Elvis Costello Newcastle City Hall March 1978
Support Mickey Jupp
I’d seen Elvis Costello on the Stiff tour, and was really into his early singles and his image. He quickly graduated to playing concert halls, and this was the first of many times that he has played at Newcastle City Hall. His success was pretty rapid, and that clutch of early singles is impressive. Within a year he had delivered two ace albums and the singles Less Than Zero, Alison, Red Shoes, I don’t want to go to Chelsea, and Watching the detectives. Amazing when you think of it. His image then was very distinct; a strange nurdy mix of Buddy Holly, Hank Marvin, and yet still very cool. On stage he was sharp, stuttering, passionate and totally enthralling. I really enjoyed seeing Elvis Costello in the late 70s and early 80s, and haven’t been to see him for some time. I missed his recent visit to Newcastle, but note that he is returning to the region next year to play at The Sage Gateshead, and have promised Laura that we will go along this time. Reminiscing about my early Elvis concert experiences has made me realise just how great he was, and I am sure still is, so I look forward to see him next year. I’ll post a few more recollections on early Elvis gigs over the next few days. Setlist: Waiting For The End Of The World; No Action; This Year’s Girl; Night Rally; (The Angels Wanna Wear My) Red Shoes; Hand In Hand; Less Than Zero; The Beat; Lip Service; (I Don’t Want To Go To) Chelsea; Pump It Up; Lipstick Vogue; Watching The Detectives; You Belong To Me; Mystery Dance; Miracle Man
Posts Tagged ‘punk’
19 Jul
Elvis Costello Newcastle City Hall March 1978
18 Jul
The Clash Newcastle City Hall 1982
The Clash Newcastle City Hall 1982
Support: Nod The Geordie Poet (?!)
The Clash returned to Newcastle in 1982 to play two nights at The City Hall. By this time The Clash were starting to disintegrate. Topper Headon had left to be replaced by Terry Chimes, and it was the beginning of the end for the band. They had just released Combat Rock. Although my ticket shows the gig as having taken place in May 1982, all of the gig listings show the gig as actually being in July 1982. I guess the tour must have been rescheduled. I remember a group of us went along to the gig, and that we were sitting pretty close to the front. I don’t think the venue was full. I remember the gig being ok, but not on the same level as earlier Clash gigs that I’d seen. This was the last time I saw The Clash.
17 Jul
The Clash Newcastle Mayfair June 12th 1980
The Clash Newcastle Mayfair June 12th 1980
Support Joe Ely
(And a trip to the City Hall to see Rush)
This was one of those nights were I was torn between two gigs. Rush were playing at Newcastle City Hall and The Clash were playing at Newcastle Mayfair on the same night. I already had a ticket for Rush, I was going with a group of mates, and the gig was sold out, when The Clash gig was announced. What a dilemma for me! I hadn’t missed a Newcastle gig by either band; what could I do? I decided to buy a ticket for The Clash and try and times things so I would see both bands. Now on the rare occasions I have tried to do this, it usually hasn’t worked out very well, and I’ve ended up not enjoying either gig that much. So on the night of the gig(s) I went along to the City Hall with my mates to see Rush. This was the Permanent Waves tour, and my mates were big Rush fans who couldn’t believe that I would leave the gig early to see The Clash. But thats exactly what I did. 
