The Groundhogs Sunderland Old 29 1985 – 198
The Groundhogs played Sunderland Old 29 on at least three occasions in the mid 80s. In this case, and for me, the venue itself is as memorable as the gigs. The Old 29 was demolished many years ago, but many of us of a certain age (and older) hold fond memories of the old place. It was a lovely old traditional pub, nothing special, but with a certain ambience, sited in High Street West, close to the Empire Theatre. The 29 hosted regular gigs from the late 70s onwards, and was a haunt for local rock and punk fans. Local bands such as The Toy Dolls, King Crabs (featuring Jimmy Nail) and the infamous Angelic Upstarts would play there. Gigs would be on a Saturday lunchtime and some evenings. 
I remember seeing The Upstarts there a number of times (must blog on them one day) and Jimmy Nail jumping around the tables during a King Crabs gig. The Old 29 was a proper spit and sawdust town centre pub; your feet would stick to the carpet and there would a strong smell of stale beer in the air. The tickets show that the entry price to see The Groundhogs was £1.50; a true bargain. Two of the tickets show the year as being 1985 and 1987; I think the other could be from 1984 (Nov 7th fell on a Wednesday that year). Two of the tickets have the band billed as the Original Groundhogs, which wasn’t quite correct; yes they were original in the sense that Tony was in the line-up, but that was as far as it went. The actual line-up for the Old 29 gigs was Tony McPhee (amazing guitar and whammy bar), Alan Fish on bass, and Mick Kirton on drums. 
The place was packed for the first couple of gigs. I think by the time of the third gig everyone had seen the band a few times, and I seem to recall it being only half full. The band would play on a tiny stage near the front of the pub, and if you came in during the set you had push your way through the crowds. The music was loud, to the point of being deafening, and could be heard on the street outside. The pint glasses were real glass (no plastic in those days), and when the gig finished and the pub cleared you could see that the floor was strewn with broken glass. This was another chance to see Tony up close, and at the time he was playing as well as he ever did. Happy days. Bring back the Old 29.
Posts Tagged ‘prog rock’
1 Jan
The Groundhogs Sunderland Old 29 1984 – 1987
31 Dec
Uli Jon Roth The Office South Shields 30 December 2012
Uli Jon Roth The Office South Shields 30 December 2012 (and 1983)
For my final gig of 2012 last night I went to see the legend that is Uli Jon Roth, ex-Scorpions, Hendrix aficionado, inventor of the Sky guitar, and exponent of neo-classical rock guitar. It was a real privilege to witness one of rock’s greatest guitarists so close up in such an intimate local venue. I arrived at the Office at 9am, just catching the end of support act Lovedrive’s (Scorpions tribute act) set. The gig was in the upstairs room of the venue, which is close to the centre of South Sheilds, and it was packed to the walls. The room holds 200 people and the gig was completely sold out. I made my way to the front to get a good view of the great man. Judging by the t-shirts, the crowd beside me were all Scorpions fans of many years. There was then a bit of a wait before Uli Jon Roth took to the stage to chants of “Uli! Uli! Uli!”. Within a few minutes he launched into All Along the Watchtower (ala Jimi Hendrix), and it was immediately apparent that this was going to some special concert. Many musician’s of Uli’s generation seem tired and have lost some of their spark, but not this guy. His playing was just amazing. His instrument for the evening was one of his custom Sky guitars, which is a beautiful piece of craftsmanship, having additional frets going right up to the pick-ups, which allow Uli to get very high notes, and play his trademark riffs. Watchtower was followed by more Hendrix: If Six Were Nine, flowing straight into Little Wing. 
Just awesome; the 50 something guys at the front were saluting Uli and nodding to each other as if to say “This guy can still do it”. The rest of the set was largely Scorpions classics including The Sails of Charon; Life’s Like a River; We’ll Burn the Sky; and Fly to the Rainbow. There were other songs which were less familiar to me, but the crowd knew them all, singing along to every word. He also played Enola Gay (Hiroshima Today?) from his Electric Sun period. Vocal duties were handled by the bass player, who did a spectacular job reaching all the high notes, and singing sweetly during the ballad sections. The rest of Uli’s very tight, rocking band were a second guitarist, keyboard player and drummer. Uli told us that this was his first visit to South Shields but made reference to the fact that he had been to nearby Newcastle a few times, playing the City Hall in 1983, and 1985. He asked “How many of you were there?’ and a great roar came from the crowd. When I got home and checked my ticket stubs, I found that was at the 1983 City Hall gig. Is doesn’t seem almost 30 years since I last saw this guy in concert. Uli also commented on the rumours that the City Hall might be facing closure, and told us that we must not let it happen: “get a petition; do something, you can’t let it close, that hall is one of the most beautiful in your country”. Uli’s playing has developed over time, moving more towards classical music; however last night’s set was very much focussed towards his rockier side, and his years with the Scorpions. As I left I heard a guy say to his mate “He’s just phenomenal!” which just about summed it up. Everyone in The Office last night will have been blown away by the skill, passion and warmth of Uli Jon Roth’s performance. It certainly felt like I had witnessed something pretty special. There was talk on bringing him back again next year; I’m sure the place will be equally as packed if that happens.
