10cc Newcastle City Hall 20th April 1976
“I’m Not In Love” is a masterpiece. Simple as that. That song propelled 10cc from being a clever pop band to the realm of massive stardom. Built around a simple story by Eric Stewart, the arrangement and especially the choral backing which featured multiple overdubs of the voices of Stewart, Gouldman, Godley and Creme singing a single note and creating a lush 256-voice “virtual” choir, was just unlike anything else we had heard before. It was played everywhere and soon moved to the well-deserved No 1 spot in the UK single charts. Released in May 1975, “I’m Not in Love” was 10cc’s second No 1.
Eric Stewart: “I looked at Graham, and I said that song’s a hit, you know…..I rang them [the record company]..
I said come and have a listen to what we’ve done, come and have a listen to this track. And they came up and they freaked, and they said, ‘This is a masterpiece. How much money, what do you want? What sort of a contract do you want? We’ll do anything.’ On the strength of that one song, we did a five-year deal with them for five albums and they paid us a serious amount of money.”
Next time 10cc came to Newcastle they played two nights at the City Hall. The concerts were originally scheduled to take place on the 9th and 10th February 1976, however they were rescheduled (I don’t recall why) and actually took place on 19th and 20th April. Both nights were completely sold out. I went to the second night, Chas and Dave were support.
Would they play “I’m Not In Love”? Could they recreate the sound live? Actually yes they did play it, with the help of some technical trickery (probably tapes) and pretty good it sounded too. A great gig with pure class songs; as well as “I’m Not In Love”, other live favourites were “One Night in Paris”, the wonderful “I’m Mandy Fly Me”, “The Second Sitting For The Last Supper” and of course “Rubber Bullets” which would often close the proceedings.
I saw 10cc a few months later at Knewborth, with 100,000 or so others, when they supported the Stones. There was a long delay before 10cc came on stage, apparently there were some technical problems. The sound was a bit rough for the first few songs of their set, but soon picked up. They went down well, but were a little too mainstream pop for a Stones and festival crowd. We then had an even longer wait, on a cool June night, for the Stones. happy days.
Setlist for the City Hall: Art For Arts Sake, Silly Love, Lazy Ways, Rock ‘n’ Roll Lullaby, The Worst Band In The World, Second Sitting For The Last Supper, Old Wild Men, Iceberg, Don’t Hang Up, Headroom, Ships Don’t Disappear In The Night Do They?, The Sacro Iliac, I’m Mandy Fly Me, I Wanna Rule The World, Wall Street Shuffle.
Encores: I’m Not In Love, One Night In Paris, Rubber Bullets.
Setlist at Knewborth: One Night in Paris; The Worst Band In The World; Good Morning Judge; Silly Love; Don’t Hang Up; Old Wild Men; The Wall Street Shuffle; Neanderthal Man – Run Baby Run; Ships Don’t Disappear In The Night (Do They)?; I’m Mandy Fly Me; The Second Sitting For The Last Supper; I’m Not In Love.
Encore: Rubber Bullets
Thanks to Mitch for his photo of Eric Stewart which he took at the City Hall at this concert.
Posts Tagged ‘pop’
3 Nov
10cc Newcastle City Hall 20th April 1976
2 Nov
10cc Newcastle City Hall 17th September 1974
10cc Newcastle City Hall 17th September 1974
The first time I saw 10cc was at the Reading festival in 1974, followed by this concert at Newcastle City Hall. This was the original, and classic, line-up featuring Eric Stewart on guitar and vocals, Graham Gouldman on bass and vocals, Lol Creme on guitar, keyboards and vocals, and Kevin Godley on drums and vocals. Additional drummer Paul Burgess was also a regular feature on their concert tours. 10cc had been in the charts a few times with singles including “Donna” and “Rubber Bullets”, which I thought were great pop songs. They had released two albums “10cc” and “Sheet Music”. They seemed to be the perfect pop band, with every clever, intricate arrangements which were sort of Brian Wilson meets Elvis meets Frank Zappa, blending Doo wop, rock’n’roll, art rock and pure pop. They were all accomplished musicians, with an excellent pedigree.