The norm at The Mayfair was for the band to take the stage around 10pm at that time, so I watched around one hour of The Rush gig then drove down the road to the Mayfair to see The Clash. By then I had missed support act Joe Ely. In fact I arrived in the venue just as The Clash had started the first song of the night. I always find is strange entering a gig late. Its like coming into a party uninvited when everyone is already drunk. Picture this. I enter a packed ballroom, The Clash are playing Safe European Home, and the place is going nuts. I stood on the balcony and wandered around the place, taking it all in. The Clash played much longer that night than the previous times I’d seen them. Of course by 1980, they had a much larger repertoire of songs to draw from. They were great as usual, but I didn’t see as much passion and energy as at the Newcastle Poly gig a couple of years before. I thought the gig dragged at times, but picked up towards the end, and the place went nuts when they finished with White Riot. So my aim of taking in two gigs on the same night sort of worked, although I didn’t see that much of Rush, and couldn’t really get into their set as my mind was more focussed on getting my timings right in order to catch The Clash. Setlist: Safe European Home; Jimmy Jazz; Revolution Rock; The Guns of Brixton; Train in Vain; London Calling; Spanish Bombs; (White Man) In Hammersmith Palais; Somebody Got Murdered; Koka Kola; I Fought the Law; Jail Guitar Doors; Hit the Road Jack; Police and Thieves; Clampdown; Stay Free; English Civil War; I’m So Bored With the U.S.A.; Complete Control; Armagideon Time; Tommy Gun; London’s Burning; Capital Radio; What’s My Name; Garageland; White Riot.
16 Jul
The Clash Newcastle Polytechnic Oct 28 1977 and Dec 2 1978
The Clash Newcastle Polytechnic Oct 28th 1977 and Dec 2nd 1978
Support acts: Richard Hell and the Voidoids (1977); The Slits (1978)
The Clash came back to Newcastle later in 1977, and again in 1978. I only have vague ![_DSC3340 [CROP2][LR]](https://myvintagerock.com/wp-content/uploads/2012/07/dsc3340-crop2lr.jpg?w=257&h=257)
memories of the 1977 gig, and can’t be certain that I attended, although I think I did. I remember there was trouble and some fights at one, and maybe both, of the gigs. I read somewhere that Richard Hell had a firework thrown in his face. I have very vivid memories of the 1978 gig. By 1978 The Clash were massive, and the gig sold out almost immediately. I also bought tickets for their gig at Middlesbrough Town Hall, but sold them to a couple of mates so that I could go and see The Jam at the Mayfair that night. That night at Newcastle Polytechnic I saw something different in The Clash. It was as if they had moved up couple of levels, and were now a confident, and great rock band, rather than another punk act. The place was packed, with everyone standing on chairs and tables. I think they started with Safe European Home; I do remember that they were just stupendous. I also remember being particularly impressed by Mick Jones guitar work, and when he took the lead for Stay Free, which remains one of my favourite songs to this day. This was the best time that I saw The Clash, and the night I realised that there were a major rock band. I remember saying to Marie that, on that night, for me they were up there with The Who and Zeppelin as one of our best live rock acts.
Blog entry updated on 23rd of June 2020. I recently wrote a chapter for a book about The Clash (Smith, 2017). I have enclosed a short extract below which relates to these gigs. I have also taken the opportunity to include some great photographs which Mark kindly send me of both The Clash and Richard Hell.
![_DSC3349 [CROP2][LR]](https://myvintagerock.com/wp-content/uploads/2012/07/dsc3349-crop2lr.jpg?w=288&h=288)
“The Clash returned to Newcastle later in 1977, and again in 1978. There was violence and fighting at both gigs. Both gigs took place at the Students’ Union of Newcastle Polytechnic. Both were weekend gigs, party nights for the students. Admission was once again “students only,” which was a source of anger and violence, and in direct contravention of the tour policy which “guaranteed access to non-college students” (Gray 2003). Richard Hell had a firework thrown in his face at the 1977 gig, which took place a few days before bonfire night. These were crazy nights of excitement, violence, clashes between rival gangs and excellent rock music. “The gigs were mayhem,” recalls Johnny Green: “never seen anything like it in my life” (Gray 2003). A member of The Slits urged the crowd to “wreck the place” (Newcastle Journal, 2011).
