Siouxsie and the Banshees Middlesbrough 13th Oct 1977, Durham 15th April 1978 & Newcastle 30th Oct 1978
The Banshees stood out from the rest of the punk bands in their style, their attitude, and the mysterious, somewhat discordant, dark noise that they made. There was an air of danger about them, depth, mysteriousness, and Siouxsie herself was stunning, a force of nature, a revelation.
I first saw the Banshees supporting Johnny Thunders and the Heartbreakers at Middlesbrough Town Hall on 13th October 1977. Marie and I turned up early specifically to see Siouxsie. The venue was far from full, and this was a raw, ramshackle, Banshees; still feeling their way and learning their craft. But you could see that there was something different and special about them. The uniqueness of their music, Siouxsie’s style and arrogance, their image, all shone through the amateurishness. Siouxise was full of edge that night, fearless, and obviously out to shock. She was dressed in a see-through net top, a leather cap and looked just great. She commanded the stage with crazy dancing and goose stepping. The band were very young at the time and looked it; this was the first and best line-up of the Banshees; with Sioux on vocals, Severin on bass, Kenny Morris on drums, and John McKay on guitar, before they released their first landmark album “The Scream”. I can’t be certain what they played that night, but remember being impressed. I am pretty sure they played Metal Postcard, Carcass, T Rex’s 20th Century Boy (Souxsie announced the song “From one Carcass to Another” which I remember clearly as I thought it pretty bad taste at the time, as Bolan had died just a few weeks before), Love in a Void, The Lords Prayer, and Helter Skelter. For me they were the best band of the night and I went on to see them many more times over the next few years.
The next time I saw them was at a packed Durham University Dunelm Ballroom on 15th April 1978. By now the Banshees were a proper band, a major force. The venue was packed, the crowd crazy, the Banshees loud and intense and Siouxsie pure electric magic. The evening was spoilt by trouble and fights. There was a scary edginess in the air. As we left the venue we faced a massive line of skinheads blocking the ramp leading out to the street. “We hate punks!”…mass brawls….the police soon arrived. We ran to the car and made a swift, and lucky, escape.
The Banshees first single Hong Kong Garden was released in August 1978, they were soon in the charts, and then went out on a full UK tour of major concert halls. I saw them at Newcastle City Hall on 30th October 1978. Support was Spizz Oil (did Spizz really wear a helmet and keep hitting himself on the head, or did I dream that?), and the original Human League. The concert was sold out, and the music and the performance were joyous, swirling, challenging and totally engaging. From the first crashing, discordant opening bars of Helter Skelter, through the majestic pop of Hong Kong Garden, to the closing song The Lord’s Prayer, Siouxsie had us all totally captivated. Thinking of the punk bands that I saw live at the time; The Pistols were raw, powerful, important and vital; The Clash were rocky, political, fast, furious and “meant it”, The Jam were sharp, smart, and poppy; and The Damned were simply crazy, madcap, laugh. But the Banshees were different, daring, challenging, uncompromising, and produced sounds that came from somewhere dark, adventurous, rhythmic and yet uplifting. As you might have gathered; I was a big fan.
Based on published setlists, it is likely that the Banshees set at the City Hall was something like this: Helter Skelter; The Staircase (Mystery); Mirage; Metal Postcard (Mittageisen); Jigsaw Feeling; Switch; Hong Kong Garden; Nicotine Stain; Suburban Relapse; Overground; Pure; The Lord’s Prayer. Encore: Love in a Void
“Hong Kong Garden; Tourists swarm to see your face; Confucius has a puzzling grace; Disoriented you enter in; Unleashing scent of wild jasmine.” (Hong Kong Garden, Siouxsie And The Banshees, 1978)
More about the Banshees tomorrow.
