Jethro Tull Newcastle City Hall 1977
In 1977 Jethro Tull released Songs from the Wood, which was their tenth studio album, and the first of a trio of folk rock albums, the others being Heavy Horses. Of course, folk influences had always been apparent in Jethro Tull’s music, but on Songs from the Wood, they came to the fore. At the time I couldn’t quite get away with this change of style. I much preferred the rockier, blues-oriented side of Tull. Looking back this album and Heavy Horses were two of their best, and the 1977 tour was also excellent. There were also some line-up changes in the Tull fold. David Palmer, who had worked with the band from the early days as their orchestral arranger, joined as a full-time member of keyboards, and John Glascock joined on bass. Glascock was familiar to me, as I had seen him play alongside Stan Webb in Chicken Shack at some great gigs in the early 70s. 
The programme tells me that the support act for the 1977 tour was Leo Kottke, but I have no recollection of seeing him play that night. However, I do remember seeing Leo play at the Cambridge folk festival a couple of years earlier. He is a great acoustic guitarist who plays some amazing slide guitar on tracks like Vaseline Machine Gun. As you would expect, Tull’s set included a few songs from Songs from the Wood, along with old favourites. At the time I was very unsure about the new acoustic tracks, but songs like Jack-in-the-Green and Songs from the Wood stand up against some of Tull’s best. Setlist: Wond’ring Aloud; Skating Away on the Thin Ice of the New Day; Jack-in-the-Green; Thick as a Brick; Songs from the Wood; Conundrum; To Cry You a Song; A New Day Yesterday (with flute solo including Bouree); Velvet Green; Hunting Girl; Too Old to Rock ‘n’ Roll, Too Young to Die; Beethoven’s 9th; Minstrel in the Gallery; Aqualung; Wind Up; Back-Door Angels. Encore: Locomotive Breath
Posts Tagged ‘prog rock’
22 Jul
Jethro Tull Newcastle City Hall 1977
21 Jul
Jethro Tull War Child tour Newcastle Odeon November 1974
Jethro Tull War Child tour Newcastle Odeon November 1974
Jethro Tull returned to Newcastle in November 1974, during the tour to promote the War Child album. Support for the tour was all-girl band Fanny. This time Tull had graduated to playing the massive Odeon theatre, which hosted a number of gigs in the early 70s and had a slightly larger capacity to that of the City Hall. Ian Anderson and co were at their pomp best at the time, and this album and tour saw them returning to straight songs after the concept albums Thick as a Brick and Passion Play. 
The single from the album was Bungle in the Jungle, which was quirky but also pretty catchy. If I remember correctly, Jeffrey Hammond-Hammond did a nifty version of (How Much Is) That Doggie in the Window? during the concert, and the band was accompanied by a string quartet. This was classic Tull at their best. Setlist: Minstrel in the Gallery; Wind Up; A Passion Play (excerpt); Thick as a Brick; My God (including Flute Solo with Bouree); Cross-Eyed Mary; (How Much Is) That Doggie in the Window?; Skating Away on the Thin Ice of the New Day; Wond’ring Aloud; Ladies; War Child; Sealion; Bungle in the Jungle; Aqualung; Back-Door Angels; Locomotive Breath; Hard-Headed English General; Back-Door Angels (reprise)
20 Jul
Jethro Tull Sunderland Top Rank 1972
Jethro Tull Sunderland Top Rank 1972
There is a story surrounding this gig. You won’t find it listed in any of the Tull gig histories on the internet, but it definitely took place, and I remember it well. I first heard of this gig directly from the local promoter Geoff Docherty. I was in the Rink (or Sunderland Top Rank to give it is formal name) buying tickets for another event, and Geoff was in there ay the same time. “I’ve got Jethro Tull coming in a few weeks time” he said. Now I already had a ticket to see Tull play at the City Hall in early 1972, as part of the tour that they were doing to promote their new lp Thick as a Brick (TAAB). The tour was already advertised, and the only North East date was the City Hall concert, so an extra Sunderland date prior to the tour didn’t seem very likely. But sure enough, posters advertising the gig with support Tir Na Nog soon appeared outside the Rink, and I bought tickets with a group of mates. Gigs at the Rink at that time tended to be on a Sunday night, and I think that was the case for this concert. The gig was obviously a warm-up for the TAAB tour. I returned my ticket for the City Hall (they would let you do that in those days, as long as they could sell it on), as I didn’t fancy seeing the band twice within a few days (big mistake, as it turned out). 