I have very vivid memories of the 1978 gig. By 1978 The Clash were established, popular and the darlings of the music press, and as a result the gig sold out almost immediately. There was much anticipation for the concert. The students had come to see what punk rock was all about, and fans to experience their new rock heroes. The local people, those who managed to gain entry, were there to spit at the band and (for some) to fight with the students. The group of people outside were trying to force their way in, getting angrier and angrier, and ended up waiting outside to attack students as they left. At the 1977 gig a fan tried to pull Mick Jones off stage, damaging his Les Paul Junior (Gray 2003).![_DSC3343 [CROP][LR]](https://myvintagerock.com/wp-content/uploads/2012/07/dsc3343-croplr.jpg?w=237&h=237)
Although I enjoyed the gigs, I was scared on both occasions. I had very long hair and looked out of place at a punk gig. The fact that the gigs took place in a students’ union building added a level of safety. I could blend in with the students, although I was also the subject of taunts from local punks. It was leaving the venue which was the most frightening aspect of the evening. We had to run the gauntlet of a large group of punks and skinheads who, having been denied access to the gig, were determined to vent their anger and frustrations on students, many worse the wear from alcohol, leaving the hall. Some people were seriously hurt. A heavy police presence minimised the violence and the danger and we survived both gigs unscathed.
![_DSC3376 [CROP][LR]](https://myvintagerock.com/wp-content/uploads/2012/07/dsc3376-croplr.jpg?w=203&h=203)
The Newcastle Journal (2011) reported the 1978 gig as an example of the “harum-scarum days of punk rock” where “hundreds of drunken youngsters” had “fierce scuffles” and “specially trained security guards with dogs and walkie-talkies” tried to keep order inside and outside the venue.”
Gray, Marcus (2003), The Clash: Return of the Last Gang in Town, London: Helter Skelter.
Journal, The. (2011). Reuniting the wild women of punk rock, The Journal, Newcastle 23rd February 2011.
Smith, P. (2017). An Analysis of The Clash in Concert: 1977 to 1982, in Cohen, S and Peacock, J (eds.), The Clash Takes on the World: Transnational Perspectives on The Only Band that Matters, Bloomsbury, pp 27 – 44.
Many thanks once again Mark for your great photographs, and for allowing me to use them to update my blog posts.
15 Jul
The Clash White Riot Tour Newcastle University May 20th 1977
The Clash White Riot Tour Newcastle University May 20th 1977
This was the night that punk truly arrived in Newcastle, and the first time I saw The Clash. It was the first really big punk gig in Newcastle, and it sold out well in advance. Most of the tickets had been sold to students through the students union; in fact if I remember correctly you had to be a student to buy tickets, which was the source of some agro and trouble on the night of the gig. Luckily I was a student at Sunderland Poly at the time and I used my union card to buy a couple of tickets for Marie and I. When we arrived at the Union building on the night of the gig, the entrance was surrounded by a group of local punks who were trying to get in. There were a few scuffles between the doormen and the punks, who were angry because they couldn’t get in to see “their band” who (in their eyes) were playing for a group of middle class students.
In 1977, Newcastle University ballroom was in a smallish room up a flight of stairs, with the main bar being down on a lower level. The union building was a maze with several bars, a pool room, and several lounges. You could wander around the building and dip in and out of the gig in the main ballroom. There was a great sense of anticipation that night. The North East had missed out on the Sex Pistols Anarchy tour which had been booked to visit Newcastle City Hall, and had been cancelled because of the controversy around the band. So this was the first chance for local punks to see a “big” punk band. The place with packed, however the audience was largely students with a smattering of local punks who had somehow managed to buy tickets, and were crammed around the stage upstairs. I sensed that these guys didn’t really know much about punk, but had decided that it was right for them. They were probably much more into the image, the concept of anarchy and rebellion, than Clash music. The first Clash album had been released a few weeks before the gig, and the audience were there as much out of curiosity and because of reports that they had read in the NME and Sounds than as result of the music. Similarly for me, I’d read reports that The Clash was THE new punk rock band to out-punk (and out rock) The Pistols, so I had to see what these guys were like. Support came from The Prefects (replacing The Jam, who had just left the tour) Subway Sect, and The Slits. Marie and I made a point of making sure we made our way from the bar up to the ballroom to see each of the bands. The sound wasn’t great for any of the support acts, who all seemed a bit amateur and ramshackle to be honest; but I guess thats what punk was about in those early heady days. There was lots, and I mean lots, of spitting at the band. This was one of the first times I’d seen the crowd spit at the stage; its difficult to imagine how prevalent the practice was in those days. The Clash were just streets ahead of the support acts. For their set there was lots of pogoing and the spitting was relentless. Poor Joe Strummer was covered in