 50th birthday gig at the Apollo. Notwithstanding that this was a good gig, which both Laura and I really enjoyed. He finished shortly after 10pm, and we were home by around 12.45am. Setlist: You Have Killed Me; Everyday Is Like Sunday; You’re The One For Me, Fatty; How Soon Is Now?; I’m Throwing My Arms Around Paris; Ouija Board, Ouija Board; Maladjusted; When Last I Spoke To Carol; Last Night I Dreamt That Somebody Loved Me; People Are The Same Everywhere; I Know It’s Over; To Give (The Reason I Live); Scandinavia; Black Cloud; Action Is My Middle Name; I Will See You In Far-Off Places; Meat Is Murder; Let Me Kiss You; Speedway; Please, Please, Please Let Me Get What I Want. Encore: Still Ill
Posts Tagged ‘R&B’
29 Jul
Morrissey Manchester Arena 28 July 2012
28 Jul
Ry Cooder Newcastle City Hall 1982
Ry Cooder Newcastle City Hall 1982
Ry Cooder is, of course, a legend who has played with so many greats, including The Rolling Stones, Captain Beefheart, and Eric Clapton. This 1982 gig was the only time that I saw him in concert. The 1982 UK tour was to promote the Slide Area album. I recall this as a good gig, but I knew very little of Ry’s material. The new album featured all Ry Cooder originals, and much of the set was drawn from it. I also recall that the ticket price of £5 seemed expensive at the time. The programme states: “Ry Cooder continues as one of the most loving and inventive practitioners of modern music. Without a doubt, Ry Cooder is one of America’s most precious natural resources”. 
Band: Baboo on percussion; Jim Dickinson on piano; Chris Ethridge on bass; Jim Keltner of drums; Smitty Smith on keyboards; and Willie Greene, Bobby King and Pico Payne on backing vocals. A bootleg of the Hammersmith Odeon show of the same tour shows the setlist as: Little Sister; Go Home Girl; Smack Dab in the Middle; Denomination Blues; Down in the Boondocks; Fool about a Cigarette; Feeling Good; How can a Poor Man stand such Times and Live; I’m Not Worried; Its All Over Now; Blue Suede Shoes; Which Came First; If Walls Could Talk; I’m Drinking Again; The Very Thing that makes you Rich; Never Make your Move too Soon; Crazy ’bout an Automobile; Down in Hollywood; Chain Gang.
23 Jul
Dr John The Sage Gateshead 22 July 2012
SummerTyne Americana Festival 2012
Dr. John and The Lower 911 featuring Jon Cleary
Plus support Phantom Limb
Dr John took to the stage around 8.45pm last night to close the SummerTyne Americana Festival 2012 at the Sage Gateshead. The Sage was buzzing with crowds who were taking in the music which was taking place in all three halls, and on the concourse. Dr John’s concert was the highlight of the weekend (for me anyway!) and took place in the larger Hall 1. I had been preparing myself for the gig by playing my old vinyl copy of his 1969 debut lp, Gris Gris, which introduced Malcolm John “Mac” Rebennack, Jr to the world as Dr John The Night Tripper. Gris Gris combines voodoo rhtyhms with psychedelic rock and New Orleans R&B, and features the song I Walk on Guilded Splinters which had been covered by many artists including Humble Pie and Marsha Hunt. Today Dr John retains some of that image, taking to the stage with his voodoo walking stick, dressed in a sharp blue suit, wearing a cap and his hair hanging in a plat at the back. 
His six piece band featured Jon Cleary, who is a New Orleans style R&B headliner in his own right, on keyboards and occasional guitar. The rest of the band included saxophone, trombone, bass, guitar, and drums. The stage was set with Dr John’s organ and grand piano taking centre stage alongside each other, a stool between them, allowing the Dr to quickly switch between keyboards, and to play both at the same time, which he did once or twice. The set was much more R&B and blues, than voodoo, although flashes of the latter crept in at times, as did New Orleans Mardi Gras. Dr John’s band is just excellent, with each musician great in their own right, and each getting the chance to solo. 
