The Sex Pistols Whitby 11 September 1976
I’d read about the new punk movement and The Sex Pistols in NME and Sounds, and was curious and interested in going to see them. Unbeknown to me the Pistols has already performed in the North East at Middlesbrough Town Hall and Northallerton Sayers club as support for Doctors of Madness in May 1976. I wish I’d been at those gigs. Anyway, I saw that the Pistols were playing at the Royal Ballroom in Whitby on a Saturday night, so I persuaded Marie that we should go along and see what this punk thing was all about. Whitby is around 60 miles away from home, just a nice drive for a Saturday night out. We didn’t bargain for the rain that night, which was torrential. Still, when I’m determined to do something I’m not easily put off, so we drove through flooded roads and past broken down cars in my little old MG sports. When we arrived in Whitby we went straight to the Royal Hotel, which is the splendid white hotel which overlooks the harbour. We went into the bar and asked where the Sex Pistols were playing. The staff gave us strange looks and didn’t seem to know anything about the gig, but suggested it might be in the disco which was in a room somewhere around the back. I remember that we went back to the car and drove away from the hotel until we saw a poster advertising “Saturday Disco Night featuring Top Band The Sex Pistols” on a gate, which led us into a pub, or the back room of the hotel. I’m not sure which. 
We got absolutely drenched just going from the car to the door, the rain was so heavy. We paid our entrance fee which around 50p each, and went into the venue which was pretty empty. We soon spotted the Pistols who were sitting at a table in the corner, so we knew that we had arrived at the right place. John was wearing a tam, a pair of bondage trousers and a teddy boy jacket. I went to the bar to buy some drinks and John and Steve came and stood next to me and ordered some food (chicken and chips, I think). Malcolm McLaren wasn’t with them; it was just the Pistols (Johnny Rotten, Glen Matlock, Steve Jones and Paul Cook) with Nils Stevenson. Nils was their road manager and drove them to gigs in his van at the time. The place started to fill up around 9ish with a regular Saturday night crowd of young people, all dressed up for their normal disco. I swear that Marie and I were the only people who looked like they had come to see the Pistols. There were no punks there at all (except the Pistols, that is 🙂 ). The DJ started to play some 70s charts music, from behind his set-up surrounded by lights, and a small group of girls took to the dance floor. After a little time, the DJ introduced tonight’s “group”: The Sex Pistols. The girls dancing at the front didn’t know what was happening. The Pistols were deafening and started with Anarchy in the UK, which hadn’t been released as a single yet, but I had heard John Peel play on the radio. 
I’d read reviews of Pistols gigs in London, so I knew what songs to expect. From memory, they played Seventeen (then called I’m A Lazy Sod), New York, No Lip (the Dave Berry song), and Stepping Stone (the Monkees song). By the time they were into Stepping Stone the crowd were getting restless, and couldn’t believe their eyes or ears. John was staring at them, snarling the lyrics. The DJ sensed that the Pistols weren’t going down too well with his normal disco crowd, who seemed totally phased by the whole thing; and between songs he turned their sound off, said “Thank you for tonight’s band the Sex Pistols, now its back to the disco” and started his disco up again. And that was it. The Pistols had played for around 20 minutes or so. But that was enough for me to know that I’d witnessed something pretty special. From then on I went to every punk gig that I could. We ran through the rain, which was still pouring down, back to the car, and drove back, passing more broken down cars on the way. The roads were flooded and the water was coming in to the car. How we made it back without breaking down I don’t know. The next night the Pistols played the Fforde Green hotel in Leeds, where they apparently played a full set and went down well. A month later they appeared on the Bill Grundy show and achieved notoriety. Anarchy in the UK was released a month after that.
I was back in Whitby with David a few months ago, and we went to the Royal Hotel to try and find the venue where I saw the Pistols. We drove around all of the streets near to the hotel, but couldn’t find the venue. Maybe it doesn’t exist any more. I saw the Pistols again the following year, again at the seaside, and this time in Scarborough. I’ll write about that gig tomorrow.
Note. My scan: “Anarchy in the UK” is the front cover of the first issue of a Pistols magazine which was released in 1976 or 1977. To get my copy I sent a cheque off to Glitterbest, which was Malcolm McLaren’s company. I’m not sure if there were ever any further editions after No 1. The large newspaper size mag contains picture of the early Pistols, incuding both Sid and Glen, although I am pretty sure that Sid was not a member at the point I bought it. The girl on the front cover is Soo Catwoman: http://www.soocatwoman.com/
The bus is from the back cover; this image was used to promote the Pistols on tour.