spit. They looked great; just like their pictures on the cover of the first album. I’d heard some of the tracks from the first lp, and new the single White Riot, and loved Janie Jones and Police and Thieves, which were played a lot at punk gigs at venues like Middlesbrough Rock Garden in 1977 and 1978. The set was short, as were each of the songs, and consisted of tracks from their great first album. The sound was a bit murky, but the atmosphere, the band’s passion, and the power of delivery made up for it. We’d seen a few punk bands during 1976, including The Sex Pistols at a small gig in a pub in Whitby, but this was the first sold out and wild punk gig that we had attended, and it was just great. It set me off going to lots of punk gigs over the next few years. Don Letts, who managed The Slits at the time, was wandering around with a massive video camera, filming the event. The music between the bands was very heavy, loud dub and reggae, which was quite new to all of us. There were further scuffles around the entrance area throughout the night, with punks fighting with the guys on the door to get in, and there were a few fights inside the gig. As I had very long hair at the time, so I could easily have been a target. I was always careful to avoid trouble, and always managed to do so. I can’t find any record of the setlist, but based on reports from other gigs on the tour it is likely that is was something like this: London’s Burning; 1977; I’m So Bored With the U.S.A.; Pressure Drop; Hate and War; Cheat; Police and Thieves; 48 Hours; Capital Radio; Deny; Remote Control; Career Opportunities; White Riot; Janie Jones; Garageland; 1977. The day after the gig Joe Strummer and Topper Headon were arrested, in true punk fashion, for stealing pillowcases from a hotel room in Newcastle (!), and spent some time in the cells. Great memories of an era that now seems so long ago. Where did all the time go?
13 Jul
John Cale The Sage Gateshead 2006
John Cale The Sage Gateshead 2006
John Cale strikes me as a pretty cool and sorted guy. Musically he crosses several genres and gives the impression that his music is very much his art. I never saw the original Velvet Underground in concert, which I deeply regret, although I have seen Lou Reed in concert several times. I did go to see a later version of the Velvet Underground at Sunderland Locarno in the early 70s, but I have a feeling the band didn’t turn up that night. This, however, was the first and only time that I have seen John Cale. I went along to this gig with David, and we had standing tickets at the front of the hall. The atmosphere in the small standing section was great, with a small number of die hard fans going totally crazy. The set was quite long, and consisted of a mix of songs from throughout John’s career, including some Velvet Underground classics. I seem to remember that he has a single out at the time which was very punky. A great gig which David and I both enjoyed. I couldn’t find a setlist for the Gateshead gig, but did manage to find one from Glasgow on the same tour: Venus In Furs; Walkin’ The Dog; Evidence; Woman; Helen Of Troy; Dancing Undercover; Femme Fatale > Rosegarden Funeral of Sores;
Hush;Dirty Ass Rock ‘n’ Roll; Guts; Look Horizon; Magritte; Cable Hogue; Set Me Free; Things; Ship Of Fools; Sold Motel; Perfect; Leaving It Up To You; Gravel Drive; Heartbreak Hotel. Band: Dustin Boyer: lead guitar; Michael Jerome: drums; Joseph Karnes: bass
2 Jul
The Stone Roses Heaton Park Manchester July 1st 2012
The Stone Roses Heaton Park Manchester July 1st 2012
I never saw The Stone Roses fist time round; they were around during a period where I wasn’t seeing quite as many gigs as usual, focussing on family and work. In recent years Laura has become heavily into the band, so when they announced this series of reunion gigs in their hometown we decided we should go along. Laura is singing at a friends wedding in a couple of weeks with a group of mates from university who are scattered around the country at the moment, and they were rehearsing at a studio in Wakefield on Sunday afternoon. So my first task was to drive to Wakefield, pick her up and drive across to Manchester for the gig. Picked Laura up about 5pm in Wakefield and then we drove across to Manchester, arriving at Heaton Park, around 6.30pm. We got straight into the disabled parking, and it was a short walk to the nearest entrance to the park, and then up to the disabled platform, which was at the back of the park, facing directly onto the stage. Full marks to everyone for the organisation. The place was rammed by the time we got to the platform, but we got there without any problem at all, and everyone was very helpful. Laura had brought her white cane, and everyone made room, and we got through the crowds no problem at all. The Wailers were on as we arrived, playing a selection of old Bob Marley classics. They were pretty good, but the crowd din’t seem to be taking a lot of notice of them. Next up was Plan B. His current act is a mixture of a 60s soul revue and hip hop / rap. I thought he pretty good, much better than I had expected and the crowd gave him a good reception. But everyone was there for the main event. Around 9.10pm the Supremes “Stoned Love” boomed across the PA, and then the heroes of the night took to the stage, starting with “I wanna be adored”. Not being a fan and feeling quite old; I did feel a bit like an intruder at a stranger’s party at times. This band means so much to everyone there. Everyone knew every word, and the atmosphere was just great. 