PS Oh, and it was very LOUD down the front. It was good to go home with my ears ringing; it brought back happy memories. Luckily they’ve stopped ringing by this morning.
PPS Apologies for the very blurred picture, which I took on my iphone. One of my new years resolutions is to practice using the camera on my phone so that I can take better pictures (why does everyone around me seem to be taking great photos?).
27 Dec
The Groundhogs four piece line-up Middlesbrough 1975 and 1976
The Groundhogs Middlesbrough 1975 and 1976
Tony reformed the Groundhogs in 1975 this time with a completely new line-up consisting of Mick Kent on bass, Mick Cook (ex Home) on drums, and a second guitarist; Dave Wellbelove. I saw this version of the Groundhogs on at least a couple of occasions; once at Teesside Polytechnic students union (I think in 1975, but it may have been 1976), and once at Middlesbrough Town Hall Crypt in 1976. I also vaguely recall seeing them at Newcastle University ballroom, but that could be my memory playing tricks. It was great to see The Groundhogs back in action again, but it seemed strange to see Dave Wellbelove sharing guitar duites with Tony. This line-up was much more rock-oriented, moving further away from the blues, and released two albums: Crosscut Saw and Black Diamond. Both are respectable, with a couple of highlight tracks on each, but they don’t reach the heights of Split and Thank Christ for the Bomb. A live album from this period, entitled Groundhogs UK Tour 1976, was released in 2004, and features the tracks: Boogie Withus; Promiscuity; Corn Cob; Eleventh Hour; Crosscut Saw; Fulfilment; Light My Light; Split Part 2; Cherry Red, drawing heavily from the Crosscut Saw album. Sadly this version of the Groundhogs was shortlived and the band was to split again in 1976, with Tony going solo, and fronting a new band Terraplane.
14 Dec
Taste Sunderland Empire 10 May 1970
Taste Sunderland Empire 10 May 1970
Today I am moving in my blogging from gigs I have attended by acts beginning with the letter “F” to gigs by acts with the letter “G”. This one is a bit of a cheat, as the band begins with “T”, but I couldn’t begin to cover the late great Rory Gallagher without reference to the time I saw Taste in concert. This was one of the first gigs I attended, and being over 40 years ago my memories are few, but very strong, because of the power of the event. If I had to use a couple of words to sum up Rory Gallager I would choose “passion” and “authenticity”. Rory was 100% passionate in his performance and in the way he delivered his own brand of the blues. There was also an honesty and authenticity about Rory; no frills, no big act or stage show; with Rory what you saw was what you got. I was 13 years old when I saw Rory and Taste at the Empire theatre in Sunderland. I had a ticket in the front row, right in front of the great man. I’d read about Taste, but didn’t have any of them albums at the time, so I didn’t know their material. I was so impressed that after the gig I went out and bought the first Taste lp, and I later also bought On the Boards. I don’t recall their being any support act that night. The set was drawn from those two lps. I definitely remember them playing Catfish, Sugar Mama, Whats Going on, and Blister on the Moon (that track still amazes me). I can picture Rory singing “I wish I was a Catfish” like it was yesterday. He was wearing a trademark checked shirt and playing his battered old Fender. The other members of the band were, of course, Richard McCracken on bass guitar and John Wilson on drums. I remember McCracken had a habit of biting and holding his hair at both sides of his mouth while playing. Rory’s playing was a revelation to me. I had a guitar at the time, and was glued to his ever move, as his fingers flew across the frets; trying to learn some of the riffs. I seem to recall that they also played a couple of slower tracks from the On the Boards lp; possibly the title track and If the Day Was Any Longer. That night, that 13 year old schoolboy that was me, became a life long Rory fan. I was totally blown away by Taste, and went home and bored my parents about them. Next day at school I told everyone just how great they were (most people hadn’t heard of them and ignored me!). Great memories. I’ll blog on some of the many Rory gigs I attended over the next few days. They were all great, but this performance by Taste holds a special place in my memory. I always felt that Rory solo never quite matched up to the raw power of Taste, and that he lost a little edge somewhere along the way, but maybe that was because this early gig was so great, because I was so close to the man, and because it was one of my first gigs.