The night of the Sunderland gig came, and it was excellent. It was great to see Tull play in a relatively small ballroom venue, and I was right down the front, straight in front of Ian Anderson. The place was full, but not too packed. But the gig wasn’t quite what I had expected. First Tir Na Nog didn’t play. They were support for the main TAAB tour, but weren’t at this gig. And the other surprise was the set itself. I was expected an early run through of the Thick as a Brick album, but what we got that night was a Jethro Tull favourites set, which was great, but it also meant that I never got to see TAAB played live in its entirity until recently. The strange thing was the band had the stage set up ready for the TAAB show, with the telephone there ready to ring, but they didn’t perform any of the album. Anyway it was a great gig. Looking back I should have made the effort to go along to the City Hall as well. Not sure why I didn’t. Maybe it was sold out by that point, not that that usually stopped me. Oh well, writing this blog sometimes unearths regrets that I have about gigs that I missed, but hey ho such is life :). The line up of the band had changed since the last time I saw them with Barriemore Barlow replacing Clive Bunker on drums. Thanks to John for the scan of his poster and to Doug for the photograph of Ian Anderson, which he took at Newcastle City Hall some years after this gig.
19 Jul
Jethro Tull Sunderland Empire March 1971
Jethro Tull Sunderland Empire March 1971
Jethro Tull are a special band to me. They are one of those bands I grew up with. I was heavily into them in the early 70s, as were many of my mates, and Stand Up was an album that we listened to again and again. I remember marvelling at Ian Anderson on Top of the Pops, his mad crazy eyes staring at me through the TV, and his eccentric garb shocking my parents. Their early singles were classics. My favourites were The Witches Promise, Teacher and Sweet Dream. I first saw Jethro Tull in concert at Sunderland Empire on 20 March 1971, the day after their classic album Aqualung was released.I was 14 years old at the time. Early gigs are very important in shaping musical tastes for the rest of your life, and this one certainly did that for me. Tull played two shows at the Empire that evening, and I decided to go along to the late show with a few mates. We felt very grown up, being allowed to go to the “late” show, and felt sure that the band would play better at the second concert. We had good seats in the “slipper” to the left of the stage. Support for the gig was Steeleye Span, a newly formed folk-rock band, who delivered a pretty good set. But we were there to see our heroes Jethro Tull. By this relatively early point in their career, their line-up had already changed several times, and was Ian Anderson on flute and vocals, Martin Barre on guitar, Clive Bunker on drums, John Evan on keyboards and Jeffrey Hammond-Hammond on bass. I think they started with Nothing is Easy, and the set featured a number of Tull favourites, and some tracks from the Aqualung album. We were just blown away by Jethro Tull that night, and by Ian Anderson in particular, who is one of the most charismatic performers, and was at the height of his craziness in those days. And so started a lifelong obsession with this band. I have seen them quite a few times since that gig, and watched their line-up and their musical style change over the years. But in those days in the early 70s so many years ago for me and a group of mates, Jethro Tull were legends and were one of the bands that we returned to again and again. Published setlist from a gig in 1971: Nothing Is Easy; Aqualung; With You There to Help Me; By Kind Permission Of; Sossity: You’re a Woman; Reasons for Waiting; My God; Cross-Eyed Mary; Wind Up; Locomotive Breath; Hard-Headed English General; Wind Up (reprise)
30 Jun
Elton John Knebworth 1990
Elton John Knebworth 1990
The next time I saw Elton John was on a multi-act bill at Knebworth in 1990. This was the Silver Clef Award Winners Concert and had an amazing line-up including Pink Floyd, Cliff Richard & Genesis; The Shadows, Tears for Fears, Eric Clapton, Dire Straits, Paul McCartney, Robert Plant (with guest Jimmy Page), and Status Quo. Pretty strong bill! I won a pair of free tickets in a competition; I think is was with KitKat, and Marie and I went down for the weekend. This was a great concert, which deserves a blog post of its own. I’ll save that for another day, and limit my reflections today to Elton’s part of the day. Some of the acts such as Paul McCartney and Pink Floyd got to play pretty full sets, but most of the other bands were limited to a few songs. Elton played three of his own songs: Sacrifice; Sad Songs; and Saturday Night’s Alright for Fighting, and also jammed with Eric Clapton and Mark Knopfler, playing Sunshine of Your Love and possibly a couple of more songs. Pretty sure Ray Cooper was also in the band.