Posts Tagged ‘new wave’
27 Aug
Siouxsie and the Banshees Middlesbrough 13th Oct 1977, Durham 15th April 1978 & Newcastle 30th Oct 1978
26 Aug
The Smiths Newcastle Mayfair 17th July 1986
The Smiths Newcastle Mayfair 17th July 1986
This was the last time I saw the Smiths, and is also the concert which I remember the least, in terms of their performance. What I do remember is that the gig was quite violent, with a lot of heckles and some trouble in the crowd on the ballroom flood. A few guys down at the front were throwing pint glasses (some full of p*** I think) at Morrissey. At times quite a lot of beer and p*** was thrown on stage, and there was a lot of spitting, which Morrissey (quite rightly) didn’t take kindly to. During the last encore “Hand In Glove”, Morrissey was spit on again. This time he had enough, and he left the stage, leaving the band to finish the song by themselves.
Support came from the Stockholm Monsters, a band from Burnage in Manchester who recorded for Factory Records and were produced by Peter Hook.
Setlist: Bigmouth Strikes Again; Panic; Vicar In A Tutu; Frankly, Mr. Shankly; There Is A Light That Never Goes Out; Ask; I Want The One I Can’t Have; Never Had No One Ever; Cemetery Gates; The Boy With The Thorn In His Side; Is It Really So Strange?; Shakespeare’s Sister; Stretch Out And Wait; That Joke Isn’t Funny Anymore; The Queen Is Dead
Encore: I Know It’s Over
Encore 2: (Marie’s The Name) His Latest Flame/Rusholme Ruffians; Hand In Glove
24 Aug
The Smiths Newcastle City Hall 24th March 1985
The Smiths Newcastle City Hall 24th March 1985
This was, along with their incendiary performance on the Red Wedge tour, the best time I saw the Smiths. The tour was to promote their second album “Meat Is Murder”, and this time they called at Newcastle City Hall. The venue was pretty full, but I don’t think it was sold out. Support came from fellow Manchurians James, who were being touted as the “next big thing”. The Smiths came onstage to the music of Prokofiev’s “Romeo And Juliet” which was played at very high volume and accompanied by flashing strobe lights. The performance also used video of animals being slaughtered during “Meat Is Murder”. I had a seat close to the stage, and was surrounded by fans going completely crazy; fans were climbing over each other to get close to Morrissey and the first three rows of seats collapse under the scrum. as people had been clambering over the chairs to get closer to their hero. At one point in the concert Morrissey threw his shirt out into the audience; it landed quite close to me, but I had no chance of getting hold of it, a few guys started fighting over it; the shirt was torn to shreds. Morrissey was encouraging fans to come down to the front. The http://www.johnnymarrplaysguitar.com site quotes him as telling the fans “Come on don’t be afraid…..Don’t be afraid of the bouncers, they’re outnumbered”. “Shakespeare’s Sister” had just been released, and was introduced as their new single. I remember watching Johnny Marr, and realising that night just how incredible a guitarist he was.
A great gig from a band who at the time seemed to be unstoppable. Sadly two years later it would be all over.
The tour programme featured pools winner Viv Nicholson on the front cover (see picture). Morrissey had become fascinated by Viv, who had famously won the pools and went ahead to “Spend, Spend, Spend” it all, squandering the money on cars and high living, until she was eventually declared bankrupt.
Setlist: William, It Was Really Nothing; Nowhere Fast; I Want The One I Can’t Have; What She Said; Hand In Glove; How Soon Is Now?; Stretch Out And Wait; That Joke Isn’t Funny Anymore; Shakespeare’s Sister; Rusholme Ruffians; The Headmaster Ritual; Still Ill; Handsome Devil; Meat Is Murder
Encore 1: Miserable Lie
Encore 2: Heaven Knows I’m Miserable Now; Barbarism Begins At Home
23 Aug
The Smiths Newcastle Mayfair 7th March 1984
The Smiths Newcastle Mayfair 7th March 1984
I was late getting into the Smiths. They had been in the charts with “This Charming Man” and “What Difference Does It Make?” and were soon to release “Heaven Knows I’m Miserable Now”. There was a buzz about this band and the press were beginning to hail them as the “band of the moment” (Max Bell, The Times, 24 February 1984 in a review of a Smiths gig at the Lyceum, London). Bell went on to explain: “six months ago this Mancunian four-piece were breaking out of the club circuit. On Sunday they packed the Lyceum Ballroom with an air of reverential expectancy.” Bill Black (Sounds, November, 1983) declared the Smiths “a band verging on greatness”.