8 Dec
Fat Grapple
Fat Grapple
In my daily blogging I have tended to write about gigs of major bands that I have attended, in most cases including a scan of a ticket or a programme or both. Well in the case of this band, I am afraid that I don’t have either a ticket or a programme. I also found it very difficult to find any image relating to the band that I could use. I guess most people will not have heard of Fat Grapple, but I just couldn’t move from letter F to G without mentioning them. Fat Grapple came from the North East of England (Billingham to be precise) and featured a young Eddie Jobson before he moved on to Curved Air, Rozy Music and prog rock fame. The picture I have here is of violinist Eddie Jobson in his days with Roxy music.I saw them a few times at local gigs in Sunderland Locarno, and they were just amazing, and it was very clear that Eddie was a virtuoso musician and a star in the making. The first time I saw Fat Grapple was at one of the regular Friday night gigs at the Locarno. All we knew was that they were a local band, and none of us had heard of them before. There was only a small crowd that night but they just blew us away with a blend of prog rock, and a great violin player that they introduced as “the beautiful Edwin”. This was the young Eddie Jobson of course, who was totally unknown at the time. He was great, playing covers of Jig a Jig, Curved Air’s interpretation of Vivaldi, and Hava Nagila, and stole the show. We all went crazy and called them back for encore after encore. They got such a great reception that they were booked again for the following week, and the place was packed this time; the word had clearly got around just how good this band were. It wasn’t long before Eddie had joined Curved Air. Fat Grapple continued to gig up and down the country into the mid 70s, by which time Eddie Jobson had left the band. They also produced a single in 1975, called Happy in the Lord. I remember that they had a song Skinhead Sandy which I thought was particularly catchy and was a live favourite. It had lyrics something like: I-I-I-I-I-I said, I’ve Got no hair on top of my head, So I-I-I-I-I’ll be a Skinhead said Sandy. I wish I could find a recording of it, or even better some video footage of the band, but I have searched and I suspect nothing exists.
1 Dec
Chris Farlowe in concert
Chris Farlowe in concert
Chris Farlowe is one great singer. I would put him alongside the greats (for me): P J Proby, Steve Ellis, Steve Marriott, Joe Cocker, Frankie Miller, Paul Rodgers, Rod Stewart, Robert Plant. I first saw him when he was being a rock star as vocalist on Atomic Rooster. He was only in the band for a short period during 1972 and possibly 1973, and I was lucky enough to see them at Sunderland Locarno. It seemed a strange match, but worked well. The next time I saw him was at the City Hall with my mate Will. This gig was billed as Chris Farlowe and Friends and was poorly attended, Chris wasn’t really seen as being “cool” at the time. However, he was amazing, and we came away as converts. A live lp exists from that period and shows his setlist as being: We’re Gonna Make It; Rhyme And Time; Peace Of Mind; After Midnight; Only Women Bleed; Mandy; Hot Property; Handbags & Gladrags; You Haven’t Done Nothin’; It Ain’t No Use. 
There are quite a few titles that I don’t recognise there, but I definitely remember him singing Mandy, Only Women Bleed and Handbags & Gladrags. It interesting that Out of Time is not listed. His band for the live album is listed as backing vocals – Joanne Williams, Madeline Bell; Bass – Pat Donaldson; Drums – Gerry Conway; Guitar – Albert Lee; Horns – Chris Mercer, Ron Carthy; and Keyboards – Jean Roussel. I do recall the great Albert Lee being on guitar at that gig, but can’t be certain about the rest of the band. I wonder if Madeline Bell was there; I have always been a great fan of Madeline, and I wasn’t sure if I have ever seen her. Maybe I saw her that night. 
Anyway it was great gig, and that night I realised just how good Chris was that night. Since then I’ve seen Chris a few times, including a couple of gigs at Newcastle Tyne Theatre some years ago. At one of those gigs, Marie and I chatted to Chris in the bar, and he signed my ticket. Chris is often backed by The Norman Beaker Band who are an excellent blues band. Favourites of mine are Handbags and Gladrags, Out of Time, and he does great versions of The Stones Paint It Black and The Small Faces All or Nothing. Long may he rock.
27 Nov
Focus Newcastle Mayfair 1976
Focus Newcastle Mayfair 1976
Jan Akkerman left on the eve of Focus’ 1976 UK tour. His last minute replacement was Belgian jazz-fusion guitarist Philip Catherine. Marie and I had been planning to go along to see them at Newcastle Mayfair, and to be honest, we hesitated and thought twice before attending. I just couldn’t imagine how Focus could continue without Jan Akkerman; he was such an important part of the band. However, several bands have continued successfully after the departure of a key member; Genesis, Deep Purple come to mind for example. So we did go along to the gig, to see what the new version of Focus were like. A respectable crowd turned out that night, but the place was by no means full. The concert was great, and the new guitarist was a fine replacement. However, Focus were soon to disband. However before they did they recorded one further album, “Focus con Proby” along with singer P J Proby. This was an unlikely pairing, and the album did not sell well. Focus were to lie dormant for many years until Thijs reformed the band in more recent times. Today they tour the UK pretty regularly; I’ve blogged on them a couple of times in the last couple of years. I really must try and find a copy of Focus con Proby on ebay; I’d love to hear what it sounds like.