The lady trombone player was particularly outstanding. I recognised some, but my no means all of the songs, and was impressed by Dr John whose singing and playing were just superb. The Dr is a real cool dude, who led his band through a set of songs which would be at home as much in a smokey New Orleans bar, as in a concert hall. The set included his “hit” song Right Place, Wrong Time, and a series of standards, for example: St James Infirmary, Let the Good Times Roll, Making Whoopee. A great set, although I was disappointed that he didn’t play I Walk on Guilded Splinters. I had to leave during the encore to pick Laura up. Setlist included (I have missed a few that I didn’t recognise): Locked down; Down the road; I been Hoodood; Right place wrong time; Let the good times roll (Dr John on guitar); St James Infirmary; Jon Cleary song; Ice Age; Big shot; Making whoopee; Now that you got me; That’s life?; Revolution; Goin’ back to new Orleans; Mardi Gras day. Encore: Such a Night
20 Jul
Unveiling of Alan Hull memorial plaque Newcastle City Hall 19 July 2012
Unveiling of Alan Hull memorial plaque Newcastle City Hall 19 July 2012 
A Newcastle City Memorial Plaque was unveiled today outside Newcastle City Hall to celebrate the life of Alan Hull, who died in 1995. Lindisfarne played at the City Hall over 100 times, and their Christmas concerts were part of the annual festivities for many of us during the 70s and 80s.
I was aiming to go along to the unveiling this morning, but was in a meeting at work which ran late, so I missed the actual unveiling. I did, however, make it through just in time to catch the end of a short set by Ray Jackson. Ray performed after the unveiling, on a small stage set up outside the entrance to the City Hall. A crowd of around 100 had gathered outside the City Hall for the occasion. Ray Jackson and the band, which consisted of Ray, Dave Hull Denholm and Ian Thomson on double bass, played: All Fall Down; Clear White Light; Lady Eleanor; Fog On The Tyne.
I spent some time today running through my own memories of Alan Hull and Lindisfarne. Things I remember are; Sitting at the back of the City Hall stage in the early 70s watching Lindisfarne take the crowd through songs from the first couple of albums; everyone singing along; we can swing together. Clear White Light; the encore; Sunderland Rink, standing on chairs with a group of friends from school; at the back of the ballroom; everyone just mental; we sang and sang. Standing with a group of mates; on top of our home made shack/tent; at the Lincoln Festival 1972; Lindisfarne were one of the highlights of the weekend. Going to the Alan Hull solo concert at the City Hall in the mid 70s; he played lots of songs from his solo lps; Pipedream and Squire. Marie and I singing along to Run From Home; standing on a table; a packed Redcar Coatham Bowl; 1978; the single high in the charts. Lots of Christmas concerts at the City Hall. There were many more highlights, but the one memory which really sticks in my mind is Alan standing centre stage alone, spotlight on him, at the City Hall singing Winter Song. Just beautiful. “When Winter’s shadowy fingers first pursue you down the street; And your boots no longer lie about the cold around your feet; Do you spare a thought for summer whose passage is complete; Whose memories lie in ruins and whose ruins lie in heat; When winter….. comes howling in.”