10cc played the Friday night of Reading in August 1974, following Camel, and playing before headliner the Sensational Alex Harvey Band. The Saturday was headlined by Traffic and Sunday by Focus. From the Reading programme: “10cc – a band of talent from old hits. Remember the Mindbenders and Groovy Kind of Love? And later, do you remember Hotlegs and a one-off bockbuster hit Neanderthal Man? Then, going back a bit, do you remember the Yardbirds’ hits For Your Love, and Heart Full of Soul, then Hollies’ successes Bus Stop and Look Through Any Window and even Herman’s Hermits’ hit No Milk Today? What may you ask is all this leading up to? Answer – 10cc [Eric Stewart was of course in the Mindbenders and Graham Gouldman wrote all those hits]…..
a band that doesn’t rely on volume, themselves recorders of many an interesting and witty hit record…[but Godley and Creme were just as an important part of the 10cc sound and] invented a new musical instrument – the Gismo – an extension to the guitar which produces a rich orchestral sound.” The Reading set was slick, professional and we all sang along to Rubber Bullets. They were perfect for warming up the crowd for Alex.
A month or so later I saw 10cc at the City Hall, which was another great gig. Support came from Julian Brook who had released an album “Portrait”. (Note. Who on earth were Robbers Dog, as mentioned on the flyer? 🙂 )
In 1974 a 10cc setlist would be something like his: Speed Kills, Sand In My Face, Donna, Oh Effendi, Waterfall, Silly Love, Headline Hustler, The Wall Street Shuffle, Worst Band in the World, The Dean and I, Rubber Bullets.
However the best was yet to come. In May 1975 10cc released “I’m Not In Love”.
I saw 10cc a few more times over the next few years, and will write about those gigs over the days to come.
30 Oct
Toyah Newcastle City Hall 1981 & 1982
Toyah Newcastle City Hall 1981 & 1982
So Toyah became a pop star. She had major chart success with a run of hit singles. First “It’s a Mystery” which was the stand out song on a hit EP. Toyah: “When I first heard ‘It’s a Mystery’ I thought it wasn’t for me….the end of…four brilliant years’ work as a credible rock artist… Because I’d worked from 1977 right up to 1980 and I had an army of followers and I just knew this song wasn’t for them”. This was followed by “I Want to Be Free”. Toyah again: “It resonated with how I felt about my school years.” “Thunder in the Mountains” followed: “I wanted to be Bodicea, set in the future, a woman breaking free… everything I did that year was on the concept of breaking free”.
I saw Toyah on the next couple of tours both of which called at Newcastle City Hall; the Anthem tour on 1st June 1981 and the Changeling tour on 12th July 1982. These were big shows with intricate stage sets, which gave Toyah a platform to run around, playing out her Bodicea fantasy, while she squealed, squawked and screamed her way through the set. Great fun.
The concerts on 17 July and 18 July 1982 at London’s Hammersmith Odeon were recorded for the live double album Warrior Rock: Toyah On Tour.
Setlist from 1982 tour: Good Morning Universe, Warrior Rock, Danced, Jungles Of Jupiter, It’s A Mystery, Castaways, Angel & Me, Brave New World, The Packt, Thunder In The Mountains, We Are, I Want To Be Free, Dawn Chorus, War Boys, Ieya.
29 Oct
Toyah Newcastle Mayfair 1980 & Durham University 1981
Toyah Newcastle Mayfair 1980 & Durham University 1981
My first recollections of Toyah Willcox are of seeing her performances in the seminal punk film “Jubilee” and the film of the Who’s “Quadrophenia”. That started my interest in her and I went to see her live on four occasions I the years between 1980 and 1982. It may not be cool to admit it now, but I was a bit of a fan at the time, and enjoyed her life performances. You have to admit that this lady has achieved a lot including 8 Top 40 singles, over 20 albums, two books, over 40 stage plays and 10 films, and many TV shows. She is also, of course, married to enigmatic prog king Robert Fripp.