25 Nov
Focus and Blue Newcastle City Hall 1974
Focus Newcastle City Hall 1974
Support from Blue 
Focus were back at Newcastle City Hall in 1974, a year after their last gig at that venue. They had a new album out at the time, which was called “Hamburger Concerto” and a single “Harem Scarem” was released from the album. Their set at the time featured tracks from the new album and old favourites such as “Sylvia” and “Hocus Pocus”. This was another good gig, with amazing performances by Thijs van Leer and Jan Akkerman. I blogged about Focus quite a bit yesterday, so today I will focus (no pun intended 🙂 ) on the great support act Blue. Before Blue were a boy band, there was this outfit from the early 70s. Blue were fronted by ex-Marmalade guitarist Hughie Nicholson. Nicholson was a member of Marmalade between 1971 and 1973, writing their hits, “Cousin Norman”, “Back On The Road”, and “Radancer” before forming Blue in 1973. 
Blue’s most well known number is probably “Gonna Capture Your Heart”, but my favourite is “Little Jody”, which is a great song and got a lot of airplay at the time, although it didn’t chart. The late, great Jimmy McCulloch was also a member of Blue for a short period of time; however, by the time of this gig in 1974, Jimmy had left to join Paul McCartney and Wings. Blue made some good music, blending pop with soft rock, and some strong melodies. I still have their first album, which is a classic and gets played every now and then. It was to be a couple of years before I saw Focus again, by which time Jan Akkerman had left the band.
23 Nov
Focus Newcastle City Hall 1973
Focus Newcastle City Hall 1973
Support: Programme says Harvey Andrews and Graham Cooper; Ticket says Snake Eye!
I first saw Focus at a couple of festivals (Lincoln and Reading) in 1972. They were virtually unknown at the time, but were a big success with the crowd. They were (and still are!) a crazy, fun band. They had all the right ingredients, a crazy front man in Thijs van Leer, who was also a very accomplished and classically trained musician, an excellent, fluent guitarist in Jan Akkerman, some complex and beautiful instrumental pieces, and lots of crazy, mad fun. Highlights at the time were Hocus Pocus, House of the King and Sylvia. By 1973, Focus were well known enough in the UK to headline their own tour of concert halls. 
Thijs is a magnetic performer and dynamic guy on stage. He mixes first class musicianship (on organ and flute) with some very strange nonsensical lyrics, yodelling and very high falsetto singing. Jan Akkerman was the perfect foil; he seemed quiet and shy on stage, and his guitar playing was slick, beautiful, restrained; just perfection. A great gig. The programme says Harvey Andrews and Graham Cooper were support, while the ticket says Snake Eye! My memory doesn’t stretch to confirming who actually supported Focus that night. I certainly remember seeing Harvey Andrews on a number of occasions, but don’t recall when. I have no recollection of ever seeing Snake Eye, or who they were. Based on live recordings from the time, I would think that the set is likely to have contained a selection taken from the following Focus tunes: Focus; Focus II; Focus III; Answers? Questions! Questions? Answers!; Eruption; Sylvia; Hocus Pocus; Anonymous; House Of The King.
13 Nov
Gong, Hatfield and the North & Tubular Bells film Newcastle City Hall 1974
Gong, Hatfield and the North, Tubular Bells Newcastle City Hall 25th April 1974
Virgin Records Crisis Concert
Ticket price 44p
As I’ve just seen Gong, and blogged about them yesterday, I thought I would have have a little break from covering bands beginning with the letter F and cover the only other time I saw the crazy Gong guys in concert. It was in 1974 as part of the Virgin Records Crisis (can’t remember what the crisis was at the time!) tour, which featured Gong, Hatfield and the North, and a film of Mike Oldfield performing Tubular Bells. To be honest, my friends and I went along largely to see the Tubular Bells film, as it was the only chance at the time to see a performance of this great album. We were also attracted by the very reasonable 44p ticket price! Although Mike Olfield did tour a few years later, at that time he was resisting offers to take his masterpiece on the road. The film was very good, and featured footage of Mike performing the entire album as I recall, in the studio I think. I also recall Viv Stanshall being part of it. The sound wasn’t great and the film was projected onto a small screen, which wasn’t too woderful, but I still recall enjoying it. I wonder if you can get a DVD of this? Gong and Hatfield and the North rotated headlining status on the tour; I don’t remember who closed the gig at Newcastle. I do remember finding both bands quite hard going, but that we enjoyed Gong’s silliness, and loved Squeezing Sponges Over Policemen’s Heads, from Camembert Electrique, which I am pretty sure they played. There were lots of wooly tea cosey hats and flying teapots in evidence.
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