By the time I had decided I should go and see the Smiths, their concert at Newcastle Mayfair had been completely sold out for weeks. Still, I thought I’d try and get in, so I wandered along to the Mayfair ballroom on the night of the gig, only to find a massive queue outside the venue, waiting for the doors to open. I wandered up and down the queue shouting “anyone got a spare ticket” and soon scored one for face value. After a short wait the doors opened and we made our way down the stairs into the ballroom. The area on the dance floor around the stage was soon completely packed. I stayed up on the balcony, wandering around. Support came from Red Guitars, who were a left wing indie rock band from Hull. Their first single “Good Technology” was a minor hit.
The Smiths started with “Hand in Glove”, Morrissey sporting hearing aids, and a bunch of gladioli hanging from his back jeans pocket. There was some trouble in the crowd, and a few guys were spitting at Morrissey which caused him to stop singing a couple of times. Overall, however the audience gave the band a great reception, with the Smiths returning for two encores. When they came back on stage for the encores Morrissey was carrying huge armfulls of gladioli which were showered upon the crowd. This was the Smiths at their best, performing songs which have become classics. I remember everyone singing along to “This Charming Man” particularly the line “I would go out tonight, But I haven’t got a stitch to wear”. Happy days.
Setlist: Hand In Glove; Heaven Knows I’m Miserable Now; Girl Afraid; This Charming Man; Pretty Girls Make Graves; Still Ill; This Night Has Opened My Eyes; Barbarism Begins At Home; Back To The Old House; What Difference Does It Make?
Encore: Reel Around The Fountain
Encore 2: You’ve Got Everything Now; Handsome Devil
7 Aug
The Sex Pistols Brixton Academy London 10th November 2007
Sex Pistols Brixton Academy London 10th November 2007
Support from The Cribs
John Lydon: “It started out as one night at Brixton….We thought maybe 5,000 will want to see us, but it’s turned into a bigger monster than any of us had any concept of.” In fact, the Sex Pistols ended up playing to 60,000 fans during their brief 2007 reunion tour, camping for five nights at Brixton Academy and then adding two massive arena shows in Manchester and Glasgow.
I’ve already blogged on the two occasions which I was lucky enough to see The Sex Pistols in their prime, once in 1976 and once in 1977. I passed on their 1996 “Filty Lucre” and 2002 Golden Jubilee reunion gigs. I figured it was never going to be the same. Well of course, it wasn’t going to be the same, but it could still be bloody great! When I saw that they were reuniting again in 2007 for a few dates at Brixton I relented and bought tickets. The dates were to mark the 30th anniversary of the release of the band’s seminal album Never Mind The Bollocks.
David and I arrived early for the gig, and watched support band The Cribs, who seemed very much out of the punk mould. By the time the Pistols were due on stage, the place was completely ram packed, almost dangerously so. The audience was, as you would expect, largely aging punks; lots of mohican haircuts and studded leather jackets. Before the Pistols came on stage, the hall was filled with the sound of Vera Lynn’s “There’s Always Be An England” which prompted mass singalong (and sadly quite a few right arm salutes). I’m not sure it was the most appropriate song to open the concert with, but it certainly got the crowd going.
The band walked on stage Rotten as wide-eyed as ever. 