I first saw Toyah live on the 1980 IEYA tour, when she called at Newcastle Mayfair on 5th June 1980. This was her first visit to the north east, and I had been waiting for some time for a chance to see her. At the time Toyah was seen as being part of the punk scene, although she said “I don’t use punk whatsoever because my philosophies are so different, my morals are so straight. I’m not a punk, I’m a modern woman.” 
I recall the gig as a joyous, crazy affair. Toyah live was a manic bundle of energy, charging around the stage, screaming, rolling around, totally into the performance. The band weren’t far behind her, either. The music used dynamics, soaring choruses and thumping beats to drive the gig along. Great fun, and very impressive. Toyah was a serious artist and a real contender at the time.
This was before she yielded to the charts and the hit making machinery. “At some of our gigs the kids go bananas! But this one time it was particularly bad. A riot started before we’d even leapt on stage. 
I was furious, ‘cos a lot of kids wanted to hear us! I didn’t know what to do, so I stomped off till everyone calmed down!” (Record Mirror, 1980). A live album was recorded during the tour, at Wolverhampton Lafayette a couple of weeks after the Mayfair gig. The track listing is: Victims of the Riddle, Indecision, Love Me, Visions, Tribal Look, Bird in Flight, Danced, Insects, Race Through Space, Ieya. I guess the set at the Mayfair will have been similar.
In early 1981 Toyah toured university student unions; I attended a wild packed gig at Dunelm Ballroom Durham University on 26th January. Toyah was on the verge of massive chart success. The EP “Four by Toyah” would soon be released, which featured the hit “Its a Mystery”.
28 Oct
Television Newcastle City Hall 23rd May 1977 and 10th April 1978
Television Newcastle City Hall 23rd May 1977 and 10th April 1978
Marquee Moon was one of those songs which seemed to follow me everywhere in 1977. The title track of Television’s highly acclaimed (and rightly so) debut album was on everyone’s playlist. If was so…. different from anything else at the time, and came from a different dimension to any of the more familiar variants of punk or new wave. No thrash, no poppy tune. Instead Marquee Moon had all the ingredients of great new music: Tom Verlaine’s extraordinary razor sharp edgy riffs, cutting in and out of the off-beat, and some seriously weird lyrics which were difficult to understand but seemed to tell some strange dark story. The rest of the album was equally as good, with great twin guitar work, an arty, precise, almost clinical feel and elements of classic rock. The critics loved it. Television’s line-up at the time was Tom Verlaine (guitar, vocals), Richard Lloyd (guitar), Fred Smith (bass) and Billy Ficca (drums). Television toured the UK with support from Blondie, playing at Newcastle City Hall on 23rd May 1977. There was a good turn out for the concert which drew punk, rock and pop fans.
Although both bands hailed from the same New York new wave scene, they were musically and artistically very different and those differences came through in their performances that night. Blondie were on the cusp of massive success, and were bright, poppy, fast and lots of fun. Debbie Harry was amazing. In contrast Television were serious, distant, and simply played their (excellent) music with no particular light show and very little interaction with the audience. A great concert, with two contrasting bands both performing well.
Relations weren’t great between Television and Blondie on the tour. Blondie’s Chris Stein said that Television were “competitive” and recalled the Glasgow show where “all our equipment was shoved up at the Apollo and we had like three feet of room so that [Tom Verlaine] could stand still in this vast space.”
A 1977 Television setlist would be something like this: See No Evil, Friction, Venus, Prove It, Elevation, Marquee Moon, Knockin’ on Heaven’s Door
(Bob Dylan cover), Satisfaction (Rolling Stones cover).