Posts Tagged ‘pop’
26 May
The Sex Pistols Whitby 11 September 1976
25 May
The Police Newcastle City Hall 28 April 1980 9.15 (late) show
The Police Newcastle City Hall 28 April 1980 9.15 (late) show
By 1980 The Police were one of the biggest bands in the world. In 1979 they had released their second album, Reggatta de Blanc, which topped the British charts for four weeks and included the UK number-one singles “Message in a Bottle” and “Walking on the Moon”. They headlined the first night of the Reading Festival in 1979, and, along with Thin Lizzy, were the highlight of the August Bank holiday weekend. So when Sting and Co returned to Newcastle in 1980 it was as triumphant heroes. They announced two shows at the City Hall, and early and late show on 28th April. Tickets went on sale by postal application only and the shows were massively over subscribed. 
I managed to get tickets for both shows, and Marie and I went along to the late show, having passed on the tickets to the earlier show to friends. We had great seats right down the front. Anticipation for the gigs was high, and The Police put on a great high energy show, to a rapturous reception from the home crowd. This was the last time I was to see The Police in a small venue. Other gigs from here on were massive outdoor shows at Milton Keynes Bowl and Gateshead Stadium.
Setlist: Next to You; So Lonely; Walking on the Moon; Hole in My Life; Truth Hits Everybody; Bring on the Night; Driven to Tears; The Bed’s Too Big Without You; Message in a Bottle; Roxanne; Can’t Stand Losing You
24 May
The Police Newcastle Mayfair 14 June 1979
The Police Newcastle Mayfair 14 June 1979
The next time I saw The Police was at Newcastle Mayfair. By then they had hit the charts with Can’t Stand Losing You, So Lonely and Roxanne, and had built up a strong following. They were on the brink of the mega-stardom which was to follow, starting later that year when they hit No 1 in the UK with Message in a Bottle and Walking on the Moon. I was spoilt for choice this night. Dire Straits were playing the City Hall, and The Police at the Mayfair. Which gig to go to? Well I tried to go to both, as I often did in those days. So my mate and I saw Dire Straits at the City Hall, and then raced down to the Mayfair for the Police. I’ve already written about the Dire Straits gig which was sold out and great; this was the first time they had played the City Hall and it was at the time of Sultans of Swing. 
For once the timings worked. We arrived at the Mayfair in time for the Police’s set having missed support acts The Cramps and Bobby Henry. The Mayfair was packed, and the Police were just great. Sting was on top form and was getting heavily into his Yo..Yo..Yo.. reggae cum jazz / scat singing at the time. It was very clear that this band was much more than a punk band, and were a great pop act. I always found it strange going into a gig late. Its like arriving at a party where everyone has been drinking all night and you come along sober. When we entered the Mayfair it was packed, hot, sweaty and the Police were just coming on stage. Sting was wearing his boiler suit, Andy was chopping out some great guitar rhythms and Stewart was at the back pounding away on his drums. A great night. The next time I saw the Police was when they returned to play two triumphant shows at the City Hall.
23 May
Cherry Vanilla and the Police Newcastle Poly and Middlesbrough Rock Garden 1977
I’d seen Sting several times in Last Exit and the Newcastle Big Band, and knew that he had gone down to London with Last Exit. The next thing I heard was that he had formed a punk band called the Police and was supporting an American punk singer called Cherry Vanilla who was touring the UK. The first chance to see this pairing was at a gig at Middlesbrough Rock Garden in early 1977. Cherry had been David Bowie’s USA publicist, and relocated to London in 1976. The set up for the tour was the Police as support act, with Sting and Stewart Copeland also playing in Cherry’s band. The Police line-up at the time was Sting on bass and vocals, Stewart Copeland on drums, and Henry Padovani on guitar. I remember thinking it a strange set-up. Here was the drummer from the prog-rock band Curved Air, a jazz bass player and an unknown guitarist supporting an American new wave singer. It didn’t seem that authentic at the time compared to other punk and new wave acts. I’d always been impressed by Sting in Last Exit, liked Curved Air, and was interested in the punk scene, and hence wanted to see Cherry Vanilla, so Marie and I went to the gig at the Rock Garden, which was on 12 March 1977. As it happened Cherry Vanilla didn’t turn up for some reason, and the Police headlined that night. Their set was pretty straight ahead punk as far as I can recall. The only recored output from that period was the single Fall Out. Their set at the time include Grand Hotel, which was a Last Exit song and Clouds in Venice, which was written by Stewart Copeland and his then wife Sonja Kristina (from Curved-Air). I recall the music as fast-paced typical 1977 speed punk. The Cherry Vanilla / Police pairing appeared at Newcastle Polytechnic on 6 May 1977. and Marie and I went along again. This time Cherry Vanilla did perform with Sting and Stewart in her band, the Police played their own short set, and the evening was opened by local band Penetration who were starting to gig around the region at the time. I was a big fan of Penetration and although their songs were just forming at the time, they were the highlight of that night for me.