18 May
Iron Butterfly, Yes and Dada Newcastle City Hall 14th January 1971
Iron Butterfly, Yes and Dada Newcastle City Hall 14th January 1971
This was the first time I went to a concert at Newcastle City Hall, and because of that, I have pretty strong memories of the evening. I was 14 years old, and very excited at the prospect of going to a concert in the big city that was Newcastle. This was the “Age of Atlantic” package tour, named after the sample album of the same name and featured Dada, Yes and headliners Iron Butterfly. And all this for just 10/- (50p in new money)! DaDa were first up and featured Elkie Brooks, her husband Pete Gage, and her singing partner Robert Palmer. They were a jazz-rock fusion band with lots of members, and a brass section. In a way they were an earlier, jazzier and expanded version of Vinegar Joe, Elkie and Robert’s next and much more successful band. I arrived at the City Hall early, excited at the prospect of seeing a concert there and watched Dada’s entire set, enjoying every minute. Next up was Yes, who I was already familiar with. This was the third time I had seen Yes in concert, the first two being as support acts for the Bonzo Dog Doo Dah Band, and The Nice at gigs at Sunderland Empire. By the time of this gig, guitarist Peter Banks had been replaced by Steve Howe, and the rest of the line-up was Jon Anderson (vocals), Bill Bruford (drums), Chris Squire (bass) and Tony Kaye (keyboards). Rick Wakeman was to join the band later that year. They had just released the classic Yes album, and the set featured tracks from the new album and their previous two releases. 
I was a big fan of Yes at the time, and they were just great that night. I recall Yours Is No Disgrace, and The Clap as highlights. I was just blown away by Steve Howe’s performance of the latter song, and was fascinated by the semi-acoustic Gibson, complete with f holes, that he was playing. I remember the whole hall clapping along while he played. The song which most sticks in my mind was their version of Simon and Garfunkel’s America, which was simply majestic; almost symphonic. Yes went down well with the crowd; it was very clear that they already had a lot of fans and that they were on the verge of major success. I wasn’t familiar with Iron Butterfly and their material, having only heard In-A-Gadda-Da-Vida, and its that song that sticks in my mind from the evening. I remember lots of guitar histrionics and showmanship. Iron Butterfly were good, but for me the best band of the night was Yes. I spent many further nights during the 1970s at Newcastle City Hall. It remains one of my favourite venues; long may it continue to host concerts by great rock band such as these three.
17 May
It Bites North East gigs in the 1980s
It Bites North East gigs in the 1980s
Yesterday I wrote about the Icicle Works. In my mind I have It Bites catalogued alongside them. They were both bands that I was quite keen on in the 1980s, saw quite a few times with mates, and yet I’ve lost touch with them since. Their musical styles were quite different however. It Bites were much more straightforward rock, albeit on the progier side of classic rock. 
I saw them headline two or three times in the 80s, and also recall seeing them support Robert Plant at Newcastle City Hall. Their hit single Calling All The Heroes, and an earlier single All in Red were great favourites of mine at the time. The band has recently reformed and I caught the end of their set at the Prog Rock festival at the Magnum Centre a few weeks ago. Their music is an interesting mix of rock, pop, prog with a tinge of funk, and they hail from neighbouring Cumbria.
9 May
Iggy Pop Newcastle City Hall September 1977 and Redcar Bowl
Iggy Pop Newcastle City Hall September 1977 and Redcar Bowl
My writing takes me to the letter “I” and I’m going to start by reflecting on my memories of Iggy Pop in concert. I’ve already written, when I covered David Bowie, about seeing Iggy at Newcastle City Hall with Bowie on keyboards in 1977. I’d also seen Iggy on the TV (was it on the Whistle Test?) throwing himself into the crowd and spreading peanut butter all over his torso at a late 60s gig in the USA. I’d read the reviews of his seminal, wild gig at the Kings Cross cinema (and regretted not going). I’d seen the Sex Pistols play the Stooges’ No Fun the year before, so knew a little about the Iggy legend and his impact on punk. The City Hall was barely half full for the Iggy/Bowie gig in March 1977. 
As I recall Iggy was good, but not as wild as usual. He was however back to play to a packed City Hall later in the year and went totally crazy, climbing all over the amps, rolling around the stage, with his trousers coming open. Support was the Adverts, who were also great, featuring TV Smith and Gaye Advert, and playing their singles Gary Gilmore’s Eyes and Bored Teenagers. A few years later I caught Iggy again at Redcar Coatham Bowl (with the Sex Pistols’ Glen Matlock on bass), he was smoking on stage and flicking lit cigarettes into the crowd (how times change…).
Iggy was totally crazy and seemed to have no fear at all in those days. There was always an edge of madness and danger around his gigs; you felt that the guy was totally out of control and that anything could happen. His craziness encouraged the crowd to do likewise with lots of stage invasions. He has taken stage invasion to its extreme in recent years, inviting the entire crowd to come up and join him when he plays No Fun! I found a published setlist from the City Hall in 1977 which seems a little short. I am sure he played more songs than this, including old Stooges favourites: Sixteen; Lust for Life; The Passenger; I Got a Right; Gimme Danger; Success; Fall in Love With Me; Neighborhood Threat; Nightclubbing. I saw Iggy a few more times and will write on those over the next few days.