The Damned has a similar experience to Blondie when they played with Television. Brian James: “When we did that first American tour, we had a gig on the West Coast supporting Television. We got there and they said ‘We’re not letting this bunch support us’. We were stuck on a limb. We went down to see them and play and we had tee-shirts saying ‘Television are c**ts’. It really intimidated them. Captain wrote a song called ‘Idiot Box’ — like TV — about them.” “I can turn you off, Well I just tried & left you off
Tumbling you may be art, But you sure ain’t rock’n’roll
People standing in the rain, Just to see that screen Verlaine
Supersonic I’ll come back soon, ‘Cause all we got is a Marquee moon” (Idiot Box, The Damned)
Television returned to Newcastle City Hall on 10th April 1978. The hall was far from full, and much emptier than the previous year. Support this time was The Only Ones, Peter Perret’s great band. This was at their time of their excellent single Another Girl, Another Planet. Another big contrast between support and headliner. This was a lack lustre performance by Television. They spent some considerable time tuning up, ignoring the audience, to the extent that several people walked out. The feeling that came over was one of coldness and distance.
Sorry to leave my memories on a less than positive note. Television were an exceptional band, a breath of fresh air and the sound of Verlaine’s guitar on Marquee Moon cut through everything else around at the time.
Many thanks to Mitch for the photos which he took at the 1977 concert.
14 Oct
The Tourists Newcastle City Hall 19th September 1980
The Tourists Newcastle City Hall 19th September 1980
The Tourists Luminous tour of Great Britain called at Newcastle City Hall on 19th September 1980. The tour was to promote their third and final album “Luminous Basement”, which wasn’t as successful as the previous two releases, making No. 75 in the chart. The single from the album “Don’t Say I Told You So” made No. 40 in the singles chart. Support came from the Barracudas a surf/garage/psych/pop band who had a summer 1980 hit single “Summer Fun” and were great fun. The Tourists star was starting to wane, and although this was a fun show, the City Hall was far from full, and things weren’t going so well in the Tourists camp. The band split later in 1980, with Anne Lenox and Dave Stewart forming a liaison which would soon yield much greater success as the duo Eurythmics. The end of the Tourists came in Bangkok, when an airline strike stranded the band. The rift came with Stewart and Lennox disagreeing with the band’s main singer-songwriter Peet Coombes. 
Annie said in NME at the time: “Now Peet can be his own spokesperson…It was always part of Dave’s and my dilemma that we were acting as spokespersons for someone else’s work within a pop context, yet we weren’t able to put across how removed he was from that whole scene….We were on a funny boat, The Tourists….A strange craft… When we did that song [I Only Want to be With You] it was purely for fun. But after that it became bizarre. The things that happened to us were so wild, yet everyone got the impression of nice, clean poppy people. Dave Stewart: “The publicity thing just became like a bigger and bigger black cloud, until the only way we probably could have continued to exist with any dignity as people was to step aside and say, ‘Look this just doesn’t exist anymore. Let’s do something else’.” And that’s exactly what they did.