22 May
Last Exit Newcastle 1975
Before Sting formed the Police and started his journey on the road to mega-stardom, he could be found playing jazz-rock in a small upstairs room in a pub in Gosforth. The pub was the Gosforth Hotel, and the band was called Last Exit. Last Exit consisted on Sting on bass and vocals, drummer Ronnie Pearson, guitarists John Hedley and keyboardist Gerry Richardson. They existed for a couple of years in the mid-70s, and made quite a name for themselves playing around the Newcastle Area. They had a residency at the Gosforth Hotel, and also often played in the bar of the University Theatre (now the Playhouse). I saw them in both venues, and have strong memories of a couple of great gigs at the Gosforth Hotel. I went along with Marie, having read about Last Exit in the local press, and a write-up in Sounds. I also remember hearing a set they recorded for local radio. The room where they played was pretty small, and on the occasions we went to see them, the audience was quite small. The material was very jazzy with some great guitar work, and Sting’s vocals stood out. Their set included some early versions of songs which would later be recorded by the Police including “The Bed’s Too Big Without You”. Last Exit released a single in 1975, “Whispering Voices” and in 1977, they moved to London to look for greater success. However, after a few gigs most of the band returned to Newcastle, leaving Sting in the capital to pursue fame and fortune, which he was soon, of course, to find. I also saw Sting perform a few times as bass player in the Newcastle Big Band which was a large jazz band of around 20 musicians who played saxophones, trumpets, trombones, etc. They had a residency on Sunday lunchtimes in the bar of the University theatre, and I went through a few lunchtimes to catch their set. A very rare locally pressed lp exists of the band which was recorded in 1971 and features them playing standards such as Macarthur Park and Hey Jude. Sting was very recognisable in those days, and was always wearing his trademark striped sweater from which his name came. Marie and I would often spot him at gigs at Newcastle Poly Students Union in the mid 70s.
21 May
The Orchestral Tubular Bells and Last Exit Newcastle City Hall 1975
The Orchestral Tubular Bells with the Northern Concert Orchestra conducted by David Bedford with support from Last Exit Newcastle City Hall 26 October 1975
This concert featured the Northern Concert Orchestra, conducted by David Bedford, performing Mike Oldfield’s Tubular Bells. The event opened the A1(M) 1975 – 1976 season which also featured concerts by Philip Glass (wish I had gone to that one), Derek Bailey (solo guitar improvisations) and workshops in “experimental and electronic music”. The concert did not feature Mike Oldfield, but did feature Andy Summers (soon to be of the Police) on guitar. The programmes tells me: “Tonight’s guitar soloist is now a member of the Kevin Coyne band, after a very varied career in rock”. 
The concert is of particular interest because the support act was local up and coming band Last Exit, which featured one Gordon Sumner, also know as Sting, and also soon to be of the Police. I don’t know if Andy and Sting met that night, but it is reported that Andy did watch some of Last Exit’s set. There is also a story that Stewart Copeland was playing with Curved Air at Newcastle Poly (I think I will have attended the gig; I certainly saw Curved Air at the Poly) and he went along to see Last Exit (but I think that may have been on another night, and the Last Exit gig was likely to have been at the Gosforth Hotel, but thats a story for another day. The programme tells me of Last Exit: “Formed one year ago (the birthday was celebrated with their regular audience a few weeks ago) Last Exit play electric jazz and jazz-rock; both their own material and a well chosen repertoire of other peoples’ music, not all of it well known…this is their first concert hall appearance. Last Exit are: John Hedley – guitar; Gerry Richardson – piano; Gordon Sumner – bass; Ronnie Pearson – drums”. 