They hurling themselves into “Pretty Vacant” and the place went completely bananas. An atmosphere, a band, a crowd, and a punk anthem like no other. There never was, never has been, and never will be anyone who can touch these guys. Rotten was sneering, his snarling vocal as thrilling and powerful as ever. Flanked, as in 1976, by Steve Jones, ever the guitar hero, and Glen Matlock looking ever the cool guy.
All the hits and most of the “Bollocks” album are played; an immense crashing version of “Holidays In The Sun” with Paul Cock slamming the drums, Rotten spitting out the lyrics to The Stooge’s “No Fun”, and a backdrop of our safety-pin-sporting queen is lowered behind them for “God Save The Queen”. Half way through the set David and I make our way towards the back of the hall, its juts too full and too hot down near the front. Then there is the inevitable encore of “Anarchy In The UK”, at which point I swear every single person in the venue is singing at the top of their voice. They return again to play a cover of Jonathan Richman’s “Roadrunner”.
We walked out in the cold London air, stunned; knowing that we had experienced something special. I bought a bootleg programme for £1 (pictured).
Well, of course, no it wasn’t the same. We were older, and so were the Pistols. The crowd was bigger than those they played to in their heyday (when I saw them in 1976 there were 50 to 100 people there, a few hundred in 1977). We knew all the songs this time. But these old guys could still sneer at society, and play some of the best rock’n’roll produced by any band. Amazing. Scary. Stunning.
I have the DVD and play it every now and then to remind myself of that night.
Setlist: Pretty Vacant; Seventeen; No Feelings; New York; Did You No Wrong; Liar; Holidays in the Sun; Submission; (I’m Not Your) Steppin’ Stone; No Fun; Problems; God Save the Queen; E.M.I.
Encore 1: Bodies; Anarchy in the U.K.
Encore 2: Roadrunner (Jonathan Richman cover)
3 Aug
Squeeze and Wreckless Eric Newcastle Mayfair 28th February 1980
Squeeze and Wreckless Eric Newcastle Mayfair 28th February 1980
I’d seen Squeeze supporting Eddie and the Hot Rods, The Tubes, Dr Feelgood, and at Reading, but this was the first time, and only time, I saw them as a headline act. This was the classic Squeeze line-up featuring Chris Difford, Glenn Tilbrook and Jools Holland. Squeeze had just released their third album “Argybargy” and had already made the UK top 20 four times, with their first single “Take Me, I’m Yours” which reached No 19 in 1978, the excellent “Cool for Cats” and “Up the Junction”, both of which reached No. 2 in 1979 and their most recent release at the time, “Another Nail in My Heart”, which made No. 17 in January 1980. Support came from the crazy Wreckless Eric, whose most well-known song is the wonderful “Whole Wide World”. Squeeze were a great live act who produced a clutch of perfect pop songs; my favourite is “Up The Junction” which is just pure class. The setlist for the concert at the Mayfair is likely to have been something like this: Slap and Tickle; Touching Me, Touching You; Slightly Drunk; Pulling Mussels (From the Shell); Hop Skip & Jump; Another Nail in My Heart; Cool for Cats; Messed Around; I Think I’m Go Go; Take Me I’m Yours; If I Didn’t Love You; Misadventure; It’s So Dirty; Goodbye Girl; Up the Junction; There at the Top. Encore: Going Crazy
2 Aug
Patti Smith The Sage Gateshead 23rd May 2007
Patti Smith The Sage Gateshead 23rd May 2007
Patti Smith married Fred “Sonic” Smith, former member of the MC5, in 1980. For most of the 1980s she went into semi-retirement from music, living with her family in Michigan. In 1994 Fred Smith tragically died of a heart attack, and soon afterwards Patti decided to move back to New York. Her friends Michael Stipe of R.E.M. and beat poet Allen Ginsberg reportedly urged her to go back out on the road.
In 2007 Patti Smith was touring the UK and returned to the North East for a concert at The Sage Gateshead. This was almost 30 years since I last saw her live. My friend John and his family were over from the USA at the time and John and his son Matthew came along to the concert with David and me. John and I had tickets in the front row, and we bought a couple of more seats for Matthew and David, who were seated in the circle.