13 Jul
John Cale The Sage Gateshead 2006
John Cale The Sage Gateshead 2006
John Cale strikes me as a pretty cool and sorted guy. Musically he crosses several genres and gives the impression that his music is very much his art. I never saw the original Velvet Underground in concert, which I deeply regret, although I have seen Lou Reed in concert several times. I did go to see a later version of the Velvet Underground at Sunderland Locarno in the early 70s, but I have a feeling the band didn’t turn up that night. This, however, was the first and only time that I have seen John Cale. I went along to this gig with David, and we had standing tickets at the front of the hall. The atmosphere in the small standing section was great, with a small number of die hard fans going totally crazy. The set was quite long, and consisted of a mix of songs from throughout John’s career, including some Velvet Underground classics. I seem to remember that he has a single out at the time which was very punky. A great gig which David and I both enjoyed. I couldn’t find a setlist for the Gateshead gig, but did manage to find one from Glasgow on the same tour: Venus In Furs; Walkin’ The Dog; Evidence; Woman; Helen Of Troy; Dancing Undercover; Femme Fatale > Rosegarden Funeral of Sores;
Hush;Dirty Ass Rock ‘n’ Roll; Guts; Look Horizon; Magritte; Cable Hogue; Set Me Free; Things; Ship Of Fools; Sold Motel; Perfect; Leaving It Up To You; Gravel Drive; Heartbreak Hotel. Band: Dustin Boyer: lead guitar; Michael Jerome: drums; Joseph Karnes: bass
7 Jul
Cher Manchester Arena 1999
Cher Manchester Arena 1999
I’d always fancied seeing Cher in concert, ever since hearing her early material like “I Got You Babe”, “Bang Bang”, and “Gypsies, Tramps and Thieves”; all great songs. I loved “Believe” and its crazy Auto-tune when it came out, so when she announced a UK tour, I persuaded Marie to go to the Manchester Arena gig. We bought tickets quite late, and ended up with cheap seats right up at the top of the massive arena, which Marie found quite scary. I was little annoyed because, after we had bought the tickets, Cher added a Newcastle date to the tour. However I put that aside in my mind, and we stuck with going to the Manchester gig. We got the train to Manchester and stayed overnight in a city centre hotel. 
The gig itself was impressive; the set was a mix of songs from throughout her career, and featured a lot of costume changes. Cher was offstage for a couple of songs while she got changed, and a group of dancers took centre stage. At one point a nostalgic video sequence was shown with lots of clips of Cher, some with Sonny, from the 60s. Great stuff. It was an interesting concert, very much a show as much as a gig. Setlist: I Still Haven’t Found What I’m Looking For; All or Nothing; The Power; I Found Someone; We All Sleep Alone; The Way of Love; Half-Breed; Gypsys, Tramps & Thieves; Dark Lady; Take Me Home; After All; Walking in Memphis;Just Like Jesse James; The Shoop Shoop Song (It’s in His Kiss); Dov’è l’amore; Strong Enough;If I Could Turn Back Time. Encore: Believe
6 Jul
Phil Collins Newcastle City Hall 1985
Phil Collins Newcastle City Hall 1985
No Jacket Required Tour 
Being a big Genesis fan, and thinking Phil’s version of Can’t Hurry Love was good fun, I was quite excited about seeing him in concert. This gig sold out quickly and was eagerly anticipated. Phil had a full band with him; as well as singing and playing piano and drums himself, the rest of the guys were known as the “Hot Tub Club” and comprised: Leland Sklar: Bass; Peter Robinson: Keyboards; Daryl Stuermer (Genesis): Guitar; Chester Thompson (Genesis): Drums; and The Phenix Horns. There was no support and quite a lengthy set from Phil and Co covering all of the hits to date. 
This gig came at the start of the tour, which took him around the world and ended with a performance, at which I was also present, at Wembley Stadium as part of the Live Aid concert. Phil was very much in a workaholic mode at this time, and popped up everywhere, famously playing at both the London and US Live Aid concerts on the same day. Last time I saw Phil was on the Genesis reunion tour at their concert at Old Trafford Manchester. Setlist for No Jacket Required Tour: I Don’t Care Anymore; Only You Know And I Know; I Cannot Believe It’s True; This Must Be Love; Against All Odds; Inside Out; Who Said I Would; If Leaving Me Is Easy; Sussudio; Against All Odds; Behind The Lines; Don’t Lose My Number; The West Side; One More Night; In The Air Tonight; Like China; You Can’t Hurry Love; It Don’t Matter To Me; Hand In Hand; Take Me Home; People Get Ready; It’s Alright; And So To F…; You Know What I Mean; Doesn’t Anybody Stay Together Anymore
5 Jul
Eric Clapton Sheffield Arena 2006
Eric Clapton Sheffield Arena 2006
Support: Robert Cray
I spent hours in the late 60s and early 70s listening to the John Mayall Blues Breakers with Eric Clapton (Beano) lp, marvelling at Clapton’s bluesy guitar, and trying to learn some of the licks. In particular, I practiced and practiced “Steppin’ Out”, which was Clapton signature guitar solo number in the 60s. I always dreamed of seeing him play it live. I bought a ticket for this gig a few days before on ebay, managing to score a good seat at half the face value! I drove down to Sheffield after work and arrived in time to see Robert Cray, who delivered a pretty fine set. 