The gig was not well attended. My ticket says I has a balcony seat, but I recall going and sitting right at the front, as the hall was pretty empty. As far as I can remember the orchestra performed Tubular Bells in two parts, with Last Exit playing a set in the interval between. I went along partly to see Last Exit who I had already seen once or twice, and also to hear Tubular Bells, and to see David Bedford who was well known for his recent work with Roy Harper and others. It was very different from the rock gigs that I was used to attending at the time, and I found it a very welcome change. However, the concert goes down in history as the first time that Andy Summers and Sting were in the same hall, and performed (sort of, although not actually) together. I’ll write a little more on Last Exit and early Sting gigs (pre Police) tomorrow.
20 May
The Bedrock Festival Newcastle June 1979
The Bedrock Festival Newcastle June 1979
Yesterday I wrote about the 1977 Bedrock festival. The event obviously ran again in 1979, as I have a ticket stub for a show which took place at Newcastle Guildhall. I don’t recall whether or not there was a Bedrock festival in 1978. Once again, the festival showcased local rock talent. The Weights grew out of the ashes of Harry Hack and the Bog G after they split. White Heat were fronted by Bob Smeaton, who went on to be a very successful film director, directing the Grammy-award winning Anthology series on the Beatles, and many other music-related films. At the time, White Heat had quite a following locally, and released a couple of singles, and an album which is quite collectable nowadays. Their music was based in new wave, but more of the power pop or new mod variety. Bob was a great front man. I recall seeing the band at Newcastle Mayfair one night; the place was packed and their was a feeling that we were witnessing the next big thing. Their single “Nervous Breakdown” is great; there is an excellent video on Youtube of them performing it live. Disguise were another band who seemed poised for big success, which alluded them. They came from Hartlepool, and were also of the power pop genre. They had some quite catchy songs. As well as this gig at the Guildhall, I remember going to see them at the Bell in Horden which ran a series of Sunday night gigs at the time.
16 May
The Icicle Works North East gigs in the 1980s
The Icicle Works North East gigs in the 1980s
I’d forgotten how many times I had seen The Icicle Works. Myself and a couple of mates were quite into them in the early 80s and they toured a lot. They arrived after punk with a sublime blend of psych pop. Love is a Wonderful Colour is a great single, and their concerts were, like the music, pretty uplifting experiences, with lots of swirling, jangly pop, very modern yet very 60s at the same time. 
The ticket stubs here are from a couple of gigs at Redcar Coatham Bowl (it could be three gigs actually as I am not sure if the two grey stubs are from the same gig), a gig at Newcastle Poly and a gig at Newcastle Mayfair. 
I may have seen them elsewhere; I have a feeling I saw them as a support act, but can’t be certain. Their gigs were always excellent, and they seemed a breath of fresh air at the time. I lost touch with them at the end of the 80s, and they split shortly afterwards. 
I know that main man Ian McNabb has been touring recently, and I really should catch up with him sometime. I’ve just watched The Icicle Works playing Love is a Wonderful Colour, and Youtube and it brings back all the memories of happy days. The dates of the gigs I attended seem to be: Sunday 1st April 1984; Friday 10th October 1986; Sunday 1st March 1987; Thursday 5th May 1988.