Patti had just released the album “Twelve”, which (as the title suggests) contains twelve tracks, all of which are cover versions, including songs by Bob Dylan, Jefferson Airplane, Jimi Hendrix and the Rolling Stones. Patti was as crazy and wild as ever, and in a particularly chatty mood. She was quite taken by the Sage concert hall; she told us it reminded her of a “big silver peanut”, and how she had been walking about the riverside, looking at the “big silver peanut”. Patti asked us all to stand up, but a girl down front explained that if we did we might all be “hoyed oot”. It took a little time for others to explain to Patti that “hoyed oot” was Geordie for “thrown out”. Patti’s reaction: “When you want to do something, make everyone do it so they can’t stop you”; several of the audience followed her advice and stood up for the rest of the concert. She was in quite a cheeky mood overall. I went to the gents; when I returned I had to make my way along the front row right in front of Patti; she quipped: “Did you have a good p**s?”. [Morale: don’t sit too close to the front at a Patti Smith concert].
The set consisted of classic 1970s Patti: “Free Money”, “Because the Night”, “Gloria”, and several covers from “Twelve”: “Changing of the Guards” (Dylan), “Are You Experienced?” (Hendrix), “Within You Without You” (Beatles), “White Rabbit” (Jefferson Airplane), “Perfect Day” (Lou Reed), “Gimme Shelter” (Stones), “Soul Kitchen” (Doors), “Smells Like Teen Spirit” (Nirvana) and “Helpless” (Neil Young), all given the Patti Smith treatment.
A great concert by a true artist.
Full setlist: Redondo Beach, Free Money, Changing of the Guards, Are You Experienced?, My Blakean Year, Beneath the Southern Cross, Within You Without You, White Rabbit, Perfect Day, Pissing in a River, Because the Night, Gimme Shelter, Soul Kitchen, Peaceable Kingdom/People Have The Power, Gloria. Encore: Smells Like Teen Spirit, Babelogue/Rock n Roll Nigger, Helpless.
In 2007 the line-up of Patti Smith’s Band was Lenny Kaye, Jay Dee Daugherty, Tony Shanahan and Jackson Smith (Patti’s son).
1 Aug
Patti Smith in 1978 at Reading Festival (27th Aug) & Newcastle City Hall (29th Aug)
Patti Smith in 1978 at Reading Festival (27th Aug) & Newcastle City Hall (29th Aug)
Patti Smith is a force of nature; outspoken, compelling, authentic, passionate, kooky, arty, funny, challenging, cheeky and the craziest rock ‘n’ roll anti-star to arrive on the scene during the late ’70s. She exploded out of the new wave movement, but there was always much more to her than punk rock. Patti wears her rock and pop influences on her sleeve, and her music owes as much to The Who, The Stones and Dylan as it does to the Pistols and The Ramones.
I first saw her live in 1978, twice in three days; on a Sunday night closing the Reading Rock Festival, and then again onTuesday at Newcastle City Hall. Patti had just been in the UK singles charts with “Because the Night” which she co-wrote with Bruce Springsteen, and which reached No. 5.
Patti closed the 1978 Reading Festival, headlining the Sunday which also featured Ian Gillan, Tom Robinson and Foreigner. She was amazing and had the whole crowd with her as she stormed, screamed and snarled “Rock ‘n’ Roll Nigger”, tore into “Gloria”, “Because the Night” and sanf great covers of the Byrds’ “So You Want to Be (A Rock ‘N’ Roll Star)” and the Who’s “My Generation”. Stunning.
I have a “Rock ‘n’ Roll Nigger” plectrum which Patti threw into the crowd at Reading. I scrabbled around the ground, in the mud for it, after she threw a handfull into the crowd.