13 Oct
The Tourists Newcastle City Hall 23rd February 1980
The Tourists Newcastle City Hall 23rd February 1980 
The Tourists were, of course, the pre-Eurythmics band of Annie Lenox and Dave Stewart. I’d seen Stewart perform with local Sunderland folk-rock band Longdancer a number of times, and was a little surprised to see him pop up in a post-punk pop band. However this particular post-punk band had its roots in folk and 60s pop. Harry Doherty, writing in Melody Maker, drew comparisons with Fairport Convention (not sure that I quite see that) and the Mamas and the Papas (I don’t quite see Annie or Dave as Mama Cass either 🙂 ). The first time I saw the Tourists live was on 10th May 1979 when they supported Roxy Music at Newcastle City Hall. They put in a good performance, warmed the crowd up well, and won a few friends that night. I saw them again a few months later on 24th August 1979 at the Reading Festival, sandwiched between performances by Motorhead and Friday night headliners the Police. I remember the Reading performance well; the Tourists had some great songs, particularly the Peet Combes compositions “Blind Among The Flowers” and “The Loneliest Man In The World”, which both featured in their performance that night and came over well on a cool summer evening. Both songs were released as singles. The Tourists went down quite well with the Reading crowd, particularly considering that most people who were there had come to see Motorhead; hardly the sort of crowd to appreciate a new punky pop band. They had some problems with the sound that night: “The only thing that freaks me about touring, is the equipment…It’s right out of your hands if it goes wrong. That’s what happened when we did the Reading Festival. It was mayhem onstage, really frightening.” (Annie Lenox, Record Mirror, 1980). Peet was the main songwriter in the band at the time, and wrote all of the songs on their first album. I saw them again on 19th October 1979 at Newcastle Polytechnic, by which time they had made No. 4 in the UK singles chart with their cover of Dusty Springfield’s “I Only Want to Be with You”. A drunken Friday night student crowd danced and sang along with Annie. I thought at the time that “I Only Want to Be with You” was a strange, and for me somewhat disappointing, choice for a single; given the strength of their original material. However, it worked for them, and gave them their first big chart success, helped by Annie’s great performance on Top of the Pops. 
By the time the Tourists went out on their first headline “Last Laugh” tour they had released a new single “So Good to Be Back Home Again”. I saw them at Newcastle City Hall on 23rd February 1980. A great performance; good fun straight-on pop. Support came form Edinburgh band the Solos. From the programme: “A short story from a short person. I can’t understand what I’m doing in this group when I’m such a brilliant footballer, but life takes strange twists and I twisted my knee, which ruined my chances of captaining England back in ’69” (Dave Stewart); “Pigtailed and precocious, the envy of all the potential Shirley Temples of Abderdeen, I started to learn the flute and went to play in military bands, symphony orchestras, chamber ensembles, etc….” (Annie Lennnox); “I was setting up my kit at 10 in the morning in a studio in London when in walked in Dave Stewart. Now, Dave and I had met in a hotel in Amsterdam when he was playing in Longdancer and I was with Colin Blunstone. We had hit it off really well together and as I remember I got very drunk.” (drummer Jim Toomey); “No great history – the only bands I ever played in were Peculiar Star (in Sunderland an experimental toy instrument idea…) and the Tourists.” (Peet Combes); “Q. Edward, do you really come from outer space? A. YES! I’m from the Orion!” (bassist Eddie Chin).
12 Oct
The Teardrop Explodes Newcastle Mayfair 25th June 1981 & Newcastle City Hall 2nd February 1982
The Teardrop Explodes Newcastle Mayfair 25th June 1981 & Newcastle City Hall 2nd February 1982
The Teardrop Explodes were a great pop group. Although they emerged as part of the post-punk / new wave scene of the late 1970s, their music was very clearly influenced by ’60s psychedelia, and was labelled “bubblegum psych” or “bubblegum trance” by the music press. Led by charismatic, and fascinating, front man Julian Cope they exploded out of the Liverpool scene; friends of Wah! and the Bunnymen. I loved the singles “Treason” and “Reward” which remain classics of the genre and continue to influence bands today. I saw The Teardrop Explodes on three occasions, at Newcastle Mayfair on 25th June 1981, at Newcastle City Hall on 2nd February 1982, and supporting Queen at Elland Road on 29th May 1982. I have strongest memories of the Mayfair gig. The Teardrop Explodes had been high in the charts with “Reward” and the band, and Julian Cope in particular, were on top form. Julian was on the brink of becoming a major pop star. He was his usual exuberant, fearless, unashamed, “little boy lost” blonde bob self. And why wouldn’t he be; after all he was on the verge of becoming his hero Scott Walker. “The whole idea of the Teardrops to me is nice, nice melodies and lyrics that, while they’re always sung hopefully, have dark secrets in them when you start listening to them.” (Julian in Record Mirror, 1981). 