The Stone Roses played all of the first album and a few tracks from the second. John Squire was just astounding on guitar. I hadn’t realised how good he was, and how much of a guitar band The Roses were. Ian sang ok, and was in 100% control of the crowd. Mani had a smile right across his face. Reni kept the rhythm at the back. I heard lots of the 60s in the music: Jefferson AirPlane, Love, The Byrds, The Doors, The Floyd, there were all there in Squire’s guitar and in the visuals. We were chatting to a guy called Eddie on the platform, who kindly explained all the visuals (which were also impressive) to Laura. We left during the instrumental jam part of “I am the Resurrection” but could hear all of it as we walked to the car. Just as we got to the car park we saw the fireworks light up the sky. Our plan of leaving during the last song worked well; we were straight out of the car park just after 11pm, and straight onto the motorway, which was amazing. Back home at 1.15am. Have been reflecting on what I experienced last night. The vibe of the day was like no other gig I can remember. This was much much more than a concert. It was a generation celebrating their youth, and reaffirming their belief in four guys that took them on a journey which was all too brief and stopped short; and for three special nights everyone in the park were at one with those guys on the stage again. It was something special to be part of. Support acts: Justice Tonight Band, The Wailers, Plan B, The Stone Roses.
Setlist: I Wanna Be Adored; Mersey Paradise; (Song For My) Sugar Spun Sister’; Sally Cinnamon; Where Angels Play; Shoot You Down; Bye Bye Badman; Ten Storey Love Song; Standing Here; Fools Gold; Something’s Burning; Waterfall; Don’t Stop; Love Spreads; Made Of Stone; This Is The One; She Bangs The Drums; Elizabeth My Dear; I Am The Resurrection.
24 Jun
Culture Club Newcastle City Hall 1983
Culture Club Newcastle City Hall 1983
Dave and I went to see Culture Club at Newcastle City Hall in March 1983. This is the only time that I have seen the band. At this point in their career Culture Club had released their first lp “Kissing to be Clever” and had hit the singles chart twice, with the No 1 single “Do You Really Want to Hurt Me” and a No 3 hit with “Time (Clock of the Heart)”. This was their first major tour, before they became really mega, with the release of the massive “Colour by Numbers” album and the world wide hit “Karma Charmeleon”. 
Boy George was (and still is) a fascinating character, and it was to see him and to hear the hit singles that drew us to The City Hall that night. Support came from The Swinging Laurels, reportedly at the request of George. The concert was pretty good; George looked great in a multi-coloured suit/dress and had impressive dreadlocks. I remember the music as being a mix of pop and reggae, and the sound much quieter than most rock gigs. The gig was sold out, and had been for some time in advance. I seem to recall that we went on to the Mayfair after the gig that night to see Marillion. 