15 May
Eric Clapton Manchester Arena May 14th 2013 Fifty Years Further On Up The Road
Eric Clapton Manchester Arena May 14th 2013
Support from Gary Clark Jr
Great performance by Eric Clapton last night at Manchester Arena. The set was a mix of classics from throughout his career, featuring electric and acoustic sets and some great guitar work. I arrived at the Arena just after 7.30pm and Gary Clark Jr was on stage. Not wanting to disturb people, I watched some of his set from the back of the massive arena. His style was similar to Clapton and he delivered a pretty good set of blues songs to a full arena. His set was short and after a quick break Clapton was on stage just after 8.30pm. The short break gave me a chance to slip into my seat. I’d bought a ticket a couple of days before the show when some new tickets were released and managed to score a spot in the front middle block, ten rows from the stage. Its some years since I’ve been so close to the front at a Clapton show. Eric’s band is excellent, and features Paul Carrack this time around, and some excellent slide guitar from Greg Liesz. My own view is that Clapton has been on great form for several years now. His show represents the blends of style that he has engaged with over the years, from the blues guitar with which he made his name, through acoustic country/folk, and with a smattering of the secret crooner that has crept through over the years. Thinking of the latter (Eric the crooner that is) I remember the first time I saw Clapton at Hammersmith in 1974 he opened with Chaplin’s Smile, which I thought very strange at the time. Since then he has played quite a few standards, including tracks like The Folks That Live on the Hill, and Goodnight Irene, both of which feature on his latest album Old Sock. Now ten years ago, I would have cringed at hearing Clapton sing those songs. But now they have become some of the my favourites. I am not sure if it is because I am older, or because Eric has mellowed into an older jazz/blues singer; its probably a bit of both. But I drove down to Manchester listening to Old Sock, and really enjoyed it. Goodnight Irene featured in last nights set, and sounded just great. I’ve even got used to the acoustic version of Layla, and hold on I actually really like it! Highlights for me were a great version of Badge, which now returns to the song after the strange sudden ending which I always felt wasn’t quite right since I first heard in when I bought Goodbye Cream on the day it came out; Blues Power, a great song that I had all but forgotten, Crossroads, and closer Cocaine. Peter Kay (!) came on stage for the encore, encouraging us to shout for more, and joining Clapton for Sunshine of Your Love, playing a mock guitar made out of two shovels (which he played behind his head and with his teeth) and singing a couple of verses. Great stuff! Oh and I haven’t really mentioned Eric’s guitar playing! Actually it was excellent; probably not as full on as it used to be, and second guitarist Doyle Bramhall II takes quite a few of the solos (and he too is also excellent), but when Eric did turn it up as he did during Badge, Crossroads and the classics his playing was as great as I had ever seen. Indeed he was using tone, distortion, volume and wah wah to great effect and more than I have seen for some time. I was sharp out of the arena during the last song (sorry Eric, but I did have a 130 mile home, and it was getting of for 11pm) into the car park and off across the M62 and up the A1. I was back at 1am. A great gig from a true master who just gets better and better.. 
Setlist (something like): Hello Old Friend; My Father’s Eyes; Tell The Truth; Gotta Get Over; Black Cat Bone; Got to Get Better in a Little While; Come Rain or Come Shine (Paul Carrack on lead vocals); Badge. Acoustic set. Driftin’ Blues; Goodnight Irene; It Ain’t Easy (Paul Carrack on lead vocals); Layla; Tears in Heaven; Nobody Knows You When You’re Down and Out; Lay Down Sally. Back to Electric. Blues Power; Love in Vain; Crossroads; Little Queen of Spades; Cocaine. Encore: Sunshine of Your Love (with Peter Kay on crazy guitar); High Time We Went. Band: Doyle Bramhall II – guitar; Greg Leisz – pedal steel guitar; Chris Stainton – piano, keyboards; Paul Carrack – organ, keyboards; Willie Weeks – bass; Steve Jordan – drums; Michelle John – backing vocals; Sharon White – backing vocals.
14 May
The Inmates Redcar Coatham Bowl 1980
The Inmates Redcar Coatham Bowl 1980
I’d forgotten about this band, until I came across my ticket stub for a gig at Redcar Coatham Bowl in 1980. The Inmates (I’ve just checked and they are still playing to this day) are a garage rock band who based their style on 60s music such as the Pretty Things and the early Stones. I also had them catalogued alongside the Feelgoods and the Hot Rods in my own mind. In fact, Barrie Masters of the Hot Rods stepped in as lead singer for the Inmates for a short period when their singer Bill Hurley wasn’t well. I remember them as a great night out, and wondered at the time why they never managed to achieve greater success. A DVD entitled Back in History – Live 1980 showcases their live set from the same year as I saw them at Redcar and includes “You Don’t Miss Your Water,” “Jealousy,” “Talk Talk,” “So Much in Love”, “Talkin’ Bout You”, “Some Kinda Wonderful,” “The Walk” and their minor hit which was an ode to the Thames River, “Dirty Water.” The line-up of the Inmates was: Peter Gunn – Guitar, Vocals; Bill Hurley – Vocals; Ben Donnelly – Bass; Tony Oliver – Guitar; and John Bull/Eddie – Drums. Support came from local band The Carpettes, who I saw lots of times in the late 70s and early 80s. Happy days. I miss Sunday nights in Redcar.
Vintagerock's Weblog. 