A packed Mayfair crowd gave the band a crazy reception; it was a great night; swirling, whirling waves of sound and colour lifted us all and taking us along for the ride. The 1981 programme proclaims the tour “Out of the Culture Bunker”. Julian explained what this was about in Record Mirror (1981): “I have a new song called ‘Culture Bunker’ that’s about the way we all reacted to other people trying to make it in Liverpool. We’d say we really want you to make it but we don’t, the whole thing is so smiley, smiley, stab you in the back. David Balfe is always slagging me off for smiling at people, and saying hello when I’m not interested in them but it’s just the way I’ve been brought up. I’m not one of, those people who declare ‘I’m honest, I’m frank, I tell people that they’re shits’.”
By the time I saw the band again at the City Hall things didn’t seem quite the same. Don’t get me wrong, it was still a great, enjoyable gig, but it lacked the edge and power, and joy, of the Mayfair concert the previous year. This was due, in part, to the lack of craziness which results when moving from a ballroom to a concert hall, but also I suspect because things weren’t too good in the band; there had been several line-up changes, and there was ill-feeling between Julian and some of the other members. The music was changing as well, and according to reports Julian was experimenting heavily with LSD. Julian’s mood felt darker; he was no longer Scott Walker, and was becoming a moody Jim Morrison. The evening before in Edinburgh the gig had ended on a dark note: “What I do recall very clearly is the interminable nonsense of the final encore: Sleeping Gas. Never a tune I have ever had much time for, the piece degenerated into an embarrassing ten minute Cope rant. The singer ended up on the floor towards the end burbling on about savaging the audience, and I am sure I was not the only one in the place thinking “Julian! For F**’s Sake. Behave yourself” (from http://therockandrollknife.blogspot.co.uk/2012/04/teardrop-explodes-edinburgh-1982.html ). Such was Julian Cope at the time. 
The last time I saw The Teardrop Explodes they supported Queen at Elland Road. It wasn’t a great day for them. The crowd started hurling bottles and cans at Julian and he spent a lot of time arguing with everyone. “Not sure who was first on, probably Teardrop Explodes, Julian Cope, I remember while they were throwing bottles at him, picked one up and started hitting himself with it and stretching his arms out saying he was an Argentinian bomber or something. It was during the Falklands war, remember.” (from a Queen fan forum). It was like watching a band self destruct in front of your eyes.
I like to remember The Teardrop Explodes as they were that night at the Mayfair; joyous, uplifting; a celebration of a young guy from Liverpool who was living out his dreams, and let us come along for the ride.
Julian Cope continues to perform and remains a unique, highly creative, individual.
3 Oct
Talking Heads Newcastle Poly 27th Jan 1978 and Newcastle City Hall 27th Nov 1979
Talking Heads Newcastle Poly 27th Jan 1978 and Newcastle City Hall 27th Nov 1979
I first saw Talking Heads at a concert at Newcastle Poly in January 1978. They were touring with Dire Straits as support at the time. Dire Straits were starting to become known as a result of their single “Sultans of Swing” and Talking Heads were the darlings of the US new wave, with rave reports of their concerts in the States coming through the UK music press. I watched Taking Heads on TV performing “Psycho Killer” on the Old Grey Whistle Test and was hooked. The quirky jabbing rhythms and the strange lyrics (who would write a song about a psycho killer?) intrigued me. By the time they came to play at Newcastle Poly they were performing songs from their first album and the yet-to-be-released “More Songs About Buildings and Food”. Live Talking Heads were excellent. There was a feel of an art school band about them; very different to the punk of the Ramones or to any of the UK new wave. David Byrne was the eccentric school teacher, whose manic stage manner held us all transfixed, and Tina Weymouth bobbed away playing a bass that looked bigger than she did. I remember there being mutters that Dire Straits would outshine them; not so, Talking Heads were great and the crowd loved them.