I haven’t seen Culture Club since that night, although I did sit in the next row to Boy George on a flight to Munich once. A bootleg recording of the Liverpool show of this tour gives the setlist as: Boy Boy (I’m The Boy); I’ll Tumble 4 Ya; Mister Man; Take Control; Black Money; Love Twist; Do You Really Want To Hurt Me?; You Know I’m Not Crazy; I’m Afraid Of Me; White Boys Can’t Control It; It’s A Miracle; Church Of The Poison Mind; White Boy; Time (Clock Of The Heart)
23 Jun
The Cramps Newcastle Mayfair March 1986
The Cramps Newcastle Mayfair March 1986
When I was very young, around 10 years old, I discovered horror movies and a magazine called Famous Monsters of Filmland. I loved the classic 30s horror movies: Frankenstein, Dracula, the Wolfman, and was fascinated by zombies, ghouls, the creature from the black lagoon. Through my teens I bought Famous Monsters from Filmland regularly, and saw as many 30s, 40s, and 50s horror and scifi films as I could on TV or at the cinema (which was sometimes difficult as many were X rated, which meant that you had to be 16 to see them). Why I am telling you this in a post about The Cramps? Simple. The Cramps blended together several of my favourite things: a love of gothic horror, the bizarre, scifi, surf music, garage, and rockabilly. They came out of the New York punk scene, and are often credited with starting the psychobilly genre. Looking through the pages of the programme from this gig reminds me how great this band were. The programme is crammed with images taken from B movies and features the 1985 movie Return of the Living Dead, for which The Cramps wrote a song “Surfing Dead”. 
The Cramps were at their peak of popularity on this, their 1986 world tour. The tour took in several nights at Hammersmith Palais and a few nights at Hammersmith Odeon, as well as gigs around the country, including this North East gig at Newcastle Mayfair. They were fronted by singer Lux Interior and guitarist Poison Ivy. I went to the gig with my mate Dave, and it was a load of fun. The show was totally wild and wacky, quite similar in many ways to The B-52s, but much crazier. Lux Interior was totally wild on stage; I can picture him now, crawling all over the top of the speaker cabs, stripping off at the same time. The guy had no fear; think of Iggy Pop at his wildest times 10. The place was packed, and the crowd lapped it up. The Cramps continued throughout the 90s, and split only when Luz Interior passed away in 2009.
20 Jun
Crass gigs in Middlesbrough early 1980s
Crass gigs in Middlesbrough early 1980s
Do They Owe Us A Living? Course they F***ing Do!
I was lucky enough to see Crass live twice in the early 80s. I went to both gigs with my mate Dave, the first gig was in Middlesbrough Rock Garden, and the second a year or two later in Middlesbrough Town Hall Crypt. I have very vivid memories of the Rock Garden gig. The Rock Garden was an amazing venue, an old beer kellar, with sticky floors and full of punks and some of the edgiest looking skins you have ever seen. Dave and I went to many gigs there, it always exciting, and we often felt in fear of our lives, particularly as we both had long hair, and didn’t come from Middlesbrough. For Crass the place was packed, so packed that you couldn’t move. We were the only people in there with long hair; everyone else was a punk or a skin. There were black and white TVs all over the place, at first showing static and flashing screens and then images of war crimes, the holocaust, horishima, etc. Crass were just great. Dave and I loved Owe us a Living, Banned from the Roxy and Shaved Women and its.. Screaming Babies, Screaming Babies..chorus; the whole place went mental and sang along. 
Imagine being in a room full of punks, so full that you can’t move, the sound is loud, deafening, and the place is going wild, beer is being thrown everywhere and you are getting pushed all over. Well thats what it was like. Dave and I drove home singing Sreaming Babies… We were back to see Crass again a year or so later at The Crypt. In comparison that gig was quite tame, as I recall. Not as full (the crypt is a bigger venue) and no where near as wild or scary. They was no other band like them, nor has there been since. I picked up this comment from YouTube: “CRASS! are the most influencial punk band ever, not to mention, the PUNKEST band ever. they were not about the bull shit, and never sold out. they were a true punk band and spoke what they knew was right, not caring who opposed.” I can’t agree more. Well said.
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