7 Apr
HRH Prog Fest Magna Centre Rotherham 6 April 2013
HRH Prog Fest Magna Centre Rotherham 6 April 2013
I won free tickets for the Prog fest at the Magna Centre yesterday, and drove down to Rotherham for this event with my mate Norm. The line-up was headed by Hawkwind, and featured a host of other prog-related acts including the Strawbs, It Bites, and Arthur Brown. We arrive at around 5pm just is time to catch Arthur Brown. Arthur is doing a great job of recreating the psych-tinged R&B which featured on his first album. His set is drawn largely from that album, and he fronts a new band of excellent musicians, including a great keyboard player and guitarist. He is also accompanied by a dancer, with whom Arthur engages in some crazy, comical moves. His voice is as strong as ever; the Crazy World lives on. After seeing Arthur and his Crazy World we nipped out to Ben and Jerrys in Meadowhall for a bite to eat, and returned in time to catch the end of It Bites’ set, including Calling All The Heroes.
The Magna centre is an intriguing venue for a rock festival. It is housed in a massive old steelworks, which in its day will have been at the heart of the Sheffield steel industry, and by day it is a visitor attraction showing the history of steelmaking. The festival took up much of Magna over this weekend with some festivals in one taking place: the Prog fest which was the reason for our visit and its companion AOR fest, both organised by HRH. Each festival had two stages: the Prog fest main stage was in the “Face of Steel” and stage 2 was in “Earth”. For the AOR fest the main stage was in the Big Hall, and the second stage was in “Fire”. Signing sessions took place in the “Fuel” restaurant: we headed their after It Bites, lined up and got a flyer signed by some of the members of Hawkwind (sadly Dave Brock did not come along 😦 ).
We then found our way to the strange little room, which was “Earth” at the other end of the venue, and watched a little of the acoustic Strawbs, before heading back to the “Face of Steel” for Hawkwind, who opened their set with my favourite “Master of the Universe”. It was really getting cold by now; the size of Magna, with massive high ceilings, means that it is probably impossible to keep warm now, although it will have been red hot in its day when it housed a furnace. Norm and I have experienced how cold it is before, when we went to see Hawkwind ay a fan club event a few years ago on a cold December night. We watched a little more of Hawkwind’s set and then decided to keep warm by moving around and visiting the AOR fest. The Main Hall was packed for Tesla who seemed an intriguing rock band. We then went up to “Fire” where we watched a couple of songs of Estrella. Then it was back round to Hawkwind again, passing “Earth” where Karnataka were playing. Hawkwind finished their set around 11pm with Damnation Alley from the Quark, Strangeness and Charm album. Hawkwind have been playing the entire Warrior at the Edge of Time album on their current tour, with dancers and light show. Apparently the stage at the Prog fest wasn’t big enough for the show, so Hawkwind decided to revert to a standard set. As it was getting late by the time Hawkwind finished and we had a two hour drive home we decided to pass on seeing Martin Turner’s Wishbone Ash and heading for the M1 north. Got home 1am. The festival was fun, but the venue was FREEZING…..
24 Mar
Steve Hackett Newcastle City Hall 1979 and 1980
Steve Hackett Newcastle City Hall 1979 and 1980
Steve Hackett left Genesis in 1977, somewhat frustrated with the level of input he was having to the band’s album and shows. Steve was composing his own songs, and released his first solo album Voyage of the Acolyte in 1975 while he was still with Genesis. His first post Genesis album was Please Don’t Touch in 1978. In 1979 Steve put together a touring band, consisting of his brother John Hackett on flute, guitar and bass pedals, long-time collaborator keyboardist Nick Magnus, bassist/vocalist Dik Cadbury, drummer John Shearer and vocalist Peter Hicks. I saw Steve in concert at Newcastle City Hall in 1979 when he was promoting the Spectral Mornings album and again in 1980, when he was promoting the Defector album. 
I remember those gigs as some fine, beautiful music; largely instrumental. It was clear from the concerts just how much Steve had contributed to the Genesis sound. I haven’t been to see Steve Hackett in concert since those days, and I am tempted to go and see him again. He is touring this year with a Genesis Revisited set. He is returning to the 70s Genesis catalogue, playing some of the classic songs which he contributed to. The tour calls at the North East twice, at the Sage Gateshead in May (which is now sold out) and back at the City Hall in October. It must be some years since he has played the City Hall; I think I’ll go along and see him back at that great venue, which needs us to support it to secure its future. Setlist from the 1980 Newcastle gig: Every Day; The Red Flower Of Tachai Blooms Everywhere; Tigermoth; Kim; Time to Get Out; The Steppes; Narnia; Acoustic Set; Sentimental Institution; Jacuzzi; Spectral Mornings; A Tower Struck Down; Clocks – The Angel of Mons; Please Don’t Touch; The Show; It’s Now Or Never; Hercules Unchained
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