Roll on a year or so and Talking Heads were back in Newcastle playing to a packed City Hall. By now they had released their third album “Fear of Music” and were massively successful, their popularity transcending the new wave tag. Human League were billed as support but I think they were pulled from the tour because they wanted to play a recorded set? I think A Certain Ratio were support in the end. It was another great performance by Talking Heads, with the packed hall giving the band a great reception.
Talking Heads Newcastle City Hall 27th Nov 1979
Setlist for the Newcastle Poly show: Love-> Building on Fire; Uh-Oh, Love Comes to Town; Don’t Worry About the Government; Take Me to the River; The Book I Read; New Feeling; The Big Country; Artists Only; Tentative Decisions; Stay Hungry; Thank You for Sending Me an Angel; Who Is It?; Psycho Killer
Encore: No Compassion; Pulled Up; I’m Not in Love; 1, 2, 3 Red Light
Setlist for the City Hall show: Artists Only; Stay Hungry; Cities; Paper; Mind; Heaven; Electric Guitar; Air; Animals; Love-> Building on Fire; Found a Job; Memories Can’t Wait; Psycho Killer
Encore: Life During Wartime; Take Me to the River
2 Oct
T Rex Newcastle City Hall 10th March 1977
T Rex Newcastle City Hall 10th March 1977
1977 was, of course, the year of punk rock. Marc was well aware of this and, in an interview in The Sun (February 1977) said that he had been waiting ‘for something like punk rock to come along…..I consider myself to be an elder statesman of punk” and declared himself “The Godfather of Punk.” Unlike many stars, he wasn’t afraid to put his money where his mouth was and “picked The Damned to tour with me because I wanted to put the best of the established bands against the best of the new wave bands, so we‘ll see who can out-punk the other every night” (The Journal, March 1977). A new T Rex album “Dandy in the Underworld” was released to fan and critical acclaim, and the band went out on tour with, as alluded to above, punk rock band the Damned as support. The tour was our chance to see a new, rejuvenated, slimmer Bolan, sharp-suited with smooth elfin looks, and a new band featuring Dino Dines (keyboards), Tony Newman (drums), Herbie Flowers (bass) and Miller Anderson (guitar). Although not every show was quite sold out, attendances were good, and the UK tour gained positive reviews. Bolan and T Rex were back on form and the future looked bright. From the tour programme: “Bolan today is a genuine star – the man who put magic back into pop music; seldom heavy and most often playful….Marc is a global super-star who has toured over 500,000 miles in the last two years….I am a teenage idol I suppose”. Big statements, but actually Bolan could live up to them.
I saw the tour at Newcastle City Hall on 10th Macrh 1977. The Damned were their usual crazy manic selves; it was quite brave of Marc to invite them on tour with him, as it could so easily have back-fired. In fact, the pairing worked well, with the Damned warming the audience up, and T Rex playing a set containing a good mix of old and new and which showed just how good a live act Bolan and his band could still be. Bolan was enjoying a new surge in popularity, and he even talked about the possibility of performing again with Finn and Took, as well as reuniting with producer Tony Visconti.
Set List: Jeepster, Visions Of Domino, New York City, The Soul Of My Suit, Groove A Little, Telegram Sam, Hang-Ups, Debora, I Love To Boogie, Teen Riot Structure, Dandy In The Underworld, Hot Love, Get It On
While driving home early on the morning of 16th September 1977, Marc Bolan’s purple Mini crashed into a tree, after failing to negotiate a small bridge near Gypsy Lane, Barnes, in southwest London, a few miles from his home. Bolan was killed in the crash, which took place two weeks before his 30th birthday.
Thanks to Michael and his excellent http://www.dandyintheunderworld.co.uk/ site of the tour for helping refresh by memories and providing pointers to some of the reference material of the time.
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