Set list; 27th August 1978, Reading Festival
Rock ‘n’ Roll Nigger, Privilege (Set Me Free), Redondo Beach, Free Money, Ghost Dance, It’s a Man’s Man’s Man’s World, So You Want to Be (A Rock ‘N’ Roll Star), Ask the Angels, 25th Floor, Because the Night, Gloria, You Light Up My Life, My Generation, Godspeed
I saw Patti two days later concert at Newcastle City Hall and she was equally as electric. Support came from The Pop Group. The set was slightly longer than her Reading performance. The last song was a wonderful performance of the Stones’ “Time is on my Side”. I have a flyer from the City Hall concert, the front (see above) has a picture of Patti saluting, “78 Speed…(?) and “r.e.f.m.” (Radio Ethiopia Field Marshall ?), and some other words I can’t quite make out. The back (see below) includes some egyptian hieroglyphics and a copy of the lyrics of “Ghost Dance” in Patti’s own hand.
“What is it children
That falls from the sky
Ti Yi
Ti Ya
Ti Ye Yi-Yi.
Mana from Heaven
of the most high
food from the father
Ti Ya
Ti Yi”
Set list, 29th August 1978, City Hall, Newcastle
Godspeed, Till Victory, Privilege (Set Me Free), Kimberly, Redondo Beach, Space Monkey, High On Rebellion/25th Floor, It’s a Man’s Man’s Man’s World, So You Want to Be (A Rock ‘N’ Roll Star), Pumping (My Heart), Because the Night, Radio Ethiopia, Babelogue, Rock ‘n’ Roll Nigger, Gloria, My Generation, Time Is on My Side
30 Jun
Stray Cats Newcastle Mayfair 1980 & Sunderland Poly 1981
Stray Cats Newcastle Mayfair 1980 & Sunderland Poly 1981
The Stray Cats were an American rockabilly band formed in 1979 by ace guitarist and vocalist Brian Setzer, double bassist Lee Rocker, and drummer Slim Jim Phantom. The group came through just after punk and new wave and relocated to London, hitting the charts in 1980 with “Runaway Boys” and again in 1981 with “Rock This Town” and “Stray Cat Strut”. Marie and I went to see them at the Mayfair on their first UK tour, just after “Runaway Boys” was released. They were just starting to make a name for themselves and the ballroom was pretty empty, as I recall. They pulled out an amazing high energy performance, Brian Setzer being particularly impressive. Stray Cats were a breath of fresh air at the time, a welcome diversion from punk and new wave, and very different from anything else around. 
You could, of course, see the rock’n’roll and rockabilly influences; Brian Setzer becoming a cross between Eddie Cochran, Carl Perkins, and Gene Vincent on stage. By the time I saw them again at Sunderland Poly Wearmouth Hall, less than one year later, the place was packed, and lots of rockin’ and rollin’ went down that night. Great gigs by a great band.
The Stray Cats reunite now and then for live performances, and Brian Setzer is now part of his 1990s swing-revival band The Brian Setzer Orchestra, and a pretty amazing guitarist.
16 Jun
Sex Gang Children Dingwalls Newcastle 1983?
Sex Gang Children Dingwalls Newcastle 1983?
Sex Gang Children were an early goth, post-punk band that formed in the early 80s, and were one of the more well-known bands of the “Batcave” scene. The “Batcave” was a night club in London at the time, which is often credited with being one of the places out of which “goth” grew. Sex Gang Children were fronted by Andi Sex Gang on vocals. I remember them as a very dark (of course) band, with dramatic songs, heavy bass and tribal drumming. This gig was probably in 1983, around the time that Sex Gang Children released their only studio album “Song and Legend” which made the top of the UK Indie Chart and contained the single “Sebastiane”.
Their setlist of the time was something like this: Cannibal Queen; German Nun; State of Mind; Draconian Dream; Beasts; Kill Machine; Killer ‘K’; Dieche; Oh Funny Man; Sebastiane; Song and Legend. Encore: The Crack Up
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