Clapton was great that night, I think his playing is actually getting better as the years go by. His band was: Doyle Bramhall II – guitar; Derek Trucks – guitar; stalwart Chris Stainton – keyboards; Tim Carmon – keyboards; Willie Weeks – bass; Steve Jordan – drums; Michelle John & Sharon White – backing vocals; and The Kick Horns. The set featured an a few acoustic blues at the mid point. 
Setlist: Pretending; So Tired; Got To Get Better In A Little While; Lost and Found; I Shot the Sheriff; Anyday; Back Home; I Am Yours; Nobody Knows You When You’re Down and Out; Milkcow’s Calf Blues; Running On Faith; After Midnight; Little Queen of Spades; Everybody Oughta Make a Change; Motherless Children; Wonderful Tonight; Layla; Cocaine. Encore: Crossroads. John saw him in the US on this tour and sent me the US programme which is different from the UK version (thanks John). I still haven’t seen Eric play Steppin’ Out….guess there is still time.
4 Jul
Eric Clapton Newcastle Metro Radio Arena April 2004
Eric Clapton Newcastle Metro Radio Arena April 2004
Support: Robert Randolph
Over twenty years since I had last seen Clapton perform at an indoor gig, David and I went to his concert at Newcastle Arena in 2004. I’d seen EC at a couple of festivals in the interim; at the Knewborth Silver Clef show in 1990, where he shared a bill with a host of other top names, including Pink Floyd, and Paul McCartney; and in Hyde Park in 1996, which was another great bill, and included The Who and Bob Dylan. I’d lost some of my faith in EC, as I felt that some of his material in the 90s was a little middle of the road, with less blues guitar and less of the rock legend that I had previously thought of him as. However, this gig renewed by faith in Eric. I remember being quit excited at the prospect of seeing Eric close up again (we had seats quite close to the front), and David came up from Leeds where he was studying at the time, especially to see the gig. 
He had just released “Me and Mr Johnson” which was the first of two albums of covers of Robert Johnson songs that he released that year. So it seemed to me that he has rediscovered the blues, and it showed in his set that night, which featured a fair number of songs from that album, mixed with the usual classics. We both enjoyed Clapton that night, and my interest in him was reaffirmed, to the extent that I have tried to see him as many times as I am able since then. Setlist: Let It Rain; Hoochie Coochie Man; Walk Out in the Rain; Bell Bottom Blues; I Shot the Sheriff; Milkcow’s Calf Blues; When You Got a Good Friend; They’re Red Hot; Kindhearted Woman Blues; Got To Get Better In A Little While; Have You Ever Loved a Woman; Badge; Wonderful Tonight; Layla; Cocaine. Encore: Sunshine Of Your Love; Got My Mojo Working.
3 Jul
Ginger Baker’s Jazz Confusion Stockton Arc July 2nd 2012
Ginger Baker’s Jazz Confusion Stockton Arc July 2nd 2012
I couldn’t resist taking up the opportunity to see the legendary drummer Ginger Baker at Stockton Arc last night. It was the first time that I have been to the Arc, which is an arts centre venue in the centre of Stockton. Ginger’s current band consists of Pee Wee Ellis on saxophone, Pee Wee was in James Brown’s band in the 60s and is also long-time musical director for Van Morrison (aha I thought I recognised this guy), Alec Dankworth, on electric and double bass, Alec is son of Cleo Laine and John Dankworth, and twice named Bassist of the Year in the British Jazz Awards, and Abass Dodoo on percussion. Ginger took the stage spot on the advertised start time of 8pm. The band played two sets of jazz instrumentals. I’m not a big jazz fan, but enjoyed this gig. These guys can really play, and it shows. Great to see Ginger again.
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